There is an interesting feature on
Penelope Cruz by Ingrid Sischy in the latest issue of Vanity Fair. The story focuses on Cruz because of
her two upcoming films, Pedro Almodovar's Broken Embraces and Rob Marshall's Nine.
The feature compares Cruz to the likes of
Marlene Dietrichs and Sophia Loren.
Cruz not only remains a star in her native country of Spain but has
managed to reach an elusive level of Hollywood stardom. Her success on many levels is a triumph
for other aspiring Spanish performers.
Sischy declares Cruz as having reached
the pinnacle of her career, after a series of letdowns. She praises not only Cruz's success,
but also her character with a charming anecdote at the beginning.
This feature is a profile of the actress
Penelope Cruz, because it looks at her life and career in addition to who she
is as a person.
The structure of this profile follows the
predictable pattern of starting in the present and then flashing back to the
beginning of her career. In a
typical rags-to-riches story, Sischy describes Cruz's journey to becoming the
remarkable success she is today.
I was taken aback by Sischy's commentary
in some places. In addressing
Cruz's physical appearance, she bluntly states the actress isn't "cookie-cutter
pretty" and "even has a bit of a schnoz."

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