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      <title>CLA Reach</title>
      <link>http://blog.lib.umn.edu/clareach/stories/</link>
      <description>The magazine of the College of Liberal Arts.</description>
      <language>en</language>
      <copyright>Copyright 2009</copyright>
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         <title>News from our alumni</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189776</link>
         <guid>189776</guid>
        <body><p><strong>Richard Sandor, Ph.D. &#39;67</strong>, recognized internationally as the father of carbon trading, received Ernst & Young&#39;s Entrepreneur of the Year Award in the Midwest region. </p>

<p><strong>Richard Koshalek, M.A. &#39;68</strong>, has been appointed director of the Hirschhorn Museum in Washington, D.C. </p>

<p><strong>Larry Johnson, B.A. &#39;70</strong>, won first prize in a contest celebrating active seniors, sponsored by Mid-America Events & Expos.  </p>

<p><strong>Constance Van Hoven, B.A. &#39;76</strong>, is publishing a children&#39;s picture book about winter and holiday activities, Twelve Days of Christmas in Minnesota, this October. </p>

<p><strong>Fernando Alvarez, Ph.D. &#39;94</strong>, was elected a Fellow of the Econometric Society.</p>

<p><strong>Paul Meierant, B.A. &#39;94</strong>, received the University of Minnesota Board of Regents Alumni Service Award. </p>

<p><strong>Fiona Quick, B.A. &#39;96</strong>, is a contributing writer for Minnesota Hockey Journal, and author of its "Quick Facts" column.</p>

<p><strong>Scott Muskin, M.F.A. &#39;98</strong>, was the inaugural winner of the Parthenon Prize for Fiction for his novel, The Annunciations of Hank Meyerson, Mama&#39;s Boy and Scholar.</p>

<p><strong>Robert Ngwu, B.A. &#39;99</strong>, President and CEO of Megasouk Group, has been elected President of the Black MBA Association, Twin Cities chapter. </p>

<p><strong>Saidah Arika Ekulona, M.F.A. &#39;96</strong>, played the lead role of Mama Nadi in the off-Broadway show Ruined, at the Manhattan Theatre Club. </p>

<p><strong>Polly Carl, Ph.D. &#39;00</strong>, is joining Chicago&#39;s Steppenwolf Theatre as director of artistic development. </p>

<p><strong>Carla Scholtes, B.A. &#39;02</strong>, is a program manager for Wells Fargo, designing classroom and online training programs.</p>

<p>The Playwrights&#39; Center in Minneapolis has awarded <strong>Kevin Kautzman, B.A. &#39;03</strong>, a 2009-10 Jerome Fellowship for his play Then Waves. The play is also a finalist in the Yale Drama Series, Great Plains Theatre Conference, and Id Theater&#39;s Seven Devils Playwrights Conference competitions.</p>

<p>The New York Times called <strong>Matt Amendt, B.F.A. &#39;04</strong>, "charismatic" and "skillful" in the title role of Henry V, a co-production of the Guthrie Theater and New York City-based The Acting Company. The cast included <strong>William Sturdivant, B.F.A. &#39;05</strong>, and <strong>Samuel Taylor, B.F.A. &#39;06</strong>, both in multiple roles. </p>

<p><strong>Santino Fontana, B.F.A. &#39;04</strong>, plays Tony and <strong>Joel Hatch M.F.A. &#39;83</strong>, plays George in Billy Elliot. The Broadway show&mdash;music by Elton John&mdash;won 10 Tony Awards, including Best Musical. </p>

<p><strong>Andrea Uselman-Brandt, B.A. &#39;04</strong>, has appeared in plays at the Guthrie and other Twin Cities theaters. She&#39;s also published Beyond Talent, a practical guide for individuals interested in starting and sustaining a career in the performance arts. </p>

<p><strong>Laura Krider, B.M. &#39;05</strong>, is a choral singer in the Twin Cities and works in administration at the University&#39;s School of Music. She was featured on Minnesota Public Radio&#39;s Art Hounds program this spring, talking about shape note singing.</p>

<p><strong>Jeff Hnilicka, B.A. &#39;04</strong>, is making waves in New York with FEAST (Funding Emerging Artists through Sustainable Tactics). It&#39;s a monthly public dinner he co-founded to "democratically fund new and emerging art makers" in the face of declining arts revenues. </p>

<p><strong>Natalie Volin, B.A. &#39;07</strong>, philosophy major, has postponed attending U of M Law School to serve as Senator Al Franken&#39;s legislative aide for judiciary affairs in his Washington, D.C., office.</p>

<p><strong>Melissa Critchley-Rodriguez, B.A. &#39;08</strong>, now a master&#39;s student at the University in complementary therapies and healing practices, received the Outstanding Civil Service Award and the Excellence and Community Building Award from the University&#39;s Institute on Community Integration.</p>

<h4>Minnesota Book Awards</h4>
<strong>Brian Malloy, M.F.A. &#39;06</strong>, won the 2009 Minnesota Book Award for Young People&#39;s Fiction with his novel <em>Twelve Long Months</em>. Finalists in other categories included <strong>Greg Breining, B.A. &#39;74</strong>, <em>A Hard-Water World: Ice Fishing and Why We Do It</em>, general nonfiction; <strong>Laura Flynn, M.F.A. &#39;06</strong>, <em>Swallow the Ocean</em>, memoir and creative nonfiction; University geography professors <strong>John Fraser Hart</strong> and <strong>Susy Svatek Ziegler</strong>, <em>Landscapes of Minnesota: A Geography</em>, Minnesota; <strong>Margaret Hasse, M.A. &#39;04</strong>, <em>Milk and Tides</em>, poetry; <strong>Alison McGhee, M.A. &#39;93</strong>, <em>Julia Gillian (and the Art of Knowing)</em>, young people&#39;s literature; <strong>David Lanegran, B.A. &#39;70</strong>, <em>Minnesota on the Map: A Historical Atlas</em>, Minnesota; <strong>Tim Nolan, B.A. &#39;78</strong>, <em>The Sound of It</em>, poetry; and <strong>Will Weaver, B.A. &#39;72</strong>, <em>Saturday Night Dirt: A Motor Novel</em>, young people&#39;s literature. 

<p><em>It&#39;s easy to share your news! Go to <a href="http://cla.umn.edu/updates/">http://cla.umn.edu/updates/</a></em></p>

<h4>In Memory</h4>
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Allan Spear" src="http://blog.lib.umn.edu/clareach/stories/InMemorySpear.jpg" width="200" height="299" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span><strong>Allan Spear</strong>, professor in the Department of History from 1964 to 2000 and the country&#39;s first openly gay male state legislator, died in October 2008 at age 71 from complications following surgery.

<p>Spear was president of the Minnesota State Senate, led the Judiciary Committee, and helped to craft and pass the 1993 Human Rights Act Amendment, which he called his "proudest legislative achievement." He co-founded the National Association of Gay & Lesbian Elected and Appointed Officials, and served on the board of the OutFront Minnesota Political Action Committee. In 2008, as part of Minnesota&#39;s 150th Anniversary, Spear was honored by the Minnesota History Center as one of the most influential forces in the history of the state&mdash;one of the "MN150."	</p>

<p>Memorial gifts may be made to the University&#39;s Schochet Center Distinguished Lecture Series: <a href=" www.giving.umn.edu/spear">www.giving.umn.edu/spear.</a></p>

<p><strong>Ernest Bormann</strong>, professor in the Department of Communication Studies, died of a heart attack last December.  Bormann originated the Symbolic Convergence Theory of human communication, in which the stories ("fantasies") that groups create develop shared meaning and social cohesion. Memorial gifts may be made to the Ernest Bormann Symbolic Convergence Theory Fellowship: www.comm.umn.edu/giving.</p>

<p><strong>James Dickey</strong>, 69, died in November 2008 after struggling for a year and a half with prostate cancer. A professor of theoretical statistics, he had taught and conducted research at the University since 1986.</p>

<p><strong>Peter Firchow</strong>, 70, died October 18, 2008. In 1967 he joined the English Department where he taught British and comparative literature, often in the context of utopian dreams, until his retirement in 2007.  </p>

<p><strong>RenÃ© Jara</strong> died November 19, 2008, after a serious illness. A professor in the Department of Spanish and Portuguese for 28 years, he was an expert in post-colonial studies and Hispanic literatures, and had a passion for poetry.  </p>

<p><strong>Leslie C. Johnson, B.A. &#39;64</strong>, died in January 2009 at the age of 66. She started the Mississippi Rag in 1973, chronicling the stories of jazz and ragtime musicians to a global audience for 35 years. With her passing, the traditional-jazz and ragtime communities lost their principal voice.  </p>

<p><strong>Roger Page</strong>, 91, former psychology professor and associate dean of CLA, died December 19, 2008, after a long illness. Memorial gifts may be made to the Roger Page Leadership Scholarship: <a href="http://cla.umn.edu/page">http://cla.umn.edu/page</a>.</p></body>
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         <pubDate>Sat, 05 Sep 2009 09:17:50 -0600</pubDate>
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         <title>Angels Author Tony Kushner Is Now &quot;Doctor&quot;</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189699</link>
         <guid>189699</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Student Allison Witham and Tony Kushner" src="http://blog.lib.umn.edu/clareach/stories/KushnerTony.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Student Allison Witham and Tony Kushner</p></div>One of the great figures of American theater and literature, playwright Tony Kushner, received a University of Minnesota Honorary Doctor of Humane Letters degree this spring. The degree is the highest honor conferred by the University.

<p>He was nominated by faculty members from the English and American studies departments and the Center for Jewish Studies.</p>

<p>"Kushner&#39;s work is a call to struggle for justice, for responsibility, and for love," said Riv-Ellen Prell, former chair of the University&#39;s Department of American Studies and an affiliate faculty member in Jewish studies. "In his work devoted to the experiences of gay men and lesbians, Jews, outsiders, men and women of color, and those without power . . . Tony Kushner changed American theater and became one of the great voices of the citizen-artist of our century."</p>

<p>Dean Jim Parente called Kushner "a man who represents the soul of the liberal arts&mdash;or, we might say, the liberating arts," because he "holds a mirror to our human experience."</p>

<p>In 1993 Kushner received a Pulitzer Prize for his play, Angels in America. He was in the Twin Cities this spring for the world premiere of his work, The Intelligent Homosexual&#39;s Guide to Capitalism and Socialism with a Key to the Scriptures, at the Guthrie Theater. </p>

<p>In its history, the University has awarded only 47 other honorary Doctor of Humane Letters degrees. Recipients include Frank Gehry, Dominick Argento, Yanni, Merce Cunningham, Thomas Friedman, Gwendolyn and Jacob Lawrence, James Rosenquist, Charles Schulz, Robert Penn Warren, and August Wilson.</p></body>
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         <pubDate>Fri, 04 Sep 2009 15:15:48 -0600</pubDate>
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         <title>Events sponsored by College of Liberal Arts departments</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189830</link>
         <guid>189830</guid>
        <body><h4>Exhibits</h4>
<strong>Stories of the Somali Diaspora</strong><br />
Photographs by Abdi Roble<br />
Frederick R. Weisman Art Museum<br />
Through Sept. 27

<p><strong>Muslim Spain: Conquest, Expulsion, Legacy, 711-2009</strong><br />
Andersen Gallery<br />
Through Oct. 30</p>

<p><strong>Encounters: The Past Re-Configured</strong><br />
Paintings by Xu Guang and Li Shu <br />
Nash Gallery <br />
Sept. 8-Oct. 8 </p>

<p><strong>Celebrating 40 Years of African American Studies and American Indian Studies at the University of Minnesotaâ€¨</strong><br />
Andersen Gallery <br />
Oct. 7-Dec. 5; </p>

<p><strong><em>Here and Now</em></strong><br />
Faculty, student and alumni photography, curated by James Henkel <br />
Nash Gallery <br />
Oct. 13-Nov. 12 </p>

<p><strong>Talking Suitcases: A New Conversation</strong><br />
Suitcases filled with handmade objects that <br />
tell stories, curated by Joyce Lyon and <br />
Susan Armington <br />
Nash Gallery <br />
Nov. 17-Dec. 17 </p>

<p><strong>Almost Here: Migrations, Dislocations and Borders in art.</strong><br />
Nash Gallery <br />
Jan. 19-Feb. 18 </p>

<h4>The Ultimate Homecoming</h4>
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="TCF Stadium" src="http://blog.lib.umn.edu/clareach/stories/tcf-2656.jpg" width="200" height="131" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span><strong>2009 Homecoming Exhibition:</strong><br />
<em>Through the Years</em><br />
Larson Art Gallery, St. Paul Student Center<br />
Sept. 21-Oct. 11; Reception Friday, Oct. 2, 7-9 p.m.

<p><strong>TCF Bank Stadium Tours & University Open House</strong><br />
Sunday, Oct. 4, 1-4 p.m.</p>

<p><strong>Student Scholar Showcase</strong><br />
TCF Bank Stadium<br />
Wed., October 7, 1-4 p.m. </p>

<h4>Concerts</h4>
<strong>School of Music Convocation</strong><br />
Keynote by internationally acclaimed conductor Marin Alsop: "Education and 
the Arts: Musicians as Engaged Leaders." Alsop will be awarded the Doctor of Humane Letters.<br />
Ted Mann Concert Hall<br />
Tues., Oct. 6, 10 a.m.

<p><strong>University Symphony Orchestra</strong><br />
<em>Academic Festival Overture, Johannes Brahms; Symphony No. 1 (Titan)</em>, <br />
Gustav Mahler<br />
Mark Russell Smith, conductor<br />
Ted Mann Concert Hall<br />
Wed., Oct. 7, 7:30 p.m.</p>

<p><strong>Symphonic Band: Seasons of Change</strong><br />
Works by Dmitri Shostakovich and <br />
Jonathan Newman.<br />
Jerry Luckhardt, conductor<br />
Ted Mann Concert Hall<br />
Wed., Oct. 14, 7:30 p.m.</p>

<p><strong>Jazz Ensemble I</strong><br />
Ted Mann Concert Hall<br />
Thurs., Oct. 15, 7:30 p.m.</p>

<p><strong>Collage Concert</strong><br />
More than 300 students and faculty in a musical extravaganza. Works include Leonard Bernstein&#39;s "Make Our Garden Grow"<br />
Ted Mann Concert Hall<br />
Sat., Oct. 17, 7:30 p.m.</p>

<p><strong>University Singers</strong><br />
Symphony of Psalms, Igor Stravinsky <br />
Ted Mann Concert Hall<br />
Frii., Nov. 13, 7:30 p.m.</p>

<p><strong>Wind Ensemble: An American Wind Band Spectacular</strong><br />
Regional premieres of works by Steven Bryant, Carter Pann, and Joseph Turrin; "Symphonic Dances" from <em>West Side Story</em>, <br />
Leonard Bernstein <br />
Craig Kirchhoff, conductor<br />
Ted Mann Concert Hall<br />
Tues., Nov. 24, 7:30 p.m.</p>

<p><strong>Guest and Faculty Recital</strong><br />
<em>Mikka & Mikka "S,"</em> and <em>Dikthas</em>, Iannis Xenakis; <em>Traumwerk Book III, Del cuarto elemento</em>, James Dillon<br />
Irvine Arditti, violin and Noriko Kawai, piano<br />
Ted Mann Concert Hall<br />
Sun., Dec. 6; we still need the time for this</p>

<p><strong>University Symphony Orchestra</strong><br />
World premiere performance of Roger Zare&#39;s Aerodynamics for Orchestra (Winner of the 2009 Craig and Janet Swan Composer Prize); New Morning for the World, Joseph Schwantner; Symphony No. 3 (Eroica), <br />
Ludwig van Beethoven<br />
Mark Russell Smith, conductor<br />
Ted Mann Concert Hall<br />
Wed., Dec. 9, 7:30 p.m.</p>

<h4>Opera</h4>
<strong>Stravinsky in Paris!</strong><br />
<em>Le Renard, Mavra, and Le Rossignol</em>, Igor Stravinsky<br />
School of Music students conducting<br />
Ted Mann Concert Hall<br />
Thurs., Nov. 19-Sat., Nov. 21, 7:30 p.m.;<br />
Sun., Nov. 22, 1:30 p.m.<br />
Tickets: $20/$10 U of M students;<br /> 
2-for-1 U of M students, faculty, staff<br />
612-624-2345 or <a href="www.tickets.umn.edu">www.tickets.umn.edu</a>

<h4>Dance</h4>
<strong>Dance Revolutions</strong><br />
Rarig Center, Whiting Proscenium Theatre<br />
Fri., Dec. 11, 7:30 p.m.;<br />
Sat.,Dec. 12, 8 p.m.; <br />
Sunday, Dec. 13, 2 p.m.<br />
Tickets $7-17; <a href="www.theatre.umn.edu">www.theatre.umn.edu</a>, or 612-624-2345; $2 more at the door

<h4>Theater</h4>
<strong>Big Love</strong><br />
Rarig Center, Proscenium Theatre<br />
Includes adult scenes and brief nudity<br />
Oct. 16-24<br />
Tickets $7-17; 612-624-2345 or <a href="www.theatre.umn.edu">www.theatre.umn.edu</a>

<p><em>For a complete listing of news and events visit us online at: <br />
<a href="http://cla.umn.edu/news/events.php">http://cla.umn.edu/news/events.php</a></em></p>

<p>Admission to all events free except as noted</p></body>
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         <title>Achievements of CLA faculty and staff</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189782</link>
         <guid>189782</guid>
        <body><p><strong>James Dillon</strong>, music, was honored with a film about his work, Traumwerk [Dreamwork], Book I for Violin Duo; the film won the 2008 Annual German Record Critics&#39; Award for film and sound production.</p>

<p><strong>John Freeman</strong>, political science, was named a Fellow of the American Academy of Arts & Sciences. He also won the Gosnell Prize for Excellence in Political Methodology.</p>

<p><strong>Barbara Frey</strong>, Human Rights Program, received the 2008 Don and Arvonne Fraser Award from the Advocates for Human Rights.</p>

<p><strong>Michael Goldman</strong>, sociology, global studies, received the 2008 Best Book Prize from the Political Economy of the World-System Section of the American Sociological Association.</p>

<p><strong>Jo-Ida Hansen</strong>, psychology, received the Society of Vocational Psychology&#39;s Lifetime Achievement Award. She is only the fourth recipient of the award&mdash;the society&#39;s highest honor&mdash;in 57 years.</p>

<p><strong>Bill Iacono</strong>, psychology, received the National Institute of Health MERIT (Method to Extend Research in Time) award, and a Distinguished Scientist Award from the Society for a Science of Clinical Psychology.</p>

<p><strong>Ellen Kennedy</strong>, Center for Holocaust and Genocide Studies, received the Anne Frank Center USA Outstanding Citizen Award. </p>

<p><strong>Tim Kehoe</strong>, economics, was named Doctor Honoris Causa by the Universidade de Vigo, Spain.</p>

<p><strong>Nita Krevans</strong>, classical and Near Eastern studies, won the 2009 award for teaching excellence from the Classical Association of the Midwest and South.  </p>

<p><strong>J. Bruce Overmier</strong>, psychology, received the American Psychological Foundation&#39;s Arthur W. Staats Award/Lecture for Unifying Psychology.   </p>

<p><strong>Andrew Oxenham</strong>, psychology, won the 2009 National Academy of Sciences Troland Research Award. </p>

<p><strong>Carla Rahn Phillips</strong>, history, was named a Knight of Spain&#39;s Order of Isabella the Catholic, in recognition of her research and teaching on Spain and its overseas connections. </p>

<p><strong>T. Mychael Rambo</strong>, theatre arts and dance, was awarded a Regional EmmyÂ® Award in the Community/Public Service Campaign category by the National Television Academy&#39;s Upper Midwest Chapter.</p>

<p><strong>JosÃ©-VÃ­ctor RÃ­os-Rull</strong>, economics, was elected a Fellow of the Econometric Society.</p>

<p><strong>Kay Reyerson</strong>, history, was elected a Fellow of the Medieval Academy of America. </p>

<p><strong>Michael Sommers</strong>, theater arts and dance, and collaborative arts, won a Bush Foundation Enduring Vision Award.</p>

<p><strong>Gary Schwitzer</strong>, journalism, won a Syracuse University Mirror Award, a Knight-Batten Award for Innovations in Journalism, and an e-Healthcare Leadership Award.</p>

<h4>University Awards</h4>
<strong>Rose Brewer</strong>, African American and African Studies, was awarded the Ada Comstock Distinguished Women Scholar award/lecture. 

<p>Named McKnight Land-Grant  Professors this year were: <strong>Giancarlo Casale</strong>, history; <strong>Alan C. Love</strong>, philosophy; <strong>Kieran McNulty</strong>, anthropology.</p>

<p><strong>Helga Leitner</strong>, geography and  global studies, and <strong>Josephine Lee</strong>, English and Asian American studies, received the University of Minnesota Alumni Association Graduate-Professional Teaching Award.</p>

<p><strong>Judith A. Martin</strong>, geography, received the President&#39;s Award for Outstanding Service.</p>

<p><strong>Ellen Sunshine</strong>, Martin Luther King, Jr. Program, received the John Tate Award for Excellence in Undergraduate Advising.</p>

<p>President&#39;s Faculty Multicultural Research Awards went to <strong>Ananya Chatterjea</strong>, theater arts and dance; <strong>Kale Fajardo</strong>, American and Asian American Studies; <strong>Enid Logan</strong>, â€¨sociology; <strong>Sarah-Jane (Saje) Mathieu</strong>, history; <strong>Yuichiro Onishi</strong>, African American and African studies; <strong>Teresa Swartz</strong>, sociology.</p>

<p><strong>Lisa Sass Zaragoza</strong>, Chicano studies, won the Office of Public Engagement&#39;s Outstanding Community Service Award. </p>

<h4>CLA Awards</h4>
<strong>John Freeman</strong>, political science, is the 2009 Dean&#39;s Medalist. 

<p><strong>Sonja Kuftinec</strong>, theatre arts and dance, and <strong>C. Kenneth Waters</strong>, philosophy, were named Scholars of the College. </p>

<p><strong>Charlene Hayes</strong>, global studies, received the CLA Outstanding Service Award. </p></body>
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         <pubDate>Fri, 04 Sep 2009 10:43:11 -0600</pubDate>
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         <title>Graduation: with smarts, grit...and a load of debt?</title>
         <description><p><em>by Mary Hicks</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189749</link>
         <guid>189749</guid>
        <body><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Mary Hicks" src="http://blog.lib.umn.edu/clareach/stories/GraduationDebtHicks.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>Even in hard times, there&#39;s much to be grateful for. Last May, yet another batch of talented CLA graduates crossed perhaps the most important stage of their lives&mdash;in Northrop Auditorium.</p>

<p>The world they ventured into requires smarts and grit, not to mention a mother lode of CLA ingenuity and know-how. And one of the more daunting challenges that many will face is a hefty load of debt. We think their CLA education is worth millions. But it&#39;s no secret that even those who land the job of their dreams could be hobbled by significant debt well into the next decade.</p>

<p>Fortunately, some will go into the world with a smaller debt load, thanks to the generosity of our donors. In 2008-09, CLA awarded nearly 1,000 scholarships and fellowships totaling more than $4 million. That&#39;s an impressive number. But with roughly 16,500 undergraduate and graduate students in the college, the bucket is still barely six percent full.</p>

<p>It certainly won&#39;t come as news to you that our students and their families are facing some of the hardest times in decades, and so is our college. And yet, as President Obama noted this spring in his speech on education, a college education is more necessary than ever. </p>

<p>I can certainly understand if you say that now is not the time for us to be asking you for support. After all, the dismal economy has hurt everyone. But there&#39;s also never been a better time to give. The need is critical. And the cumulative impact of not giving could be catastrophic for our students, not to mention for our college.</p>

<p>We understand that a President&#39;s Club gift ($25,000 or more) is beyond the capacity of many of our donors, and may be a stretch even for those who have given at that level in past years. But we&#39;ve taken very seriously President Bruininks&#39;s call for new ideas and creative solutions in these times. And as we&#39;ve brainstormed, we&#39;ve found that sometimes the best new ideas are revivals of old ones. </p>

<p>So we&#39;ve renewed a successful giving program called the Legacy Scholarship program. Here&#39;s how it works: We ask donors to make an annual gift of $3,000, which will be awarded directly to a student who meets the selection criteria&mdash;financial need and merit. Why $3,000? That amount is based on research showing that $3,000 is roughly the breaking point for many students; it can make the critical difference between enrolling or not, between staying in school or dropping out. If it&#39;s the latter, just think of the loss of human potential&mdash;and at what cost to Minnesota!</p>

<p>Today&#39;s CLA students are tomorrow&#39;s creative problem solvers and trailblazers in every field. If you invest in our students, I promise that you won&#39;t be disappointed. If you want to know more, go to <a href="http://cla.umn.edu/">cla.umn.edu</a> or contact me at <a href="mailto:hicks002@umn.edu">hicks002@umn.edu</a> or 612-625-5541.</p>

<p><em>To contribute to the Legacy Scholarship: <a href="http://cla.umn.edu/legacy/">cla.umn.edu/legacy/</a></em></p></body>
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         <pubDate>Fri, 04 Sep 2009 09:06:54 -0600</pubDate>
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         <title>The Art of Life on the Mississippi</title>
         <description><p>An MFA student helps Twin Cities teens draw new meaning from life by the river.<br />
<em>by Mary Pattock</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189748</link>
         <guid>189748</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="porcelain boats" src="http://blog.lib.umn.edu/clareach/stories/CoverPorcelainBoats.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Story boats ready to launch.
Photo by Kelly MacWilliams.</p></div>
<blockquote><p>"So, in two seconds, away we went, a-sliding down the river, and it did seem so good to be free again and all by ourselves on the big river and nobody to bother us."</p>
<p>&mdash<em>Adventures of Huckleberry Finn</em>, Mark Twain</p></blockquote>

<p>It was probably inevitable that Huck Finn, the 13-year-old hero of the Great American Novel, sought freedom and a new life on the Mississippi. After all, it was and still is the country&#39;s mainstem river, connecting it North and South, dividing it East and West, and providing major geographical and historical coordinates&mdash;not to mention fruitful metaphors for writers and ordinary folks alike. </p>

<p style="clear:both;">Teenagers today are no less eager than Huckleberry Finn was to find meaning in their lives. But today&#39;s world, unlike Huck&#39;s, can be such that those who live on the Great River may not be very aware of it. In fact, as Anna Metcalfe, artist and environmentalist, found out, some may never have even seen the Mississippi, much less been invited to consider what meaning it may have for their lives.</p>

<p>So it was that in the final year of her master&#39;s of fine arts program, Metcalfe designed a way to connect a group of young people to the river, through art.</p>

<p>She worked with nearly 50 teenagers who had summer jobs either with the "Green Team," a group sponsored by the Minneapolis Park and Recreation Board, the Minnesota Watershed Management Organization and the National Park Service; or with The Conservation Corps and the Garden Corps, hosted by St. Paul&#39;s Community Design Center. </p>

<p>During the summer she met with the young people, offering them new ways to understand the river. They learned about watersheds, rain gardens, and pesticides, and studied maps showing how the urban river had changed through history. They made connections between their summer jobs and the health of the river. They considered the river&#39;s vital role in their lives, and how it connects them to the millions of people throughout the midsection of the country who also depend on it for survival. </p>

<p>Finally, she invited them to draw and write their own stories about the river; she silk-screened these images onto porcelain clay boats she had molded, which she then fired.</p>

<p>Now there were 50 story boats, each one articulate. One told about its maker&#39;s first time on a boat. Another traced a map of  the Upper Mississippi, yet another drew the plants growing in the Conservation Corps&#39; organic garden.</p>

<blockquote>Metcalfe designed a way to connect a group of young people to the river, through art. And just as it did for Huck, their encounter with the river left them with a story&mdash;a story about where they&#39;d been, a story that had new value and meaning because someone was listening.</blockquote>

<p>And one pictured a refugee family&#39;s perilous escape across Thailand&#39;s Mekong river on one side, and their crossing of the Mississippi, in a new land, on the other. "That story was rich and powerful," says Metcalfe. "It brought it all together&mdash;the young woman&#39;s family, its history, what she is doing in conservation now." </p>

<p>Early one morning at Father Hennepin Park, where the river gorge cuts through downtown Minneapolis, Metcalfe and the students met to ceremonially tell the stories and launch the boats into the water. The Saint Paul group held a similar ceremony at Lake Phalen. They were gestures that made explicit the teens&#39; relationship with the river, and signified their role in building a community of citizens concerned about the river. </p>

<p>"The project gave the students a chance to talk about the same issues they were dealing with in their jobs, but within the context of art," Metcalfe says. "They were excited to see their drawings turn into objects."</p>

<p>Like Huck Finn&#39;s raft, the boats eventually came out of the water. They were exhibited at  Homewood Studios, a North Minneapolis space for local artists and their community, where the teens again told their stories, and visitors added their own stories and drawings to the river tales. </p>

<p>And just as it did for Huck, their encounter with the river left them with a story&mdash;a story about where they&#39;d been, a story that had new value and meaning because someone was listening.</p></body>
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         <pubDate>Fri, 04 Sep 2009 08:41:40 -0600</pubDate>
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         <title>Beyond Borders</title>
         <description><p>Great migrations are continuously changing our world. To get a handle on a topic this vast, CLA scholars must cross borders of a different kind.<br />
<em>by Joe Kimball</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189727</link>
         <guid>189727</guid>
        <body><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Beyond Borders" src="http://blog.lib.umn.edu/clareach/stories/BeyondBorders.jpg" width="200" height="264" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>One by one, the poets took the stage to tell their stories&mdash;personal stories of immigration, of leaving home to find a better life. Some were uplifting, others were bleak tales of racism, hatred, and frustration.</p>

<p>It was a Friday evening in early spring, yet dozens of students and community members packed a room at Elmer L. Andersen Library.</p>

<p>And they were really listening.</p>

<p>Some were students in a course on immigration; one said the gritty and realistic accounts were almost more than she could bear. But that is the kind of reaction that professors anticipated. They wanted to extend students&#39; learning experience beyond the policies and politics of immigration, so students could hear the voices of people who have come here from Africa or Mexico and have thrived&mdash;or who were frustrated, even angry. </p>

<p>What better way to supplement the classroom setting?</p>

<p>Weeks later, students were still raving about the event, which was sponsored by several University departments and The Loft Literary Center.</p>

<p>Expanded learning opportunities like this  one, as well as a photography exhibit on the Somali diaspora (on display at the Weisman Art Museum through September 27), are among the many fruits of an interdisciplinary initiative at the College of Liberal Arts called Global REM&mdash;Global Race, Ethnicity, Migration. </p>

<p>Global REM brings together interested faculty members from all aspects of the humanities, social sciences, and the arts. Research contributions come from all across the University: public health, public policy, law, education and human development, family social science, and medicine. The program is administered through the Institute for Global Studies and the Immigration History Research Center.</p>

<p>Notice the term in the title is migration&mdash;rather than the more common, United States-centric immigration. It frames these broad issues in a way that helps faculty, students&mdash;and the broader community&mdash;to see that we are living in an age of global migration, and that to really understand it we have to navigate far beyond traditional concepts and academic borders.</p>

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Donna Gabaccia" src="http://blog.lib.umn.edu/clareach/stories/BeyondBordersGabaccia.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Donna Gabaccia, director of the Immigration History Research Center and co-director of Global REM. Photo by Everett Ayoubzadeh.</p></div>

<p>In fact, the co-director of Global REM, Donna Gabaccia, a history professor who also directs the Immigration History Research Center, says the initiative&#39;s wide-ranging mission involves research, community engagement, and teaching components. It encourages broad, thematic thinking, and transcends the typical curriculum. </p>

<p>The program&#39;s research mission is aimed at a highly specialized audience. It can take the form of a lunchtime seminar in a brown-bag setting where graduate students and faculty talk about their research, or a sponsored research collaboration, perhaps with other universities. </p>

<p>And the poetry reading is one example of how the program engages people in the community in the work of the University. Another example  is Gabaccia&#39;s next project: looking at how young immigrants and refugees use Facebook, Twitter, and other social networks to communicate and discuss their lives in Minnesota. Members of the immigrant community "are interested in research related to their homelands and often want to know more about visiting scholars from their countries," she says.</p>

<h4>A Growing Trend</h4>

<p>At a place as large and diverse as the University it can be a challenge to connect like-minded people. But initiatives like Global REM that cross disciplinary lines increasingly attract faculty and student interest. </p>

<p>A classic example is American studies&mdash;created by University historians and literary scholars more than 60 years ago when they banded together to create one of the nation&#39;s first such programs. Today the department, still a national leader, includes faculty from more than a dozen disciplines, from sociology to gender studies, geography to political science to art history. </p>

<p>Besides Global REM and American studies, CLA&#39;s robust interdisciplinary roster includes, among others, Chicano, American Indian, Asian American, and African American and African studies, cultural studies and comparative literature, collaborative arts, and gender, women and sexuality studies. In addition, many traditional disciplinary departments have faculty with interdisciplinary interests. Thomas Wolfe, an associate professor of history, says   interdisciplinary&mdas;hor transdisciplinary&mdash;programs have gained importance in recent years to respond to an increasingly complex world. </p>

<p>"The academic disciplines look to each other, more and more, for perspectives, and theories and methodologies, as we work to understand society, politics, and cultures," he says. </p>

<p>"There was a time when the disciplines tended to be &#39;silo-ized,&#39; or compartmentalized, but now we read more broadly. And the trend has been accelerated with globalization. It&#39;s hard to say that culture is understandable without politics, or that politics are understandable without society."</p>

<p>Wolfe also believes that students, like faculty, increasingly are seeking opportunities to interact with scholars from other departments but with interests in the same themes and ideas.</p>

<blockquote><p>"There was a time when the disciplines tended to be &#39;silo-ized,&#39; or compartmentalized, but now we read more broadly. And the trend has been accelerated with globalization. It&#39;s hard to say that culture is understandable without politics, or that politics are understandable without society."</p>
<p style="float:right;">&mdash;Thomas Wolfe, associate professor of history</p></blockquote>

<h4 style="clear:both;">Building community</h4>
<p style="clear:both;">Klaas van der Sanden, a program coordinator at the Institute for Global Studies, says Global REM is a product of the ongoing effort to create intellectual communities around broad themes.</p>

<p>In the past, faculty and graduate students with shared interests but different departments might not have found many opportunities for collaboration or discussion. But Global REM, like other CLA interdisciplinary programs, has created a community of interest for those who want to explore outside the commonly accepted boundaries.</p>

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Evelyn Davidheiser" src="http://blog.lib.umn.edu/clareach/stories/BeyondBordersDavidheiser.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Evelyn Davidheiser, director of the Institute for Global Studies and co-director of Global REM. Photo by Kelly MacWilliams.</p></div>

<p>Shaden M. Tageldin&#39;s work is a case in point. An assistant professor in the Department of Cultural Studies and Comparative Literature, she is interested in the migrations, not of people, but of ideas. </p>

<p>Last spring she gave a lecture about how liberal Egyptian intellectuals in the early 20th century tried to prove that Egypt was really part of Europe and should "take its place in the family of nations, not in the ranks of the colonized."</p>

<p>"Broaching a topic like this one&mdash;with its unconventional contexts of race and ethnicity and off-beat interpretation of &#39;migration&#39;&mdash;would be nearly impossible in a program that operates on the typical U.S.- or Euro-centric paradigm of migration and diaspora studies," she says. Global REM allowed her to extend an invitation to scholars everywhere to rethink race, ethnicity, and migration.</p>

<p>Another recent lecture concerned government openness to immigration, with Crystal Myslajek, a graduate fellow in the Institute for Global Studies, collaborating with a faculty member outside of CLA, Professor Kathy Fennelly of the Hubert H. Humphrey Institute of Public Affairs.</p>

<p>Says van der Sanden: "If our goal was to create an intellectual community that brings faculty members together who don&#39;t always know each other, in the perspective of a common interest, then I think it&#39;s going very well.  </p>

<p>"Where else would you find a professor interested in salsa dancing collaborating with a professor in American studies with an expertise in blacks in France, putting together a poetry program?"</p>

<h4>A Coordinating Octopus</h4>
Developed with grant money from the United States Department of Education, Global REM is not a separate center, but a resource to bring faculty together around common research and develop coordinated curriculum, using existing administrative resources. 

<p>Its website lists more than 100 faculty, students, and staff members who have participated in seminars or expressed an interest in staying informed on upcoming topics. Their departments run the gamut of University interests.</p>

<p>As a result of the program, there has been more team teaching and co-teaching, and class scheduling that is more sensitive to student needs. </p>

<p>Evelyn Davidheiser, the program&#39;s other co-director, views it as an initiative that makes connections throughout the college, building intellectual strengths, and pulling faculty together around themes that run through major issues of our day. In the coming school year, according to Gabaccia, the Global REM research seminar will focus on gender, refugees, plural societies, and memory.</p>

<p>And van der Sanden compares it to an octopus&mdash;"maybe an octopus without a head, creating connections and synergies within a broad interest."</p>

<h4>Resources for High School Teachers</h4>
Outreach is another large component of Global REM, emphasizing K-12 teachers. "Race and migration are big topics in the schools, especially teaching them from a global perspective," says Molly McCoy, outreach coordinator at the Institute for Global Studies. 

