This project was designed to explore cinema as a conceptual construct and apply our discoveries onto a public space. One Hour Photo is based on an emotionally isolated photo clerk who intervenes in the lives of his customers. The movie uses symmetrical, slow, rhythmic montage and a bright, low-contrast lighting scheme and color palette to dehumanize the central character. I chose the 35W bridge because its palette, lighting, symmetry and calculated nature mirror the movie well. My exploration and intervention revealed that the introduction of active people heightened the awareness of the dehumanizing qualities of the space.