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September 30, 2006

an issue of social design

we are, after all, animals; it reminds us of our own mortality: the restroom. they are everywhere, in every class of society – from the troughs of sporting arenas to the private rooms of opera houses. why then, cannot this necessary amenity demand a higher respect from the design community?

i at first notice a flaw in the entrance: more often than not, it is a push to enter and pull to exit type of door. this is backward design in extreme for if one is the least bit health conscious it is necessary to grab hold of the community door handle – the single spot where washed and non-washed hands alike can share a host of contagious molecules.

the second flaw is inconsistency. there will inevitably exist restrooms that have undergone large expense through the installation of high technology motion detection systems for the sinks and either air dry or automatic towel dispensers. yet still, there is that handle that has to be overcome upon exiting. it is only an option to save a bit of towel to open this handle when there are towel dispensers – an endangered item – rather than air driers – ever growing in popularity.

the worst flaw is that of the circular cloth towel. this is little more than a rotating community disease dispenser meant to be avoided at all costs. little more needs to be explained of this device as its faults are self-evident.

i personally would advocate for door less restrooms with automatic sensorary washing items. but even without these sensors, the door less restroom is an improvement as i can feel comfortable after washing and drying – something that seems very few are doing these days – not to have to wrap my hands around an infested handle.




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September 20, 2006

a conservation of energy

upon approaching the midtown global market a sense of vibrancy can be felt radiating from the very structure itself. it is located in a diverse neighborhood and stands out as the most prominent building of the site. this vibrancy is transformed into a curious expectancy before even entering the building.




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once inside there is an obvious energy in the commotion of busy bodies rapidly passing eachother in apparent random objectives. this energy seems to have originated from the timelessness associated with the dissonance in the design of each shop. all in one couryard different themes are repressented through the use of diverse technologies. an aged tile design can be seen adjacent to a neon sign advertizing fresh goods.




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there is also a vibrance in selection. it is rare to experience this many cultures in one area. the global market is truely a valent effort of representing global nationalities; in a short walk one can experience the tastes, art and aromas from:

-Tibet
-Africa
-Mexico
-China
-Japan
-American (Cafe)
-Greece
-Turkey
-Sweden
-Native America
-India
-Jamaica

the midtown global market is a clear example of the conservation of energy. it is created in foods prepared through cultures refined from all over the world, transfered in the ingestion, burned and released again through the movement and collision of a crowd.