<p>Last spring she presented teaching modules designed for advanced- placement high school classes in history and social sciences to teachers attending the Minnesota Council for Social Studies conference.</p>

<p>The aim of the modules, prepared by graduate students, is to internationalize the study of race, ethnicity, and migration.</p>

<p>Teachers can learn more about resources and classes at the website: <a href="http://globalrem.umn.edu/teachingmodules">http://globalrem.umn.edu/teachingmodules</a>. Videos of  Global REM seminars&mdash;with closed captions&mdash;are available at: <br /><a href="http://www.globalrem.umn.edu">http://www.globalrem.umn.edu/seminarLunchesArchive.php.</a></p>

<h4>Poetry for the classes</h4>
Back at the immigration poetry performance, students really heard the messages of hope and struggle, says Thien-bao Thuc Phi of The Loft Literary Center, who helped organize the program. 

<p>They learned something about art, too. "Students came up to the artists afterward, wanting to learn more," he says. "They appreciated what the artists were saying. Some said they didn&#39;t really get poetry before, and wanted to explore it more."</p>

<p>You could describe the event as an effective, interdisciplinary learning experience: a poetry reading, with dimensions of sociology, psychology, political science, and history mixed in. </p>

<p>But the sum of the parts made it even more powerful. In that room, in those moments, the wholeness of human experience came together, and was shared by artists and audience. And that you might describe as transcendent.</p>

<hr />

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Somali diaspora" src="http://blog.lib.umn.edu/clareach/stories/BeyondBordersRoble.jpg" width="200" height="135" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Abdi Roble.</p></div>A close-up look at the Somali diaspora&mdash;where fleeing residents from that wartorn African country have sought refuge in other lands, including Minneapolis&mdash;is another major Global REM initiative.

<p>A year-long series of events, including coursework and lectures, has been built around the work of Abdi Roble and Doug Rutledge, whose book <strong>"The Somali Diaspora: A Journey Away"</strong> <a href="http://reach.cla.umn.edu/somalidiaspora">http://reach.cla.umn.edu/somalidiaspora</a> follows Abdisalem, his wife Ijabo, and their three daughters as they traveled from a Kenyan refugee camp to a new home in the United States. Through photographs and essays, the book looks at the family&#39;s wrenching upheaval&mdash;from learning English and finding work, to living an American lifestyle while maintaining their Islamic faith and cultural identity. </p>

<p>The project continues with an exhibit of Roble&#39;s photographs at the Frederick R. Weisman Art Museum on campus. </p>

<p><strong>June 20 - September 13</strong><br />
More information online at: <br />
<a href="http://reach.cla.umn.edu/roble/">reach.cla.umn.edu/roble</a></p></body>
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         <pubDate>Fri, 04 Sep 2009 08:00:00 -0600</pubDate>
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         <title>Connecting Common Chords</title>
         <description><p>His passion is partnership. David Myers, the School of Music&#39;s new director, wants to "connect education with the rich world of music as it exists in real life."<br />
<em>by Mary Ann Feldman</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189729</link>
         <guid>189729</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Myers" src="http://blog.lib.umn.edu/clareach/stories/ConnectingMyersLarge.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">David Myers, professor and
Director of the School of Music. Photo by Kelly MacWilliams.</p></div>Introducing David Myers, Director of the School of Music

<p>His passion is partnership: orchestras, schools, and communities, all collaborating as music educators. (He literally wrote the book on it&mdash;a seminal study funded by the National Endowment for the Arts.) And if David Myers&#39;s vision is populated by a wide cast of characters, it has an equally broad setting: world, rock and popular music, jazz, ethnic and classical. Cla&#39;s new School of Music director wants to "connect education with the rich world of music as it exists in real life." Distinguished music educator Mary Ann Feldman explores how Myers&#39;s vision might translate to reality, especially for classical music.</p>

<p>From his Ferguson Hall office David Myers commands a view of the Mississippi as broad as his vision for music in the 21st century. Fortunately for Minnesota, he was willing to leave the gentle climate of Georgia for the University&#39;s sometimes wind-whipped campus on the Mississippi&mdash;at the core of the Twin Cities thriving arts scene&mdash;to head the School of Music. </p>

<p>A thin, friendly man, Myers brings to this scene a compelling vision of new and stronger connections between the University and the abundant institutions that have earned Minnesota its identity as "State of the Arts." No surprise that Minnesota, richly endowed with choral and orchestral traditions, would be a draw, as was the opportunity to stage performances at the University&#39;s acoustically vibrant Ted Mann Concert Hall, a glamorous public space crowning a spectacular urban setting. </p>

<p>Arriving at the start of the 2008-09 academic year, he brought from his professorship at Georgia State University, and collaborations with organizations such as the Atlanta Symphony Orchestra, strong ideas about music education rooted in the relationships of music with society and with other art forms. </p>

<p>Myers&#39;s impressive accomplishments include founding Atlanta&#39;s Center for Educational Partnerships and its innovative "Sound Learning" enterprise, linking it with Georgia State University, the Atlanta Symphony Orchestra, community musicians, and inner-city schools. Spurred by the National Endowment for the Arts, his efforts resulted in a seminal publication examining the arts in today&#39;s challenging environment: Beyond Tradition: Partnerships Among Orchestras, Schools, and Communities. </p>

<p>"One of the reasons I&#39;m glad to be here is that this artistic community provides real-world connections and experience for our students, the musicians of tomorrow," says Myers. "When I moved into higher education, I felt strongly that students preparing for a career needed a broader view of their place in society. How were they going to function in their communities?</p>

<blockquote><p>"This artistic community provides real-world connections and experience for our students, the musicians of tomorrow."</p>

<p style="float:right;">&mdash;David Myers</p></blockquote>
<p style="clear:both;">I did everything I could to connect my students to the vitality that people in the real world, musicians or not, find in a musical life as performer, teacher, or listener."</p>

<p>That is a rubric he has observed from the earliest days of his career. "Long ago, when I first taught public school music, one of the first things I did was to write grants that brought professional musicians into the school. I knew that as a music teacher I myself could not give the classroom a sense of what musical life is in the real world&mdash;the richness, excitement, and value of it all. I even had a composer-in-residence in the middle school where I taught in Pennsylvania. Students not only heard the composer&#39;s words but also music he wrote for and with them. They encountered the creative process." </p>

<p>Time was, a University of Minnesota musical education benefited from a major on-campus creative process: residency of the renowned Minnesota Orchestra, known as the Minneapolis Symphony Orchestra during its 44 seasons at Northrop Auditorium (1930-1974). Generations of students had easy access to musical bonanzas: not only access to high-ranking teachers, but also rehearsals under master conductors like Eugene Ormandy and Antal Dorati, free tickets for Friday-night dates, and the coveted role of concert hall usher. </p>

<p>Today Myers is working to enlarge the University&#39;s  musical circle to embrace Minnesota&#39;s super-charged music environment. He has lost no time in pursuing partnerships with students and people with musical lives&mdash;performers, educators, administrators&mdash;at the University and throughout Minnesota. In under six months, with few silent nights at Ted Mann Concert Hall, he has made meaningful connections with stellar arts and educational institutions, including such expert audience-developers as the Schubert Club, Saint Paul Chamber Orchestra, and numerous other professional and community orchestras. Meanwhile, he is the American consultant on a new degree that may be dubbed "Master of Music for New Audiences and Innovative Practice," an idea pioneered by five European conservatories including London&#39;s Guildhall School of Music and Drama.</p>

<p>"Today&#39;s students," he observes, "come to campus with a wealth of musical interests far beyond what I had when I entered music school. They&#39;re not only interested in classical music, but world music&mdash;all that is outside the classical sphere, including rock, jazz, and ethnic music. Here is a rich foundation for our schools to build on as we prepare them&mdash;in most cases&mdash;to be fine classical musicians, our primary calling."</p>

<p>That means student recruitment requires not only a stellar performance faculty, but also experts from musicology and ethnomusicology, theory and composition, music therapy and more&mdash;diverse fields that give students a sense of the vital education available to them in a music school, and illumine possibilities awaiting them beside a place in a performance ensemble.</p>

<h4>Classical Crisis</h4>
He faces challenges, of course, especially in a time of economic downturn, and certainly at the core of musical instruction, in the realm of classical music, where instruction takes place one-on-one, and on costly instruments. 

<p>The American concert hall audience has not grown appreciably since the pervasive rock beat of the 1950s established one-two-one-two as the throb of a global society. Moreover, the myriad attractions of cyberspace have emerged as mighty competitors for leisure time, hitting hard at an art form hailed as the language of human emotions, transcending words.  Studies by the National Endowment for the Arts indicate that the percentage of concert attendance has not increased over the past two decades&mdash;partly because of intense competition for audiences. In this high-tech world of round-the-clock distraction and entertainment, classical music is at risk of continued marginalization. </p>

<p>Is there a crisis? Myers thinks that may be too strong a word. "There are literally hundreds of thousands of people leading active and vital musical lives. What I&#39;m not so sure about is how we in the classical realm are connecting with audiences and inviting them to find meaning in the exploration of classical music. America&#39;s symphony orchestras have been doing wonderful things to engage the public, often beyond the music itself. Across the board, the arts are more conscious of audience needs."</p>

<p>In fact, in a study Myers conducted a few years ago, participants stressed their desire to understand how music works. He believes that in order to persuade a large science-and-business-oriented population that the arts play a crucial part in society, we must all become advocates, with musicians demystifying the arts from the stage as well as in the classroom. Connection is<br />
the key.</p>

<p>"Fortunately, the arts have become entrepreneurial&mdash;in fact, we&#39;re fascinated with the word &#39;entrepreneurship,&#39;" Myers says. "All musicians need this spirit in order to share their art with the public and get their feedback. How do people like to become engaged in our art form, what intrigues them? There is much to learn."</p>

<p>And much to teach: "Every musician&mdash;whatever his or her job&mdash;has to be a teacher, not only of an instrument but of the audience."</p>

<p>Spurring new ideas and forging connections in the name of a public university&#39;s commitment to education and the State&#39;s quality of life&mdash;these are goals that challenge the indomitable spirit of an idealistic spokesman for music, David Myers.</p>

<hr />

<h4>David Myers</h4>
<strong>Education</strong>
<ul><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Myers" src="http://blog.lib.umn.edu/clareach/stories/ConnectingMyersSmall.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /><p style="clear:both; font-size:10px;">Photo by Kelly MacWilliams</p></span></div>
<li>Ph.D. from University of Michigan</li>
<li>M.M. from Eastman School of Music</li>
<li>B.S. from Lebanon Valley College, Pennsylvania</li>
</ul>

<p><strong>Previous Position</strong><br />
<ul><li>Professor and associate director of the Georgia State University School of Music</li><br />
</ul></p>

<p><strong>Professional Highlights</strong><br />
<ul><li>Accomplished organist</li><li>Founded the Center for Educational Partnerships in Atlanta</li><li>Conducted the research for the seminal report, Beyond Tradition: Partnerships Among Orchestras, Schools, and Communities,  a project of the National Endowment for the Arts</li></ul></p>

<blockquote><p>"David Myers understands the human longing to speak and to hear music, and is committed to transcending whatever barriers prevent it from flowing freely through every part of the community."</p>
<p style="float:right;">&mdash;James A. Parente, Jr.
Dean, College of Liberal Arts</p></blockquote>

<blockquote style="clear:both;"><p>"David Myers&#39;s leadership has tremendous potential for putting pieces together in this remarkable community. We&#39;ll all be better citizens if we figure out how to collaborate in the arts ecology of Minnesota."</p>
<p style="float:right;">&mdash;Steven Rosenstone
University Vice President for Scholarly and Cultural Affairs</p></blockquote></body>
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         <pubDate>Thu, 03 Sep 2009 17:16:24 -0600</pubDate>
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         <title>Environmental Justice Expert David Pellow Holds New Martindale Endowed Chair</title>
         <description><p><em>By Greg Breining</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189723</link>
         <guid>189723</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Pellow" src="http://blog.lib.umn.edu/clareach/stories/EnvtJusticeDavidPellow.jpg" width="200" height="265" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Professor David Pellow. Photo by
Kelly MacWilliams.</p></div>Talking with Department of Sociology chair Chris Uggen, you get the impression that last year&#39;s hunt for a new sociology professor was a bit of a feeding frenzy. Competition for candidates was ferocious&mdash;not only from other public universities, but also from well-funded private schools, "the Yales of the world," Uggen says. "There&#39;s intense market pressure in the social sciences right now."

<p>Fortunately, the department was able to offer a powerful inducement&mdash;an endowed chair funded by Edith Martindale, the widow of long-time faculty member Don Martindale. </p>

<p>"The Martindale chair really provides that margin of excellence we need to maintain our position in the discipline," Uggen says. "In this case we were able to recruit a real rising star and make it especially attractive for him to come to Minnesota."</p>

<p>That recruit was David Pellow, a young sociologist from the University of California-San Diego who has written extensively on environmental justice. The hire of that emerging talent, Uggen says, has strengthened the department, adding to its reputation for cutting-edge, real-world research, and enhancing teaching. </p>

<p>"This is someone who is right now advancing the field of environmental justice studies by leaps and bounds," says Uggen.</p>

<h4>Honoring a Renaissance Scholar</h4>
The story of the endowed chair&mdash;the department&#39;s first&mdash;began in February 2008, with the gift from Edith Martindale, then 92, of $2 million. Mrs. Martindale shies from the limelight but makes her aim clear&mdash;to support a faculty position to further the legacy of her husband, a mainstay of the sociology department for 35 years.

<p>Don Martindale arrived at the University in 1948 as an assistant professor, and became a leading spokesman for social behaviorism. He wrote about social theory, social stratification, and the sociology of culture, knowledge, and art. An enthusiastic theorist, Martindale was by all accounts also a captivating speaker and lecturer.</p>

<p>"He was a bit of a renaissance scholar," says Uggen. "It&#39;s certainly rare for somebody today to have the range that Don Martindale had."</p>

<p>Perhaps Martindale&#39;s greatest legacy was his students. He advised 78 Ph.D. and more than 200 master&#39;s graduates during his career&mdash;one of the highest totals of any professor in University history. He and Edith often invited students to their Shoreview home overlooking Lake Owasso.</p>

<p>Martindale retired in 1983. He died two years later of a heart attack.</p>

<h4>Environmental Justice to Improve the World</h4>
"In my view, part of Don&#39;s intellectual legacy is in those students. He taught many generations," Uggen says. "I would like to think he would very much like the direction the department has taken in the last decade. Our alumni have been getting excellent jobs in world-class universities. We&#39;ve nurtured the graduate program, which I know he would have appreciated. Also the intellectual diversity on the faculty has just blossomed and bloomed."
 
Pellow&#39;s field of expertise, environmental justice, concerns the downside of many environmental issues that fall disproportionately on poor people, communities of color, and poverty-stricken nations, who increasingly protest becoming dumping grounds for the wealthy. 

<p>Pellow&#39;s work, Uggen says, reflects the department&#39;s attitude toward research&mdash;"the sort of work that makes a real difference in the world."</p>

<p>That&#39;s how Pellow sees it, too. "What really keeps me going is being able to connect what&#39;s going on in my research to what&#39;s going on in the classroom, to what&#39;s going on off campus," he says. Sociology is "not only understanding and explaining social institutions in the world around us, but also ultimately improving and changing the world."</p>

<p>His books include Garbage Wars: The Struggle for Environmental Justice in Chicago, a study of how and why the city&#39;s landfills and toxic waste dumps were sited most often in low-income communities and communities of color; and his most recent work, Resisting Global Toxics: Transnational Movements for Environmental Justice, which examines how income disparities force hazardous waste and unsustainable industries on poor nations.</p>

<p>Pellow and faculty member Lisa Sun-Hee Park are currently conducting research for a book on immigration and labor conflicts in glitzy Aspen and the rest of Colorado&#39;s Roaring Fork Valley. "What surprises a lot of people is how strong the effect of race continues to be," he says. In many cities, "Southeast Asians and Latin Americans are really bearing the brunt of many of these siting decisions." </p>

<p>He plans to soon begin research on how the effects of global climate change are likely to be distributed among communities and nations rich and poor. </p>

<p>Pellow expects these issues to become even more critical, and says the support of an endowment will be of tremendous value to his work. "I&#39;m able to hire research assistants. That in turn professionalizes and trains the research staff and helps them in their careers. It provides me with a lot I wouldn&#39;t have had. I&#39;m really grateful."</p>

<p><em>Watch David Pellow&#39;s Martindale lecture at <a href="http://reach.cla.umn.edu/pellow">http://reach.cla.umn.edu/pellow</a></em></p></body>
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         <pubDate>Thu, 03 Sep 2009 16:33:01 -0600</pubDate>
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         <title>Building a Future for CLA</title>
         <description><p>CLA&#39;s new dean, James A. Parente, Jr., talks about how the college will thrive in the 21st century. <br />
<em>interview by Mary Pattock</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189720</link>
         <guid>189720</guid>
        <body><p><strong>Not long ago the New York Times ran a story about the liberal arts, wondering if they are a luxury in this economy. What do you think?</strong><br />
<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Jim Parente" src="http://blog.lib.umn.edu/clareach/stories/BuildingaFutureforCLA.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">James A. Parente, Jr. Dean of<br />
the College of Liberal Arts. Photo by Kelly MacWilliams.</p></div></p>

<p>Jim Parente, CLA&#39;s new dean, talks about what the college needs to thrive in the 21st century: research, internationalization, and exceptional undergraduate education.</p>

<p>Actually, they are more viable than ever. First of all, alumni tell me that what they really like about their liberal arts employees is that they are very trainable, can do lots of different things. As old jobs disappear in the age of technology and students prepare for jobs that haven&#39;t yet been created or even imagined, versatility will be a life-long career advantage for the liberal arts graduate.</p>

<p>On a deeper level, the liberal arts help prepare us for life&#39;s most important decisions: What do I want? What am I seeking? Do I imagine my life to be simply one of self-preservation and self-interest, or do I have other aspirations? The liberal arts help us understand our choices ranging from what I want my children to learn in school, to whom I want leading the country, to what my societal responsibilities are.</p>

<p>This year I met with undergraduate students about every three to four weeks&mdash;a good cross-section including those guys in the back of the room who don&#39;t say anything during class. I wanted them to tell me what&#39;s going on, and what they think this is all about. One thing I heard is that sometimes parents, who are very worried about their children, say, "Oh my gosh, you&#39;re going to major in philosophy. You&#39;ve got to be kidding. What are you going to do with that?"&mdash;without thinking that philosophy might actually be a superb foundation for many professional schools, certainly for any additional schooling. </p>

<p>So, say you do major in philosophy. If you have been savvy about remaining connected to the world while you are studying this subject&mdash;which you find really cool&mdash;you put it together with something you&#39;re interested in, say, an internship in a business or nonprofit. And you come out prepared for quite an interesting career. </p>

<p><strong>President Bruininks&#39;s goal is for the University to rank among the top three public research universities. How does CLA contribute to that direction?</strong><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Students" src="http://blog.lib.umn.edu/clareach/stories/BuildingFutureStudentsBlur.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>Substantially. In CLA we have psychologists trying to figure out how the brain processes language. We have a research team working on how adolescents respond to anti-drug ads. By the way, that team includes a CLA undergraduate&mdash;we are increasingly opening research experiences to undergrads. And just recently two CLA researchers made national headlines&mdash;Gary Schwitzer with his findings on the decline of health journalism, and Kieran McNulty with his breakthrough on the "hobbit" fossils of Indonesia. This is all highly significant work. </p>

<p>If I were to compare CLA research with research in the hard sciences, I&#39;d say that rather than looking at the biology of the basic cell, we ask questions, for example, about the ethics of science, about why specific medical protocols are used, about what exactly is health and what is disease. Liberal arts research goes to the essence of humanity itself&mdash;who we are as human beings, questions about our societies, political systems, religious beliefs, languages, and philosophical principles.</p>

<p><strong>You&#39;ve been the DEAN of CLA for almost A year. How do you think It should  change?</strong><br />
CLA is by far the University&#39;s largest college, with about 16,000 graduate and undergraduate students, roughly 45 percent of the University&#39;s total enrollment. So the more distinguished our programs are, the stronger the entire University becomes. I want our strong departments to remain strong, and those on the cusp to move to a higher level. </p>

<p>Great faculty and students are drawn to us when they know we are top-tier, and when they know about the signature programs that make us unique. For example, if you are in psychology, you know Minnesota is outstanding in that field. If you are in humanities you know there is a really exciting group of people involved in a creative approach to the study of Asia, or in developing a unique position on the study of Islam. </p>

<p>In addition to strengthening our signature programs, we are having discussions about integrating language instruction more intimately with upper-level classes across the college in order to internationalize the curriculum.</p>

<p><strong>What do you mean&mdash;"internationalize the curriculum"?</strong><br />
Say a student is majoring in history, and she has also studied Spanish. How can we help her break out of an English-only environment so she can conduct research and work in history in Spanish at her actual academic level? With an internationalized curriculum we could offer that student a course in, say, Latin American history, which would be conducted entirely in the Spanish language. </p>

<p><strong>Some colleges offer "core courses" that show students how the liberal arts are connected.</strong><br />
Yes, we have been talking about this since I was named dean, and a CLA task force is now looking at how we can constitute the curriculum to help students more fully understand what a broad liberal arts education is, and why it is so valuable.</p>

<p>The better we can answer those questions, the more likely it is that students will approach their studies holistically, rather than as specific fields that promise more hope for employment&mdash;which is very understandable given the cost of higher education and the reason most kids go to college in the first place. I think when students come to CLA thinking, "I&#39;m going to major in this because it is something I can get a job in," they shortchange themselves and perhaps close off opportunities to learn about other areas that might be more exciting to them.</p>

<p>These four years that students spend at the University are important; rarely in your life do you have an opportunity to study as diverse an array of fields as you do here, to open your mind to new experiences and academic fields you didn&#39;t even know existed.</p>

<p><strong>The U has a great arts program&mdash;what is its future?</strong><br />
CLA has two great advantages in the arts. One is we have outstanding, internationally recognized artists on our faculty, and the other is we are located in the extraordinarily vibrant arts community of the Twin Cities. </p>

<p>A lot of the arts excitement on campus now comes from innovative thinking about how studio arts and performance arts can collaborate, in partnerships both on campus and in the community. One of our great success stories is the bachelor of fine arts program we offer with the Guthrie Theater. David Myers, our new director of the School of Music, is a national leader in college-community partnerships, and he has a lot of ideas on how we can to reach more deeply into the community.</p>

<p><strong>Other changes you would like to see?</strong><br />
So far I&#39;ve talked about strengthening academic programs. But that&#39;s not by any means the entire story. There is also the actual student experience. As the largest liberal arts college in Minnesota we want to provide our students the most beneficial, enriching, and academically challenging undergraduate experience possible.  </p>

<p>We also have an obligation to make the University a national and international player in terms of cultural diversity and the diversity of our students. They need to learn how to understand and benefit from many perspectives. Currently, the number of international applications is up significantly. We need national diversity as well, and we think our signature programs will help draw undergraduates from across the country. </p>

<p><strong>E-Education is a major trend.</strong><br />
Yes, it already represents almost 10 percent of all U of M course offerings. Both faculty and students are highly interested in new media and are using it in all sorts of exciting new ways, and we have a group of faculty and staff studying how to do that. </p>

<p>People associate e-education with serving people who are distant from the campus or who need flexibility, and it certainly does that.  But our faculty are very innovative and are integrating new technologies into their on-campus courses as well. For example, they use technology to present material in formats that accommodate various learning styles, or let students proceed at their own pace. And technology is a connection to the vast resources available online, including contact in real time with experts in various disciplines, or with research partners who may even be in other countries. </p>

<p>E-education also lets us offer courses at specialized or more advanced levels. For example, if a college wanted to offer a course in a less commonly taught language that would not be practical for a single college to teach, one institution could host it and students from two, three, four other institutions could be virtually present by technology.</p>

<p><strong>Doesn&#39;t computer learning have its limits?</strong><br />
Every teaching method has its advantages and its limitations. So yes, sometimes there is no substitute for in-person classroom interactions, where there is strong face-to-face human connection. A lot of the learning that goes on in universities happens outside the classroom, with experiences that provide peer support and reinforce classroom learning. </p>

<p>Also, there is the cost factor. Some people think online courses are big money-savers, but they are actually quite expensive. We have to buy, maintain, and constantly upgrade software and hardware. We have to design courses for online presentation, put them online, hire support people, train faculty and staff, and so on. </p>

<p><strong>Some people might be interested in what a liberal arts dean reads in his free time.</strong><br />
This year I&#39;ve read several Scandinavian detective novels. Last year I read works about early 20th-century European history starting with Geert Mak&#39;s memoir, In Europe: Travels Through the Twentieth Century. I kept thinking about the event of 9/11 that brought to the foreground issues that had not been resolved in the late teens and early 1920s. Those wounds are wide open again, and the West&#39;s inability to bring responsible, sensitive, and deep knowledge to the Middle East in the early 20th century is what we are repeating in the 21st. </p>

<p>It reminds me of what you get with a liberal arts education. The time we take to find out about other people&mdash;what is important to them, their history, language, society&mdash;helps us deal with very difficult situations&mdash;both personal and global.</p>

<p>I try to read some of the latest work in fields represented by our departments and books on higher education in the United States. I also try to keep up with the exciting work our faculty sends me that they have authored themselves.</p>

<p><strong>Big picture, what is the biggest challenge for the liberal arts?</strong><br />
The basic one is the need to communicate to students, families, alumni, high school counselors and others a clear sense of how vital the liberal arts are to our society. Without them the world would be bereft of knowledge, imagination and beauty. We&#39;d lack understanding of the past, and of the increasingly complex society we live in today.  The liberal arts stimulate our imagination, so we can have dreams for the future. They lay the foundation for higher levels of learning, careers in law, education, health care, public service, business, the arts and more. They help us make sense of our world and give our lives meaning.</p></body>
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         <pubDate>Thu, 03 Sep 2009 16:17:02 -0600</pubDate>
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         <title>Can Immigration History Help Contain Swine Flu?</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189700</link>
         <guid>189700</guid>
        <body><p>Researchers at CLA&#39;s Immigration History Research Center (IHRC) are opening a window onto the pandemic flu of 1918 and how it was transmitted within a specific ethnic community. Their findings may well hold clues to containing the spread of H1N1 (swine) flu.</p>

<p>Using Ukranian Fraternal Association documents ranging from correspondence to insurance policies, the researchers are creating a database that will reveal social patterns associated with the spread of the flu. Health scientists will study the data to see what patterns could be modified in the interest of containing diseases like swine flu.</p>

<p>The documents had been inaccessible to most researchers because they were written almost entirely in Ukranian. IHRC researchers are translating and digitizing records from 1918 to 1920 as part of the Ukranian American Health, Mortality and Demography Project, which is funded by the University&#39;s Minnesota Population Center.  </p>

<p>Why records from a fraternal organization? Haven Hawley, IHRC acting director, says such groups were often the only institutional providers of assistance for new immigrants. Among other things, they tracked mortality and health, villages of origin, changes in family size, and type of occupation.</p>

<p>The IHRC is seeking a grant to expand the project back to 1911 and across the 20th century.</p>

<p><em>Read more at <a href="http://reach.cla.umn.edu/flu">http://reach.cla.umn.edu/flu</a></em></p></body>
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         <pubDate>Thu, 03 Sep 2009 15:23:15 -0600</pubDate>
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         <title>Teens speed-dating languages</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189703</link>
         <guid>189703</guid>
        <body><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Teen speed-dating languages" src="http://blog.lib.umn.edu/clareach/stories/TeenSpeed.jpg" width="200" height="139" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>CLA&mdash;home to around 40 language programs&mdash;hosted nearly 2,000 students from 25 Minnesota high schools during World Languages Day on May 19. It was a fast-paced affair. Students attended three 40-minute classes in or about one of 24 different languages: Arabic, ASL, Chinese, Danish, Dutch, ESL, French, German, Greek, Hebrew, Hindi, Hmong, Italian, Japanese, Korean, Latin, Norwegian, Ojibwe, Persian, Portuguese, Russian, Spanish, Swahili, and Turkish. </p>

<p>Already studying second languages in their high schools, students came from communities as close as Minneapolis and as far away as Pillager to explore language opportunities at the University.</p></body>
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         <pubDate>Wed, 02 Sep 2009 15:26:55 -0600</pubDate>
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         <title>&quot;Critical language&quot; students get State Department support</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189704</link>
         <guid>189704</guid>
        <body><p>Eleven CLA students are spending the summer overseas as part of a federal government effort to dramatically increase the number of Americans who are proficient in what it deems "critical languages." Eight of the 11 languages are taught in CLA: Arabic, Chinese, Hindi, Korean, Persian, Russian, Turkish, and Urdu.  </p>

<p>The Department of State&#39;s Critical Language Scholarships for Intensive Summer Institutes Program, launched in 2006, sends students to participate in intensive language and cultural study institutes in countries where the targeted languages are spoken.</p>

<p>Recipients are expected to continue their language study beyond the scholarship period and apply their critical language skills in their careers&mdash;which, in the case of the U of M winners, range from neuroscience to linguistics, anthropology to public affairs.</p>

<p><em>See the full list of awardees, their majors, and the languages they are studying at: <a href="http://cla.umn.edu/teachResearch/students.php">http://cla.umn.edu/teachResearch/students.php</a></em></p></body>
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         <pubDate>Tue, 01 Sep 2009 15:33:44 -0600</pubDate>
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         <title>Lord of the Fossils Makes it a Hobbit</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189705</link>
         <guid>189705</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Kieran McNulty" src="http://blog.lib.umn.edu/clareach/stories/LordoftheFossils.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span>
<p style="clear:both; font-size:10px;">Professor Kieran McNulty and his
colleague established that Homo floresiensis was distinct from
Homo sapiens. Only three feet tall, Homo floresiensis had a brain
about one-third of the size of a human&#39;s, but could make stone
tools. Photo by Kelly MacWilliams.</p></div>Maybe J.R.R. Tolkien was on to something. Fossilized skeletons found in Indonesia in 2003 that resemble his famous "hobbits" turn out to be the remains of a hitherto unknown species in humanity&#39;s evolutionary chain that lived at the same time as our very own ancestors.

<p>That is the finding of anthropology assistant professor Kieran McNulty&mdash;named this year a McKnight Land-Grant Professor&mdash;and his colleague Karen Baab of Stony Brook University in New York, published online in the Journal of Human Evolution. The researchers used cutting-edge 3D modeling methods to compare the cranial features of the 18,000-year-old Homo floresiensis with those of a simulated fossil human of similar size to determine conclusively if the species was distinct from modern humans&mdash;and it was.<br />
 <br />
[Homo floresiensis] is "the most exciting discovery in perhaps the last 50 years," says McNulty. "The specimens have skulls that resemble something that died a million years earlier, and other body parts are reminiscent of our three-million-year-old human ancestors, yet they lived until very recently&mdash;contemporaries with modern humans."<br />
 <br />
One theory is that the species underwent a process of size reduction after branching off from Homo erectus, one of modern-day humanity&#39;s ancestors, an even more primitive species.<br />
 <br />
<em>Learn more about the "hobbit fossils" at: <a href="http://reach.cla.umn.edu/hobbit">http://reach.cla.umn.edu/hobbit</a></em></p></body>
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         <pubDate>Mon, 31 Aug 2009 15:38:36 -0600</pubDate>
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         <title>Learning more than she thought possible</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189706</link>
         <guid>189706</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Ellie Lijewski" src="http://blog.lib.umn.edu/clareach/stories/LearningMoreThanShe.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">A J-School freshman, Ellie
Lijewski joined professors in a research project: (left to right
behind her), Professor Ron Faber, Assistant Professor Marco Yzer,
Professor Bruce Cuthbert, and Associate Professor Angus MacDonald.
Photo by Rodrigo Zamith.</p></div>Ellie Lijewski is researching the effect of anti-drug advertising on teenagers.

<p>She wasn&#39;t a professor or a Ph.D. student, but a freshman in the School of Journalism.</p>

<p>Last year Ellie Lijewski and 44 other students received CLA Freshman Research Awards that enabled them to work on research projects with faculty and graduate students. CLA hand-matches students and their mentors to create the best possible partnerships.<br />
 <br />
Lijewski&#39;s team includes professors and grad students from advertising, psychology, and marketing. "We have been measuring the perceived and actual effectiveness of anti-drug ads," she explained. "We are also trying to explain the effects of weak ads versus strong ads and why anti-drug ads sometimes are ineffective or even counter-effective." The study is funded by the National Institute on Drug Abuse.<br />
 <br />
How valuable is the experience? Says Lijewski, "I&#39;m learning how to work with people who don&#39;t even necessarily speak the same academic language, how to solve problems, and how to go about designing and testing unprecedented topics and procedures, all on a deadline. I&#39;ve discovered that it takes a huge amount of effort to set up studies and recruit volunteers. The most important thing to me, however, is that I am getting this experience so early in my academic career . . . . The relationships and networks I am forging through this experience are priceless. I&#39;m learning more than I thought possible, and it&#39;s more rewarding than I ever thought it could be."</p>

<p><em>Find out more about Ellie Lijewski&#39;s research at <a href="http://reach.cla.umn.edu/lijewski">http://reach.cla.umn.edu/lijewski</a></em></p></body>
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         <pubDate>Sun, 30 Aug 2009 15:43:28 -0600</pubDate>
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         <title><![CDATA[First in the Nation&mdash;Again]]></title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189707</link>
         <guid>189707</guid>
        <body><p>The nation&#39;s first American Indian studies department hosted the nation&#39;s first Native American and Indigenous Studies Association (NAISA) conference this May.</p>

<p>To honor the 40th anniversary of the University of Minnesota&#39;s Department of American Indian Studies, NAISA invited more than 600 scholars from the Americas and as far away as Taiwan, Australia, Czech Republic, Israel, and Norway to its first conference, in Minneapolis.</p>

<p>Before 1969, studies of Native Americans were scattershot and held mostly in anthropology departments. With the creation of the University&#39;s department, there was finally a place dedicated to the study of native languages&mdash;in this case, Minnesota&#39;s Dakota and Ojibwe&mdash;as well as Indian culture, history, education, and other topics.</p>

<p>Since then, American Indian studies have exploded across the United States and Canada; there are now almost 120 programs and departments in the United States and Canada, not counting the 32 tribal colleges.</p>

<p>The May conference was a milestone. "It used to be that while we would read each other&#39;s research, we never came together. Finally, we will be working less in isolation and instead sharing our commonalities and similar professional challenges," said Jean O&#39;Brien, an associate professor and former chair of the Department of American Indian Studies and member of the White Earth Band of Ojibwe.</p>

<p><em>To learn more about the conference, go to <a href="http://reach.cla.umn.edu/naisa">http://reach.cla.umn.edu/naisa</a></em></p></body>
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         <pubDate>Sat, 29 Aug 2009 15:46:14 -0600</pubDate>
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         <title>Clint Eastwood and Me</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189710</link>
         <guid>189710</guid>
        <body><p>If you&#39;ve seen the movie Gran Torino, you&#39;ve seen Bee Vang. He&#39;s the 17-year-old who co-starred with Clint Eastwood in the hit film about reform and redemption across cultures and generations.</p>

<p>A senior this fall at Armstrong High School in Plymouth, Minnesota, Vang nevertheless attends the University full-time through Minnesota&#39;s Post Secondary Enrollment Option (PSEO) program, which allows high school juniors or seniors to earn college credit, tuition-free, while in high school.  </p>

<p>Although Gran Torino is set in Michigan, it was inspired by the Hmong community in inner-ring Minneapolis suburbs. Vang, who is Hmong, lives in one of those suburbs&mdash;Robbinsdale. He won out over some 2,000 competitors for the role of Thao, whom the Eastwood character, Walt Kowalski, tries to reform, and who ultimately helps Kowalski along the path of his own redemption.   </p>

<p>Vang says the acting experience is much harder than he thought it would be . . . and life-changing. It made him more self-aware, his voice and actions stronger and more confident. "Being an actor helped me be sensitive to every detail of my actions. We do so many things unconsciously. For example, you don&#39;t realize that if you breathe in when you wave your hand, it shows a different emotion than if you breathe out."</p>

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Bee Vang, Clint Eastwood, and other actors on the set of Gran Torino" src="http://blog.lib.umn.edu/clareach/stories/ClintEastwoodandMe.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Bee Vang, fourth from left with
Clint Eastwood behind him, and other actors on the set of <em>Gran
Torino</em>. Photo courtesy of Bee Vang.</p></div>It also broadened his thinking about the future. "I was definitely heading into the science field, but [being in the movie] helped me rekindle my love for the arts." 

