a performative power

Kafka's writings, as the self-referential parable of the leopard makes clear, are not merely constantive acts of narration, but hold a performative power. Like the leopards breaking into the temple and becoming part of the ceremonial ritual, Kafka's writing both provisionally program in advance their future reception, and then via the hidden mechanism of enforced retrospection, program that programming as inevitable and not provisional of contingent.

[Samolsky 188]

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