<p>He&#39;s already earned 30 college credits through PSEO, and will return to the University this fall as a high-school senior. Last spring he took a PSEO class in fundamentals of performance, and he plans to study film this fall, in addition to anthropology, karate, and journalism. </p>

<p>"PSEO is an amazing program," he says, that lets him "get education beyond high school during high school. It helped me find myself quicker. It is helping me find out what I am passionate about. I&#39;m glad to be here, to live in Minnesota." </p>

<p>And what&#39;s the scoop on Clint Eastwood? "He was a sweetheart," says Vang. "He is charming, down-to-earth, humble. It makes me so happy that he chose Hmong to play Hmong instead of just any Asians. We got to portray ourselves."</p></body>
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         <pubDate>Fri, 28 Aug 2009 15:50:07 -0600</pubDate>
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         <title>David Noble retires</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189712</link>
         <guid>189712</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Noble" src="http://blog.lib.umn.edu/clareach/stories/DavidNobleRetires.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">American Studies faculty honored
David Noble with an American Indian "Chief Joseph" blanket. Photo
by Kelly MacWilliams.</p></div>He co-authored the first multicultural history of the United States. He taught brilliantly, memorably. Supervised 100-plus doctoral dissertations. Influenced the development of American studies at the University and nationwide. Reshaped scholarship in American and cultural history, literature, women&#39;s studies, race theory. Wrote nine books, retired, is writing his tenth book.

<p>Did you catch that he retired? Professor David Noble did retire this spring, legendary and lauded, after more than 50 years of scholarship and teaching. But his work continues, as he focuses full bore on a new book, which some of his colleagues are predicting will be his most important. Its working title: "Is the Global Marketplace the Last New World? Economists, Literary Critics and Ecologists Debate the End of History." </p>

<p>Celebrating the retirement were students, colleagues, family, and friends at an event that was variously happy, serious, funny, and poignant, and featured a panel of former students.</p>

<p>Dean Jim Parente spoke to Noble&#39;s career as a scholar and educator: "He could chair the American studies department or impersonate Richard Nixon, write books or pack an auditorium. He could attack a problem with full academic rigor, or&mdash;as former student Nan Enstad, now at Wisconsin-Madison, says, &#39;create a warmer space to form a community of scholars.&#39; David, you have made a difference here in more ways than we can count or imagine."</p>

<p><em>Read more about David Noble: <a href="http://reach.cla.umn.edu/noble">http://reach.cla.umn.edu/noble</a></em></p></body>
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         <pubDate>Thu, 27 Aug 2009 15:52:05 -0600</pubDate>
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         <title>Human Rights Program Helps Hmong Families Find Peace</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189714</link>
         <guid>189714</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Hmong Refugees" src="http://blog.lib.umn.edu/clareach/stories/HumanRightProgram.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Hmong refugees remaining in
Thailand sent images of the desecration of loved ones&#39; graves to
family and friends in the Twin Cities.</p></div>Wat Tham Krabok is a Buddhist monastery located in the rolling plains of central Thailand, about two hours north of Bangkok. In 1992 it became a refuge for some 15,000 Hmong people who had supported the United States during the Vietnam War and would no longer be safe under communist rule in their native Laos. Many who lived at the monastery eventually relocated in the Twin Cities&mdash;home to the largest urban Hmong population in the nation.
 
<p>Three years ago, word began to spread that more than 900 Hmong graves located on monastery grounds had been desecrated. Refugees remaining in Thailand sent videotape to Twin Cities friends and family showing in graphic detail the remains of loved ones being dismembered, boiled, thrown into open graves, and burned. Two bodies were reported displayed in a mini shrine at a shopping mall&mdash;for good luck. The reason given by the Thai government for the disinterment had to do with water quality.</p>
 
<p>The desecrations were more than horrifying. In the Hmong religion, the spirit of a deceased person who is not properly buried will wander for eternity, never reaching its ancestors, never reincarnating in the world of the living, interrupting the cycle of life.</p>
 
<p>Members of the community approached the University for help, and CLA&#39;s Human Rights Program, which is part of the Institute for Global Studies, responded. Program director Professor Barbara Frey organized a town hall meeting at which the 20 students in her human rights internship class and two Hmong graduate students collected statements from 159 aggrieved families. Taking the position that families have a human right to honor their dead, they forwarded the statements with a formal complaint to the United Nations High Commissioner for Human Rights.</p>
 
<p>In December, James Anaya, U.N. Special Rapporteur on Human Rights and Indigenous Issues, held a public hearing at Coffman Union on the Minneapolis campus. Several hundred people attended; the testimony was moving. Anaya described the accounts as "assault to culture, assault to a people." In addition to reporting his findings and his recommendations to the U.N. Human Rights Council, he committed working to resolve cultural differences that led to this violation and ensure that it will not happen again.</p>
 
<p>Frey says that the Human Rights Program, on behalf of the Hmong families, is seeking a three-part resolution from the Thai government: a declaration that the rights of an indigenous community have been violated, the opportunity to reclaim the bodies, and reparations for expenses related to either reclaiming the body or paying for ceremonies to put family spirits at peace.</p>
 
<p>Grave desecration is not a problem unique to Hmong people. It has also been experienced by the BahÃ¡&#39;Ã­ in Iran, Jews worldwide, and Native Americans in the U.S.</p>
 
<p><em>Watch a video and read more: <br/ ><a href="http://reach.cla.umn.edu/hmonggraves">http://reach.cla.umn.edu/hmonggraves</a></em></p></body>
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         <pubDate>Wed, 26 Aug 2009 15:56:32 -0600</pubDate>
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         <title>Students Win Top Awards</title>
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         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189716</link>
         <guid>189716</guid>
        <body><p>Congratulations to CLA students who won prestigious national and international scholarships in 2009.<br />
	<br />
<strong>Dustin ChacÃ³n</strong>, linguistics, was one of 18 students nationwide to receive a Beinecke scholarship for graduate studies in the arts, humanities, or liberal arts. </p>

<p>Of the 14 U of M students to win Fulbright grants, 11 were from CLA. The grants support a year of study, research, teaching, or creative work in another country. Graduate students are: <strong>Ryan Chelese Alaniz</strong>, sociology, who will go to Honduras; <strong>Clelia Anna Mannino</strong>, psychology, Italy; <strong>Ashley McKim Olstad</strong>, Germanic studies, Germany; <strong>Drew Anthony Thompson</strong>, history, Mozambique. Undergraduates are <strong>Alia El Bakri</strong>, political science, Jordan; <strong>Daniel Groth</strong>, English, South Korea; <strong>Carmen Price</strong>, English and German studies, Germany; <strong>Zachary Saathoff</strong>, violin performance, Austria; <strong>Jenna Rose Smith</strong>, English and cinema & media culture, South Korea; <strong>Jillian Stein</strong>, Spanish studies and speech-language-hearing sciences, Spain; <strong>Antoni Tang</strong>, marketing and African American and African studies, Venezuela; <strong>Anh Tran</strong>, neuroscience and psychology, United Kingdom.</p>

<p><strong>Anh Tran</strong> was also one of 20 students nationwide to be named to the All-USA College Academic Team by USA Today, in recognition of excellence in scholarship and reach beyond the classroom to benefit society.  <strong>Ashley Nord</strong>, physics, astrophysics, and global studies, won a Rhodes scholarship for two years of post-graduate study at Oxford University. <strong>Philip Brodeen</strong>, sociology and American studies, won a Udall Native American Congressional Internship for 10 weeks in the Washington office of South Dakota Representative Stephanie Herseth Sandlin, focusing on tribal public policy.</p></body>
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         <pubDate>Tue, 25 Aug 2009 16:01:15 -0600</pubDate>
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         <title>J-School Celebrates Great Journalism in Minnesota</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189718</link>
         <guid>189718</guid>
        <body><p>The quality of news reporting may be in jeopardy, but the School of Journalism continues to carry the banner for excellence with its annual Frank Premack Public Affairs Journalism Awards.</p>

<p>One of the state's most coveted journalism honors, it celebrates Minnesota newspapers that are doing public affairs journalism in their community or region.</p>

<p>This year's winners were:<br />
<ul><li><em>MinnPost.com</em>, the Coleman-Franken Recount<br />
by Jay Weiner</li><li><em>The Bemidji Pioneer</em>, "Help for Cattle Farms"<br />
by Brad Swenson</li><li><em>St. Paul Pioneer Press</em>, "The Death of Subject 13"<br />
by Jeremy Olson and Paul Tosto</li><li><em>Rochester Post-Bulletin</em>, "Mystery Illness"<br />
by Jeff Hansel</li><li><em>Star Tribune</em>, "Resolution Needed in AG Controversy"<br />
by Jill Burcum</li><li><em>Morrison County Record</em>, "Every county resident should be saddened by Tuesday's events"<br />
by Tom West</li></ul></p>

<p>The competition was started to honor Frank Premack, a reporter and editor at the Minneapolis Tribune, who died in 1975.</p></body>
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         <pubDate>Mon, 24 Aug 2009 16:09:38 -0600</pubDate>
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         <title>The Deinard Chair: a gift of community</title>
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         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166486</link>
         <guid>166486</guid>
        <body><p>From Erwin Kelen&#39;s office on the 49th floor of the IDS Center in downtown Minneapolis, the city stretches out across landmarks, rivers, and just to the east, the University of Minnesota campus. </p>

<p>For Kelen, the city and the campus are inseparable. Here he has had a successful career as a businessman and venture investor. And here is where he earned a graduate degree after coming to the University as a refugee from Hungary.</p>

<p>â€œI had no papers to prove I had a degree," he says, though indeed he had graduated from the Technical University of Budapest. â€œThe University accepted me, telling me that we&#39;d just see if I could do the work."</p>

<p>The graduate degree Kelen earned at the U laid the foundation for his successful careerâ€”and he never forgot that. Wanting to give something back a few years ago, he settled on the idea of endowing a professorship. </p>

<p>In the meantime, the College of Liberal Arts had hoped for a long time to fund a position in modern Jewish history.</p>

<p>&#39;We have had colleagues who have sometimes taught courses in this area, but we have never before had a scholar on the faculty who was trained in Jewish history and whose entire research, writing, teaching, and public outreach has been about Jewish history," says Eric Weitz, history department chair. â€œ So this is a very exciting new departure for the department and for CLA."</p>

<p>Kelen was not only enthusiastic about the possibility, but he also knew that others would be as well. In fact, if this chair is about anything, it is about the power of committed people coming together for a cause in which they believe. By the fall of 2007, the contributions of a number of donors had created the Deinard Chair in Modern Jewish History, housed in and initiated by the Center for Jewish Studies.</p>

<p>Why â€œthe Deinard Chair"? Amos Deinard, a founder of the Leonard, Street, and Deinard law firm was also a philanthropist, a lifelong activist on behalf of the oppressedâ€”and Erwin Kelen&#39;s father-in-law. It seemed only fitting to name the chair after him.</p>

<p>This fall, Daniel Schroeter, a scholar recruited from the Univeristy of California-Irvine, arrived on campus to fill the position.</p>

<p>â€œDaniel Schroeter is an ideal scholar and teacher for us because his work intersects with so many other initiatives and programs in CLA," Weitz says. â€œHis research has been<br />
primarily on the Jews of Morocco, so he connects with our burgeoning courses and programs on the Middle East. He will be part of the Mediterranean Initiative, especially the new program in Islamic Societies and Cultures. And as someone whose work concentrates on North Africa, he also intersects with our renowned program in African History.</p>

<p>â€œIn short, he is someone with distinguished accomplishments in his area of specialization, but whose work and interests branch out far beyond that. E-mails and letters have poured into us from scholars around the worldÂ­â€”in Morocco, Israel, France, Britain, Canada, and the U.S. â€”congratulating us on making a superb hire."</p>

<p>And for that superb hire, credit goes to those who made it possible in the first place. Other donors to the chair were Richard and Beverly Fink; Lyle Berman; Steve and Sheila Lieberman; Lawrence and Linda Perlman Foundation; and Frank and Carol Trestman.</p></body>
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         <pubDate>Fri, 13 Feb 2009 12:48:54 -0600</pubDate>
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         <title>Speaking of Language</title>
         <description><p>If culture is the prism through which we view  the world, language is our attempt to order that world and give it meaning. At the U of M, nearly 40 language options provide a wealth of cultural opportunity. <br />
<em>by Judy Woodward</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166444</link>
         <guid>166444</guid>
        <body><p>It&#39;s your first visit to the home of your new Iranian acquaintance and you can&#39;t wait to try some of that terrific rose-water-infused cuisine you&#39;ve heard about. Politely, your host offers you something to eat. You&#39;ve been studying your Persian dictionary for just this moment, and you&#39;re ready. â€œWow, thanks", you say in Farsi, smiling broadly in the interests of international understanding. â€œI&#39;m starving!"</p>

<p>Congratulations. You&#39;ve just revealed yourself to be a social barbarian, completely unversed in the elaborate rituals of taarof, the Persian social code that governs virtually every aspect of behavior in the highly nuanced world of Iranian hospitality.  </p>

<p>â€œA different language is not just another vocabulary; it&#39;s a different vision of life," says Mahmoud Sadrai, instructor of Persian and linguistics. As a teacher of Persian, Sadrai believes that his job is to teach the culture as well as the vocabulary. </p>

<p>Persian is just one of the nearly 40 languages taught at the University of Minnesota.  Every one of them holds the promise of introducing a new world and a fresh perspective on life, but only if the learner understands one critical point: When it comes to learning a language, your grasp of grammar may be impressive, your vocabulary large, and your accent native-like, but, if you don&#39;t understand cultural practices like taarof, you haven&#39;t learned the subject. </p>

<p>Sadrai defines taarof as an elaborate â€œsystem of politeness strategies." He explains the social misstep involved in accepting food too quickly. â€œIn Persian culture, you are obligated to offer food," he says, but it&#39;s also rude to  accept too quickly. â€œYou can&#39;t accept until the third offer," he says.  A brash American might note inwardly at that point that the food is getting cold, but he would be missing the point. Sadrai says, â€œEven though you know your position [in the social hierarchy] you must go through the ritual of self-effacement. Part of taarof is saving face, and allowing others to save face."  </p>

<p>An all-encompassing system that covers every social encounter, taarof explains why, for example, it might take an hour to bid your Iranian host a polite farewell. Noting that taarof helps define and enforce social hierarchies, Sadrai says, â€œIt&#39;s a way of giving deference, but the politeness need not be sincere." </p>

<h4>Widening the lens</h4>

<p>There are all kinds of reasons to learn a language, says Elaine Tarone, director of the University&#39;s Center for Advanced Research on Language Acquisition (CARLA). Studies show, for example, that children in language immersion programs have greater cognitive flexibility and are more creative. </p>

<p>She also believes, though, that as Americans, we simply shortchange ourselves if we cling to our monolingual culture. â€œWe have a limited view of being human if we see things through only one cultural lens," says Tarone, a Distinguished University Teaching Professor of Second Language Studies. â€œWe Americans value freedom, yet we [risk] locking ourselves into one way of seeing the world."</p>

<p>Beyond mastering grammar and vocabulary, real communication depends on learning what she calls the â€œpragmatics" of a language. â€œAs you become more proficient in a language, the knowledge of the culture becomes more important," Tarone says. â€œIn fact, the two are so interrelated that you can&#39;t assess proficiency without talking about what [students] know about culture." </p>

<p>Say, for example, you need to apologize for a minor social blunder. To do that, a student has to understand not just words and sentence structure, but also the cultural nuances and the social standing of those who may have been offended. â€œYou have to suit the language of apology to the degree of offense . . . [and] to use the language at that advanced level, you need to know the culture," she says. </p>

<p>But acquiring a level of proficiency that ensures cultural as well as linguistic competence is no easy matter.  Tarone points out that there are times when a student&#39;s native culture can consciously or unconsciously sabotage the learning process. Take the delicate matter of what Western society defines as plagiarism. American students are raised to be individualists, accustomed from their earliest school days to reformulate and synthesize assigned reading â€œin their own words." </p>

<p>Not so for students from some Asian cultures, says Tarone. â€œThey may come from a culture where the learning model is to memorize from the experts," she explains. â€œThey say, â€˜I am not worthy to change this expert&#39;s words.&#39;" For these students, putting something in their own words is not the sign of healthy engagement with the subject matter, but the mark of a presumptuous usurpation of scholarly authority. </p>

<p>Such difficulties are not confined to Asian students striving to master English. Tomoko Hoogenboom, who was a lecturer and lead teacher in the U&#39;s Japanese Program in Asian Languages and Literatures last year, knows her American students have extra difficulty mastering the elaborate forms of keigo, the Japanese system of honorifics used to establish formal social relationships. â€œIn Japanese culture," she says, â€œthere are so many ways of politeness. You need to find out where you belong." </p>

<p>Every public encounter in Japanese involves establishing oneself as a member of an in-group or an out-group, says Hoogenboom, and using specific language prescribed for each role. She explains that so apparently simple an exchange as entering an office and asking to speak to the boss can involve an exhausting linguistic calculus for those not comfortable in the intricacies of keigo. </p>

<p>The person who enters the office makes it clear that he or she is a member of the â€œout-group" by referring to the boss with special honorific forms. The staffer to whom the question is addressed must underscore his or her own â€œin-group" status by referring to the boss in what Hoogenboom calls â€œextra-modest" language. </p>

<p>Add to this ritual the fact that there are separate language forms reserved for men and women, and it&#39;s no wonder that Hoogenboom has her teaching work cut out for her. To help her students, she says, â€œWe create role-playing situations. Each student gets a status card." When the cards are reshuffled and the student gets a new one, â€œ[he or she] needs to change the style of speaking." Hoogenboom says, â€œMost of my students are fascinated by the differences from American culture." </p>

<p>But that doesn&#39;t mean they find them easy to understand. Tarone and her colleague Noriko Ishihara have written about the discomfort that some American students feel when they are expected to use keigo to superiors. â€œIt&#39;s difficult for Americans to do this," Tarone says, citing an American student who remarked that he couldn&#39;t use honorifics until the recipient â€œhad earned his respect."</p>

<p>Such a student may master the grammar and vocabulary of Japanese, but hasn&#39;t really learned to communicate in the language. Says Hoogenboom, â€œA student who wants to be included in Japanese society needs to acquire that skill. If a person says, â€˜I won&#39;t use those honorifics,&#39; other Japanese won&#39;t feel comfortable with him."</p>

<p>Cultural discomfort can also result when Arabic and American social codes conflict, says Hisham Khalek, director of the Arabic Instruction Program in the Department of African-American and African Studies. Khalek, who has just published a new Arabic curriculum, Exploring Arabic, notes that Arabic attitudes toward social discourse go back to nomadic Bedouin life. â€œA visitor to the tribe was received for three days before he was asked his purpose," he says. By conducting general conversation with the stranger, tribesmen could assess character and behavior before the purpose of the visit was raised. </p>

<p>According to Khalek, that leisurely approach still prevails in Arabic business circles, to the frequent incomprehension of straight-to-the-point Americans: â€œIf you have only an hour for lunch with an Arab businessman, the first 45 minutes will have nothing to do with business."</p>

<p>Some scholars contend that language not only provides the vehicle through which we engage the world but also actually shapes the thoughts we are able to express, either completely or absolutely. That idea, known to linguists as the Sapir-Whorf hypothesis, gives rise to some fascinating speculations. Can an English speaker appreciate the finer points of hierarchical courtesy, limited as we are by a language that has only one way to say â€œyou"? Is a bean- counter&#39;s perspective possible for speakers of the Brazilian Indian language PirahÃ£, which counts â€œone, two, many"?  In other words, does language drive culture, or is it the other way around? What is the essential relationship between language and culture? </p>

<p>â€œAt core," Sadrai says, â€œwe develop language to comprehend our experiences and to deal with the world. We experience the world through our senses but we give it meaning through language."</p>

<h4>Artifact vs. Organic</h4>

<p>A scholar who takes a somewhat different view is associate professor of English David Treuer, a McKnight Land-Grant professor, novelist, and translator of texts from his native Ojibwe. </p>

<p>â€œI&#39;m leery of facile descriptions of how cultures work," Treuer says. â€œLanguages are perfectly capable of expressing what they need to." He&#39;s conscious of the tenuous existence of Indian languages like Ojibwe, which is losing native speakers as the inevitable passage of time combines with the powerful lure of American popular culture. </p>

<p>â€œI work against the idea of seeing Ojibwe as an ancient language," says Treuer. â€œThat shoves it into a museum intellectually. I think of it as vibrant, important, and capable of communicating everything. [But] Ojibwe is in danger of dying out. When people talk about culture in regard to a dying language [they&#39;re saying] â€˜Language is a diorama that shows us how life was.&#39;"</p>

<p>He believes that to emphasize Ojibwe&#39;s linguistic singularities after the model of Sapir-Whorf is to condemn it to the fate of a self-consciously â€œancient" tongue, automatically disqualified from expressing the complexities and concerns of modern life. And that&#39;s a crucial concern, because maintaining the vitality of the Ojibwe language is critical to the entire culture, Treuer says. </p>

<p>â€œThere are lots of things in a culture," he says. â€œKinship, ceremony, and history, but language is the most important. In the Ojibwe context, it links and connects all those other things together. Language provides a sense of solidarity."  </p>

<p>Still, Treuer finds himself mildly impatient with the whole notion of capturing the essence of a culture in any neat formulation. </p>

<p>â€œAs a novelist, I&#39;m much more interested in nuance than in general meaning," he says. As a translator, he believes his job is to â€œcommunicate the particularities of a certain text or speech . . . . Translation from Ojibwe is not a matter of translating cultural essence. Cultures are anti-essential. A text is fixed. It stops moving. Cultures are complicated, variedâ€”and always in flux."     </p>

<p><strong>CLA and its languages</strong><br />
So just how broad-based are the languages offered under the CLA umbrella? Here&#39;s an overview. All figures are for the academic year 2007â€“08, unless otherwise specified, and do not include English language offerings.<br />
<ul><li>Number of languages offered at the University of Minnesota: 36 plus American Sign Language</li><li>Number of language courses offered by CLA: Approximately 400 </li><li>Most popular language taught: Spanish </li><li>Less commonly studied hidden gems among languages offered: Ojibway, Persian, Icelandic, and Swahili </li><li>Number of languages taught at the U of M that have no or few living native speakers: <br />
7, Classical Greek and Latin, Old Norse, Coptic, Akkadian, Sumerian and Sanskrit</li><li>Number of students who took a language course last year: 9,738</li> <li>Percentage of all bachelor&#39;s degrees awarded by the U that are in languages and literatures: 3.8%</li><li>Number of students enrolled in an English-as-a-second-language course last year: 172</li> <li>Number of CLA students who study abroad: 827 (2004â€“Â­2005 academic year)</li><li>Number of foreign languages in which the CLA Language Center offers satellite television programming: <br />
10, including Survivor in French, aerobics in Arabic, and Bollywood films in Hindi </li>  </ul>	  <br />
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         <title>Glittery Digitry</title>
         <description><p>Ahhh, the good old days.<br />
<em>by Mary Shafer</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166439</link>
         <guid>166439</guid>
        <body><h4>Possibly you remember. </h4>

<p>Squeaky chalk-on-blackboard. Dry-as-dust textbook. Thumb-sized professor way down there behind the podium. </p>

<h4>Now fast-forward to 21st century CLA.</h4>
 
There&#39;s still a place for the lecture, tobe sure, but for today&#39;s students, evenPowerPoint presentations can seem positively outdated. Teaching and learningÂ­Â­â€”not to mention research and outreachâ€”have become wired, interactive, electronic, immediate, and, most would say, a lot more fun.  

<p>Take a look at some of the more innovativeâ€”and spectacular!â€”uses of technology around CLA.</p>

<h4>You think art is static? </h4>

<p>Something only for the gallery wall?Fasten your seatbelt.  Art on Wheels is a hands-on class in which students create video works with mobile projection units that include a specially designed bicycle, generator, laptop, powerful projector, and control interface. Students project their work onto urban buildingsâ€”or even trees and streets. The program is under the direction of assistant professor of art Ali Momeni. </p>

<h4>The Eyes Have It: Sometimes you just can&#39;t get close enough</h4>

<p>And if you want to <strong>measure eye movement</strong>, well, you have to get really, really close. To do that, researchers in fields like psychology and cognitive linguistics are using a device called an eye tracker. Set up in CLA&#39;s Social and Behavioral Sciences Laboratory in Blegen Hall, the eye tracker measures and records eye movements correlated with displays on a computer screen. The research applications are practically infiniteâ€”the tracker can measure everything from driver fatigue to <br />
reading rates in people with vision-field loss. </p>

<h4>Multiple choice in the 21st century</h4>

<p>Some students use â€œclickers" in the classroom these days. It works like this: The professor asks students to respondto a question. They do, using handheld devices. A computer tallies the results and, at the teacher&#39;s signal, a histogram (bar graph) displays the results on a projection screen in front of the room. Because each student&#39;s selection is anonymous and no one has to raise a hand, the clicker bypasses peer pressure.Known technically as â€œstudent response systems" (SRs), clickers are battery-operated and handheldâ€”more or less like small TV remotes, except that the buttons are used to submit answers, rather than change channels.  </p>

<p>The Blegen Hall closets that once stored maps are empty. No need for flat maps when goggles and a 3Dprojection system take you on virtual field trips: the GeoWall. Used mostly in geography and geology classes, it employs two projectors and polarized glasses to allow everyone to view at the same time. If it&#39;s not feasible to take an entire class on a field trip, for example, the GeoWall becomes the alternative. Geography assistant professor Susy Ziegler and two of her colleagues, senior cartographer Mark Lindberg and graduate student Dan Sward, have also used the GeoWall in the community <br />
with students and older adults.</p>

<p>So the best way to learn a language is to immerse yourself in the culture in which the language is spoken. How to do that in the classroom? Visit Croquelandia, a virtual Spanish world. Students must ask for help, apologize, and shop at the market, for example, interacting with several Croquelandia characters in the process. Each interaction requires students to choose from options that are grammatically correct but pragmatically different. That means they have to learn the culture as well as the language. Funded in part by a Technology-Enhanced Learning (TEL) grant, the project has been led by Julie Sykes, a Ph.D. candidate in Spanish and Portuguese</p>

<p>You can be a tourist yourself by checking out Sykes&#39;s blog and linking to the trailer <a href="http://www.jmsykes.net/2007/11/croquelandia-trailer.html ">http://www.jmsykes.net/2007/11/croquelandia-trailer.html</a><br />
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         <title>Leo&#39;s Legacy</title>
         <description><p><strong>Mechanism Design</strong><br />
Decades ago, the late U of M economist Leo Hurwicz developed an abstract theory called "mechanism design." Just months before his death in June, he was honored with a Nobel Prize for the theory, which now shapes solutions to some of the world&#39;s most mind-boggling problems. But what on earth is it?  <br />
<em>By Douglas Clement</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166436</link>
         <guid>166436</guid>
        <body><p><img alt="leo.jpg" src="http://blog.lib.umn.edu/clareach/stories/leo.jpg" width="215" height="598" style="float: right; margin: 0 0 10px 10px;"/>On December 10, 2007, the Nobel Prize committee assembled in Stockholm to present the 2007 award for economics to three American scholars. Two of them took the stage to accept their gold medallions. The third, University of Minnesota professor emeritus Leo Hurwicz, remained in Minneapolis. </p>

<p>It wasn&#39;t a protest, by any means, simply a recognition that international travel, especially for a worldly 90-year-old, is sometimes more burden than adventure. (And really - Sweden in December?) Staying home was also symbolic of the work for which Hurwicz was being recognized: Rules aren&#39;t immutable; changing them can result in better outcomes. The trick, mastered by Hurwicz, is in knowing how to change them. </p>

<p>So, also on December 10, Jonas Hafstrom, the Swedish ambassador to the United States, arrived at the Ted Mann Concert Hall at the University of Minnesota and presented the Nobel Prize in Economic Sciences to Leonid Hurwicz&mdash;who was surrounded by more friends and family than could ever have flown to Sweden. </p>

<p>A better outcome, by design.</p>

<h4>Abstract but Applied</h4>

<p>"Mechanism design" is the formal name of Hurwicz&#39;s theory. It is a field he invented a half-century ago and developed over subsequent decades. Today, mechanism design is as fundamental to modern economic thought as quantum theory is to physics, and in its mathematical density perhaps as difficult to understand.</p>

<p>But while the theory is complex and abstract, it is also intensely pragmatic, and finds light now in a wide range of applications&mdash;from the creation of better voting procedures, to improved provision of credit to farmers in Thailand, to carbon emissions markets that may help curb global warming. Thanks to mechanism design, medical schools design procedures to find residency matches, donated kidneys find their way to the best recipients, and electricity producers better supply their markets. </p>

<p>It&#39;s all due to theorems devised years ago in a small office in Heller Hall on the University&#39;s West Bank solely because Leo Hurwicz asked the question: "Why should we take existing institutions for granted?"</p>

<blockquote>"The success of emissions trading is further proof that the private sector brings forth enormous creativity in solving social problems if we introduce a profit motive and a price signal." &mdash;Richard Sandor, U of M alumnus, founder of Chicago Climate Exchange</blockquote>

<h4>Easy as pie</h4>

<p>"Mechanism design" is the idea that social, political and economic institutions (mechanisms) can be shaped (designed) to yield superior results. </p>

<p>"Whether one considers auctions, elections or the taxes we pay, our lives are governed by mechanisms which make collective decisions while attempting to take account of individual preferences,"wrote the Nobel Prize committee in explaining the economics behind the award. "Mechanism design can be described as the art of producing institutions that align individual incentives with overall social goals."</p>

<p>Consider this familiar example: Two people agree they want to divide a pie equitably. How can they achieve that "social" goal? By the rules of the optimal mechanism, known to us all since childhood:</p>

<ul><li>One person divides the pie into two slices.</li><li>The other chooses the first slice.</li></ul>

<p>Because the second person, out of self-interest, will likely choose the larger of the two slices, the first person has an incentive to cut the pie perfectly in half. The rules don&#39;t rely on either person being honest or altruistic. Rather, they harness the self-interest of each individual in such a way that the best possible outcome is achieved. </p>

<p>Rules for dividing a pie might seem child&#39;s play, but changing the variables quickly increases complexity. Increase the number of people or pies, make one person the pie&#39;s owner, introduce money or differing preferences or types of pie, and the rules&mdash;and the math&mdash;become much more difficult. </p>

<p>But what about the "invisible hand," Adam Smith&#39;s famous metaphor? A student of introductory economics learns that perfectly competitive markets harness the self-interest of individuals to achieve the best possible allocation of scarce resources. Doesn&#39;t that cut through the confusion? </p>

<p>Not quite, the Nobel committee observed. Although these ideal competitive markets do a remarkable job of satisfying people&#39;s preferences with maximum efficiency, "in practice," the committee said, "conditions are usually not ideal. Competition is not completely free, consumers are not perfectly informed ... [and people] may use their private information to further their own interests."</p>

<p>This is where Hurwicz offered Smith a helping hand, designing mechanisms for situations that are less than ideal. </p>

<h4>"People are not angels"</h4>

<p>When Hurwicz began research on mechanism design, he ignored the issue of whether people would obediently follow the rules he designed. "Whenever I was asked to present some of my work," he told an interviewer, "I would start by saying &#39;Of course, the incentive problem is very important, but I will assume that people are angels ....&#39; At some point I decided that since I know people are not angels, perhaps I should not completely ignore the incentive aspect." And that, really, was his breakthrough. Rather than rely on coÂ­ercion or unrealistic assumptions about human behavior, he would insist that mechanisms be "incentive-compatible," he said, "a system of rules designed in such a way that people would have an incentive to obey these rules."</p>

<p>"What Leo brought to the table was the insistence that any mechanism must be incentive-compatible," says V.V. Chari, professor of economics at the U of M. "That is, we cannot rely on individuals to act in some social interest. Instead we must expect them to act in their private interests. And given that, any mechanism must provide people with the incentives to take the right action at the right time. Leo developed that language and brought it to the forefront of economics."</p>

<h4>Global warming</h4>

<p>Perhaps the most global of all applications of Hurwicz&#39;s theory is climate change, the object of a mechanism designed by University economics alumnus Richard Sandor (Ph.D., 1967). </p>

<p>In a 1995 alumni profile, Sandor highlighted courses with Leo Hurwicz as among the most valuable he took as he worked toward his doctorate in economics, saying they provided "a rock-solid foundation" for his future work. That future included a professorship at University of California, Berkeley, and years as chief economist at the Chicago Board of Trade. </p>

<p>But today, Sandor is best known for creating markets for trading carbon emissions credits, a direct application of mechanism design. The social goal: Curb global warming by limiting the quantity of carbon released to the atmosphere. The mechanism: the Chicago Climate Exchange (CCX), a privately run exchange founded by Sandor in 2003. </p>

<p>CCX is like a Craigslist for carbon dioxide. Its paying members&mdash;corporations and government bodies&mdash;commit to voluntary emissions targets, and if they manage to beat their target&mdash;producing cars or cement or electricity without emitting as much carbon as expected&mdash;they can sell those carbon credits to members that have exceeded their target. </p>

<p>The United States has yet to enact mandatory carbon caps, but European governments have already done so, and firms like Ford Motor Co. have joined CCX because they see it as in their self-interest to anticipate federal or state carbon regulations. As Sandor testified to the U.S. Senate several years ago, "The success of emissions trading is further proof that the private sector brings forth enormous creativity in solving social problems if we introduce a profit motive and a price signal."</p>

<h4>Private information</h4>

<p>The Hurwicz theory also finds clear application in the government auctions that have flourished in recent years to sell public resources as tangible as timber and amorphous as radio frequencies.</p>

<p>When Hurwicz decided to deal with the fact that people aren&#39;t angels, he meant, in part, that we don&#39;t always speak the truth: We might not work as hard as we tell our bosses we will, we might tell a used car dealer that we can&#39;t spend more than $5,000 when our actual budget is twice that. This "private information"problem has been especially problematic when governments sell public resources because private buyers may understate the value they place on timber, for example, to get it at a bargain price. </p>

<p>Mechanism design theory has allowed economists to design better systems for selling public resources through auctions. "In the last 12 years or so, there has been a big push to move beyond theoretical mechanism design and bring it to bear in real markets," notes Peter Cramton, an economist at the University of Maryland. "The shift is to what I would term &#39;market design,&#39; where economists play a big role in the design of actual market mechanisms. Applications include timber auctions, spectrum auctions. The electricity market is another big area." </p>

<p>"An auction is a particular mechanism and mechanism design has us thinking about what the incentives are for participation and bidding strategy and so on," Cramton says. "A big aspect of it is addressing the informational issues and trying to establish rules so there is better information conveyed in the bidders&#39; bids."</p>

<h4>Voting mechanisms</h4>

<p>It might be crass to suggest that elections are the ultimate government auction, but mechanism design is also finding direct application in improving voting procedures. </p>

<p>"Often we have problems like finding a voting system that will have certain properties, and the techniques we use to figure out the answer to those problems are mechanism design," observes David Epstein, professor of political science at Columbia University. "The same theory used in economics to figure out a good auction mechanism is used in politics because voting is a type of mechanism. As we say, it&#39;s a way of allocating or producing results and you get different results depending on how people value the object in question. Here it&#39;s an election, not a spectrum to be auctioned off, but the idea is the same."</p>

<p>Epstein has studied how legislatures and courts can design political maps so that voters can achieve specified goals. "Do you want a political map to promote &#39;substantive representation&#39; or &#39;descriptive representation&#39;? That is, do you want to focus on the type of people that get elected or the type of outcomes that a legislature produces?"</p>

<p>Political scientists like Epstein help policymakers figure out what kinds of redistricting will further legislative goals. "In fact, the Supreme Court has a lot to do with that in the voting rights area," he notes. "They&#39;re going to lay down basic principles of redistricting and given those principles, the different states will implement them."</p>

<p>Of course, mechanism design isn&#39;t confined to U.S. voting systems. Roger Myerson, one of Hurwicz&#39;s Nobel co-recipients, has done recent work on how to structure voting that will promote democracy in Iraq. "Democracy doesn&#39;t come by edict," he told The New York Times last year, "but by institutions and mechanisms that ensure politicians must compete for the trust of the voters."</p>

<p>Epstein himself has applied mechanism design in international contexts, consulting with the World Bank. "These projects are on democratization and corruption, one of the oldest mechanism-design problems there is," he observes. "How do you design a government that is strong enough to make laws and enforce them, yet isn&#39;t so strong that it overruns individual freedom? You see applications of mechanism design all over in political economy."</p>

<h4>From kidneys to credit</h4>

<p>Indeed, once you start looking, mechanism design seems ubiquitous. The process of matching medical school students to hospital residencies used to be one of ultimate pressure and potential disasters. It&#39;s still stressful, but techniques derived from mechanism-design theory have rationalized the process considerably, achieving optimal matches between new doctors and the hospitals that need them. The same is true for kidney donations, where finding the right recipients for a particular organ donation has long been open to delay and mismatch. Here, too, mechanism design has smoothed the process by establishing rules of the game that are incentive-compatible and oriented toward optimal solutions. </p>

<p>The arcane formulas and abstract theory that constitute mechanism design even find relevance in the daily life of farmers in rural India and Thailand, where University of Chicago economist Robert Townsend conducts his research. For nearly two decades, Townsend (U of M Ph.D. 1975), has studied the work patterns, production methods and credit markets of Indian and Thai farmers and found that mechanism design theory is an incredibly fruitful way of understanding those economies.</p>

<p>In the Indian villages that Townsend studied, for example, small groups of farmers would cooperatively rent farm acreage from a landowner. Through careful data gathering and analysis, Townsend better understood how these farming arrangements actually worked. Would some farmers work less than others, pretending to be sick? If so, how would other farmers share the harvest? How was weather- risk shared between farmers and the landowner? </p>

<p>"We wanted to know if they shared risk within the village reasonably well or if dealing with incentives caused them to deviate from an optimal allocation," says Townsend. </p>

<p>He&#39;s studied similar situations in Thailand, as part of a 10-year research project to understand how microcredit&mdash;small loans given to farmers with varying arrangements for repayment&mdash;can be better structured.</p>

<p>"By writing down these explicit models in the tradition of mechanism design," notes Townsend, "you can back out implications for observables." That is, you can see how incentives and rules of the game resulted in observed outcomes. Then you can grasp whatÂ­ever problems are amenable to solution. "If it&#39;s an information problem, then potentially the [lender] might want to do a bit more monitoring to get more information about the borrower&#39;s actions. Or if it&#39;s a commitment problem [where borrowers don&#39;t repay loans], then the [lender] ought to think about more stringent penalties imposed on borrowers."</p>

<p>In both India and Thailand, Townsend&#39;s exhaustive research has applied the theory of mechanism design at the most basic level. "We&#39;ve been gathering an enormous amount of data and found that these principles apply throughout," he says. "It&#39;s all been geared toward first, understanding how things actually work, and second, thinking about possible remedies."</p>

<h4>Catching up</h4>

<p>Had the contributions of Leo Hurwicz been recognized earlier, before he turned 90, he might have traveled to Stockholm for the award ceremony. But no one would suggest that the Minneapolis celebration was a lesser affair. By staying at home, he shared his honor with the people who surrounded him during the years spent creating and refining this seminal theory.</p>

<p>One of them, his son Maxim, shared these words at the gathering: "When Leo first started talking about mechanism design ... there was no immediate, concrete application for his theories. But these days we don&#39;t have to look far to see what Leo was imagining and trying to explain a half century ago ...."</p>

<p>It has just taken a few decades for the world to catch up.</p></body>
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         <title>Dear Mr. President</title>
         <description><p>If you had five minutes alone with president-elect Barack Obama, what would you tell him? Our experts have their say.<br />
<em>by Danny Lachance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166423</link>
         <guid>166423</guid>
        <body><h4>â€œMake visas available for blue-collar workers.  put undocumented, foreign-born workers on a path to legal residence."</h4>

<p>We often use terms like â€œamnesty" and â€œillegal immigrant" as neutral descriptors of policies and people. But to Donna Gabaccia, professor of history and director of the University&#39;s Immigration History Research Center, they reflect an approach to immigration that has been quick to criminalize those who cross borders seeking work and slow to recognize how our own policies have incited those border crossings.</p>

<p>â€œThe problem is not that criminal people are waiting to sneak across the border," she says of the nation&#39;s estimated 10 million undocumented immigrants, â€œbut that the immigration policy is out of sync with the needs of our economy." Gabaccia notes that restrictions we&#39;ve placed in recent decades on immigrants from places like Canada and Mexico did not always exist, but they now make â€œillegal"those who would have been easily admitted just a generation ago. What&#39;s more, they were put into place at the same time we loosened the flow of commerce across the Mexican and Canadian borders with free trade agreements. </p>

<p> â€œWe have ever-rising movements of goods across borders, but we try to stop the flow of people who ordinarily accompany commerce," Gabaccia says. That&#39;s problematic, she says: Liberal trade policies contribute to changes in the labor market that compel workers to cross borders and become â€œillegal."</p>

<p>To address this problem, Gabaccia thinks the president should work with Congress to make a variable number of visas available to blue-collar workers and give currently undocumented workers the opportunity to attain visas. But would that unfairly punish those who pursue lawful entry to the U.S.?  â€œIt&#39;s not a question of waiting in line," she says. Most undocumented workers are blue-collar, for whom â€œthere are almost no visas in the first place, only a few thousand a year. So our policies are creating illegality."</p>

<p>And the consequences of â€œillegality" are significant, she says. Although anti-immigration voices see a threat to our national identity in granting residence to undocumented workers or expanding the number of visas for blue-collar workers, the alternative poses an even greater threat to who we are. â€œA democratic nation wants as high a percentage of its residents as possible engaged in the political process,"she says. When more than 10 million people living among us have neither the privileges nor the duties of citizenship, we become less democratic.</p>

<p>â€œThe problem is not â€˜illegal immigrants,&#39;" Gabaccia says, â€œbut illegality itself."</p>

<h4>â€œDon&#39;t close off trade."</h4>

<p>In response to a troubled economy, we heard campaign-season calls to renegotiate the North American Free Trade Agreement (NAFTA), the 1993 treaty lowering the costs of trade among the United States, Mexico, and Canada. It&#39;s a popular idea in states like Michigan, Ohio, and Pennsylvania, which lost high-paying manufacturing jobs after NAFTA was implemented. Renewing trade barriers may save or revive those jobs, some have suggested, by removing the incentives for companies to manufacture their goods in Mexico.</p>

<p>But renegotiating NAFTA would be a mistake, says Tim Kehoe, a Distinguished McKnight Professor of Economics and adviser to the Federal Reserve Bank of Minneapolis. The loss of manufacturing jobs is not caused primarily by the migration of manufacturing to Mexico, he says, noting â€œthe amount of goods we&#39;re producing in the U.S. is going up all the time. And if we measure how fast productionâ€”real outputâ€” is rising, we see it&#39;s rising just as fast or faster in manufacturing as in any other sector."</p>

<p> So what&#39;s happened to those well-paying manufacturing jobs?  Technology, says Kehoe, has taken over work once done by humans, and gets the job done faster. â€œTo produce more and more goods we need fewer and fewer people," he explains. That trend will continue regardless of agreements with other countries.</p>

<p>Dismantling or renegotiating NAFTA, then, is akin to Don Quixote attacking the windmills he mistook for threatening giants. What&#39;s needed instead, says Kehoe, is a concerted effort by the next president to help our vulnerable populations respond to an economic climate that now requires a college education for entry into the middle class. With college enrollment increasing, many young people are adjusting to the change. But he&#39;s worried about those who didn&#39;t pursue higher education in the 1960s and 1970s because, even with just a high school education, they were assured good manufacturing jobs. What about them?</p>

<p>â€œThere are retraining and education programs we can put into place. There are tax policies and subsidy policies we can use to help out those older workers," Kehoe says. â€œThe fact that we&#39;re concerned about older workers who have skills that aren&#39;t being valued by the marketâ€”that&#39;s a good reason to develop public policy. But trying to somehow reverse technology or close ourselves off to trade with other countries because we think trade is the cause of these changes in employment patternsâ€”that&#39;s a big mistake."</p>

<h4>â€œDon&#39;t blame specific individuals or institutions for large-scale problems."</h4>

<p>We should stop blaming individuals or institutions for problems and instead look at issues systemically, says English and cultural studies professor Ellen Messer-Davidow. Too often, she says, we direct our anger at individual players rather than at the rules of the games they play. </p>

<p>Take the affordability crisis in higher education. Since 1980, economic trends and pro-business policies have dramatically increased university expenditures on goods like energy, health care, and library materials. On the income side, universities have struggled with stagnating or declining support from federal, state, and private sources. </p>

<p>Those same trends and policies have affected students&#39; ability to pay. In recent years, Congress has shifted federal funding into student loans and subsidies for the loan industry and done nothing to remedy the declining purchasing power of Pell grants, the government&#39;s largest scholarship program. In 1975 the maximum grant covered 84 percent of the total cost of attending a public university. In 2001 it covered 39 percent of tuition only.  </p>

<blockquote>â€œToday we see the heartbreaking results," Messer-Davidow says. â€œAs families struggle with declining wages and soaring prices, students are defaulting on loans and graduates are saddled with a lifetime of debt."</blockquote> 

<p>Although the evidence points to our economic policies as the culprit for the affordability crisis, it can be hard to understand how that works. â€œPeople can easily grasp anecdotes about families that can&#39;t afford college because the state universities have raised their tuition," Messer-Davidow explains. But it&#39;s much harder, she adds, to understand how both colleges and families are trapped by large-scale economic trends and public policies.</p>

<p>Messer-Davidow believes her research on higher education suggests the next president needs to think more systematically about problems that are, well, systemic. â€œI would set up problem-solving teams that include experts from the academic, business, and government sectors as well as representative ordinary Americans," she says. â€œTheir mandate would be to review data, analyze a constellation of problems, formulate solutions, and then consider the scenarios that would unroll from implementing each. Then I would invite affected constituencies to assess the feasibility, costs, and consequences of the proposed solutions."</p>

<p>But she&#39;s quick to note that any solution will take time. â€œSince the problems facing the nation were decades in the making, our leaders should expect that solutions may well take as much time and should resist the pressure to seek quick and easy fixes," she says. â€œThere aren&#39;t any."</p>

<h4>â€œFormulate a foreign policy that recognizes the uniqueness of Iran."</h4>

<p>Iran&#39;s nuclear power program worries many Americans who believe  the country may become a threat to global security, and the specter of Iran-as-the-next-Iraq looms heavily in national discussions. But CLA professor of history Iraj Bashiri says those discussions neglect a crucial point: Iranians are Indo-European in their ethnic origin. They share their earliest cultural ties with the West not the Middle East.  </p>

<p>Before Iran was annexed to the Arab world in the seventh century, Bashiri says, Iranians were Zoroastrian, members of a religious tradition that encouraged philosophical contemplation. Iranian philosophers became deeply engaged with Aristotle and Platoâ€”so much so, he says, that â€œIran became a bridge for the transfer of Greek knowledge to the Western world. Philosophers like Avicenna, al-Biruni, and al-Razi, who wrote in Arabic and were influenced by Greek philosophy, <br />
were Iranian."</p>

<p>After the Islamic world rejected philosophy in the 13th century, Iran retained its philosophical tradition and enhanced it tremendously in the 16th with the contributions of philosophers Mir Damad and Mullah Sadra. It has flourished in the years since the 1979 Iranian revolution, as Iranians have moved to reclaim a national identity that had been suppressed by Western domination.  </p>

<p>Iran&#39;s Western roots are obscured by its stature today as a major Middle Eastern power, but Bashiri thinks those roots are significant in understanding contemporary Iran. The philosophical thought that underlies Iran&#39;s present thinking, and that has moved Iran rapidly to its present position in the Middle East, has promoted the drive for scientific progressâ€”a drive Bashiri sees in its recent efforts to develop nuclear power. â€œThirty years ago, Iranians did not have any manufacturing capability. Today they send rockets  into the atmosphere."  It&#39;s the type of progress, he believes, that cannot be halted by bombing a few installations.</p>

<p>Nor should it be. Rather than interpret Iran&#39;s scientific gains as evidence of bad intentions, we might see its progress as a sign that Iranians may be reclaiming the common ground they once shared with the West. </p>

<p>Bashiri sees Iranians turning, more and more, to reason and science as a way to address their problems. They face, after all, the same energy problems that we do. â€œIran&#39;s philosophical distinctiveness may make it more receptive to diplomatic negotiation about its use of nuclear power than we currently think possible," he says. </p>

<p>Of course, limits on Iran&#39;s compatibility with the West will still exist so long as it remains an Islamic theocracy. But Bashiri is confident change is in the air. â€œIran is on the threshold of an Enlightenment," he says. â€œReason is playing a major part in the decision-making of the Iranians as a people, as opposed to a government. The seeds are there. It&#39;s up to our next president to recognize them and to cultivate, rather than curtail, their growth."<br />
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         <pubDate>Fri, 13 Feb 2009 09:19:20 -0600</pubDate>
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         <title>Itsy-Bitsies &amp; Spiders</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166422</link>
         <guid>166422</guid>
        <body><p>If spiders make you bug-eyed, it may be because you&#39;re hardwired to notice the little arachnids. </p>

<p>In fact, according to a report published this spring, although we may not be born afraid of spiders, we do seem to have inherited a sort of â€œbrain template"that makes us sit up and take notice the very first time we see oneâ€”even if we&#39;re just learning to sit up.</p>

<p>Jamie Derringer, who graduated from the U in May with a master&#39;s degree in psychology, and a colleague are the first to show that infants may have such a mental template, one that seems to have evolved over centuries as a way to alert us that there&#39;s a threat in our midst. </p>

<p>Derringer and David Rakisonâ€”an associate professor of psychology at Carnegie Mellon University, where Derringer earned her undergraduate degreeâ€”based their conclusions on their study of five-month-old infants. </p>

<p>They showed the babies computer images that were shaped like spiders, noting how long the image held the tots&#39; attention. The researchers found that the babies stared longer at shapes that closely resembled a spider than they did at shapes that did not. And they showed no evidence of having a brain template for a nonthreatening organism.</p>

<p>â€œSpiders hold infants&#39; attention much more than do flowers," says Derringer, noting that, although they clearly notice the spiders, the babies aren&#39;t scared of them. â€œThey learn that,"she says. â€œWhat we see is that they seem to have a built-in mechanism that recognizes what might be a threat."</p>

<p>This study builds on earlier work conducted by a variety of researchers pointing to an innate ability of primates and other animals to respond to predators. </p>

<p>The brain template predisposing babies to respond to spiders may be activated by the age of five months. That is when infants are about to start to crawl, exploreâ€”and possibly encounter spiders, says Derringer, who is now pursuing a doctorate at Washington University in St. Louis and continuing to collaborate with Minnesota researchers.</p>

<p>Such built-in predator awareness serves a couple of purposes, say the researchers. First, it facilitates learning early in life so that fear responses can be rapidly associated with the stimulus in question when specific behavior is observed. Second, in childhood and beyond it allows for rapid identification of a potential threat. This automatic â€˜â€˜attention-grabbing&#39;&#39; characteristic of fear-relevant stimuli could engender quicker reaction to threatening situations.</p></body>
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         <pubDate>Fri, 13 Feb 2009 09:16:13 -0600</pubDate>
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         <title>Dissecting Health News</title>
         <description><p>Can you trust the news media to tell you what you need to know about your health? Not so much, says Gary Schwitzer, an associate professor of journalism and mass communication who reviewed 500 health news stories that ran in 50 major U.S. media outlets over 22 months. </p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166421</link>
         <guid>166421</guid>
        <body><p><img alt="schwitzer_Gary.jpg" src="http://blog.lib.umn.edu/clareach/stories/schwitzer_Gary.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;" />Schwitzer and his colleagues found that news stories about treatments, tests, products, and procedures often omit information about costs, benefits and harms, other treatment options, and potential conflicts of interest. The results, says Schwitzer, can be unnecessary fear-mongering and consumer demand for unproven therapies. </p>

<p>One common fault is citing only relative risk (the risk comparison  between two different groups) as opposed to absolute risk (actual probability). For example, ABC&#39;s â€œGood Morning America" reported that breast cancer patients with relatively low blood levels of vitamin D were 94 percent more likely to have their cancer spread and 73 percent more likely to die than those with high levels of vitamin D. But nothing was said about an individual&#39;s overall chances that a cancer would spread or cause death.</p>

<p>As for cost, Schwitzer says, â€œIt&#39;s unforgivable that more than 75 percent of health journalism articles ... failed to address cost."		</p>

<p>Although he says that we&#39;re also getting some of the best health journalism ever, â€œthe valleys between the peaks may undo a lot of the good by driving consumers to demand unproven therapies."<br />
Schwitzer&#39;s work was published in the online journal PLoS Medicine in May. He publishes a Web site reviewing medical information at <a href="HealthNewsReview.org">HealthNewsReview.org</a>.</p>

<p><em>PHOTO: Kelly MacWILLIAMS</em></p></body>
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         <pubDate>Fri, 13 Feb 2009 09:10:46 -0600</pubDate>
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         <title>Faculty</title>
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         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166420</link>
         <guid>166420</guid>
        <body><h4>Great teachers</h4>
Three CLA faculty are among those receiving distinguished teaching awards for the 2007â€“08 academic year. Timothy Johnson, associate professor of political science, received the Morse-Alumni Award for Outstanding Contributions to Undergraduate Education. Cesare Casarino, associate professor of cultural studies and comparative literature, and John Freeman, professor of political science, received the Award for Outstanding Contributions to Graduate and Professional Education. 

<h4>Best of the Best</h4>
Congratulations to CLA&#39;s three new Regents Professors: Steven Ruggles, history; Eric Sheppard, geography; and Madelon Sprengnether, English. The Regents Professorship is the University&#39;s highest faculty honor.

<h4>And the award goes to</h4> 
Hisham Bizri, who was a winner of the 112th annual Rome Prize from the American Academy in Rome. Bizri, assistant professor in cultural studies and comparative literature and a filmmaker, received the award in the visual arts category for developing The Last Day of Summer from a screenplay he wrote. The prize is considered the most sought-after award in visual arts and music in the U.S. 

<h4>Guggenheims</h4> 
Kathryn Sikkink, professor of political science, was named a 2008 Guggenheim Fellow for her work on the origins and effects of human rights trials in the world. Also receiving a Guggenheim was sociology professor Robin Stryker, who was honored for her work in government regulation of equal-employment opportunity. This fall, Stryker joins the faculty at the University of Arizona.

<h4>Distinguished women</h4>
Ruth Karras, history, was one of two professors to receive the U&#39;s Distinguished Women Scholars Award this year. The award is sponsored by the Office of the Dean of the Graduate School and the Office for University Women (OUW). </body>
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         <pubDate>Fri, 13 Feb 2009 08:59:42 -0600</pubDate>
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         <title>Cool Courses</title>
         <description><p>From acting to urban studiesâ€”and everything in betweenâ€”CLA&#39;s dazzling menu of course offerings gives students a chance to sample or specialize in nearly any field. Here&#39;s a look at some new courses, intriguing seminars, and an exciting new major offered this fall.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166419</link>
         <guid>166419</guid>
        <body><p><img alt="coolcourses.jpg" src="http://blog.lib.umn.edu/clareach/stories/coolcourses.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;"/><h4>A new major: Religious Studies</h4><br />
CLA has offered a religious studies major for more than a decade. The focus, however, has been on biblical and ancient Mediterranean religions. The new major, offered for the first time this fall, is a more comprehensive interdisciplinary study of religion across traditions and time. â€œGiven the reality of the post-9/11 world and the turmoil that a lack of understanding and dialogue among religious groups has brought in various war-torn parts of the globe, understanding different religious perspectives has become an obligation for responsible world citizenship," says Cal Roetzel, co-chair of the Religious Studies Working Group and professor of classical and Near Eastern studies. Roetzel also holds the Sundet Chair in New Testament and Christian Studies. Providing courses in a broad range of traditions as well as the Christian/Jewish tradition can better serve our increasingly diverse students, says Roetzel. â€œWe hope to eventually have options for the academic study of shamanistic religions like those practiced by some Hmong students and their families," he says.     </p>

<p><strong>AFRO 3910: Digital Storytelling in and with Communities of Color</strong><br />
We tell stories to preserve memory, build identity, construct meaning, and make connections with others and the world. In this brand-new course, professor Walt Jacobs and graduate instructor Rachel Raimist look at how communities of color use storytelling to write history, learn, entertain, organize, and heal. Through writing, video, photography, sound, and artwork, students are developing digital stories about Twin Cities communities of color.   </p>

<p><strong>ENGL 3741: Literacy and American Cultural Diversity</strong><br />
This is one of several service-learning courses that gives students direct experience working at a community organization. Neither internship nor volunteering, service learning is a kind of independent immersion in the workforce, with the opportunity to share insights and experiences with classmates. In this class, students serve as literacy workers for two hours a week outside of class and coursework.</p>

<h4>Cool freshman seminars</h4>
These small seminars are taught in the fall and spring by tenured or tenure-track professors in topics of their own choosing. Here&#39;s a sampling of CLA seminars offered this fall:  

<p><strong>HUM 1905: Utopias and Anti-Utopias: Can the real world become the ideal world?</strong><br />
Students explore the ideal society and humanity&#39;s potential for good and evil as envisioned by philosophers, writers, and cultural critics, from ancient to modern. The course is taught by assistant professor of humanities George Kliger. </p>

<p><strong>LING 1901: Here Today, Gone Tomorrow: Language, endangerÂ­ment, death, and revitalization</strong> <br />
We&#39;re told that more than 90 percent of the thousands of languages that have existed through history will become extinct within this century. What does that mean? What&#39;s lost when a language is no longer spoken? Freshmen explore these themes with linguistics professor Nancy Stenson. </p>

<p><strong>Pol 1903: Exploring Constitutional Meaning: From founders to MySpace</strong> <br />
Constitutional principles have influenced some of the most controversial issues in American politics, including slavery, equal citizenship, racial discrimination, free speech, and religious expression in schools. Students are examining landmark Supreme Court cases as well as reformers who have challenged the Constitution, such as leaders of anti-slavery societies and women&#39;s suffrage groups. </p>

<p><a href="www.ofyp.umn.edu/fystudents/freshsem">More freshman seminars</a></p>

<h4>Honors seminars for freshmen and sophomores</h4>
The University Honors Program is highly competitive. Here are two of the honors courses offered by CLA faculty. 

<p><strong>HSem 2051H: The Rules of the Game: Exploring U.S. campaigns and elections</strong> <br />
Students monitored the U.S. presidential and some congressional campaigns to assess how political theory and practice converged in 2008. They discussed how political scientists study and understand electoral politics, and also were encouraged to volunteer for a campaign of their choice. Assistant professor Kathryn Pearson is the instructor.</p>

<p><strong>HSem 2053H: Psychology of the Paranormal</strong><br />
Most Americans hold one or more supernatural, paranormal, or pseudoÂ­scientific beliefs like mind reading, fortune telling, psychokinesis, out-of-body experiences, and alien abduction. In this course, students evaluate the evidence for a variety of these claims, using critical and analytical methods. The course is taught by psychology professor Charles R. (Randy) Fletcher.</p>

<p><em>PHOTO: Kelly O&#39;BRIEN</em></p></body>
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         <pubDate>Fri, 13 Feb 2009 08:34:54 -0600</pubDate>
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         <title>New CLA Dean Jim Parente</title>
         <description><p>â€œVisionary leader and strategic thinker"</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166416</link>
         <guid>166416</guid>
        <body><p><img alt="parente.jpg" src="http://blog.lib.umn.edu/clareach/stories/parente.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;" />In October James A. Parente, Jr., was named dean of the College of Liberal Arts by Provost Thomas Sullivan, having served for more than a year as interim dean of the University&#39;s largest college. He received Board of Regents approval in November.  </p>

<p>â€œParente will be an outstanding and visionary leader and strategic thinker who will promote excellence across the entire college," Sullivan said in making the announcement. â€œThose who know his exceptional academic work know that it spans multiple time periods, disciplines and languages, and know also the enormous respect he has for the social sciences, humanities and arts."</p>

<p>A member of the University&#39;s faculty since 1993, Parente received strong support from faculty, students, staff, and alumni. </p>

<p>â€œWith Jim, CLA has a Dean who is extremely thoughtful and has great ideas for where the college can go," said Susan Craddock,  Chair of the CLA Council of Chairs. â€œHis obvious integrity and openness lend themselves to good working relations across multiple sectors of CLA and beyond, something that only improves the strength of CLA as a whole."</p>

<p>Bethany Khan, CLA Student Board member and former board president, said, â€œHe is quite the well-rounded gentleman. He&#39;s really comfortable in his role as someone that we go to for advice, for help. When we bring him concerns and complaints, he&#39;s very knowledgeable."</p>

<p>Parente is former chair of the Department of German, Scandinavian and Dutch and former associate dean for faculty and research. He served on the faculty at Princeton University and the University of Illinois at Chicago. He earned his Ph.D. and M.A. in German languages and literatures from Yale University. </p>

<p>His awards include the National Endowment for the Humanities Fellowship for Independent Study and Research and a visiting appointment to the Institute for Advanced Study at Princeton University. He is a discipline representative to the Renaissance Society of America and external evaluator for the National Endowment for the Humanities, a dozen scholarly journals and department and academic programs at UCLA, Harvard, Cornell and the University of Pennsylvania.</p>

<p>"As dean of this academically diverse and important college," Provost Sullivan said, â€œhe will be committed to the values of deep, broad thinking and teaching, and he will ensure that CLA flourishes as an intellectual community."</p>

<p><em>PHOTO: Everett AYOUBZADEH</em></p></body>
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         <pubDate>Fri, 13 Feb 2009 08:27:24 -0600</pubDate>
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         <title>Voting: The Body&#39;s Politics</title>
         <description><p>When it comes to voting, the laws of attraction aren&#39;t as rational as we think.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166415</link>
         <guid>166415</guid>
        <body><p><img alt="Borgida.jpg" src="http://blog.lib.umn.edu/clareach/stories/Borgida.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;"/>In his new book, The Political Psychology of Democratic Citizenship, psychology professor Eugene Borgida and his co-editors, political science colleagues John Sullivan and Christopher Federico, review research about how we vote and why we can be so passionate about our political positions. </p>

<p>"Our understanding of political behavior has been dominated by a rational-choice model where people are engaged in deliberative thought and calculation," says Borgida. "But when we are asked why we evaluate a candidate the way we do, it&#39;s not as if we zoom into the prefrontal cortex, grab the real reason, and cite that reason. What we are more likely to do is tap into a pool of culturally accepted explanations and spout them, even though our preferences are being driven by other factors."</p>

<p>Those factors--emotions, values, and cultural understandings--all tag along with reason to the voting booth, says Borgida. They may even overshadow it. For one thing, our inclinations toward partisanship reside in the parts of the brain linked to emotions. </p>

<p>"Insofar as those structures control our feelings and fears, they may shed some light on the passion we have for partisan politics because they&#39;re coming from the same source as our emotions," Borgida says.</p>

<p>Then there are the powerful forces underlying our biases. In spite of what we say, studies show that our decisions are affected by almost unconscious responses to a candidate&#39;s skin color or gender.</p>

<p>"We may not think we harbor general antipathies toward women or African Americans," Borgida says. "Yet, when they are running for the most powerful political office in the land, this hidden bias affects our perceptions of them, and our willingness to support them."</p>

<p>It may be possible to correct such hidden bias, Borgida says, but "it&#39;s not easy. Some of these ways of thinking are deeply ingrained."</p>

<p>Then there&#39;s ideology. For most of us, absorbing political information is like dining in a restaurant. We don&#39;t begin from scratch to form our positions on issues and candidates. Instead, we choose from menus that "chefs"--candidates, journalists, professional activists, and academics--have defined as the ideas that go into political choices and determined what it means to be liberal, conservative, or middle-of-the-road. </p>

<p>Clear-cut ideology makes it easier to sort through the cacophony of political voices. In those cases, people don&#39;t have to sort issue-by-issue because their ideology gives them a network of interrelated positions on a wide range of choices. </p>

<p>"It means that I have answers at my disposal to many different questions," says Federico, who also directs the University&#39;s Center for the Study of Political Psychology. "It&#39;s not just one question like &#39;Should we raise taxes?&#39; or 'Should abortion be legal?&#39;"</p>

<p>Of course, there are true independents, well-informed voters who do prefer to evaluate candidates issue by issue. In any case, though, Federico finds that people with a strong need to evaluate make more effective use of their knowledge. </p>

<p>"Having knowledge isn&#39;t enough to make people politically or  ideologically engaged," he says. "They also have to approach the world with what you might call an evaluative eye. They have to care enough about the world to know what they like and what they dislike."</p>

<h4>Many other psychological factors accompany voters to the polls.</h4>

<p>One of the most powerful is the most simple: order of names on a ballot. The polling place can make a difference too; chances for a school-funding referendum improve if a school is the polling place. A candidate&#39;s face can frighten or reassure a voter because our minds make blink-like judgments in reaction to facial features.</p>

<p>We still should believe in the value of gearing up our brains for rational and deliberative evaluation of the candidates and issues. Nevertheless, it seems that a parallel--arguably, more powerful--process also takes place deep inside us at the same time. Adapted from an article by Sharon Schmickle</p>

<p><em>Photograph by Kelly MacWilliams</em></p></body>
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         <pubDate>Fri, 13 Feb 2009 08:20:25 -0600</pubDate>
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         <title>On fulfilling the promise of the liberal arts</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166412</link>
         <guid>166412</guid>
        <body><p><img alt="parente_dean.jpg" src="http://blog.lib.umn.edu/clareach/stories/parente_dean.jpg" width="112" height="112" style="float: right; margin: 0 0 5px 5px;"/>As the world becomes increasingly technologically advanced and globally interdependent, we need the liberal arts more than ever before. They are the foundation of all academic learning. </p>

<p>We need the disciplinary knowledge of the liberal arts, their interdisciplinary connections and discoveries, and their insights. A world without the liberal arts risks being a world without values, without beauty, imagination, or pleasureâ€”a world bereft of history, language, the arts, and any understanding of the complex social, economic, and political networks in which we live our lives, both professionally and personally. The liberal arts inspire; they enunciate the social, intellectual and aesthetic ideals we expect technology to serve. They are the intellectual treasures we human beings cherish and share around the globe.</p>

<p>This College of Liberal Arts is the achievement of more than a century of distinguished scholarship and creativity; I am proud and honored to be its new dean. In large measure, the reputation of the University rests on CLA â€“ its largest college â€“ and on the distinctive way in which we reach our highest ambitions. </p>

<p>My goal is to foster a unity that enables the college to remain creatively agile and astonishingly productive, and to shape an exemplary academic collective. I envision the college as<br />  <br />
â€¦ a place where students benefit from an extraordinary college experience, learn from each other, receive professional and disciplinary training for their postgraduate careers, and assume responsibility for continued intellectual growth; <br /><br />
â€¦ a place where researchers and artists have the resources to achieve their most creative ideas, and learn and collaborate with each other within and across disciplines, in both a local and a global context;<br /><br />
â€¦ a place where faculty, students, and staff are so diverse that everyone embraces diversity as the foundation for academic excellence without question or hesitation; <br /><br />
â€¦ a place where the external community and alumni regard the college as a vibrant partner for continued collaboration in research and teaching. </p>

<p>All institutions of higher learning are facing external fiscal challenges as the first decade of the 21st century ends. Challenging times provide opportunities to reexamine and refocus our educational and research mission. I am confident that, regardless of external challenges, we have the talent, creativity, and commitment to accomplish our aspirations. Of course, we will need our friends in Minnesota and around the world to support our efforts, as they have so faithfully for over a century.</p>

<p>Together we can fulfill the promise of the liberal arts: to prepare the next generation to see clearly in a changing and uncertain world, to be original and independent thinkers, and to bring intellectual leadership to bear in a humane democracy.</p>

<p>Thank you for your continued support, and best wishes for a happy New Year!</p>

<p>James A. Parente, Jr.<br />
Dean<br />
Professor of German, Scandinavian and Dutch</p>

<p><em>PHOTO: Kelly MacWILLIAMS</em></p></body>
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         <pubDate>Fri, 13 Feb 2009 07:59:36 -0600</pubDate>
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         <title>Poetics of Cinema</title>
         <description><p><img alt="Portrait: Hisham Bizri. " src="http://blog.lib.umn.edu/clareach/stories/Bizri.jpg" width="165" height="165" /><br />
Filmmaker Hisham Bizri turns everyday life into visual poetry with an emotional pulse. In April it was announced that he won the 2008-2009 Rome Prize. <a href="http://cla.umn.edu/discoveries/arts.php?entry=138943"><strong>Learn more</strong></a></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=138943</link>
         <guid>138943</guid>
        <body><p><em>By Linda Shapiro<br />
Photo by Richard Anderson</em><br />
<strong>Filmmaker and faculty member Hisham Bizri turns everyday life into visual poetry with an emotional pulse</strong></p>

<p><img alt="Portrait: Hisham Bizri" src="http://blog.lib.umn.edu/clareach/stories/Bizri.jpg" width="165" height="165" /><em>Hisham Bizri believes films are living organisms that can give people hope and comfort.</em></p>

<p>When Hisham Bizri talks about filmmaking, he becomes a poet, a scientist, and a Utopian philosopher by turns. Bizri&#39;s work has been shaped by his experiences growing up in a country in turmoil and by his belief that films are living organisms with the potential to "create possible worlds" that give people hope and comfort.</p>

<p>A native of Sidon, Lebanon, Bizri grew up watching European art cinema and classic American westerns while civil war raged around him. He has lived in the United States for over 20 years, making films that reflect his personal experience of mediating between his Arab/Muslim upbringing and his Anglo/American culture. "I make references in my films to things that have been informed by my Lebanese origins and Lebanese history, but also by my exposure to the West. The works of Bach, Joyce, and Proust&mdash;all these shaped my mind," says Bizri, an assistant professor of film.</p>

<p>"People in my country and everywhere are unaware of the tragic and the magic in everyday life. I&#39;m fascinated by the human spirit that can create such wonderful things in art and at the same time destroy so much. How can the sublime and the ridiculous coexist?"</p>

<h4>Visual poetry</h4>

<p>While his films have been shown in Beirut and internationally, Bizri wonders how well he&#39;s been able to communicate to his countrymen. "It&#39;s difficult for them to get into my mind, and it&#39;s a dilemma for me. I&#39;m not sure what difference I&#39;m making," says Bizri, who has seen Lebanon radically altered over the past couple of decades. "I have a very difficult presence there now. Lebanese culture is in decay. Education and media have become commercialized. We&#39;ve lost our sense of poetry."</p>

<p>In 2007, Bizri won a prestigious Guggenheim Fellowship, awarded for "exceptional capacity for productive scholarship or exceptional creative ability in the arts." This year he was awarded the distinguished 2008-09 Rome Prize by the American Academy in Rome. Together these fellowships will enable this internationally acclaimed filmmaker to work on two films that have been brewing for some time. Song for the Deaf Ear will be a meditation on war and violence in Lebanon created from material Bizri has shot over the past few years, and from film archives. Cairo Psalm, loosely inspired by James Joyce&#39;s novel Ulysses, will explore the theme of spiritual exile by following the lives of characters who have been dispossessed of their native country, culture, and religion.</p>

<blockquote>"I&#39;m fascinated by the human spirit that can create such wonderful things in art and at the same time destroy so much. How can the sublime and the ridiculous coexist?"</blockquote>

<p>"There&#39;s always a tension between abstraction and representation in my films," says Bizri. "I want this film to reflect the sense of anxiety, melancholy, and despair that people are currently feeling in Egypt."</p>

<p>The process of creating his films&mdash;which he describes as "visual poems"&mdash;involves a complex balance of technical skill and visceral intuition. "There is so much that the eye can see but doesn&#39;t; I try in my films to make that visible," says Bizri. "But because the camera can record anything, you must be vigilant about creating something while you&#39;re recording. Otherwise it becomes boring, like most contemporary cinema&mdash;the same old stories."</p>

<p>While the skill of looking through a camera with clarity of intent must be carefully honed, the filmmaker&#39;s passion also needs plenty of room to maneuver, he suggests: "Film becomes universal when you make the viewers feel the emotional impulse of the scene they are watching. Creating the right rhythm is the most important thing in art. It&#39;s the rhythm that carries the emotional potential and shows you the soul of the filmmaker."</p>

<p>Bizri brings to his classes not only his brilliance as an artist but also a dedication to students that makes him "one of the University&#39;s great treasures," says department chair John Archer.</p>

<p>"Lots of students are anxious, depressed. They are desperate to communicate and don&#39;t know how to do it," says Bizri. "Film is a way to know the world of emotions, soul, spirit, and the unconscious. If you come at filmmaking from the angle of passion, you can make students see that in beauty they can discover a kind of peace they won&#39;t find in the increasing commercialization of cultures around the world."</p>

<p>Republished from <em>Intersections</em>, a publication of the Department of Cultural Studies and Comparative Literature.</p></body>
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         <title>Trading Spaces</title>
         <description><p>Kale Fajardo finds that despite the idea that we live in a small world, the connections that space and technology facilitate can also reinforce cultural identification.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=134214</link>
         <guid>134214</guid>
        <body><div class="claBlogReachImg"><img alt="Kale Fajardo" src="http://blog.lib.umn.edu/clareach/stories/fajardo.jpg" />
</div>

<p>Space will likely always be an extension of our beliefs and values, a record of pasts that we yearn forâ€”or regret. But in an age of globalization, some have suggested that physical space is losing its influence over our economies and our national identities.</p>

<p>We live, or so we&#39;re told, in a global village, where physical location, distance, and borders have been rendered irrelevant by supersonic jets and fiber optic cables.</p>

<p>But even before September 11th recharged our awareness of fault lines, anthropologist Kale Fajardo wasn&#39;t convinced that globalization always turned the borders between countries into leaking membranes.</p>

<p>The reason? Not all things global are fast, digital, or homogenizing, Fajardo says. More than 90 percent of the world&#39;s trade happens via ships that take two to three weeks to cross oceans. Forgotten by pundits, global shipping has important and often overlooked effects on the identities of those who work on ships and in ports.</p>

<p>Fajardo should know. This assistant professor in the Department of American Studies has spent ten years researching Filipino involvement in global shipping. Last summer, Fajardo spent two weeks doing followup research aboard a container ship traveling from the port of Oakland to the port of Hong Kong, via the Northern Pacific Rim, with stops in Tokyo, Osaka, and Kiaoshung.</p>

<p>Those ships and the sea they traverse are â€œin between" spaces, Fajardo says, where crew members are quite isolated for weeks at a time from the worlds they help to connect. And they are staffed by crews who hail from around the globe: Fajardo&#39;s ship last summer included crew members from Kiribati, Germany, and the Philippines.</p>

<p>Contrary to the conventional wisdom that globalization blurs identities, Fajardo found the opposite effect on board the cargo ship: the contained space strengthened, rather than diluted, the national identities of the ship&#39;s crew members.</p>

<p>Take, for instance, the ship&#39;s Filipino members. Within Asia and globally, Filipinos have been feminized as a people, notes Fajardo. Working in over 200 countries, they have been subjected to a global reputation that is often racist and mysogynistic: â€œMany Filipinos, particularly, women, work as overseas contract workers," Fajardo says. â€œBecause of power imbalances, images and narratives of the Filipino subject have emerged, saying that she&#39;s a victimized woman, particularly because she might work as a maid, nanny, or prostitute, or because she immigrated as a â€˜mail order bride.&#39;"</p>

<p>Seafaring has become a way for Filipino men to resist global stereotypes. â€œSeafaring provides a kind of alibi or opportunity for saying, â€˜We&#39;re not the victim. We can be seen in this more manly, heroic way,&#39;" Fajardo explains.</p>

<p>The same spaces and technology that facilitate connections can also reinforce just how culturally different and distinctive we remain. And that&#39;s a side of globalization that we don&#39;t see when we&#39;re reading about the latest McDonalds to open in Moscow.</p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Mon, 07 Jul 2008 13:11:25 -0600</pubDate>
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	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ziegler.jpg" length="16228" type="image/jpeg" />
         <title>The Giving Trees</title>
         <description><p><img alt="ziegler.jpg" src="http://blog.lib.umn.edu/clareach/stories/ziegler.jpg" width="200" height="133" style="float: left; margin-right: 8px; margin-left: 0;"/><p>By reading the details of a landscape, physical geographer Suzy Ziegler helps Minnesota make sound decisions about preserving and maximizing the quality of undeveloped land. <a href="?entry=133999"><strong>Learn more</strong></a></p></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=133999</link>
         <guid>133999</guid>
        <body><p><img alt="ziegler.jpg" src="http://blog.lib.umn.edu/clareach/stories/ziegler.jpg" width="200" height="133" style="float: left; margin-right: 8px;"/>For physical geographers like Susy Ziegler, there&#39;s no such thing as being unable to see the forest for the trees. Indeed, it&#39;s only by immersing yourself in those details, Ziegler says&mdash;in lake sediments, pollen, charcoal, macrofossils, tree rings&mdash;that you can really understand what an environment was, is, and can be.</p>

<p>If you know how to read them, she says, those details will tell you stories about a landscape&#39;s past: tales of blazing fires and the regeneration that followed, of decades of gradual climate change and its lasting effects.</p>

<p>These are stories we need to hear, says Ziegler, an assistant professor at the University of Minnesota. "Understanding vegetation response to past climate and disturbance regimes helps predict the impact of environmental change on future vegetation patterns. If we can understand the past, we can manage land, forest, and water resources better; we can understand the influence people have had on vegetation and better think about what kind of environment we want&mdash;and what we want our protected land to look like."</p>

<p>Take, for instance, the region in southeastern Minnesota where the Zumbro River and Weaver Dunes abut the Upper Mississippi River Valley&mdash;a complex landscape made up of wetlands, tributaries to the Mississippi River, terraces, and upland sand dunes. Rare, threatened, and endangered species make their homes there. And sundry groups of people have vested interests in the region and its future for agriculture, recreation, conservation, water management, transportation, and utilities.</p>

<p>With the help of a grant from the U&#39;s Center for Urban and Regional Affairs Faculty Interactive Research Program, Ziegler is examining the physical characteristics and dynamics of this Minnesota landscape. She&#39;s finding out about its past and learning how humans have already affected the area. Based on her findings, Ziegler and her research assistant, Mary Williams, will propose changes in land-use planning and policy that best support the landscape&#39;s role as wildlife corridor, hunting and fishing ground, food source, and wastewater treatment area.</p>

<p>In conducting her research, Ziegler is carrying on the department&#39;s tradition of studying the connection between vegetation and its larger environment&mdash;factors such as climate, landforms, soils, nutrient cycles, and historical events.</p>

<p>Other physical geographers in the department are engaged in similar work. Kurt Kipfmueller conducts research on climate change in Itasca State Park and the Boundary Waters Canoe Area Wilderness and its effect on patterns of vegetation there. Bryan Shuman studies the effects of fire and climate change on the vegetation history of the Big Woods of southern Minnesota. Kathy Klink examines variations in wind speeds over space and through time in Minnesota.</p>

<p>Together, these scholars are constructing the knowledge that Minnesota residents need to make sound decisions about how to preserve and maximize the quality of open space and undeveloped land in the state.</p>

<p>Sharing their findings with Minnesota students in the classroom, Ziegler says, is an important part of that process. In a course called Biogeography of the Global Garden, Ziegler teaches students to understand in historical perspective the relationship of plants and animals with their larger habitat, including climate, soils, landforms, glaciers, and long-term environmental change.</p>

<p>"It&#39;s a challenging and fun class to teach," Ziegler says. "We take an evolutionary perspective, looking at change over a range of time scales from millions of years to seasonal cycles. We discuss current events such as the spread of bird flu and the SARS epidemic from a geographic perspective. And we cover a range of topics to help students become better informed global citizens who think about how their choices affect the environment."</p>

<p>Ultimately, Ziegler hopes, the course will prepare a generation to think intelligently and responsibly about how to use untapped land. That&#39;s an ambitious goal, but the class is a good beginning&mdash;more than 500 students, global citizens all, enroll annually in the course.</p>

<p>"We hope the class will inspire students to be excited about geography, explore the world around them, and embark on projects that will help them understand science and make the world better," Ziegler says. "That&#39;s what geography education is all about."</p>

<p>Republished from Minnesota Geographer, spring 2007, a publication by the College of Liberal Arts.</p></body>
         <category>
            17732|17725
         </category>
         <pubDate>Thu, 03 Jul 2008 10:16:16 -0600</pubDate>
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	<enclosure url="http://blog.lib.umn.edu/clareach/stories/youngHuie1.jpg" length="12586" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/youngHuie2.jpg" length="4487" type="image/jpeg" />
         <title>Taking Pictures, Making Change</title>
         <description><p>CLA alumnus and photographer Wing Young Huie captures America&#39;s cultural complexities through his camera&#39;s lens.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=133378</link>
         <guid>133378</guid>
        <body><p>Internationally recognized photographer Wing Young Huie (&#39;79, journalism) doesn&#39;t consider himself an activist. But that hasn&#39;t prevented his work from having a profound social impactâ€”hence his receipt of the 2006 Hubert Humphrey Public Leadership Award, an honor shared by such notable public figures as Madeleine Albright and Walter Mondale.</p>

<div class="claBlogReachImg">
<img src="http://blog.lib.umn.edu/clareach/stories/youngHuie1.jpg" alt="Wing Young Huie photo"><p>This photo is part of the acclaimed project Lake Street  USA, which recorded life along a 6-mile stretch of road running through several Minneapolis neighborhoods and commercial districts.</p>
</div>

<p>Huie&#39;s work offers an authentic, artful look into the cultural complexities facing diverse populations in the United States. For his most recent project, 9 Months in America: An Ethnocentric Tour, Huie and his wife traveled through 39 states photographing Asian-American culture and other â€œhyphenated" cultures to reveal the sometimes surprising ways they&#39;ve woven their lives and identities into the American fabric. The images include a meditating Falun Gong protestor, an Asian-American beauty queen, and the founders of the Asian Worldwide Elvis Fan Club.</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/youngHuie2.jpg" style="float: left;">Although his work has brought into view many issues facing diverse U.S. populations, Huie insists that at first, â€œMy allegiance was to photography rather than to any social issue. My goal was to translate what I saw into the language of this miraculous, two-dimensional piece of paper."</p>

<p>Years later, he says, â€œafter having photographed thousands of differing points of view, representing citizens of Lake Street, and other rural, suburban and urban communities of my home state Minnesota, as well 39 other American states, I have come to understand that there is a larger purpose to what I do."</p>

<p>> Visit Huie&#39;s Web site at www.wingyounghuie.com.</p></body>
         <category>
            17598
         </category>
         <pubDate>Fri, 27 Jun 2008 08:52:52 -0600</pubDate>
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	<enclosure url="http://blog.lib.umn.edu/clareach/stories/lipGloss.jpg" length="8104" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/schwitzer.jpg" length="5750" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/sikkink.jpg" length="6308" type="image/jpeg" />
         <title>Awards</title>
         <description><p>CLA faculty make their marks on CLA, Minnesota, and the world.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132506</link>
         <guid>132506</guid>
        <body><p>Kathy Roberts Forde (journalism and mass communication) won the Association for Education in Journalism and Mass Communication&#39;s 2006 Nafziger-White Dissertation Award.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/lipGloss.jpg" alt="Lip Gloss"><p>"Lip Gloss" by Dona Schwartz</p></div>
Dona Schwartz (journalism and mass communication) won the 2006 Griffin Award for â€œLip Gloss," her entry in The Griffin Museum of Photography&#39;s 12th Annual Juried show.

<p>Brian Southwell (journalism and mass communication) was awarded the Arthur â€œRed" and Helene B. Motley Exemplary Teaching Award for 2005-06.</p>

<p>Adjunct instructor Matt Kucharski (journalism and mass communication) was named one of â€œForty Under 40" by Minneapolis/ St. Paul Business Journal for 2006.</p>

<p>The book Feast of Love, by Charles Baxter (English), will be adapted by writer/director Robert Benton into a screenplay to be produced by the Coen Brothers.</p>

<p>Lou Bellamy (theatre and dance) was named the 2006 McKnight Distinguished Artist.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/sikkink.jpg" alt="Kathryn Sikking"><p>Kathryn Sikking<br>Photo by Patrick O&#39;Leary</p></div>

<p>Kathryn Sikkink (political science) was named Regents Professor, the highest faculty honor conferred by the University.</p>

<p>Ray Gonzalez (English) received the 8th Annual International Latino Book Award for The Religion of Hands: Prose Poems and Flash Fictions.</p>

<p>Sociology professor Penny Edgell&#39;s book Religion and Family in a Changing Society won an American Sociological Association Book Award.</p>

<p>Doug Hartmann (sociology) and Joe Gerteis (sociology) received the 2006 Distinguished Contribution to Scholarship Award from the American Sociological Association for â€œDealing with Diversity: Mapping Multiculturalism in Sociological Terms."</p>

<p>Matthew Bribitzer-Stull (music) won second place in two national events at the North American Bridge Championships in Chicago.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/schwitzer.jpg" alt="Gary Schwitzer"><p>Gary Schwitzer<br>Photo by Geoffrey Kroll</p></div>

<p>Gary Schwitzer (journalism and mass communication) received a Knight-Batten Award for Innovations in Journalism for the site HealthNewsReview.org.</p>

<p>Nora Paul (journalism and mass communication) received the Joseph F. Kwapil Memorial Award from the News Division of the Special Libraries Association (SLA).</p>

<p>Kathryn Pearson (political science) received the Carl Albert Award for the best dissertation in legislative studies from the American Political Science Association.</p>

<p>John L. Sullivan (political science) won the American Political Science Association&#39;s Philip E. Converse Best Book Award for Political Tolerance and American Democracy.</p>

<p>Deborah Keenan (English, visiting) was named the Edelstein-Keller Minnesota Writer of Distinction for 2006-2007.</p>

<p>Ben Munson (speech-language-hearing sciences) and David Treuer (English) were named McKnight Presidential Fellows.</p></body>
         <category>
            17600
         </category>
         <pubDate>Wed, 25 Jun 2008 10:10:13 -0600</pubDate>
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         <title>When Life Has Been Good To You</title>
         <description><p>Beverley and Richard Fink never thought twice about sharing their good fortune with the U.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132505</link>
         <guid>132505</guid>
        <body><p>By Mary Shafer</p>

<p>When Beverly and Richard Fink visited the University campus this September, they looked on as students carrying huge, unwieldy boxes checked into dorms with the help of nervous, fretful parents. They toured the renovated Coffman Union, and marveled at the new pedestrian bridges that span Washington Avenue. In short, they took in the sights that make alumni a little nostalgic for their college days.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/fink.jpg" alt="Richard and Beverly Fink"><p>Richard and Beverly Fink<br>Photo by Leo Kim</p>
</div>

<p>To top off their campus visit, the Finks met with Paul Sackett, the renowned professor of industrial/organizational psychology who had just been appointed to a new College of Liberal Arts endowed chairâ€”the Beverly and Richard Fink Professorship in Liberal Arts.</p>

<p>The Finks&#39; decision to create the endowment seemed a natural convergence of their passions: They champion education, they&#39;re passionate about the arts, and they lead the charge when it comes to community involvement. The unexpected delight, they say, is that the first professor to hold this chair is not only a distinguished scholar but also someone whose research interests dovetail with the values Richard (Dick) Fink brought to his own professional career.</p>

<p>â€œ[Sackett] studies the issues that were critical to my companyâ€”cultural blending, measures of success, testing to determine people&#39;s effectiveness. I was very pleased he was chosen. Dick says.</p>

<p>And if anyone knows business, it&#39;s Richard Fink. A 1952 U graduate and Rhodes scholar, he went on to graduate work at Harvard and then began his professional career in academia as a political science lecturer at the University of Wisconsin. Soon, though, he joined the textile business his grandfather had begun. It wasn&#39;t what you&#39;d call a glamorous beginning; he worked up a sweat pressing shirts in the laundry room and later progressed to delivery driver. In 1969, when G&K Services went public, he assumed the leadershipâ€”and over the next 40 years, the company grew to become a national leader in its industry.</p>

<p>Beverly is the educator and artist in the family, a self-described â€œ18-year college dropout? who earned an associate degree from the U in 1952 before she left to raise four children. When she dropped back in, Beverly not only finished her bachelor&#39;s degree but also earned a master&#39;s in education for gifted children.</p>

<p>The demands of student life meant that her children had to endure the transition from â€œhome-baked cookies to Oreos," Beverly says. But her â€œolder student" status had its advantages. â€œI wasn&#39;t afraid to ask the cutest boy in biology class for help," she chuckles. Later, she taught for 12 years in Wayzata Public Schools.</p>

<p>Although their careers have been in education and business respectively, it is the arts that have been the Finks&#39; steady passion. In their homeâ€”where paintings and pots by granddaughters and nieces are displayed beside works of well-known artistsâ€”their interests have coalesced into a shared dedication to philanthropy.</p>

<p>The two talk with fervor about liberal arts as the necessary foundation for a solid education, and about the University&#39;s centrality to Minnesota&#39;s culture and economy. â€œThere&#39;s a dynamic at the University that you don&#39;t find anywhere else in Minnesota," Beverly says. â€œStudents are exposed to so many different kinds of people and instruction."</p>

<p>â€œThere isn&#39;t a single institution that has as great an impact on the state as does the University," Dick adds. â€œIt has such a big role to play in the region, and needs to be kept strong.</p>

<p>â€œThe University should have enough resources that it is not completely subject to the vagaries of the budget process, especially if we want the U to be really prominent, to have a really stellar faculty."</p>

<p>Clearly, the Finks do want that for the Uâ€”and sharing their good fortune just seemed like a logical step. â€œWhen you live in a community all your life and life has been good," Beverly says simply, â€œyou have a responsibility to give something back."</p></body>
         <category>
            17601
         </category>
         <pubDate>Wed, 25 Jun 2008 10:05:08 -0600</pubDate>
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         <title>A Friendly Gesture</title>
         <description><p>Michael Sieben honors a friendship that started in Middlebrook Hall by making a gift.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132504</link>
         <guid>132504</guid>
        <body><p>By Mary Shafer</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/sieben.jpg" alt="Michael Sieben"><p>Michael Sieben<br>Photo by Richard Anderson</p></div>

<p>Among the degrees and documents that cover Michael Sieben&#39;s law office wall is a dated black-and-white photograph of a drugstore. It&#39;s a type of place you don&#39;t see much anymoreâ€”a spot where you could pick up your prescription and then amble over to the soda fountain for a cherry Coke or chocolate shake.</p>

<p>In eighth grade, Sieben worked as a soda jerk in that drugstore, which belonged to his grandfather and his great grandfather before him. While Sieben didn&#39;t continue the family&#39;s pharmaceutical tradition (â€œWrong side of the brain," he jokes), the photograph&#39;s presence does speak to his deep commitment to his roots and an awareness of the privileges he inherited. â€œI don&#39;t take it for granted," he says.</p>

<p>Over the years, the 60-year-old civil litigation attorney, former state legislator, and University Law School graduate has made a number of gifts to the U, gestures rooted in a sense of obligation to give back to the institution where his grandmother, father, and two brothers also received degrees.</p>

<p>But there&#39;s one that seems to stand out. Sieben&#39;s most recent giftâ€”to create the John S. Wright Award for CLA students majoring in African American and African Studiesâ€”was inspired by a deep personal connection.</p>

<p>Sieben grew up in Hastings, where he continues to practice law as a partner in Sieben Polk LaVerdiere & Dusich and where his family name is so prominent it&#39;s featured on street signs. John Wright has an equally successful career, but in the quite different world of academia, as an associate professor of African American and African Studies at the U. He grew up, by contrast, in the far less privileged world of north Minneapolis.</p>

<p>The connection between Sieben and Wright is a friendship dating back to their initial meeting as next-door neighbors in Middlebrook Hall. Over the years, the friendship has deepened, thanks in part to common interestsâ€”in chess, for oneâ€”and some fond memories, including a memorable camping trip out West.</p>

<p>To Sieben, the gift was a natural way to honor his friend. â€œHe was such a great student," Sieben says, â€œvery, very bright, an unusual, extraordinary person. I respect him greatly. I wanted to honor him and help make the campus a better place, particularly for minority students."</p>

<p>The fact that the gift will go to liberal arts students is also important to Sieben, whose own undergraduate degree from St. Cloud State University was in social studies.</p>

<p>â€œThe College of Liberal Arts is so extraordinary," he says. â€œIt prepares young people for life. I think that employers are increasingly</p>

<p>looking for people with broad education and deep skills. Our country&#39;s future belongs to those who are highly educated, and a good bachelor&#39;s education is where you start. You&#39;ve got to get your fundamentals down and that&#39;s what CLA does. It prepares you."</p>

<p>At the same time, Sieben believes that private philanthropy is more important than ever to the University.</p>

<p>â€œWe in Minnesota have strong public education from kindergarten through post-secondary," he says. â€œBut the state is not supporting it as it has in the past. This gift is my small way of saying we need to do more to support public education"â€”to step in to fill the breach.</p>

<p>â€œIn a broad sense, the U has been a huge engine for economic development that people take for granted. It&#39;s such an extraordinary place and we must recognize that. I feel strongly that those of us who have been blessed with education and experience should give back. We must make sure the country has good education available for everyone."</p></body>
         <category>
            17601
         </category>
         <pubDate>Wed, 25 Jun 2008 09:52:32 -0600</pubDate>
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         <title>Tranquility Under Fire: Life In a War Zone</title>
         <description><p>Alumna Betsy Hiel&#39;s report from an Israeli city under attack.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132502</link>
         <guid>132502</guid>
        <body><p>By Betsy Hiel</p>

<div class="claBlogReachImg">
<img src="http://blog.lib.umn.edu/clareach/stories/hiel.jpg" alt="Betsy Hiel">
<p>Betsy Hiel (&#39;91) never studied journalism. But that hasn&#39;t kept her from garnering some of the highest accolades in the industry, including the Pew Fellowship in International Journalism. Actually, Hiel got her degree in Middle Eastern studies, which she later built on with a master&#39;s degree in Arab Studies from Georgetown University and further studies at American University in Cairo and Hebrew University in Jerusalem.</p>

<p>Over the past decade, Hiel has reported from Iraq, Algeria, Tunisia, Lebanon, Yemen, Syria, Jordan, Kuwait, Turkey, Israel, and the Palestinian territoriesâ€”and that&#39;s just in the Middle East. She has been a foreign correspondent for the Pittsburgh Tribune-Review for six years.</p>

<p>Heil wrote the following dispatch from Metula, Israel, during the recent Israeli-Lebanon conflict, as the city came under fire from Hezbollah. </p>
</div>

<p>â€œI have a panoramic â€˜Katyusha view,&#39; Allen Dallas says. Dallas, 39, a South African Jew, immigrated here in March to escape the high crime rate of his old homeland.</p>

<p>â€œMetula, you fall in love with it as soon as you see it," he says, waiting tables at the Alaska Inn. â€œWhen the snow melts, everything is blossoming and green. It&#39;s a very tranquil placeâ€”well, it was a tranquil place."</p>

<p>The tourists are gone, as are two-thirds of the 1,500 residents, driven away by Hezbollah&#39;s Katyusha rockets. Journalists from around the world, covering the war, fill half the Alaska&#39;s 70 rooms; its owner, Reuven Weinberg, is the son of Holocaust survivors who came to Israel in 1948 and bought the hotel in 1964.</p>

<p>In 1970, when Weinberg was 17, he was wounded in an attack by Palestinian guerrillas. â€œFrom (Yasser) Arafat&#39;s group in Lebanon," he clarifies. â€œThen, he made the trouble. And now this guy (Hezbollah leader Hassan Nasrallah) makes the trouble. And when he will die, another guy will make the trouble."</p>

<p>Weinberg, 53, sounds utterly cheerful explaining the dismal prospects of the life-and-death struggle outside his hotel.</p>

<p>That is part of the contradiction found so frequently in this region: Many northern Israelis recount good friendships with Lebanese as readily as they do the border skirmishes, rocket attacks and occasional wars, all dating back decades.</p>

<p>All night long until dawn Tuesday, Hezbollah mortars and Israeli artillery dueled, shaking the Alaska Inn&#39;s windows and walls. Air sirens wailed and a loudspeaker ordered everyone into bomb shelters.</p>

<p>The Israelis are still launching airstrikes, tooâ€”to support their ground forces, they explain, despite a declared 48-hour stand-down after a misdirected strike killed about 56 Lebaneseâ€”and jet fighters regularly shriek overhead.</p>

<p>As night fell, young Israeli soldiers prepared to assault Hezbollah guerrillasâ€”checking weapons and packs, painting each other&#39;s faces black and gray under dim street lights. Some joked and smoked cigarettes; others made last-minute phone calls to loved ones. Many expressed grim determination over what was to come.</p>

<p>A commander walked among the troops, reminding them of their missions, of how to avoid friendly fire and take care of wounded comrades.</p>

<p>The night seemed so stillâ€”until the soldiers move across the border into Lebanon, and the tanks, artillery, mortars and rockets erupt again.</p>

<p>Excerpted with the kind permission of the Pittsburgh Tribune-Review. For the full articleâ€”and more of Betsy Hiel&#39;s dispatches from the Middle Eastâ€”go to http://www.pittsburghlive.com/x/pittsburghtrib/news/middleeast reports/s_464378.html.</p></body>
         <category>
            17599
         </category>
         <pubDate>Wed, 25 Jun 2008 09:46:12 -0600</pubDate>
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         <title>Giving Back to the Land</title>
         <description><p>Alumnus Paul Brainerd founded the Brainerd Foundation to protect the natural environment of the Northwest.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132501</link>
         <guid>132501</guid>
        <body><p>By Laine Bergeson</p>

<p>With a master&#39;s degree from CLA&#39;s School of Journalism and Mass Communication and a B.A. in business from the University of Oregon, Paul Brainerd (&#39;75) began his career in hopes of making a contribution to the world of publishing. As it turned out, he did much more than that. Thanks to Brainerd&#39;s entrepreneurial spirit, visionary thinking, and (let&#39;s not forget) world-class liberal arts education, he would do no less than revolutionize the publishing world, from Kabetogama to Kansas City to the Kremlin.   </p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/brainerd.jpg"><p>Paul and Debbi Brainerd<br>Photo by Stuart Issett</p></div>Take Brainerd&#39;s impact on Russian history, for example. â€œI have a poster hanging in my office of Boris Yeltsin during the August 1991 coup attempt," says Brainerd, proudly. â€œIn his hands, he&#39;s holding a declaration in defiance of the coup. That document was made using the software we created."

<p>Brainerd is humbly describing PageMaker, the groundbreaking software program he designed that brought basic publishing capabilities to the masses. With its unveiling in 1985, PageMaker became the prime mover of desktop publishingâ€”a phenomenon that turned the publishing world from an oligarchy, reserved for the few who could afford expensive publishing technology, to a democracy, where anyone with a few hundred bucks and a personal computer could transform an amateur idea into a world-class publication.</p>

<p>It is fitting, then, that as Russia began to develop its own democracy and conservative communist hardliners engineered the shutdown of all the national presses, pro-reform nationals like Yeltsin fought back by using PageMaker to design and disseminate their party&#39;s declaration of defiance. Brainerd&#39;s entrepreneurship helped change the course of Russian history.</p>

<p>Brainerd&#39;s remarkable story makes aspiring inventors wonder: What is it that catapults one person&#39;s idea to a realm beyond the ken of others? What transforms a vision from groundbreaking to truly revolutionary? Passion, for one, says Brainerd. â€œPassion is paramount to success," he muses. â€œIt is critical to have a heartfelt connection with your work. If you don&#39;t have that, there is no reason to be doing it."</p>

<p>Another driving force is the willingness to take calculated risks. â€œI&#39;ve taken risks throughout my career," says the 59-year old Seattle resident, who dropped all his other pursuits to start Aldus Corporation and unveil PageMaker. â€œRisk taking can be very exciting. You get to explore new things." But not just any risk will do; Brainerd stresses that each of his projects has pivoted not just on gut feeling, but also on thorough analysis and researchâ€”for which his liberal arts education richly prepared him, he says.</p>

<p>â€œEducation taught me how to do research and present it," says Brainerd. â€œIt was a building block. It provided me with the confidence and knowledge to do what I did as an entrepreneur." </p>

<p>Brainerd defines success as â€œmaking a difference in other people&#39;s lives." In the first part of his career, he achieved this by making communication tools accessible to organizations with limited resources, such as churches and non-profits (and, of course, the democracy advocates in the former Soviet Union). By 1994, though, Brainerd was ready to strive for success in other areas, and he sold Aldus to Adobe. The financial freedom that followed the sale allowed Brainerd to devote himself full-time to another lifelong passion: environmental conservation.  Having spent his childhood in the forests of southern Oregon, Brainerd was determined to help preserve the natural beauty of the region.</p>

<p>â€œI&#39;ve always had a close connection to the outdoors," says Brainerd, who founded The Brainerd Foundation, an organization focused on protecting the environmental quality of the Northwest and building citizen support for conservation efforts. The foundation makes grants, leverages funding, and encourages the involvement of other philanthropistsâ€”another cause close to Brainerd&#39;s heart. He founded the non-profit Social Venture Partners to catalyze philanthropic activity among his peers. </p>

<p>â€œSVP helps the next generation of people who want to give back," says Brainerd. And not just in dollars. The organization surpasses the norm (as do most groups with Brainerd at the helm)â€”encouraging participants not just to lend financial support but also to become involved with the causes they support. As Brainerd proudly attests, 65 percent of participants are actively involved.</p>

<p>In 1997, Brainerd and his wife, Debbi, found yet another way to give back to the community. With the purchase of 225 acres of land on Bainbridge Island, they founded IslandWood, a lifelong environmental learning center for children and families. Already, the center has distinguished itself as one of the most innovative environmental learning centers in the country.</p>

<p>Asked what he plans to add to his already chock-full schedule, the activist, philanthropist, and entrepreneur responds that, for now, he&#39;s focused on making all the current ventures â€œcontinue and excel." As for what isn&#39;t in his immediate future, Brainerd chuckles, â€œWe are so busyâ€”my wife made me promise: no new non-profits!" Perhaps for the time being, he&#39;ll have to be content with all the good he has already contributed to the world.</p></body>
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         <pubDate>Wed, 25 Jun 2008 09:42:14 -0600</pubDate>
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         <title>On the Spot: Democracy</title>
         <description><p>CLA students reflect on what&#39;s great and not so great about democracy.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132477</link>
         <guid>132477</guid>
        <body><p><img src="http://blog.lib.umn.edu/clareach/stories/dikarevaCircle.jpgâ€œ alt="Anya Dikareva" style="float: left;">For a good democracy to function, there must be a proper representation of the population&#39;s voice. Having a voice basically includes voting, knowing what you&#39;re voting for, and getting that vote counted. If there is an impediment to any of those steps, the control starts to tip into the hands of the few and it is no longer a democracy."<br />
â€”Anya Dikareva (psychology and art &#39;09)</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/glennCircle.jpgâ€œ alt="Eddie Glenn" style="float: left;">The problem is not that people don&#39;t believe in democracy, rather that they don&#39;t believe in themselves. In other words, living in a democratic society does grant us some power to make a difference, but it doesn&#39;t matter until people learn to look within themselves for the power and reasons to take action."<br />
â€”Eddie Glenn (African American studies &#39;08 )<br />
 <br />
<img src="http://blog.lib.umn.edu/clareach/stories/bourqueCircle.jpgâ€œ alt="James Bourque" style="float: left;">â€œTo most people, the meaning of democracy is the ability to have meaningful and substantive control over their lives in the public arena, but when the modes of production and distribution are in the hands of private corporations, citizens really have limited or no impact."<br />
â€”James Bourque (political science &#39;08)</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/colemanCircle.jpgâ€œ alt="Joni Coleman" style="float: left;">â€œThe problem with democracy is that political candidates get so caught up in winning they don&#39;t care about what&#39;s best for the country."<br />
â€”Joni Coleman (child psychology &#39;08)</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/stegemanCircle.jpgâ€œ alt="Christopher V. Stegeman" style="float: left;">â€œHaving a government elected by the people means the responsibility is on the people. So, when we try to place blame on a certain political entity, we have to grasp the truth that the problem isâ€”or should beâ€”the mistake of the people."<br />
â€”Christopher V. Stegeman (anthropology &#39;08)</p></body>
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         <pubDate>Tue, 24 Jun 2008 16:50:47 -0600</pubDate>
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         <title>Professors Ponder: What It Means to be a U.S. Citizen</title>
         <description><p>CLA faculty weigh in on citizenship in the 21st century.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132474</link>
         <guid>132474</guid>
        <body><div class="claBlogReachImg">
<img src="http://blog.lib.umn.edu/clareach/stories/citizen.gif" alt="U.S. Citizen"><p>Scott Menchin</p>
</div>

<p>Observers across the political divide lament a lack of public participation in the American political process, most obvious in our perpetually low voter turnout.</p>

<p>At the same time, new technologies have opened up realms of civic engagement our forebears couldn&#39;t have imagined. Whether blogging for a cause, communing through MySpace, or signing on to a mass e-mail, the 21st century citizen can be active in a growing number of ways.</p>

<p>It raises the question: Is citizenship in the 21st century the same as it&#39;s always been? What does it mean to be a U.S. citizen today? Beyond voting, what are a good citizen&#39;s duties?</p>

<p>We had reporter Tim Brady comb the minds of CLA faculty who are studying civic responsibility in their three separate disciplines. Here&#39;s what they had to say:</p>

<h2>Ronald Greene, Communication Studies</h2>

<p>Ronald Greene believes that issues of civic responsibility should be viewed through a wide-angle lens.</p>

<p>â€œIt&#39;s important to puncture the myth that if we just make better citizens, the world will be a better place. That assumes the responsibility for civic improvement rests solely with the individual." Green believes the institutions and structures of democracy are just as important.</p>

<p>It&#39;s important to create arenas where citizens feel comfortable in debate, he explains. â€œIt&#39;s hard work getting together to solve civic problems. People are nervous communicating their political leanings in a public forum. Their feelings might be hurt; they may be proven wrong about an idea; they may be inclined to sublimate their expression by being â€˜Minnesota nice.&#39; But, says Greene, â€œDemocracy works from the local level up."</p>

<h2>Wendy Rahn, Political Science</h2>

<p>Wendy Rahn argues that globalization itself is causing a decline in civic-mindedness around the world.</p>

<p>â€œThe modern nation-state has less importance in the lives of individual citizens in a â€˜globalized&#39; world," she says. And that causes problemsâ€”â€œnot just for commitments to conventional democratic virtues, such as being informed or voting in national elections," but also in terms of participation in â€œglobal citizenship."</p>

<p>In a recent study, Rahn examined groups of 14-year olds in 28 nations around the world. She discovered that the more â€œglobalized" the subjects were, the less likely they were to be civically involved in their own nations. Yet, she found no evidence of greater involvement in newer, more globally oriented forms of civic-mindedness, such as concern for the environment.</p>

<h2>Thomas Augst, English</h2>

<p>Thomas Augst says the United States is simply still working out the kinks in its civic structure. Our democracy is a work-in-progress, he says, and current issues of civic engagement should be viewed in the context of their origins.</p>

<p>For instance, he explains, â€œThe classical statesman-citizen figures of the founding era were working within much more limited parameters than we are today." Not only was the young country a fraction of its current size, but at the time, full citizenship was exclusive to white men of a certain economic status. Presumably, political dialogue isn&#39;t as difficult when citizens are so alike.</p>

<p> â€œOne of the great challenges of civic engagement is finding a way to extend the classical ideals of democracy to a large and diverse populace," says Augst. And that, he adds, is one of the roles of higher education.</p></body>
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         <pubDate>Tue, 24 Jun 2008 16:26:07 -0600</pubDate>
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         <title>The Glamour of Global Service</title>
         <description><p>Rebecca Mitchell is honored by <em>Glamour</em> magazine as one of its top 10 college women for 2006.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132472</link>
         <guid>132472</guid>
        <body><div class="claBlogReachImg">

<p><img src="http://blog.lib.umn.edu/clareach/stories/mitchell.jpg" alt="Rebecca Mitchell"><p>Rebecca Mitchell</p></p>

</div>

<p>Adapted from a story by Rick Moore, University Relations. Until recently, Rebecca Mitchell had received minimal media attentionâ€”despite her receipt of the prestigious 2006 Harry S. Truman Scholarship (certainly no small potatoes). But Mitchell&#39;s most recent brush with fame has her worn outâ€”from the multiple interviews and photo shoots that came with it.</p>

<p>The media arrived when Glamour magazine named Mitchell one of its top 10 college women in the nation for 2006. The honor recognizes campus and community involvement, excellence in the students&#39; field of study, leadership experience, and unique, inspiring goals.</p>

<p>An honors student in biology, society, and the environment, Mitchell plans to pursue a combined doctorate and master&#39;s degree in public health. She&#39;s been on the parliamentary debate team for the last three years, worked as a research assistant at the U&#39;s Stem Cell Institute in embryonic stem cell research, and worked with the Medical School&#39;s Positive Youth Development Program.</p>

<p>Perhaps the most pivotal experience for Mitchell came during the summer of 2005, when she traveled to Kenya to do volunteer work, with dual placements at an orphanage and a local hospital. At the hospital, she worked at an STI (sexually transmitted infection) clinic, where many women who had been monogamous discovered they had contracted HIV from their husbands.</p>

<p>Moved by the women&#39;s plight, Mitchell set her sights on a career in public health with a focus on women&#39;s reproductive health. And, partly out of her dissatisfaction with the volunteer agency that arranged her placements in Kenya, she decided to make things easier for future volunteers. So she founded the Student Project Africa Network (SPAN), a nonprofit organization that she runs with four other students serving on a volunteer executive board.</p>

<p>Of course then there&#39;s the Glamour-ous life,  three jam-packed September days in New York City, where Mitchell and her co-honorees spent time with top female professionals and were â€œwined and dined." The experience â€œcelebrated the multifaceted woman," Mitchell says. â€œIt was great."</p>

<p>The three-day whirlwind also gave Mitchell newfound respect for Glamour magazine. â€œIt&#39;s a woman&#39;s struggle to not be put in a box," she says, adding that the magazine is dedicated to empowering  women and recognizing their achievements.</p>

<p>Update: In February 2007, Mitchell was named one of USA Today&#39;s All-USA College Academic First Team. The group was selected from almost 600 students nominated by their schools. </p></body>
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         <pubDate>Tue, 24 Jun 2008 16:20:05 -0600</pubDate>
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         <title>A New CLA For a New Minnesota</title>
         <description><p>CLA&#39;s role in the University&#39;s quest to be among the best.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132469</link>
         <guid>132469</guid>
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<p><img src="http://blog.lib.umn.edu/clareach/stories/deanRosenstone.jpg" alt="Dean Rosenstone"><p>Dean Rosenstone</p></p>

</div>

<p>Imagine a world in which Alzheimer&#39;s and schizophrenia are distant memories, war is unthinkable, and legislators routinely shake hands across the aisleâ€”and world leaders across oceans and national borders. Imagine that people around the globe have plenty of clean water to drink, nourishing food to eat, and decent and affordable housing.</p>

<p>Imagine that every child and every adult has access to high-quality health care and that every young person has a fair shot at a college education.</p>

<p>Imagine all of this, and more. This is the world we aspire to and are striving to create at the University of Minnesota.</p>

<h2>University Transformation</h2>

<p>By any measure, the University of Minnesota is already a global leader in education and research that could put such a world within reach. But to be international leaders, we must prevail among formidable peers in a competitive higher education environment.</p>

<p>Through its ongoing transformation process, the University has set its sights high: to be counted among the world&#39;s top universities. That means not only being the best, but also doing the best. It means delivering quality in everything we do.</p>

<p>CLA&#39;s role is pivotal. The University can reach its goal only if every CLA academic program is among the best.</p>

<p>This isn&#39;t just the dean speaking. The report of the University-wide task force on the College of Liberal Arts says, â€œWe unequivocally affirm the central importance of the liberal arts and a liberal education to the University of Minnesota, the state, and the nation. The report goes on to say, â€œFor many Minnesotans, CLA is the face of the University. And it urges that the University â€œtake advantage of CLA&#39;s unique disciplinary specialties and connections with the Twin Cities and global communities to foster powerful new avenues for research, teaching and communication.</p>

<p>This is a powerful mandate, and a powerful vote of confidence in our college.</p>

<h2>Giant Steps</h2>

<p>As we redefine and revitalize the University for this century, we are renewing our search for answers to the Big Questions that drive the human quest for learning. What kind of world do we want to live in? What kinds of discoveries and understanding will get us to where we want to go?</p>

<p>What do we know, what do we need to know, and what kinds of scientific and scholarly investigation need to be supported and sustained?</p>

<p>How, at the intersection of scientific and humanistic inquiry and cultural values, do we work together to solve problems and deliver the best possible outcomes? What kinds of technologies, investments, research paths, and public policies can move us forward?</p>

<p>How do we best share groundbreaking discoveries with our students and communities? How do we reach out to ensure that talented students from all walks of life can take advantage of what we have to offer?</p>

<p>These are huge questions, and they drive all that we do.</p>

<h2>Change Grounded in Core Values</h2>

<p>In CLA, there&#39;s no such thing as business as usual. Even our alumni magazine is striking out in new directions and sporting a new nameâ€”one that we believe captures what we&#39;re about in this college.</p>

<p>We call Reach our â€œnew" magazine. But like the college whose stories it delivers to you, it will continue to focus, as CLA Today always has, on groundbreaking discoveries by our spectacular faculty and on the lives and contributions of our remarkable students, alumni, donors, and friends. It has a new look, but it is still dedicated to maintaining the highest editorial standards and to strengthening our valuable relationships with our alumni and friends.</p>

<p>This year, you&#39;ll see many new faces in CLAâ€”extraordinary new faculty whose provenance includes the world&#39;s great universities, and talented new students from all walks of life, from all 50 states, and from cultures and nations throughout the world. You&#39;ll see new programs taking shapeâ€”including the writing initiative that is featured in this issue. You&#39;ll see new classrooms, new technologies, new collaborations, and new avenues of research.</p>

<p>This fall, we enrolled the best academically prepared and most diverse freshman class ever in our history, bringing access and opportunity off the pages of planning documents and into the lives of our students. Those students will explore the riches of a global and interdisciplinary curriculum that addresses the critical issues of our time in new and exciting ways and prepares them for a century whose directions and challenges we can only imagine.</p>

<p>And yet, however much we change, we remain committed to the core values that have positioned CLA at the heart of the Universityâ€”dedication to sustaining the utmost excellence and integrity in research and teaching, and to sustaining deep respect for and engagement with students and communities across cultural, geographic, and disciplinary boundaries.</p>

<p>It&#39;s a new CLA, but it still belongs to youâ€”our alumni and friends. As our future unfolds and we travel in new directions, I invite you to join us.</p>

<p>â€”Steven J. Rosenstone, Dean and McKnight Presidential Leadership Chair</p></body>
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         <pubDate>Tue, 24 Jun 2008 16:09:11 -0600</pubDate>
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         <title>Recipe for a Global Education</title>
         <description><p>What does it take to prepare students for today&#39;s globalized world?</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132467</link>
         <guid>132467</guid>
        <body><p>In our â€œglobalized" world, it&#39;s no longer a novelty to know a second languageâ€”or to be up to speed on international events. It&#39;s practically a necessity. Here in CLA, we believe global perspectives are fundamental to a liberal arts education. That&#39;s why we&#39;re so thrilled when students like Amelia Shindelar (&#39;06), a double major in global studies and anthropology and president of the United Nations Student Association, snap up every opportunity to become more globally aware and engaged.</p>

<div class="claBlogReachImg" style="float: none;">

<p><img src="http://blog.lib.umn.edu/clareach/stories/globalEducation.gif"><p>Scott Menchin</p></p>

</div>

<p>CLA&#39;s cupboards are lavishly stocked with gourmet ingredients for a global education. As for how to put it all together, we asked Amelia for her advice. She graciously shared her recipe.</p>

<ul>
              <li>1 insatiable appetite </li>
              <li>2 years living in Europe</li>
              <li>5 semesters of Arabic</li>
              <li>2 semesters of Italian </li>
              <li>2.5 years as a member of the United Nations Student Association</li>
              <li>1 month in Tunisia</li>
              <li>1 semester interning at Minnesota Advocates for Human Rights</li>
              <li>19 family members who love to travel</li>
              <li>2 passports (one expired)</li>
              <li>426 books (an educated guess) </li>
              <li>1 major in anthropology</li>
              <li>1 major in global studies </li>
              <li>1.5 hrs. per day of Minnesota Public Radio</li>
              <li>A generous sampling of foreign films </li>
              <li>1 semester interning in the U&#39;s Human Rights Program </li>
              <li>At least 10 courses with an international perspective</li>
              <li>3 years as alumni coordinator for the Minneapolis chapter of AFS intercultural exchange programs</li>
              <li>Plenty of patience and compassion </li>
              <li>One large sense of humor </li>
              <li>Passion, to taste</li>
            </ul>

<p>Toss all ingredients in one very large mixing bowl and agitate daily.</p>

<p>Chef&#39;s note: All of these things, and many that I cannot remember, have shaped me into the person I am, and a person I am proud to be. I am not suggesting that you go out and do the same things I&#39;ve done; this is just what has worked for me. If you are more interested in China than the Middle East, go there instead. But whatever you do, don&#39;t leave out extensive language training. Languages not only give you the ability to communicate with people, they give you a different way to look at the world.</p>

<p>Amelia Shindelar will join the Peace Corps in February 2007.</p></body>
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         <pubDate>Tue, 24 Jun 2008 16:02:16 -0600</pubDate>
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         <title>Put It In Writing</title>
         <description><p>The masterminds of the U&#39;s Undergraduate Writing Initiative are bringing a new kind of relevance to writing instruction - even in our fast-paced text-message world.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132466</link>
         <guid>132466</guid>
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<p><img src="http://blog.lib.umn.edu/clareach/stories/writing.gif"><p>Scott Menchin</p></p>

</div>

<p>A conversation with two of the masterminds of The Undergraduate Writing Initiative, with a department coming soon to CLA</p>

<p>â€œIf you can&#39;t get your point across, then there&#39;s no point in having a point," says Anton Nikolov, a student in political science and history. We think he&#39;s on to something.</p>

<p>Hear that clicking sound? It&#39;s people at keyboards trying to get their points acrossâ€”in reports and memos, newsletters, patients&#39; charts, legal briefs, e-mails; to their bosses and colleagues, customers and constituencies. In a world of visual communication, â€œstrong writing skills" remain near the top of every list of job qualifications.</p>

<p>So how is the University of Minnesota addressing the need for proficient writers in a wide variety of fields? With an innovative writing initiative, to be housed beginning fall 2007 in a new CLA department. The department will bring together faculty and resources from across the Uâ€”from the Center for Writing, the Department of Rhetoric, the Department of English, and the former General College.</p>

<p>The initiative is expected to make the U a national leader in the study and teaching of writing. Its more immediate purpose is to provide top-of-the-line writing instruction to all students, in every major, across the entire University.</p>

<p>As for what the writing initiative will look like on the ground, we&#39;ve asked a few key players to give us the scoop. Here&#39;s what Kirsten Jamsen, director of the Center for Writing, and Laura Gurak, who will chair the new department in its first year, had to say.</p>

<p>Reach: So, what&#39;s the significance of the new writing initiative?</p>

<p>KJ: It&#39;s the affirmationâ€”the assertionâ€”that writing is essential to undergraduate education at the University of Minnesota. Writing is not something you â€œmaster" in one class and then move on. It&#39;s fundamental to the learning you do, no matter what discipline you study, and no matter what level. That&#39;s what makes this so exciting.</p>

<p>LG: It will bring all of the talents, research, skills, and outstanding teaching from around the U under one umbrellaâ€”into the same boat, in a way. We won&#39;t have one program for St. Paul students, one for CLA, one here, one there. We&#39;re bringing it all together. Writing instruction and practice will be an integral and ongoing part of every undergraduate student&#39;s education.</p>

<p>Reach: So, how is this approach different from â€œWriting Across the Curriculum," or other methods of writing instruction?</p>

<p>LG: The system that was new in the mid-80sâ€”and really took over in the 90sâ€”was kind of a checkbox system; you count up how many of your courses fulfill the writing requirement, and now you&#39;re done. What we learned during the task force was that students were saying, â€œI did more writing in course X, which doesn&#39;t have a â€˜writing designator,&#39; than I did in course Y, which did." We decided there should be a way to look across the curriculum and say, â€œHow can writing be woven throughout?"</p>

<p>Reach: So writing instruction will be integrated into courses from the arts to business, engineering, agriculture, and health sciences?</p>

<p>LG: Yes. It&#39;s organized like a writing textbook. The first half is the generic principles and the second half is the forms and genresâ€”the kinds of more specialized writing you&#39;ll do in different situations and disciplines, like when you go to work for Target or a hospital or state government. So we&#39;ll have bothâ€”strong freshman composition courses along with the across-the-disciplines part, for students wearing lots of different hats, learning to write for history, science, business, economics, medicine, the arts.</p>

<p>Reach: How do you develop a writing curriculum that can be used in such a broad range of disciplines?</p>

<p>KJ: The fundamental principles and the teaching methologies cut across disciplinary lines. And we&#39;ll have lots of training for faculty, the content people. The big questions to ask about our students when they graduate are: Are they fluent as writers? Do they know how to brainstorm, to draft, to revise, to edit, and to polish? The other question involves the interpreting of rhetorical situationsâ€”so a nursing student, for instance, can say, â€œI&#39;m writing something to be read by patients, so it&#39;s going to be a lot different than what I write for doctors or wrote for my ethics class." I teach students how to â€œread" the environment and the audience, and adapt their communications to the rhetorical situation and to different media as well. These strategies for fluency can be used by students in all disciplines.</p>

<p>Reach: So basically, you&#39;re teaching them to be versatile writers.</p>

<p>KJ: Yes, we&#39;re teaching not just â€œgood writing," but how to communicate in writing with real readers. Of course I want my students to walk out of here and write grammatically correct sentences and well-organized paragraphs. I also want them to be able to synthesize what they think and know into writing that really communicates. I want them to feel in control of their ability to communicate in just about any situation.</p></body>
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         <title>Putting Access on the MAP</title>
         <description><p>The â€œface" of CLA is changing, thanks to initiatives such as the McGuire Academic Program, which supports high-achieving students from low-income backgrounds.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132465</link>
         <guid>132465</guid>
        <body><p>By Andi McDaniel</p>

<p>Deep in the bowels of Johnston Hall, you&#39;ll find a light on at 8:30 a.m. sharp. That&#39;s when freshmen in the new McGuire Academic Program (MAP) begin to stream in to room B-29 each morning to share breakfast toast, lounge on worn blue thrift-store couches, and check in with each other and their peer mentors about how their first year at the U is going.</p>

<div class="claBlogReachImg" style="float: none; margin: 0; padding: 0; width: 350px;">
<img src="http://blog.lib.umn.edu/clareach/stories/mapStudents.jpg" alt="MAP Students"><p>MAP students chase after clues during "The Amazing Race, <em>Edge</em>-style"<br>Photo by Everett Ayoubzadeh</p>
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<div id="accessSuccess">
<strong>Access to Success</strong>

<p>While CLA strives to make academic success a reality for a broader swath of young people, the questions remain: What exactly is â€œsuccess" in the first place? Is it even measurable? CLA faculty from a variety of disciplines are studying the ways our society tests success, particularly in educationâ€”â€”and drawing fascinating conclusions about how well our measures measure up.</p>

<p>As the age of â€œNo Child Left Behind" makes standardized tests ever more central to the public education experience, it&#39;s crucial that we keep tabs on how well the tests are doing the job. Political science professor Scott Abernathy has taken on this challenge in his new book No Child Left Behind and the Public Schools, in which he explores the challenges and pitfalls of measuring education from the top downâ€”â€”and looks at what it would take for the No Child legislation to live up to its promises and ensure that our kids are getting a â€œgood" education.</p>

<p>Meanwhile, Nathan Kuncel (psychology) is trying to find out whether success is in your future. Kuncel&#39;s research focuses on the various predictors of academic and workplace success. By studying how well certain testsâ€”such as the Graduate Record Examination (GRE) and the Miller Analogies Test (MAT)â€”predict student achievement both in school and beyond, Kuncel has been able to debunk that old myth about how â€œschool smarts" don&#39;t apply in the real world. As it turns out, the skills required for success in school aren&#39;t so different from the skills that matter in everyday life.</p>

<p>Paul Sackett, the Beverly and Richard Fink Distinguished Professor of Psychology and recipient of the American Psychology Association&#39;s Distinguished Scientific Contributions Award, is known internationally for his research on â€œemployee selection systems"â€”one of those crucial hurdles that could stand between you and the job of your dreams. Sackett&#39;s work has helped assure that ability testingâ€”whether in an educational or a work environmentâ€”improves selection for high performance as well as for ethnic, racial, and gender diversity.<br />
</div></p>

<p>MAP just launched this fall, but already, MAP students have made themselves at home in this underground enclave, using the space and the resources it provides to tackle their first year head on. The 134 students in the program are enrolled in all seven freshman-admitting colleges across the campus, but CLA is â€œadvising central."<br />
MAP just launched this fall, but already, MAP students have made themselves at home in this underground enclave, using the space and the resources it provides to tackle their first year head on. The 134 students in the program are enrolled in all seven freshman-admitting colleges across the campus, but CLA is â€œadvising central."</p>

<p>The high level of involvement pleases program coordinator Manisha Nordine. MAP&#39;s goal, she explains, is to help high-achieving students from low-income backgroundsâ€”many of whom are first-generation college studentsâ€”reach their full potential at the U. That means orienting them to aspects of college life that other students take for granted, from day one to graduation.</p>

<p>â€œWhat that translates to is connecting them to resources, providing them with advisers, and providing opportunities for meaningful relationships with their peers, in the form of peer mentors," she says.</p>

<p>Brianna Deal, one of MAP&#39;s seven peer mentors, says her own freshman year was a â€œwhirlwind," and she sees great benefit to orienting students early on. â€œIt&#39;s just so valuable to have somebody reach out to you and say, â€˜Here&#39;s what we have to offer, here&#39;s how I can help you. I want to get to know you better and help you deal.&#39;</p>

<p>The â€œMcGuire Edge" gives students a jump start. Over six days, students get to know their peer mentors, each other, and the campus. One of the more popular activities this fall was â€œThe Amazing Race, Edge-style," a campus-wide scavenger hunt that helps teams of students learn their way around.</p>

<h3>Carrying the Baton</h3>

<p>y providing support to students from low-income backgrounds throughout their college careers, MAP functions as a sort of next step for programs such as LearningWorks and Admission Possible, which serve middle- and high-school students. In fact, to qualify for MAP, students must be alumni of one of those programs, or be â€œMcGuire scholars," students who have been selected for scholarships funded by the McGuire Foundation.</p>

<p>MAP is one of several new University/K-12 outreach initiatives that CLA is leadingâ€”all reflecting the college&#39;s staunch commitment to access. The purpose of increasing access is not just to level the higher education playing field for Minnesota&#39;s young people but also to better reflect and serve Minnesota&#39;s rapidly changing population.</p>

<p>â€œWe&#39;re constantly embracing new immigrant populations," says Nordine. â€œStudents represent these new communities and multicultural identities as well as traditional communities." Such diversity â€œprepares all students to be citizens not only of Minnesota and the U.S.â€”but also of the world," says Deal.</p>

<p>The ripples will spread as students take their education with them into communities and workplaces throughout Minnesota and beyondâ€”bringing about lasting social change.  â€œThe revolution is going to occur," says Nordine, â€œas these students enter the workforce. It&#39;s in their respective jobsâ€”in their relationships with majority populations in their jobsâ€”that the change is going to happen. That&#39;s when race and class bias are going to lose their gripâ€”because diversity will be part of people&#39;s everyday experiences."</p>

<p>Of course, if MAP didn&#39;t inspire students, all this talk about access would be just thatâ€”talk. But already, there are clear signs that the program&#39;s goals resonate powerfully with student needs. Asked how he knows their efforts are paying off, peer mentor Mike Clark says he just sees it in their faces.</p>

<p>â€œThey don&#39;t have to come in here, but they do," Clark says, referring to MAP headquarters. â€œThey could easily be going out to a coffee shop or restaurant with their friends, but noâ€”they come in here. Because they want to be with this community." Nordine grins, â€œWe have students waiting in the morning to come in, and the place is still buzzing at the end of the day."</p>

<p>As the University forges ahead to implement the recommendations of the various task forces that have been charged with strengthening the U, it&#39;s worth noting that the McGuire Academic Program advances several of those recommendationsâ€”namely, those related to outreach, access, and diversity. â€œThe health of the McGuire Program," says Manisha, â€œreflects the health of the rest of the University." Judging from the crowded couches in MAP&#39;s Johnston headquarters, the University is in good health indeed.</p></body>
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         <title>Part Four: The Theory Trap</title>
         <description><p>Scientists are fond of fundamental theories, the sets of principles that purport to explain everything that they observe in their respective fields. Theories, we&#39;ve been led to believe, drive the production of scientific knowledge: they provide crucial frameworks for designing experiments and interpreting results.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132462</link>
         <guid>132462</guid>
        <body><p>Most of us are at least broadly familiar, by now, with the theory underlying genetics: DNA encodes genetic â€œinformation" that determines the processes of growth and development in organisms. Unbeknownst to us, philosophers have been poking holes in that theory for years, and developing alternative theories to explain the clear link that scientists have observed between DNA and the development of organisms.</p>

<p>C. Kenneth Waters, associate professor of philosophy, is intrigued by the debateâ€”but he&#39;s more interested in the very role that theory plays in science. For all of the importance placed on theories, they don&#39;t necessarily dictate or reflect accurately what goes on in the laboratory. Instead of trying to replace one theory with another, he says, philosophers might more productively look at what scientists are actually doing in their laboratories. And what they do, in effect, is â€œtinker," observe, and draw conclusions. Theory is largely tangential to this process of acquiring new scientific knowledge.</p>

<p>By altering or removing a gene and observing what happens to the process of memory formation in mice, for example, scientists gain knowledge about mechanisms involving memory-related brain cells. And theoretical assumptions about genes as the ultimate source of biological development are irrelevant to what they observe.</p>

<p>In the end, genetic theory is a kind of interesting distraction, with little bearing on what experiments have taught us about how development occurs at the molecular level. Indeed, says Waters, rather than guiding research or helping us make sense of experimental results, it mostly performs an important public relations function beyond the immediate environs of the laboratory. â€œTo think that we have these fundamental truths and that we&#39;re working off of them creates a lot of excitement," he explains. â€œIt helps bring new scientists to the field, and it helps bring funding to the field.</p>

<p>â€œThe process of gaining scientific knowledge works not so much because scientists are applying a fundamental theory. It&#39;s because they have research strategies that are extremely effective in the laboratory." And those strategies, combined with close and astute observation, are what yield good scientific results.</p>

<p>To be sure, the lessons scientists learn from their experiments about the role of DNA in cellular development may in fact be consistent with and seem to confirm a widely held theory. But that&#39;s not the point or purpose of scientific investigation. Indeed, too heavy a reliance on theory could even get in the way, skewing the interpretation of results.</p>

<p>For all practical purposes, then, it doesn&#39;t matter whether a theory is right or wrong. It is simply immaterial. In Waters&#39; view, it&#39;s not by weighing the relative merits of competing theories but by standing in laboratories and listening to scientists hash out the details of experiments that philosophers will make discoveries about the nature of scientific knowledge.</p>

<p>The Scientific Mystique: <a href="?entry=132456">Intro</a> | <a href="?entry=132457">Part One</a> | <a href="?entry=132458">Part Two</a> | <a href="?entry=132460">Part Three</a> | <a href="?entry=132462">Part Four</a></p></body>
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         <pubDate>Tue, 24 Jun 2008 15:33:52 -0600</pubDate>
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         <title>Part Three: Science - It&#39;s Only Human</title>
         <description><p>While scholars like Karen-Sue Taussig and Rachel Schurman are examining how culture affects the way we relate to science, Steven Manson and C. Kenneth Waters are studying another part of the equationâ€”how our relationship to science affects actual scientific results.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132460</link>
         <guid>132460</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/manson.jpg" alt="Steven Manson"><p>Steven Manson<br>Photo by Kelly Macwilliams</p></div>

<p>For years, McKnight Land Grant Professor of Geography Steven Manson says, many of the models that scientists have used to predict how humans will act have discounted the role that cultural values play in human behavior.</p>

<p>Rational choice theory, on which such models are based, assumes a certain universality to human decision making. Whether Kenyan or Canadian, we are all, according to rational choice theory, rational actors: Given a complete picture of a situation, we will act logically within it. And we make choices that bring us closer to what we value: money, power, health, and happiness.</p>

<p>But as many scholars in the field of science studies have shown, when push comes to shove, we are, well, only human. When we are the mice in the maze, we don&#39;t necessarily make cold calculations based on narrow self interest. Cultural values, traditions, and habits all get in the way of our acting â€œrationally." Indeed, these influences can help us make better decisionsâ€”or sometimes not.</p>

<p>Over the last 40 years, explains Manson, many have come to doubt the validity of rational choice theory because it doesn&#39;t account for social and cultural factors. â€œA lot of our decision-making isn&#39;t centered on â€˜us,&#39; says Manson. â€œIt&#39;s centered on â€˜us&#39; within a larger context."</p>

<p>Sometimes, that larger cultural context influences us when we least expect it. â€œWe can have an almost encyclopedic knowledge of everything from safety ratings to fuel efficiency when we&#39;re buying a car," Manson says. â€œBut when people are asked about the cars they buy, they tend to say that they buy Hondas because their parents buy Hondas." As social creatures who exist in the context of culture and family, â€œwe can always question, reconfigure, or reject this social context," he adds, but we cannot fully escape it.</p>

<p>Rational choice theory is an elegant and powerful way of answering many questions, Manson grants, but we also need alternative approaches. That&#39;s why he&#39;s developing â€œcomputational intelligence modeling," a model of analyzing human decision making that, he says, attempts to â€œcapture some of the social dynamics and personal biases that influence human behavior instead of just ignoring them."</p>

<p>Recently, Manson used computational intelligence to help officials in the Southern Yucatan build accurate land use simulations. Using anthropological accounts of local Mexican culture that were formerly dismissed by scientists as too qualitative, Manson&#39;s programs produced land use scenarios more attuned to the vagaries of the local cultureâ€”and therefore more likely to become reality.</p>

<p>The Scientific Mystique: <a href="?entry=132456">Intro</a> | <a href="?entry=132457">Part One</a> | <a href="?entry=132458">Part Two</a> | <a href="?entry=132460">Part Three</a> | <a href="?entry=132462">Part Four</a></p></body>
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         <pubDate>Tue, 24 Jun 2008 15:25:47 -0600</pubDate>
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         <title>Part Two: The Politics of DNA</title>
         <description><p>Karen-Sue Taussig&#39;s research has taken her into an uneasy realm of scientific smoke and mirrors. It is only when cultural influences on science are exposed, she saysâ€”when the great and powerful Oz is revealed to be, in the end, a man behind a curtainâ€”that we can begin to understand the American love affair with genetic research.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132458</link>
         <guid>132458</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/taussig.jpg" alt="Karen-Sue Taussig"><p>Karen-Sue Taussig<br>Photo by Leo Kim</p></div>

<p>Taussig, a medical anthropologist, finds cultural values and power relationships at every turn in her examination of the human genome project, the multi-million dollar research project that has yielded revolutionary new insights into the genetic code of human beings.</p>

<p>Taussig recalls the project&#39;s earliest stages, when Nobel prize-winning molecular biologist Walter Gilbert was traveling around the country trying to generate support from the public. â€œHe would pull out a CD-ROM and announce, â€˜This is you&#39;â€”suggesting that a human genome could be encoded onto a single electronic device. Gilbert&#39;s dramatic demonstration appealed to certain cultural assumptions he shared with his audiences, including the assumption that life is reducible to molecular biological terms.</p>

<p>Genetic research projects like the human genome project thrive, Taussig says, in an individualist culture that values self-discovery, self-actualization, and immortality. By reducing everything from eye color to intellectual aptitude to the level of alterable genes, genetic researchers appear to promise to make controllable that which once seemed out of our reach. â€œThe idea that we are free to choose our biology feels empowering," Taussig notes.</p>

<p>These values and expectations are so ubiquitous, she says, that it&#39;s easy to miss how profoundly they affect our thinking about what counts as science and what kinds of projects we choose to fund.</p>

<p>They also leave us vulnerable.</p>

<p>â€œPeople are sold a bill of goods," Taussig says. â€œScientists claim that there will be these dramatic interventions into human health." But reality doesn&#39;t always match up. â€œEvery single gene therapy trial has failed utterly," she notes.</p>

<p>Taussig doesn&#39;t oppose the genome project and the genetic research it has spawned. â€œIntellectually, it is incredibly interesting science," rife with the potential to advance human health, she says.</p>

<p>But she can&#39;t help but point out that support for such flashy science sometimes means forgoing less glamorous, but more reliable, scientific strategies for improving the lives of those who need it most.</p>

<p>â€œIf we really wanted to improve the health of Americans, we&#39;d have more early childhood health interventions, universal healthcare, nutritional programs, those kinds of things," she says. â€œAnd if we wanted to improve the health of the world, we&#39;d have universal vaccination, mosquito netting for malaria prevention, simple things that are inexpensive but take political will."</p>

<p>Just as Schurman hopes her work will help move scientists toward greater self-reflection, Taussig wants to encourage citizens to reflect more about the forces that shape our perspective about what science is, and can doâ€”and what it isn&#39;t, and can&#39;t do. </p>

<p>We have such a faith in science in the United States," she says. â€œI want people to realize that there is a politics to science."</p>

<p>The Scientific Mystique: <a href="?entry=132456">Intro</a> | <a href="?entry=132457">Part One</a> | <a href="?entry=132458">Part Two</a> | <a href="?entry=132460">Part Three</a> | <a href="?entry=132462">Part Four</a></p></body>
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         <pubDate>Tue, 24 Jun 2008 15:18:16 -0600</pubDate>
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         <title>Part One: The Cultural Lives of Scientists</title>
         <description><p>â€œPesky environmental crazies?" For fifteen years, Rachel Schurman says, that was how many in the biotechnology industry referred behind closed doors to activists who opposed the use of emerging technologies to modify the genes of organisms like plants and fish.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132457</link>
         <guid>132457</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/schurman.jpg" alt="Rachel Schurman"><p>Rachel Schurman<br>Photo by Karl Krohn</p>
</div>

<p>That label may seem harsh, but Schurman, a sociologist studying the â€œculture" of science, isn&#39;t surprised by it.</p>

<p>â€œBiotechnology workersâ€”particularly the scientistsâ€”have a sense of themselves as apolitical and activists as political, which has made it easy for them to dismiss activists as â€˜crazies,&#39; she explains.</p>

<p>But while they may not realize it, scientists are embedded in culture too, Schurman says. â€œTheir ways of thinking and responding to the work they are doing are as much shaped by the norms of scientific culture as the activists&#39; views are shaped by their own norms."</p>

<p>In their very first science courses, Schurman notes, scientists begin to internalize a conception of science as a pure, objective, value-free enterprise beholden to nothing but the truth. It&#39;s not difficult to see why, Schurman says: science courses rarely include sustained inquiry into the economic demands, cultural desires, and historical contingencies that make science more than just a pristine quest for knowledge. Instead, students are immersed in the nitty-gritty tasks of designing experiments, collecting data, and conducting analyses.</p>

<p>Not surprisingly, that trend continues once they&#39;ve earned their degrees and start working in laboratories full time. â€œThey are thinking about the particular scientific problem they are working on, the scientific puzzle of the day," says Schurman.</p>

<p>Over time, the boundary between doing science and thinking about its repercussions in the world has become rigorously patrolled. â€œIn the professional world of science," Shurman explains, â€œit is heretical to ask questions about the possible social, political, and economic effects of technologies such as genetic engineering and the ethical concerns they may generate."</p>

<p>Schurman is quick to note that many scientists do think about the values that infuse their work. They worry about new technologies and their applications, and some even advocate for broader, more democratic discussion of the applications of scientific knowledge. The 100,000-member Union of Concerned Scientists, formed at M.I.T. in 1969, for instance, speaks out regularly about misuses of science and technology in society.</p>

<p>Still, those scientists who do want to think and write about values and politics risk ostracism from the larger scientific community, Schurman says, if they go too far in their criticism, publish in non-scientific journals, or, worse yet, move into public policy work full time. â€œThose who interact with the public are seen as tainted by political and cultural forces," she explains.</p>

<p>Schurman hopes that her work will prompt increased attention among scientists to ethical concerns. Acknowledgment of their susceptibility to social and cultural influences, she says, is a crucial prelude to ethical thinkingâ€”and even, it can be said, to good science.</p>

<p>â€œBecause we live in a social world, it makes no sense to think of new knowledge and technology as coming into a neutral environment. Political, economic, and social relationships, as well as cultural norms, forged out of history, shape every new technology and every scientific development."</p>

<p>The Scientific Mystique: <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132456">Intro</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132457">Part One</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132458">Part Two</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132460">Part Three</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132462">Part Four</a></p></body>
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         <pubDate>Tue, 24 Jun 2008 15:12:57 -0600</pubDate>
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         <title>The Scientific Mystique</title>
         <description><p>What do scientists think about while they&#39;re hunched over microscopes for hours on end? Hear from four scholars examining the growing field of â€œscience studies":</p>

<ul><li><a href="fall06subFeatures.php?entry=132457">Part 1: The Cultural Lives of Scientists</a></li><li><a href="fall06subFeatures.php?entry=132458">Part 2: The Politics of DNA</a></li><li><a href="fall06subFeatures.php?entry=132460">Part 3: Science-It&#39;s Only Human</li><li><a href="fall06subFeatures.php?entry=132462">Part 4: The Theory Trap</a></li></ul></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132456</link>
         <guid>132456</guid>
        <body><p>By Danny LaChance</p>

<p>Scientists are a motley bunch. But one thing they all seem to share is a tendency to cringe when they come across the stock image of the scientist in a white lab coat, pipette in hand, hunched over rows of test tubes, unaffected by personal relationships, ethical quagmires, or funding crises.</p>

<p>Such images perpetuate a myth about scienceâ€”that its natural habitat is a sleek, sterile laboratory, beyond the messy realm of everyday life. In truth, the division between the laboratory and the real world is much more transparent. Scientists are just like the rest of us: they vote, fall in love, pay bills, and fret about jobs and relationships.</p>

<p>Despite the image of science as a separate arena from culture, politics, and social and economic pressures, such forces infiltrate the laboratory all the same. In an effort to better understand this interaction, a number of CLA faculty are examining how human factorsâ€”our values, beliefs, and assumptionsâ€”affect scientific outcomes.</p>

<p>Their work, part of the growing field of â€œscience studies," is changing how we think about science and scientists. Read on to learn how four of our own are dismantling the scientific mystiqueâ€”and what they&#39;re putting in its place.</p></body>
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         <pubDate>Tue, 24 Jun 2008 15:09:46 -0600</pubDate>
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         <title>Research on the Front Lines</title>
         <description><p>No one knows better than Kathleen Collins that research isn&#39;t all about poring over books, Web sites, and microfiche. Sometimes it means traversing dangerous terrain and putting everything on the line.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132454</link>
         <guid>132454</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/collins.jpg" alt="Kathleen Collins"><p>Kathleen Collins<br>Photo by Cameron Wittig</p>
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<p>Collins, assistant professor of political science, is an expert on Central Asian clan politics. She gained her expertise gathering data from the fieldâ€”at some personal risk.</p>

<p>In regions where Islamic culture is especially conservative, Collins several times found herself grabbed by disapproving men in public bazaars when she was walking aloneâ€”despite adopting conservative dress and often a headscarf. Even in more secular areas, foreigners are a target of ordinary crime, she says. In northern Kyrgyzstan, she was mugged. â€œThey knocked me down to steal my purse, coat, gloves, and passport belt," she says. â€œI was black and blue for a month."</p>

<p>Such is the lot of the Western female researcher in the Islamic former Soviet states of Uzbekistan, Kyrgyzstan, Tajikistan, and Kazakhstan, as well as Azerbaijan, in the Caucasus. â€œIt&#39;s extraordinarily hard research to do," Collins says. â€œMostly, people are very kind to me. But just practical thingsâ€”traveling alone, taking a bus or a cab, the way you dressâ€”all of those things become real security issues."</p>

<p>Collins persists because the region is so poorly understood. â€œThere has been little empirical research on the question of Islam and Islamic mobilization," she says. â€œThink tanks and journalists often make unfounded arguments which are taken seriously by policy makers."</p>

<p>While doing research for her recent book, Clan Politics and the Transformation of Regimes in Central Asia, Collins began noticing a post-Soviet, Islamic resurgence in the region. Her current project examines that trend, which she says stems partly from disillusionment about the United States&#39; failure to support nascent pro-democracy movements in the area. Last year, for instance, Azerbaijan held an election that most observers believe was fixed. Yet despite pledges of support by the American ambassador, the U.S. State Department did not publicly criticize the electoral fraud or back opposition protests.</p>

<p>For most of the last decade, Central Asians did not generally consider Islam and democracy antithetical, Collins says. â€œIn the early 1990s, the idea of democratization was much stronger than any sort of religious resurgence," she explains. But as U.S. democratization efforts failed, people&#39;s high hopes for democracy and a better life were dashed. â€œIn part, I am finding that the increasing attractionâ€”especially among youthâ€”to Islamist ideas is driven by this disillusionment with democracy and the West," says Collins.</p>

<p>By focusing so intensely on the Middle East, the United States has neglected Muslim Central Asia, Collins believesâ€”and does so at its own peril. â€œThink about where these trends might take us over the long term. What is this region going to look like?" she says. â€œWhere are these corrupt, authoritarian governments going? What will happen when these weak states fall apart?"</p>

<p>â€œHopefully, we won&#39;t see a dramatic rise in anti-American Islamism, as in Pakistan, or state collapse, civil war, and the creation of another Afghanistan or Somalia in this region. But that is not out of the range of possibility."</p></body>
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         <pubDate>Tue, 24 Jun 2008 15:05:48 -0600</pubDate>
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         <title>Closeup On Intervention</title>
         <description><p>Like most scholars, Colin Kahl is something of a bookworm, often content to be buried in academic journals, history books, and the latest edition of The State of the World. But when it comes to researching current affairs, Kahl believes there&#39;s no substitute for gathering subject matter firsthand. That&#39;s why he went to Iraq last June.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132450</link>
         <guid>132450</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/kahl.jpg" alt="Colin Kahl"><p>Colin Kahl<br>Photo by Cameron Wittig</p>
</div>

<p>As part of his more general interest in â€œfailed states," Kahl has followed the Iraq war with a scholar&#39;s trademark rigor. While he has previously focused on stresses and disruptions that weaken states from the insideâ€”environmental destruction, demographic pressures, and resource scarcity, for instanceâ€”in this case he&#39;s interested in disturbances from outside, such as intervention by â€œstrong states" such as the United States.</p>

<p>â€œYou can think of the first project as kind of examining the causes of state failure," says Kahl, an assistant professor of political science. â€œI then became interested in interventions into failed states, and that led me to U.S. conduct in interventions."</p>

<p>From January 2005 to August 2006, Kahl was a Council on Foreign Relations Fellow placed at the Department of Defense to gain on-the-ground experience related to his research. He spent time at three military pre-deployment training centers, observing U.S. units as they prepared for service in Iraq and Afghanistan. He also attended classes and conducted interviews at the Army&#39;s Judge Advocate General&#39;s School in Charlottesville, Va., and pored over extensive unclassified Pentagon documents and after-action reports from returning combat units.</p>

<p>In July, Kahl headed to Iraq for four days, to conduct interviews in Baghdad&#39;s fortified Green Zone and at Camp Victory, the U.S. military headquarters at the former Baghdad airport. It was an intense and unnerving experience, he recalls. â€œWe got shelled every day I was there."</p>

<p>One result of Kahl&#39;s experience is a 20-page article recently published in Foreign Affairs magazine. In it, he argues that despite well-publicized military abuses like the alleged massacre of civilians in Haditha, the American military has done a better job of avoiding civilian casualties than many critics assert.</p>

<p>Kahl knows he is courting controversy. â€œPeople on the left are going to see my article as too apologetic for the military, and people on the right are going to think that it&#39;s too critical," he says. Indeed, the American record in Iraq is not unblemished, Kahl acknowledges, but he contends that most units have behaved within the confines of the laws of war, at least in their treatment of civilians.</p>

<p>â€œRelative to U.S. conduct in other wars in the 20th century and the conduct of wars historically by all powers, the United States has done a fairly exemplary job in living up to its commitments under international law not to target civilians," he says.</p>

<p>Kahl is now reporting on another aspect of the Americans&#39; Geneva Convention complianceâ€” how well the United States is meeting its obligation to provide for basic security and public services in Iraq. So far, it looks as though the verdict might be less positive.</p>

<p>â€œIn many ways, the United States has not lived up to its obligation to provide for a secure and stable Iraq. The current strategy is not working," Kahl argues, noting in particular the absence of sufficient resources (including reconstruction dollars).</p>

<p>â€œTo succeed, the U.S. has to fundamentally alter its strategy. That includes opening negotiations with all relevant parties, with the aim of setting firm conditions for continued U.S. presence; and supporting steps toward national reconciliation."</p>

<p>This is quintessential Kahlâ€”a kind of up-front, unsparing appraisal that Kahl contends is impossible if academics are unwilling to examine military culture close up.</p>

<p>â€œI doubt that people who don&#39;t have those first-hand experiences can really understand," he says.</p>

<p>â€œI think the academy is not well served by people estranged from the military because they feel so uncomfortable with it. If you critique it from a distance, you&#39;re missing a lot of the story."</p></body>
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         <pubDate>Tue, 24 Jun 2008 14:58:01 -0600</pubDate>
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         <title>A Question of Rhetoric</title>
         <description><p>As endless wars go, the â€œwar on terror? would appear to be Exhibit A. As the war in Iraq continues unabated, how do we talk about it and react? And how does democracy fare as war rhetoric heats up and restrictions on civil liberties are imposed in the name of national security? These are questions that Ron Krebs is exploring in his study of 21st century war.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132449</link>
         <guid>132449</guid>
        <body><p>Krebs, an assistant professor of political science who recently received the prestigious McKnight Land Grant Professorship, has always been interested in how democratic institutions evolve and function, especially under duress. His current research is a natural successor to his earlier work on the role of military service in advancing full citizenship rights for minorities.</p>

<p>The common thread is how movements and events are framed rhetorically. â€œIn my recent book [Fighting for Rights: Military Service and the Politics of Citizenship], I argue that one of the ways military service shapes citizenship is by making available to minority groups a certain kind of rhetoricâ€”"We&#39;ve sacrificed for our nation and consequently we deserve appropriate rewards," says Krebs. â€œThat got me thinking about political rhetoric during wartime."</p>

<p>For his current project, Krebs&#39; working hypothesis is that the ultimate effects of war turn less on objective realities than on the way events are rhetorically framed. â€œThe framing of war is inherently a political maneuver, and I want to understand more about the dynamics under which that occurs," he says.</p>

<p>Another, more surprising, hypothesis is that in contrast to unconventional or limited warfare, total war is generally less disruptive to liberal democracies. That&#39;s because total war is readily understood to be a deviation from the norm, an unpleasant but limited interruption of business as usual. When such wars occur, â€œdamage to civil liberties rarely persists long beyond the war itself," says Krebs.</p>

<p>Limited interstate wars as well as counterterrorist campaigns, especially those that drag on with no apparent end in sight, tend to â€œredefine expectations," Krebs thinks, making it more difficult, at war&#39;s end, to restore the prewar democratic status quo. Citizens become accustomed to rewritten rules, and restrictive measures that initially emerged out of crisis (say, 9/11) become accepted as routine.</p>

<p>The immediate trade-offs between security and civil liberties in the â€œwar on terror" are worrisome, says Krebs, but the long-term impact is of even greater concern. Without an identifiable front or battlefield, and with fewer major high-profile battles than daily skirmishes, wartime comes to seem almost indistinguishable from peacetime. Meanwhile, crisis rhetoric keeps the war on the front page and the public skittish, and civil liberties are gradually eroded in the name of national security.</p>

<p>Over the long haul, Krebs asks, â€œDo people renormalize to new civil liberties base lines? Do they accept wartime measures as â€˜the new normal&#39;? Or is there a backlash against wartime over-stepping, with greater long-run protection for democratic contestation?" The answer, he suggests, is that it dependsâ€”on such factors as the kind of war fought (total, limited, unconventional, or imperial), on the type of democratic regime (presidential or parliamentary), and on the nature of the wartime restrictions (formal or informal, transparent or hidden).</p>

<p>The answers have enormous implications for the health of democracy in times of stress, says Krebs. â€œWhat is of greatest concern to me is the silencing of opposition. The language of crisis makes it difficult to have a sustained national conversation."</p>

<p>For democracy to survive, Krebs cautions, we must maintain â€œan appropriate balance between security and liberty in an anxious age."</p>

<p>Tim Brady also contributed to this story.</p></body>
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         <pubDate>Tue, 24 Jun 2008 14:55:04 -0600</pubDate>
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         <title>Neverending Wars</title>
         <description><p>As a student in the mid-1980s, Ann Hironaka was like a lot of her peers. A nuclear showdown between superpowers still seemed possible, and there were ongoing conflicts in Angola, El Salvador, Lebanon ... seemingly too many places to count. Hironaka and her fellow activists took aim at these wars, trying to stop them. But, says Hironaka, "The solutions that people were proposing were not very convincing to me. My dissatisfaction with the activism was that the answers were just too simple."</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132444</link>
         <guid>132444</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/hironaka.jpg" alt="Ann Hironaka"><p>Ann Hironaka<br>Photo by Cameron Wittig</p></div>

<p>Hironaka thus turned from activism to academia, earning her Ph.D. at Stanford in 1998. Today, she is studying modern civil wars as an associate professor of sociology at the University.</p>

<p>Before 1945, Hironaka notes, civil conflicts were contained, decisive events lasting just a few years. Not anymore. Today, they are enduring struggles&mdash;roughly three times longer than earlier conflicts&mdash;fueled by animosities that often reignite even before the ink dries on the peace treaties.</p>

<p>But why? That little-considered question is Hironaka&#39;s focus. In her book <em>Neverending Wars</em> (2005), she posits several explanations. One, ironically, is the liberation of colonies that marked the end of the colonial era after World War II. As the great powers abandoned their colonies to self-rule, they left behind power vacuums&mdash;newly sovereign states with recognized national borders but little in the way of functioning institutions or centralized authority.</p>

<p>Whereas European and American bureaucracies had evolved over decades and centuries, new Third World nations were forced to adopt new systems of governance almost overnight. The result was a bevy of extremely fragile, disorganized states with unstable power structures.</p>

<p>"In a sense," Hironaka writes, "the international system has locked the problems of states into specific territorial arrangements, and perversely created conditions that encourage lengthy civil wars in recently independent states."</p>

<p>Another problem, a legacy of the Cold War, is outside intervention. "Civil wars tend to be lengthened when there is intervention, especially when there is intervention on both sides," Hironaka says.</p>

<p>During the Cold War, the United States and Soviet Union routinely intervened in regional civil wars in weak states, providing money, arms, and military bases, and also training soldiers and sending in troops. Today, interventions by strong states are practically the norm. And so, increasingly, are interventions by non-state players, such as organizations like Hezbollah in Lebanon, and al-Qaeda in Iraq.</p>

<p>Intervention is little studied, except in legalistic terms, says Hironaka. Debates focus on whether a U.S. intervention is constitutional, for example. But that&#39;s not the issue, she says. "To me, what really matters is the huge amount of resources that the United States is putting into the various conflicts around the world&mdash;and other countries, too, not just the United States. These conflicts wouldn&#39;t be able to last as long without external resources."</p>

<p>Hironaka&#39;s work to date has been about understanding root causes. Down the road, she hopes to move into more solution-based work aimed at U.S. policymakers. "If we knew why states fight these wars, and continue to fight them, we could talk about what is reasonable," she says. But the issues are far from black and white, she cautions.</p>

<p>Indeed, protracted civil wars may not be the worst of the world&#39;s evils. Civil wars often begin as insurgencies against oppressive regimes. Interventions to end them could squash pro-democracy and human rights movements and fortify dictatorships. "Do we want that?" Hironaka asks. "If we&#39;re not willing to ask such questions, then we really can&#39;t have this discussion."</p></body>
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         <pubDate>Tue, 24 Jun 2008 14:26:59 -0600</pubDate>
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         <title>4 Takes on War</title>
         <description><p>Four CLA scholars are searching for answers for the reasons why we wage war. They&#39;re studying the causes, consequences, and lessons of wars in Central Asia, Iraq, and beyond.</p>

<ul>
 <li><a href="fall06subFeatures.php?entry=132444">Neverending Wars</a></li>
 <li><a href="fall06subFeatures.php?entry=132449">A Question of Rhetoric</a></li>
 <li><a href="fall06subFeatures.php?entry=132450">Closeup on Intervention</li>
 <li><a href="fall06subFeatures.php?entry=132454">Research on the Front Lines</a></li>
</ul></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132431</link>
         <guid>132431</guid>
        <body><p><em>By Kevin Featherly</em></p>
		  <div class="blogEntrySubNav">
		    <p>&gt; <a href="?entry=132444">Ann Hironaka</a> contemplates the root causes of neverending wars.
		    </p>
		    <p>&gt; <a href="?entry=132449">Ron Krebs</a> considers the trade-offs that are made during war-time and what impact these have when the war is over. </p>
		      <p>&gt; <a href="?entry=132450">Colin Kahl</a> spent time in Iraq and in the Department of Defense to get a measure of how the U.S. is meeting its wartime obligations.</p>
		      <p>&gt; <a href="Research on the Front Lines">Kathleen Collins</a> persists in her Central Asian clan politics researchâ€”despite some personal risk.</p>
		  </div>
		  
<p><span>Reach</span> interviewed four top young university scholars, each of whom seeks to understand and to educate us about war in the new millennium. One is studying why modern civil conflicts last so longâ€”in a word, are â€œneverending.ï¿½? Another is studying the effects on American democracy of a prolonged â€œwar on terrorï¿½? and the erosion of civil liberties. A third has put her safety on the line to probe deep into the clan culture of an area of the worldâ€”Central Asiaâ€”that may rapidly become a new seat of radical Islam. The fourth is working, both through interviews and with boots on the ground, to understand the broader military and security implications of the Iraq War.</p>
<p>Each of these scholarsâ€”sociologist Ann Hironaka and political scientists Ron Krebs, Kathleen Collins, and Colin Kahlâ€”has a fresh and vital take on modern conflict.</p></body>
         <category>
            17595
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         <pubDate>Tue, 24 Jun 2008 14:01:45 -0600</pubDate>
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         <title>Odyssey</title>
         <description><p>With a commitment to modern Greek studies, Nicholas Kolas honors his heritageâ€”and an old friend.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=122059</link>
         <guid>122059</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Kolas-thumb.jpg"><img alt="Photo of Nicholas Kolas" src="http://blog.lib.umn.edu/clareach/stories/Kolas.jpg" /></a><br />
When Theo Stavrou was a new University faculty member in 1961, teaching his first class in the history of the modern Middle East, he couldn&#39;t help but notice the student in the second row. â€œHe kept smiling during the whole class," Stavrou recalls.</p>

<p>After class, the young man introduced himself as Nicholas Kolas. Like the professor, Kolas had been born and raised in Greece, and the two struck up a conversation. Nearly five decades later, their conversationsâ€”now ensconced in a firm and loyal friendshipâ€”continue. 	</p>

<p>Both men went on to sterling careers. Stavrou remains on the University faculty as a renowned professor of modern Greek and Russian history. Kolas graduated with a degree in political science in 1962, then became a successful business entrepreneur in southern Minnesota. Among the bedrocks of their friendship has been an abiding love for and commitment to the study of modern Greece. Now, they hope to see that commitment embodied in a fellowship that Kolas helped launch last fall. Its aim will be to attract top-notch graduate students in modern Greek studiesâ€”and it will be named for Theo Stavrou.</p>

<p>For Kolas, the fellowship continues a lifetime of investment in keeping his culture alive. Listen to him talk about his native Greece and you can practically feel the Mediterranean sun spilling onto his stories. There he is, the youngest of 12 children growing up on the family farm near the ancient port city of Patras. He&#39;s the one his father teasingly calls â€œBenjamin," after the twelfth son of the biblical Jacob. </p>

<p>And there is his mother, determined to keep the farm running and the family together after her husband is killed by a bull when Nicholas is only 3. She is determined, too, that her youngest will be educated, even though she herself is unschooledâ€”at a time when only 10 percent of Greek children finish high school at all. â€œIt was â€˜education, education, education," Kolas says of her fondly. </p>

<p>It was 1955 when Kolas left Greece, arriving in New York where an immigration agent unwittingly shortened the family name, Klokithas, to â€œKolos," which could be translated roughlyâ€”and generouslyâ€”as â€œwindbag."  He eventually changed it to Kolas and went on to live the quintessential American success story. After living with a sister in Austin, Minnesota, where he went to high school to learn English <br />
and mopped floors to earn his way, he became the first member of his family to graduate from college. </p>

<p>Combining his Greek roots with entrepreneurial savvy, Kolas graduated from his first job as a supermarket traineeâ€”â€œthe only thing I could get"â€”to eventually own a chain of stores in Austin and Rochester. He recalls how he came to name the liquor store that was part of the chain. It was 1969, and the news was all about the first manned mission to the moon when the name came to him. â€œApollo!" he laughs, slapping his forehead as one imagines he might have done at the time. â€œThat&#39;s it! Named for an American moon landing AND a Greek god!"</p>

<p>â€œMr. Kolas is a supreme example of a young man who worked extremely hard, and beat almost anything that came his way to improve himself professionally and socially," Savrou says of his friend. <br />
â€œI admire his loyalty, and his willingness to always respond when there is a need, whether it&#39;s in education or working with other civic associations. </p>

<p>â€œHe is very much interested in seeing that these traditions to which I have dedicated all my academic lifeâ€”mainly the teaching of Greek language and modern Greek literature and cultureâ€”continue. We have trained some outstanding students who are now teaching in leading American colleges and universities; our library in the field is arguably one of the best in the country. The fellowshipâ€”part of a three-phase initiative to endow modern Greek studies at the Universityâ€”will help continue this tradition." </p>

<p>For both of these men, the story is about overcoming the obstacles on the journey, so it is hardly a surprise that each says he has been inspired by the poem â€œIthaca," by the Greek poet Constantine Cavafis. </p>

<p>â€œAlways keep Ithaca on your mind.<br />
To arrive there is your ultimate goal.<br />
But do not hurry the voyage at all.<br />
It is better to let it last for many years;<br />
and to anchor at the island when you are old,<br />
rich with all you have gained on the way..." </p></body>
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         <pubDate>Wed, 09 Apr 2008 11:05:52 -0600</pubDate>
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         <title>The Internet: Face-off with Academia</title>
         <description><p>CLA faculty members talk about issues regarding student online research, the Wiki-ization of knowledge, and the role of academia as a gatekeeper for knowledge.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=122052</link>
         <guid>122052</guid>
        <body><p><em>By Linda Shapiro</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/internet_face-off.jpg"><img alt="Illustration of man with a laptop with the word, &#39;search&#39; on his forehead. A thought-bubble is over his head in which he is picturing himself jumping over drawers of files." src="http://blog.lib.umn.edu/clareach/stories/internet_face-off-thumb.jpg" width="86" height="82" /></a><br />
The internet is not only an information superhighway, but also a haphazard ecosystem in which infinite varieties of information ricochet around like supercharged particles, provoking a revolution in how we think about the nature of knowledge, how it is acquired, who creates it, and where its authority comes from. <br />
	<br />
In such an era, how do professors deal with issues around student online research, such as plagiarism <br />
and source verification? Has the collaborative nature of sites like Wikipediaâ€”the encyclopedia where anyone can edit or contribute to an entryâ€”democratized knowledge?  Or has it merely facilitated a reductive Wiki-ization of learning that leads students away from libraries and toward suspect online data bases? And has access to sources outside of the professor&#39;s control encouraged profound changes in the way academia is viewed as an authoritative gatekeeper for knowledge?  </p>

<p>We asked CLA faculty members from a broad spectrum of disciplines about how this exploding internet world has affected their teaching. Here&#39;s what they had to say.</p>

<hr>
<strong>â€”Shayla Thiel Stern, assistant professor, School of Journalism and Mass Communication</strong>

<p>â€œA blessing and a curse"<br />
Online tools definitely are a blessing and a curse. Even though Google is one of my favorite inventions of all time, I curse it every time I grade a sub-par essay in which it&#39;s clear the student found the information in Google&#39;s top three results rather than in the fabulous databases available through the University Libraries&#39; Web site. I&#39;ve had good luck laying down my ground rules for research at the beginning of the semester, and one of those rules is: No citation of Wikipedia as a source. It turns into a great teaching moment because we can then discuss exactly how Wikipedia works, and students can see that while it&#39;s a great invention, it might not be the best source for college-level research. It&#39;s still a useful tool for them as kind of a first-stop for basic background information, but they must be taught to view it with a critical lens.</p>

<p>I think the idea of democratized knowledge might be an overly utopian view of what is happening online. Many peopleâ€”usually based on their race, class and geographic locationâ€”are still not included in this information gathering and sharing in the first place. But in the sense that many people use the Internet to gather and share information and build knowledge and community from it, I think the <br />
professor has to become more of an interpreter and a guide for students. </p>

<hr>
<strong>â€”Eugene Borgida, professor of psychology</strong>

<p>Online resources are just thatâ€¦another resource,  and so I am not freaked out that students are using them. I assume that they often know how reliable or slanted these resources are, and I will question them if necessary. But I do the same thing with â€œoffline" resources as well. I have never tried to regulate or offer policy positions on online searches in my courses. My assignments do not really lend themselves to that, though I am sure students do what I do and seek out articles online. Whether students find term paper sites is another matter. I am always on the lookout for this possibility. One way I check on this matter is by assigning some thought essay assignments in my classes so I get a sense for a person&#39;s writing style.</p>

<hr>
<strong>â€”Michelle M. Wright, associate professor, English</strong>

<p>I haven&#39;t had any truly egregious uses of online sources in any of my classes, but I do explain to the students that almost anyone can write something and have it posted or published. Therefore, all information, whether located online or in a book or scholarly journal, needs to have its claims verified. <br />
I also explain that â€œcitation loops" are not uncommon: the first author/ webmaster/blogger <br />
references someone else who in turn references someone else...who in turn references the first guy!" </p>

<p>I dislike the terms â€œgatekeeper" and â€œguide" because they remind me of the oppressive ways in which so much knowledge is â€œoligarchic" in nature, and dissenting views are simply ridiculed and denied access to certain presses and forums. So the Web can be a good balance to that. I think that balance is improved with students themselves questioning accepted wisdoms. One of the challenges and pleasures of teaching is having to explain and defend one&#39;s own truths as an active scholar, researcher, and teacher.</p>

<hr>
<strong>â€”Tim Johnson, assistant professor, political science</strong>

<p>There are clear perils and pitfalls to the wiki-ization of learning. First, anyone can add information to sites such as Wikipedia. Students who use such sites for research may not be getting information and data that has been vetted by quality control mechanisms such as peer review. Given that there is no control (most of the time) over what goes on wikis, students may not get the best information, and they may actually get completely wrong information. Second, wikis make students lazy. It is much easier for them to go to a Website that appears to have all the information they need than to go to library sites that will send them to scholarly materials.</p>

<p>Our job as professors is to instill in the students the work ethic to learn about and complete the research process. Our job in terms of knowledge is to guarantee that students obtain the best, most accurate information and data available. We need to teach them the difference between good and bad sources, and to help them understand from where they should be drawing information. </p>

<hr>
<strong>â€”Teri Lynn Caraway, assistant professor, political science</strong>

<p>One pitfall of online research is plagiarism. It&#39;s so easy to cut and paste content directly from Web pages into papers. And when the best sources for papers are unavailable online, students may be unwilling to take the time to physically retrieve sources from the library. On the other hand, students have easier access to journal articles, and that reduces the cost of coursepacks and facilitates research. Also, they have easy access to primary sources produced by the government, non-governmental organizations, and corporations, as well as to valuable electronic archives.</p>

<p>Knowledge hasn&#39;t really been democratized, there&#39;s just more of it out there. Our job as professors is to help students to develop the tools that they need to evaluate sources critically. And most professors require students to consult peer-reviewed sources in their papersâ€”at least I do.</p>

<hr>
<strong>â€”JB Shank, associate professor, history</strong>

<p>The Internet is here to stay so perhaps the better question is what this medium means for the practice of research and learning. The Internet places a new importance on individual skills of critical discernment and judgment. Ironically for the technophiles, I think these challenges actually present a new argument for traditional liberal arts education. I see no more powerful way to equip oneself to deal with the chaos of the digital mediascape than through the old traditions of critical reading, thinking, and writing.</p>

<p>The traditional authority of the professor as a possessor of expert knowledge is certainly evaporating quickly, as is the authority of disciplinary, scholarly knowledge as a separate and superior form of knowing. Yet universities still have crucial roles to play in empowering individuals to use and comprehend the mediascape that we are inhabiting. Professors may have already lost their status as purveyors of truth and gatekeepers of access to it, but they could become instead powerful agents of empowerment in this newly decentered environment by refocusing their energies toward critical engagement with knowledge formation itself. But this means letting go of the authority of the university as an enclave of true knowledge in a sea of mere information, and seeing knowledge more and more as a product of the interactions within the mediascape that include universitiesâ€”but not as sovereign monopolies of truth.  </p></body>
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         <pubDate>Wed, 09 Apr 2008 10:37:58 -0600</pubDate>
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         <title>The Borders of Freedom</title>
         <description><p>In a world of disappearing and permeable borders, are we really more free? Is the "globalized" world flat or just a slippery slope? A sociologist, a human geographer, a historian, and a political scientist weigh in.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=122045</link>
         <guid>122045</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><img alt="GoldmanMichael.jpg" src="http://blog.lib.umn.edu/clareach/stories/GoldmanMichael.jpg" /><br />
On the street near where Michael Goldman lived in Bangalore, India, the shops are nestled next to each other like links in a chain. There&#39;s the banana market next to the hair shop, then the tailor&#39;s place, then the little store that sells televisions. On a given afternoon, you can find an entrepreneurial family in front of these shops making its own living, earning a few rupees by playing music or performing on a makeshift tightrope.</p>

<p>Bangalore is a city of seven million, and if you look at it from the long-distance view of World Bank reports, it is a city on the move, a resounding global-world success story. And that view would be <br />
accurate. Sort of. </p>

<p>â€œIt&#39;s a half-truth," says Goldman, a professor of sociology who lived in Bangalore last year and has written about the economic inequities generated by World Bank projects. â€œThe World Bank is lending millions to agencies to turn Bangalore into a world class city. The idea is that this fights poverty as the entrepreneurial spirit catches on."</p>

<p>In Goldman&#39;s view, however, one of the ripples generated by World Bank loans has been the displacement of neighborhoods like this one, where an entrepreneur is not a technocrat with start-up capital, but rather a son who has lived here since birth and is now carrying on his family&#39;s tradition in banana-market retail. When information technology consultants move in and revitalize the neighborhood to the benefit of their particular corporation, these old friends and neighbors, who are connected neither educationally nor digitally to the globe&#39;s movers and shakers, must go, well, somewhere else. </p>

<p>â€œIf you could just view the world of Indian innovation, then you would see a flat world," says Goldman. â€œBut that is an elite little sliver of the world, a sliver that has always been flat."</p>

<p><strong>The Global Village: Redux</strong><br />
The idea of a â€œglobal village"â€”a term coined by Marshal McLuhanâ€”has its roots in the work of Friedrich von Hayek, the 20th-century economist and political philosopher who laid the foundation for what came to be known as â€œneoliberalism." Hayek believed that the interÂ­national market would naturally balance itself if goods, services, and resources were allowed to move freely among nations as companies sought to maximize productivity and efficiency. To that end, he believed, countries needed to remove barriers such as tariffs and restrictions on capital flow and investment.  </p>

<p><img alt="SheppardEric.jpg" src="http://blog.lib.umn.edu/clareach/stories/SheppardEric.jpg" />â€œGlobalization really took off in the &#39;80s," says Eric Sheppard, a geography professor who has studied neoliberalism. â€œThis was the switch point to the view that we should allow markets, ideas, and labor to move freely on an international scale. The model of globalization was open markets and open borders. It was predicted to be a rising tide that would lift all boats." </p>

<p>The tide rose further and more quickly as the century turned. With it came the potential for international computer collapse generated by the digital calendar rollover dubbed Y2K, and the appeal of consultants who could forestall the dreaded meltdown.</p>

<p>â€œCountries imagined a crisis," Goldman says. â€œWe didn&#39;t know if there would be one, but we thought there might be, and Indian entrepreneurs went to Silicon Valley and said, â€˜You charge $30 an hour for IT consultants; we&#39;ll charge $15 an hour to go in and fix the problem for Y2K and we&#39;ll keep $13 and pay $2 to our engineers.&#39; It was a substantial savings to Silicon Valley. And it was then that companies began bypassing the American market to hire Indians to do the job."</p>

<p>It was a free-market capitalist&#39;s dream. People could move around as freely and cheaply as did goods and information, and it helped make the corporation, rather than the nation state, the driver of commerce. But it didn&#39;t do much to eliminate economic gaps within countries.</p>

<p>â€œThis idea of a totally free, boundary-less market is really a set of ideas about openness, driven by an imaginary view of how the world should be," says Sheppard. But, he says, â€œthat is only one perspective. This is mine: To the extent that globalization has reduced state independence, you&#39;ve allowed capitalism to create inequalities."</p>

<p><strong>Haves and have-nots</strong><br />
As the corporate tide has risen, large populations remain caught on the bottom, displaced by or unable to participate in this free world. While we now take for granted that boundaries of all kinds are dissolvingâ€”geographic, economic, cultural, informationalâ€”it seems that this view is at best superficial, according to several University scholarsâ€”including Sheppard and Goldmanâ€”who study the issue.<br />
 <br />
<img alt="RothmanAlex.jpg" src="http://blog.lib.umn.edu/clareach/stories/RothmanAlex.jpg" />If anything, the barriers that separate places like the small Bangalore neighborhood from the enclaves of gleaming high-tech companies in other parts of the same city have become denser.</p>

<p>Statistically, says Goldman, the deep divide looks like this: Since 1990, the differential between the top fifth and the bottom fifth of the income ladder has increased exponentially. In Bangalore, for example, the differential between the wealthiest fifth and the poorest fifth of the population was 5:1 in 1990; today, it&#39;s 20:1. </p>

<p>â€œThat&#39;s dramatically different," he says. â€œSocieties don&#39;t go through this without some kind of crisis. The irony is that the wealth is generated, but it is allowed to sit in just one sector of society. There is no public responsibility. Producing for the global economy has tremendous costs. For every condo complex you build, you displace a neighborhood. Wealth produces wealth, but it&#39;s not an innocent process. It <br />
displaces people and has the opposite effect."</p>

<p>â€œThe actual data tell us that," agrees Sheppard. â€œSince the 1970s, economic inequalities have increased, not only, say, between Africa and the West, but within and between nations as well. So there&#39;s a real sense that this is not working. Even those who have imagined a boundary-less world are willing to countenance boundaries because they see it&#39;s not working. In my view, it hasn&#39;t worked because the whole model is built on the theory that markets can work if we allow free competition. That&#39;s not a persuasive theory."</p>

<p><strong>Creating boundaries</strong><br />
Ironically, it has sometimes been government itselfâ€”which is more or less in the business of creating regulationsâ€”that has in fact contributed to the problem by removing them, says Goldman. </p>

<p>â€œTechnology firms thrive because governments put money into them, give them land, and charge few taxes," says Goldman. â€œGovernments actually create the conditions in which these firms can thrive. The mantra in India was â€˜Roll back the state!&#39; What really happened was the state rolled out the red carpet.</p>

<p>â€œYou simply can&#39;t ever have a completely unleashed economy," he adds. â€œIt&#39;s never existed. Here are these corporations demanding world-class facilities like a monorail and an airport and putting very <br />
little back into the city. Government has lost the authority to rein in these corporations. So the world could be flattened if civil society could say to the corporations, â€˜Now you have to pay back somehow."</p>

<p>Governments may not be likely to do that, but Goldman&#39;s analysis suggests that our â€œboundary-less" world is a reality only for some, particularly for corporations whose vast reach extends far beyond their homeland headquarters. So it&#39;s fair to say that permeable boundaries haven&#39;t provided much freedom to those who are stuck on the lower rungs of the economic ladder. In fact, it may be that permeable boundaries don&#39;t provide much freedom at all, that in fact, we may be more likely to fear than to embrace the free flow of people and capital, at least when certain walls come down. </p>

<p> â€œThere are boundaries drawn on a map, and there are others that leave no geographical imprint," says Sheppard. â€œThere is a fundamental conflict between the idea of the global village and the threats that people see or imagine. So although people promote the idea, we have real discomfort about, say, undocumented immigrants or actually living next door to an African/Muslim. We open the door, but only a crack."</p>

<p><strong>Choosing safety</strong><br />
It is no longer a surprise to hear that free trade has contributed to an enormous economic divide between those who buy the goods and those who make them, or that the economic playing field is anything but level. What might be more surprising are the product safety implications of the global free market.</p>

<p>â€œThe place where the world is flat is at the corporate level," says Barbara Welke, professor of history and law, who has studied commerce and consumer safety. â€œCorporations have the mobility and a huge investment in the notion of a flat world."</p>

<p><img alt="WelkeBarb.jpg" src="http://blog.lib.umn.edu/clareach/stories/WelkeBarb.jpg" />While activists have protested globalization&#39;s cost to those who make our low-cost goods, perhaps nothing has stirred consumer consciousness quite like recent revelations that Chinese imports included toys with lead paint, chemical-laced toothpaste, and poisonous pet food. Everyone took the reports seriously: U.S. manufacturers recalled millions of products, and China itself went so far as to <br />
execute the former head of its food and drug administration for dereliction of duty. </p>

<p>Suddenly, the freedom to buy inexpensive imported products ran headlong into the expectation that these products would also be safe. To ensure that, we need more, not fewer controls. </p>

<p>â€œThe whole notion of our wanting products that meet certain standards is a constraint on the market," says Sheppard. â€œIt seems appropriate to set standards, but every time you do that, it&#39;s a barrier to trade."</p>

<p>â€œThe contradictions are all around us," Welke adds. â€œPeople are terrified of lead paint, but the outcry is rooted in something deeper. You don&#39;t, for example, have the same kind of outcry about lead paint in buildings in poor U.S. neighborhoods as you have about toys coming from China."</p>

<p>This precarious balance between freedom and risk changes over time as well. Safety itself is an expectation that has developed over time, Welke says, until we have come to think of it as a right.</p>

<p>â€œSafety began being advertised as a value in products as early as the late nineteenth century," she says, â€œwith safety lamps for burning kerosene and safety-pins and safety bikes in the early twentieth <br />
century. Later on in the century, the government passed legislation regulating safety standards for food and drugs, highway traffic, and clean air and water.</p>

<p>â€œBut legislation is worthless without enforcement, and we&#39;ve been on a downhill path in that regard since the Republican ascendancy of the 1980s and the message that government should get off our backs."</p>

<p>There&#39;s something else at work here, as well, and it has to do with Sheppard&#39;s suggestion that we sometimes erect barriers in our imaginations to replace the old ones that have been torn down.</p>

<p>â€œMore stories suggest that some of these hazards are the result of failure on the part of American companies," he says. â€œNevertheless, we blame the Chinese. This is a great example of our conflict between wanting freedom from boundaries and our desire to impose them. We say, â€˜Let&#39;s engage in unrestricted trade with China.&#39; Then, China explodes and one reason for that is its exports to us. We see China as a coming place, and at one level, we&#39;re scared. â€˜Oops,&#39; we say, â€˜we thought we&#39;d still retain our prominence."</p>

<p><strong>Border patrol</strong><br />
It may make good sense to create borders and restrictions in a globalized world. Some of the barriers we erect, thoughâ€”real or imaginaryâ€”may in fact be based less on sound judgment than on the disquieting anxiety of the times. </p>

<p>In the last decade, immigration has become one of the country&#39;s most contentious issues, pervading the presidential campaign and generating strong voter anger on both sides. It&#39;s an issue that has come to the fore periodically in the country&#39;s history, in a way that underscores the confluence of factors that makes it so prominent now, says David Samuels, a political science professor who has studied these issues extensively.</p>

<p>â€œIn my view, this is really a debate generated by fear," he says. â€œPeople who are afraidâ€”for their jobs, whateverâ€”coalesce around issues aimed at immigrants. When you add fear of terrorism to the mix, you&#39;ve got a situation where politicians connect terrorism to the failure to patrol borders. Anti-terrorism groups make the case that [9/11 leader] Muhammad Atta was illegal. People play off the possibility of terrorist attack. So we have to clamp down on migrants in general. We want to build walls and put guards there."</p>

<p>Meanwhile, says Samuels, NAFTA and economic globalization have created conditions in which the flow of both goods and people is easier. â€œIncreased immigration is correlated with increased flow of goods, legal and illegal," he adds, â€œand controlling the flow of people contradicts our stated policy intentions of increasing the flow of goods and services. We do not know how to deal with that policy contradiction." </p>

<p>Clearly, there are legitimate arguments for regulating the flow of immigrants. Once again, though, we run headlong into the challenge of balancing freedom with risk. How much freedom are we willing to curtail to secure our safety? </p>

<p>â€œIsrael is successful at keeping people out, sort of," says Samuels. â€œDo we want to be like Israel? And how much do we want to affect our economy? The US economy is a job magnet and would collapse if we sent everyone home. We need people on the low end of the wage scale. Whatever the solution, you and I would not have lettuce to eat without immigrants."</p>

<p>In the end, the contradictions between freedom and risk remain, as do the contradictions between the concept of a global village and the reality that many people are not citizens of that village. No matter what we say, we do seem to want our walls. </p>

<p>â€œThe flat world myth assumes on the one hand that all flows are good, while on the other hand it fears certain flows, such as poor immigrants or China&#39;s advance, or Islam&#39;s spread," says Goldman. â€œSo there is an implicit acknowledgement that the world really isn&#39;t flat. We need to collectively decide how to regulate, manage, and craft economies, borders, and social relations with certain overt goals in mindâ€”like ensuring people&#39;s access to sustainable livelihoods, health care, safe products and foods, and fair rulesâ€”rather than follow one ideological frame, such as unleashed markets, that refuses to acknowledge the social inequalities and injustices that flow from it.</p>

<p>â€œOr put simply, how do we globalize justice and fairness in the workings of the economy?"</p></body>
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         <title>Rain Man</title>
         <description><p>To find material for his dissertation on art and politics, graduate student Adam Bahner can simply look in the mirror.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121858</link>
         <guid>121858</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/BahnerAdam.jpg"><img alt="Photo of Adam Bahner with umbrella" src="http://blog.lib.umn.edu/clareach/stories/BahnerAdam-thumb.jpg" width="86" height="132" /></a><br />
Adam Bahner loves to throw a question back at the reporters from across the world who have interviewed him in recent months. </p>

<p>From Australia to Omaha, they call him to learn more about the guy whose music videos on <a href="http://www.youtube.com/user/tayzonday">YouTube </a>have transformed him from an American Studies Ph.D. student at the University of Minnesota into one of the most listened-to songwriters in the world. And they always seem to begin their interviews by asking him, â€œWhat inspires you to sing?"</p>

<p>His reply: â€œWhat inspires you to be silent?"</p>

<p>It&#39;s a response that makes sense when you know that Bahner is a fourth-year doctoral student about to begin work on a dissertation examining the relationship between art and social and political change. He&#39;s convinced that art can make waves in a society, but he also thinks a lot of obstacles prevent it from doing so. One of them is people&#39;s failure to see themselves as artists. </p>

<p>â€œI think it&#39;s natural to sing," he says. â€œPeople sing in the car. Most people sing in the shower. Most people sing to themselves when no one else is watching. Silence is not normal. Silence is problematic."</p>

<p>Bahner found his own silence deafening. So with the help of amateur recording equipment in a corner of his Dinkytown apartment, he catapulted himself to fame last summer by filming himself performing original songs and uploading the finished products to the Internet under the stage name Tay Zonday. By last October, his song â€œChocolate Rain"â€”a haunting five-minute loop of thinly veiled political commentary on the state of race relations in the United Statesâ€”had been viewed more than 10 million times on YouTube, elicited nearly 100,000 comments from viewers, and been the subject of hundreds of parodies and tributes.</p>

<p>Before long, Bahner was making guest appearances on Jimmy Kimmel Live! and appearing on the cover of the Los Angeles Times&#39; Sunday arts section. He was flown to Chicago to perform in the Optimus block party. Google invited him to perform at its annual Zeitgeist Party at the â€œGoogleplex" in California. John Mayer covered â€œChocolate Rain" on VH1&#39;s Best Week Ever. And in October, Bahner gave his first concert as an opener for the band Girl Talk at First Avenue in Minneapolis, the nightclub that has been the stomping ground of artists like Prince in their early yearsâ€”and a stage many musicians don&#39;t see until they&#39;ve paid their dues at much smaller venues.</p>

<p>Much of this attention has resulted from Bahner&#39;s failure to fit into boxes. He comes from a racially mixed background, and his deep bass voice seems an unlikely counterpoint to his baby face. â€œI&#39;m this voice-body mismatch," he explains. â€œI have this gender aesthetic that people might identify as boyish at best. If I was speaking like [teen heartthrob] Aaron Carter, nobody would think twice about my appearance."</p>

<p>But Bahner&#39;s physical anomalies and ambiguities are only part of the story. â€œChocolate Rain" seemed to strike a chord with those who are dissatisfied with how our national dialogues about racism focus on the racist speech of figures like Don Imus and Michael Richards. In his lyrics, Bahner points to the way race relations inform our everyday lives in less dramatic but equally powerful waysâ€”a person&#39;s move to the other side of the street when she or he encounters a black man; the higher insurance rates that homeowners pay in predominantly black neighborhoods; the knee-jerk backlash black people encounter when they blame inequality on racial bias.  </p>

<p>Part of the response, Bahner says, may come from the way his voice-body mismatch and racial indeterminacy unsettle our understandings about the categories we take for granted, like race and gender. His own characteristics make the content of â€œChocolate Rain" all the more powerful and political.<br />
 <br />
By giving us access to perspectives and people who undermine, rather than affirm, our ways of seeing the world, YouTube â€œundermines the power of naming and branding," Bahner says.  The resulting <br />
disorientation can create backlashâ€”and, indeed, Bahner has received racist, homophobic, and downright cruel responses to his music. But disorientation, he says, can also be a catalyst for political change.</p>

<p>â€œThe question used to be â€˜the ballot or the bullet," he says, invoking Malcolm X&#39;s philosophy for empowering black people. â€œNow it&#39;s more like the ballot or the beatbox, the ballot or the open mic, the <br />
ballot or the play." He pauses, to catch his breath. And then he laughs.</p>

<p>â€œIt&#39;s the ballot or YouTube."<br />
</p></body>
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         <title>It&#39;s Beautiful</title>
         <description><p>CLA grad Jeff Bauer is helping to change lives through art.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121856</link>
         <guid>121856</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Bauer_Sukhum.jpg"><img alt="Photo of Jeff Bauer (left) and  Pamela Sukhum (right)" src="http://blog.lib.umn.edu/clareach/stories/Bauer_Sukhum-thumb.jpg" width="115" height="76" /></a><br />
<em>I have imagined this journey for months, and now I am a physical body hurtling through the sky over the arid plains of Chad. Back in Minneapolis, the other me is picking up Thai take-out for dinner, stopping by the bank, and driving home at this very moment. He is thinking about what he will watch on television tonight. He is trying to settle his mind down after a busy day at work so he can close his eyes and sleep. But I am not he. I am here and my eyes are wide open. </em>â€”From the journal of Jeff Bauer, En route to the Republic of Chad, 2006</p>

<hr>

<p>It&#39;s a cold morning in November and the radiators haven&#39;t kicked in yet in Jeff Bauer&#39;s Loring Park office. No matter. Heat fairly jumps from the huge, vibrant, richly textured purple, green, and yellow paintings here and on the walls that lead to the artist&#39;s studio down the hall. The studio itself bursts with more works by Pam Sukhum, Bauer&#39;s partner here at <a href="http://ivfoundation.org">Infinite Vision Foundation</a>, where Bauer is founder and president. </p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Zakariy.jpg"><img alt="Artwork by a child from a refugee camp showing a village under attack by men in blue uniforms with guns. The guns have red spray coming out of the barrels. One person lies on the ground. Another person has a rope around his neck that is being held by one of the men in blue. There are words on the drawing that tell the artist&#39;s name in English. There is other writing in Arabic." src="http://blog.lib.umn.edu/clareach/stories/Zakariy-thumb.jpg" width="175" height="230" /></a></p>

<p>Sukhum&#39;s art is glorious, but she is not the only one whose works are on display. Nestled among her bold paintings are smaller colored-pencil sketches, whose artists have names like Ali and Deffa and Omar. These artists are children, and they have drawn warplanes raining missiles and soldiers aiming guns at people the children have known as friends or neighborsâ€”or parents.</p>

<p>The drawings take your breath away. And that, says Bauer, is the point.</p>

<p>Jeff Bauer, Gaga refugee camp, 2006:<em><br />
Ali asks me a lot of questions: about America, about my job, about my brother, about girls, about art. It is through these questions that we become friends. Yet, in all of our conversations, he never asks me about my parents. Here in Gaga camp, I know what this usually means. There is an entire history hidden in the silence of Gaga&#39;s questions that need not be asked because the answers are already understood. But I have to askâ€”maybe selfishly I need <br />
to know. I regret the words before I even <br />
speak them:  <br />
â€œAli, are your parents here with you?"<br />
His eyes drop to the floor and the smile <br />
disappears from his face.  <br />
â€œNo parents."<br />
This is all he will ever say about it, <br />
and all I will ever ask.</em></p>

<hr>

<p>Hundreds of thousands of refugees from Sudan and the Central African Republic have fled into eastern Chad since 2003. The refugee camps where they now live might be the last places you would expect art to thrive. But Bauer and Sukhum believe that art can not only thrive in these camps, but actually transform and help heal decimated lives. Indeed, they have witnessed that very thing. </p>

<p>At first glance, Bauer and Sukhum look like unlikely business partners. Bauer, with his 1997 B.A. in political science from the University and a master&#39;s degree in public policy from the Humphrey Institute, has the project ability. He has raised funds, designed projects, and done grassroots work for causes as diverse as urban agriculture and political campaigns. And he started the Infinite Vision Foundation in the first place to house a project that would build a school in Viet Nam.</p>

<p>Sukhum, a Carleton College graduate who detoured from her biology degree to pursue her passion for art, has long believed that art can be transformative. After the two met at an Infinite Vision fundraiser, they put their headsâ€”and their strengthsâ€”together.</p>

<p>â€œIt started as an idea," says Bauer, â€œthat we could go somewhere where kids are affected by warâ€”not to make a political statement or to take a stand, but to bring back to people the reality of what&#39;s going on."</p>

<p>They called it the Beautiful Project and launched it in early 2006 under the Infinite Vision umbrella. By fall of that year, with the support of the United Nations High Commissioner for Refugees (UNHCR)â€”the UN&#39;s refugee agencyâ€”they were on their way to the Gaga refugee camp in Chad to teach art to kids who had never even owned colored pencils. </p>

<p>Jeff Bauer, Gaga refugee camp, 2006:<em><br />
Pam steps to the front of the class while the students wait silently. â€œToday&#39;s activity has two parts," she explains. â€œFor the first part, I want you to draw something that makes you scared or sadâ€”maybe something you have seen or experiencedâ€”anything. If this part is hard for you, don&#39;t worry. The second part will be better. You can start now."<br />
[The teacher] Mustapha translates Pam&#39;s words, and asks the students if they understand, to which they give their customary response:<br />
â€œYes, teacher, we understand."<br />
But no one moves. No one speaks or moves to pick up a pencil.  <br />
â€¦ A hand goes up at the back of the class. Asaid, one of the older boys, hesitantly stands up to ask his question.<br />
â€œThey want to know is it okay if we draw about Sudan."<br />
â€œOf course it is. You can draw anything you want."<br />
â€œThank you, teacher."<br />
The classroom instantly bursts to life as the students clamor for pencils and shout back and forth to each other. Pam looks over with a disbelieving smile and throws her hands in the air. An outside observer encountering the scene might think we had just announced a sledding trip in the middle of Africa from <br />
all of the energy bouncing between the walls. But, in fact, what they would be encountering is the euphoria of release, the relief of all at once sharing, and therefore unburdening oneself from, something that been trapped inside.</p>

<p>The pictures they draw are devastating, searing recreations of their exodus from Sudanâ€”janjaweed militias slaughtering villages full of men, women, and children, setting huts ablaze with entire families inside, their horses galloping through deep puddles of thick red blood. Up above, Antonov warplanes rain down bombs on the fleeing villagers, leaving charred black craters filled with corpses and limbs. Their renditions are painstakingly executed, illustrating the exact locations of wounds, and even the intricate details of the Kalishnikov machine guns carried by the janjaweed soldiers...<br />
 â€œHow was the first part?" Pam is back at the front of the class, â€œWas it difficult?"<br />
â€œYes, teacher. It was difficult." </em></p>

<hr>

<p>Devastation is not the only thing they will draw throughout the next few days. Sukhum will encourage them to take the pictures they have drawn and transform them into something that makes them happy. Eventually, flowers and vines full of leaves and fruit sprout from the burning villages. Animals appear. Children hold hands. At the end of the six days, there is a graduation ceremonyâ€”and each student receives a box of colored pencils.</p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Nafisa.jpg"><img alt="Artwork of refugee child showing black airplanes flying over yellow tents with large multicolored flowers drawn to the right of the planes and tents." src="http://blog.lib.umn.edu/clareach/stories/Nafisa-thumb.jpg" width="235" height="187" /></a></p>

<p>Impressed by their work, the UNHCR invited Bauer and Sukhum to expand the project to additional camps, and in March, the children&#39;s work was exhibited at Art Expo New York. Last fall, Bauer and Sukhum went to Camp Gondjie in southern Chad to work the same kind of miracles.  </p>

<p>â€œThese kids have been through every imaginable horror," says Bauer. â€œTheir art is transformational for all of us. Just saying â€˜this should stop&#39; is only half the battle. When I&#39;m with the children, I&#39;m not thinking about what I&#39;m for or against, but just being part of a beautiful thing. To me, this has more potential to affect people&#39;s lives than if I gave a bunch of speeches about right and wrong. This is less like a crusade and more like fully living my life."</p>

<p><em>- by Mary Shafer</em></p></body>
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         <title>Ring Shouter</title>
         <description><p>Yuichiro Onishi is changing the way we think about race.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121854</link>
         <guid>121854</guid>
        <body><p><em>By Danny LaChance</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/OnishiYuichiro1.jpg"><img alt="Photo of Yuichiro Onishi" src="http://blog.lib.umn.edu/clareach/stories/OnishiYuichiro1-thumb.jpg" width="86" height="121" /></a></p>

<p>A warehouse job wasn&#39;t at all what Yuichiro Onishi envisioned for himself years ago when he decided to move back to Japan shortly after his graduation from Macalester College. As a 12-year-old, he had left Japan when he moved with his parents to the United States. His plan as a 22-year-old was to return and rediscover his native land. With a B.A. from a good U.S. college and fluency in Japanese, he figured, he could find a professional entry-level position of some sort and experience Japan as a young urban professional. </p>

<p>But when the plane landed and the dust settled, such jobs were nowhere to be found. Instead, Onishi found work in a Kawasaki warehouse slapping price tags onto fabrics. The days were long and the work monotonous. Today, though, Onishi says he&#39;s grateful for that blue-collar Japanese work experience because that&#39;s what pushed him to pursue a career as a scholar of African American studies. Now a faculty member in African American & African studies and Asian American studies, Onishi recalls how his coworkers would make disparaging remarks about Southeast Asians living in Japan. â€œThey&#39;d say that these workers had dirty, hard, and painful lives, and â€˜we are not like them," Onishi recalls. Those remarks struck him as something more than just nationalism. They were, he wanted to say, racistâ€”an expression of white supremacy.</p>

<p>To  people who think of race as biologically based and Southeast Asians as sharing a common racial denominator with the Japanese, such a suggestion might seem ludicrous. How could Japanese disgust at Filipinos be called racist? Xenophobic, maybe. But racist?</p>

<p>But as an undergraduate, Onishi had learned that race was far more complicated than simple biological classification. Path breaking work by scholars like former University of Minnesota professor David Roediger has shown that our biological lineage has sometimes borne very little relation to how others perceive us racially. Reading Roediger&#39;s book The Wages of Whiteness between shifts at the warehouse, Onishi was learning that in the 19th century, Irish immigrants were initially not considered white by Anglo Saxons who had been living in North America for generations. They had to prove their status as whiteâ€”often at the expense of black people. â€œThese European immigrant workers became white at the expense of blacks," Onishi explains. â€œThey would distance themselves from blacks by saying, â€˜We&#39;re not like that. We&#39;re not like slaves; we&#39;re wage workers."</p>

<p>It&#39;s a pattern that historians have documented in numerous instances. Historically, Onishi says, â€œrace has less to do with color than with politics and power." Those in power have often manufactured and assigned racial categories to people, often illogically, in order to dominate them socially, politically, and economically.</p>

<p>Convinced that what he had witnessed in his coworkers was tied up in this global history of race, Onishi wondered how the Japanese had been perceived racially on the world stage. How did people of color in the United States think about the racial identity of the Japanese people? To find some answers, Onishi enrolled in the Ph.D. program in history at Minnesota, where he studied the relationship between African Americans and Japanese people during the period between World War I and World War II. He began to detect an important, shared sense of racial solidarity between the Japanese and African Americans.</p>

<p>When it comes to race, Onishi says, Japan occupies a unique and contradictory position in the world. Its history of dominating other Asian peoples and countries parallels European and U.S. histories of imperialism, colonialism, and racialization in Africa, Asia, and the Americas, he notes. In a sense, Japan had a white polity and transformed those it dominatedâ€”Koreans, Filipinos, Chineseâ€”into nonwhite peoples. </p>

<p>But what most fascinated Onishi were those instances when Japanese and African Americans recognized their commonalities. After World War I, Japan demanded that President Woodrow Wilson&#39;s Fourteen Points plan include a racial equality clause. That failed effort sparked the imaginations of black intellectuals and leaders in the United States, who had come to see their struggle as global, not just national. By pointing to the amendment&#39;s failure as an instance of U.S. racism on the global stage, black leaders were able to imagine possibilities of cross-national alignment with other people of color.</p>

<p>Indeed, when black intellectual and leader W.E.B. Du Bois toured Japan in the winter of 1936, he came across a series of woodblocks depicting the arrival, by sea, of Commodore Matthew Perry, the United States&#39; first envoy in the 1850s. But instead of noting, as most historians would, the coming modernization of Japan, Du Bois saw something different.</p>

<p>â€œHe noted that black sailors accompanied these expeditions. For him, that event wasn&#39;t the beginning of modern Japan, but the beginning of the coming unity between Asia and Africa," Onishi contends. </p>

<p>Those feelings of solidarity didn&#39;t just flow in one direction. During the U.S. occupation of Japan following World War II, blacks and whites living in the city of Kobe had to live in segregated camps. â€œJapanese people witnessed a Jim Crow military even as they were being taught, by the occupation authority-led education system, about the universality of American democracy," Onishi explains. Japanese intellectuals, meanwhile, were reading about the troubled history of race in the United Statesâ€”in the translated writings of W.E.B. Du Bois and Richard Wright. In 1954, a group of them came together to form Kokujin Kenkyu no Kai, or Association of Negro Studiesâ€”an organization that still exists 53 years later. </p>

<p><strong>Dancing across racial divides</strong><br />
By uncovering the lost history of racial solidarity that transcended oceans, nations, and actual skin color, Onishi hopes to help his students see that race isn&#39;t a fixed category. Because we&#39;ve created race as a construct, we can reshape it in ways that unify rather than divide people. And the classroom, Onishi says, is where that change can begin. </p>

<p>Several centuries ago, American slaves from different parts of Africa created a racial identity for themselves despite their myriad languages, religions, and ethnicities. They found common ground in the Ring Shout, says Onishiâ€”a dance that occurred in various forms across the African continent&#39;s vast cultural divides. â€œThey performed the Ring Shout in the New World, and it became a language through which they forged racial solidarity. They became African and black," Onishi explains. </p>

<p>Onishi sees his classroom as a Ring Shout for the 21st century, a place where students can dance with one another through their words and ideas. It&#39;s a dance, he hopes, that just might forge among them a new racial identity, one rooted in shared values and objectives rather than differences of color or national origin. </p>

<p>To the mainstream eye, this notion of students with beige, brown, and black skin sharing a racial identity may seem be impossibleâ€”pie-in-the-sky, even. But not to Onishi. â€œThe study of race is in many ways hopeful for me," he says, thinking about the utopian potential of the classroom. â€œBecause it&#39;s a social construct, we can change it. We can reconstruct it."</p></body>
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         <pubDate>Tue, 08 Apr 2008 11:49:16 -0600</pubDate>
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         <title>CLA faculty make their marks on CLA, Minnesota, and the world.</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121850</link>
         <guid>121850</guid>
        <body><p><strong>Leonid Hurwicz</strong> (Regents Professor Emeritus, economics) won the 2007 Nobel Prize in Economics, sharing the prize with economists Eric Maskin, Institute for Advanced Study, Princeton; and Roger Myerson, U of Chicago. Building on Hurwicz&#39;s early groundwork, the three developed "mechanism design theory," which helps explain situations in which markets work and others in which they don&#39;t. Hurwicz received his law degree in Poland in 1938; he joined the U faculty in 1951.</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/ascheil">Andrew Scheil</a></strong> (English) and <strong><a href="https://apps.cla.umn.edu/directory/profiles/kouts003">Wilma Koutstaal</a></strong> (psychology) were named McKnight Presidential Fellows&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/isaac001">Allen Isaacman</a> </strong>(Regents Professor of History, cofounder of the MacArthur Interdisciplinary Program on Global Change, Sustainability and Justice) received the U&#39;s 2007 Award for Global Engagement&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/swan">Craig Swan</a></strong> (emeritus, economics, and vice provost for undergraduate education) was named an honorary member of the U&#39;s Academy of Distinguished Teachers&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/rabin001">Paula Rabinowitz</a></strong> (English) is the 2008 CLA Dean&#39;s Medalist&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/chari002">V.V. Chari</a></strong> (economics), <strong><a href="https://apps.cla.umn.edu/directory/profiles/nagar">Richa Nagar</a></strong> (gender, women, & sexuality studies), and <strong><a href="https://apps.cla.umn.edu/directory/profiles/potra001">Wayne Potratz</a></strong> (art) were named 2008 Scholars of the College&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/kvavik">Robert Kvavik</a></strong> (political science and associate vice president for planning) was appointed Knight First Class of the Royal Norwegian Order of Merit for his promotion of research and university collaboration between the United States and Norway.</p></body>
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         <pubDate>Tue, 08 Apr 2008 11:32:52 -0600</pubDate>
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         <title>Building Makes Him Happy</title>
         <description><p>Graduate student Justin Stewart turns everyday things into award-winning sculpture. <br />
By Pauline Oo</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121842</link>
         <guid>121842</guid>
        <body><p><img alt="StewartJustin.jpg" src="http://blog.lib.umn.edu/clareach/stories/StewartJustin.jpg" width="216" height="216" style="float: right; padding: 0 10px 10px 10px;"/></p>

<p>When R. Justin Stewart looks at a map, he sees more than a way to get from Point A to Point B. For example, a transit map that shows a bus route can also reveal where people without cars might live. Or a bridge, built to connect one place to another, has an underbelly that can serve as shelter.</p>

<p>Stewart&#39;s eye for detail and ability to notice what the rest of us may miss or take for granted is apparent in most, if not all, of his complex and often whimsical mixed-media installations and wall sculptures. Last fall, Stewart received an award for Outstanding Student Achievement in Contemporary Sculpture from the International Sculpture Center, a nonprofit organization founded in 1960 to advance the understanding of sculpture and its contribution to society. He is one of the 21 recipients selected from a pool of 339 college students from five countriesâ€”and the first University of Minnesota winner.</p>

<p>â€œI&#39;ve never been nominated for anything like this before," says Stewart, an M.F.A. candidate in the U&#39;s sculpture program whose name was among two submitted by University assistant professor of art Andrea Stanislav. â€œI wasn&#39;t holding my breath because it&#39;s such a big international award. It&#39;s a gigantic honor."</p>

<p>His winning pieceâ€”a 15 feet-by-8 feet creation called Connected, made mostly out of things you can pick up at a hardware storeâ€”is part of the Grounds For Sculpture exhibition in Hamilton, New Jersey.  A culmination of three years of work, <em>Connected</em> â€œrepresents an approach to thinking about networks, systems, and structures," Stewart says, â€œof how these entities affect each other and the world â€¦ they are connected to and how the new environment they end up in can alter their forms."</p>

<p>The piece also explores the idea of â€œtaking common materials and transforming them into something â€¦ more beautiful than any one of them by themselves," says Stewart.</p>

<p>â€œI am interested in people asking, â€˜What is that? It looks familiar, but I&#39;m not sure what it is.&#39; And [after seeing my work], they notice, say, the pipe outside the building that looks like something I used inside .... A good piece of art prods you to think."</p>

<p>Stewart was no child prodigy growing up in Waukesha, Wisconsin. Instead, the lively artist candidly admits not valuing art until his sophomore year in high school.</p>

<p>â€œMy football coach was the ceramics teacher," says Stewart. â€œI thought, â€˜It&#39;s ceramics; how hard could that be?&#39; But I really fell in love with making things, and then from there, I went on to art school. Art school completely transformed my way of thought. It blew open my world."</p>

<p>Today, Stewart works six days a week as an artist, in addition to being a fulltime art student, teaching assistant, and faculty research assistant at the University. He is currently working on three projects related to the Minneapolis-St. Paul bus system. He graduates from the University in May, and then it&#39;s off to New York with his fiancÃ©e.</p>

<p>â€œSure, it&#39;s hard to break in there," he says, â€œbut it&#39;s hard everywhere. My goal isn&#39;t at all to make it big. That&#39;ll be great if it happens, but my goal is to continue pushing myself to do things that I&#39;m interested in. </p>

<p><em>- by Pauline Oo</em></p></body>
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         <pubDate>Tue, 08 Apr 2008 11:26:51 -0600</pubDate>
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         <title>Musical Sights</title>
         <description><p>A picture may be worth a thousand words.  But for students in CLA music classes, they are also worth a thousand notes.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121713</link>
         <guid>121713</guid>
        <body><p><em>By Danny LaChance</em></p>

<p><img alt="Photo of a man holding an MP3 player toward the camera while standing in one of the Weisman Museum&#39;s galleries. Three paintings can be seen behind him." src="http://blog.lib.umn.edu/clareach/stories/ArtSounds.jpg" style="float: right; padding: 0 10px 10px 10px;"/><br />
</a><br />
For some, iPods are a sign of detachment, a symbol of how we&#39;re increasingly cutting ourselves off from one another in public spaces.	</p>

<p>But when Colleen Sheehy, the Weisman Art Museum&#39;s program director, sees museum visitors wearing iPods, she smiles rather than cringes. For her, those white ear buds are proof of a novel form of engagement.</p>

<p>The iPods, she explains, contain the winning music compositions from the Museum&#39;s ArtSounds contest, an annual competition that she launched with School of Music faculty member Doug Geers two years ago. CLA music faculty encourage students in their courses to craft original music compositions in response to art works in the museum&#39;s permanent collection. Winning compositions are then recorded, uploaded to museum-owned iPods, and lent out to patrons, who then can take in a painting&#39;s visual call while listening to a student&#39;s musical response. </p>

<p>Sheehy is excited about the music&#39;s potential to encourage museum goers to give pieces a secondâ€”and third, and fourthâ€”look. â€œThere&#39;s a famous maxim in museum work: visitors only look at a piece of art for five seconds," Sheehy says. But if patrons are looking at artist Wesley Kimler&#39;s painting â€œHunter/Prey" while listening to the four-and-a-half minute percussion solo it inspired University undergraduate Joe Millea to create, they may give the piece more attention than it would otherwise get.</p>

<p>â€œI have walked by that painting and looked at it briefly hundreds of times," Sheehy says. â€œAnd it wasn&#39;t until I was in the gallery and he was playing his piece that I really looked at it. He really made me aware of its conflicting elements." It also, she notes, helps communicate to patrons that you don&#39;t need a Ph.D. in art history to interpret artâ€”and that interpretation can take many forms other than the authoritative commentaries often posted on placards next to sculptures and paintings. </p>

<p>Music students, of course, are thrilled to have their work made available to the general public. But they also gain important skills. Beginning students learn to think about how music interacts with physical, visual, and emotional sensations. â€œThe core idea is that we want them to translate a physical art object and the psychological, emotional experience they have looking at that object into a musical response," says Geers. â€œIt&#39;s engaging their brains in a significantly different way" than writing an analytical essay on a symphony or painting might, he adds.</p>

<p>Advanced music students, meanwhile, are challenged to grow artistically. One of last year&#39;s winners, Josh Clausen, who earned his M.A. last spring from the School of Music, says that he was accustomed to beginning compositions with concepts, emotions, or even fictional characters in mind. This, he says, was different. â€œIt&#39;s a concrete object. It&#39;s a different platform for discourse, a somewhat more articulate one," he explains. Since graduation, Clausen has been drawn increasingly toward this newer platform, creating compositions in conjunction with images and video. </p>

<p>Ultimately, Sheehy says, programs like ArtSounds serve as an important reminder that the museum remains rooted in an educational institution, with particular ties to the College of Liberal Arts. They communicate the ethos that museums aren&#39;t just for Picassos of the past. They&#39;re also for Mozarts of the future. They represent the kind of thinking that drives collaborative arts projects in the University&#39;s West Bank Arts Quarterâ€”indeed, that brings artists and scholars of all stripes together across CLA.</p>

<p>â€œWe want visitors from off campus to see that art isn&#39;t just about these works in our collection, but that the University is dedicated to students learning and developing their talents," Sheehy saysâ€”right in front of our eyes. </p></body>
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         <pubDate>Mon, 07 Apr 2008 16:53:53 -0600</pubDate>
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         <title>Teens, Sex and Mental Health</title>
         <description><p>Sociologist Ann Meier looks at the affects of sex on teens&#39; mental health. <em>Adapted from a story by Rick Moore, University Relations</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121712</link>
         <guid>121712</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/MeierAnn.jpg"><img alt="Phtoto of Ann Meier" src="http://blog.lib.umn.edu/clareach/stories/MeierAnn-thumb.jpg" width="115" height="85" /></a><br />
There may be many legitimate reasons for parents to counsel their teenagers against having sex, but claiming that their mental health will suffer doesn&#39;t seem to be one of them, says Ann Meier, an assistant professor of sociology. </p>

<p>In fact, most teens who have early sex do not become depressed or lose self-esteem as a result, says Meier, who studied more than 8,500 seventh- through twelfth-graders over an 18-month period. In her study, Meier found that those who do suffer negative mental health consequencesâ€”about 15 percent of her respondentsâ€”tended to be the youngest (girls who had sex before age 15 and boys who had sex before age 14) and those whose relationships were not emotionally close and ended after the sex. </p>

<p>â€œBeing female or younger than the average age at first-time sex among your peers increases the chance of depression, as does a lack of commitment or intimacy within the relationship and what happens to the relationship after first-time sex," says Meier. â€œFor girls in uncommitted relationships, ending a relationship with sex [involved] has more of an impact on mental health than ending that same relationship if it did not involve sex."</p>

<p>Even though the majority of teens engaging in early sex do not suffer mental health consequences, â€œSome do," Meier says, â€œand when half of all teens are having sex, that can lead to a large number in the population [having negative consequences]."</p>

<p>The study could have ramifications as the federal government and states continue to define the role and efficacy of abstinence education in schools. Language contained in the 1996 welfare reform act mandates that schools receiving federal funding for sex education adopt an abstinence curriculum, which teaches, as one of eight guiding points, that sexual activity outside of marriage â€œis likely to have harmful physical and psychological effects," Meier says. Meier&#39;s research suggests that the correlation between teen sex and harmful psychological effects may be less strong than those words imply.</p>

<p>Meier cautions that the study does <em>not </em>suggest that first-time sex among teens has positive effects; and she hopes the study will help policy makers focus help on those most vulnerable rather than promoting a one-size-fits-all approach. She also cautions that her study measured symptoms in the teens on a depression scale, but was not meant to diagnose clinical depression Her study, â€œAdolescent First Sex and Subsequent Mental Health," was published in the May 2007 issue of <em>American Journal of Sociology</em>.</p></body>
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         <pubDate>Mon, 07 Apr 2008 16:48:48 -0600</pubDate>
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         <title>Test Results</title>
         <description><p>Graduate school entrance exam results don&#39;t create inequalities; they reflect them.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121711</link>
         <guid>121711</guid>
        <body><p><em>By Danny LaChance</em></p>

<p>Clear your desk, sharpen your #2 pencil, and choose the BEST answer. The results of graduate school entrance examsâ€¦</p>

<p>(a)	effectively predict grades earned in graduate school.<br />
(b)	often predict the likelihood of success in graduate school better than undergraduate grades do.<br />
(c)	effectively predict markers of success other than grades, like the chances of passing a professional licensing exam or publishing research that is cited by other researchers. <br />
(d)	all of the above.</p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Hezlett_Kuncel.jpg"><img alt="Photo of Sarah Hezlett (left) and Nathan Kuncel (right)" src="http://blog.lib.umn.edu/clareach/stories/Hezlett_Kuncel-thumb.jpg" width="115" height="87" /></a>It&#39;s (d), says assistant professor of psychology Nathan Kuncel. In collaboration with Sarah Hezlett, senior research scientist at Personnel Decisions Research Institutes, Kuncel analyzed the data provided by over 3,000 studies of standardized tests used by the admissions committees of graduate programsâ€”everything from the GRE to the LSAT to the GMAT. In what is one of the largest meta-analyses ever undertaken, synthesizing data collected from nearly a million students over multiple decades, the two found that good scores on these exams correlated with successâ€”in many formsâ€”in graduate school and beyond. </p>

<p>Their findings, published in <em>Science</em> last February, come after nearly 80 years of debate about whether standardized tests are biased against women and minorities, whose scores in some areas lag behind those of their male and white counterparts. Breaking down the data, Kuncel and Hezlett determined that the tests are as accurate at predicting success for minorities and women as they are for test-takers as a whole.  </p>

<p>â€œThe tests aren&#39;t at fault. It would be great, actually, if it was as simple as bad tests," Kuncel says, for then the skills gap indicated by the tests could be dismissed as a distortion of reality rather than a symptom of it. </p>

<p>Instead, entrance exams seem to reflect inequalities created long before students begin filling in bubbles. â€œThe problem seems to be more societal, more ingrained. These tests are quantifying basic content, <br />
verbal, and quantitative skills, which people don&#39;t always have equal opportunities to develop. School quality, treatment in the classroom very early on, and other social issues seem to be what&#39;s causing differences in performance," Kuncel says.</p>

<p>Kuncel hopes that his synthesis of the studies will help to steer discussions of educational inequality away from standardized tests and toward root causes. â€œIt&#39;s ultimately one of those â€˜Let&#39;s not shoot the messenger&#39; situations," he says. â€œLet&#39;s spend our energy solving the problem."</p></body>
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         <pubDate>Mon, 07 Apr 2008 16:41:31 -0600</pubDate>
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         <title>Fortifying the Gates</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121134</link>
         <guid>121134</guid>
        <body><p><strong>Fortifying the Gates</strong><br />
<img alt="SchwitzerGary.jpg" src="http://blog.lib.umn.edu/clareach/stories/SchwitzerGary.jpg" width="215" height="215"  style="float: right; padding: 0 0 10px 10px;"/></p>

<p>As Rothman&#39;s findings have shown, we are closer than ever to knowing what messages best promote public health. But messages can be crafted and framed in ways that produce desirable results only by those who know what works and what doesn&#39;t, and only if those with the knowledge and resources exercise due diligence and make health information and health news as accurate and effective as possible. </p>

<p>In a dramatically changing media landscape, how likely are people to get the messages they needâ€”and in the forms that are most likely to promote individual and collective health?</p>

<p>It&#39;s a question that Gary Schwitzer has been studying for years. The former editor of the Mayo Clinic&#39;s health information Web site (MayoClinic.com) and an associate professor of journalism and mass communications, Schwitzer says that the most traditionally reliable sourcesâ€”print publications and news broadcastsâ€”are now the most vulnerable to poor reporting. Economic downsizing, often the result of increased competition from the Internet, has led media organizations to cut the amount of original health reporting they do.</p>

<p>â€œWith the corporatization of media, decision makers are finding it easy to make cuts in this vital area,â€? Schwitzer says. â€œThey may be cutting back on specially trained beats. And yet they might want to show a presence, to make it look like they&#39;re covering health news.â€?</p>

<p>As a result, Schwitzer says, editors are more receptive to news releases from the public relations departments of pharmaceutical companies, health maintenance organizations, or special interest lobbies. â€œThose with marketing interests are finding it easier to get their message across in an unfiltered manner,â€? Schwitzer says. </p>

<p>In August of 2006, WebMD.com posted an article announcing that â€œan apple (or two) a day may help keep Alzheimer&#39;s awayâ€”and fight the effects of aging on the brain.â€? It wasn&#39;t until seven paragraphs into the story, Schwitzer noted on his blog, that the reporter disclosed that this conclusion was based on the findings of experiments conducted solely with mice.</p>

<p>That kind of reporting is all too common, Schwitzer says. â€œCaveats, comparisons with existing alternatives, cost informationâ€”the real quality of the evidence appears too lateâ€? in stories, he explains. â€œYou&#39;re asking for an editor to cut it, or you&#39;re asking the reader to ignore it.â€?</p>

<p>To counter this trend, Schwitzer launched a popular health news site on the Internetâ€”<a href="http://healthnewsreview.org">healthnewsreview.org</a>. On it, he and his colleagues point out some of the more problematic health reporting he comes across, and they discuss potential remedies to the problems plaguing the news industry in general and health reporters in particular. </p>

<p>The site has grown into a significant resource for journalists and news consumers alike. Schwitzer doesn&#39;t believe that poor quality health news coverage is driven by a public with an appetite for sound bites rather than depth. He notes that publishers sometimes twist market research to support their claim that the public doesn&#39;t want depth or nuance in their coverage. But, he counters, â€œThere&#39;s anecdote on top of anecdote about folks who are thirsty for in-depth analytical news.â€? Quenching that thirst is an important goal of his site.<br />
</p></body>
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         <pubDate>Fri, 04 Apr 2008 14:33:59 -0600</pubDate>
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         <title>Finding the Perfect Frame</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121132</link>
         <guid>121132</guid>
        <body><p><img alt="RothmanAlex.jpg" src="http://blog.lib.umn.edu/clareach/stories/RothmanAlex.jpg" width="216" height="277" style="float: right; clear: both; padding: 0 10px 10px 10px;"/>Finding the Perfect Frame</p>

<p>However or wherever we acquire health information, understanding and remembering what we learn is only part of the story. Once we&#39;ve navigated through the menus, clicked on the graphics, and landed in front of some textâ€”a health news story, a set of recommendations for preventing cancerâ€”how do the words we read influence our medical decision making?</p>

<p>That&#39;s where Alex Rothman&#39;s work comes in. Rothman, a professor of psychology, has spent years studying the kinds of messages that help consumers make good decisions about their health. The wording of a message, his research suggests, can make the difference between dental appointments kept and missed, between HIV tests taken and avoided, between tumors detected in their early stages and those found only after they&#39;ve metastasized.</p>

<p>Rothman has focused, in particular, on people&#39;s responses to messages promoting healthy behaviors. He&#39;s found that when people see a medical procedure as something that could bring bad newsâ€”a diagnostic or screening test such as a mammogram, an HIV test, a prostate exam, for exampleâ€”they are more likely to risk the procedure if they&#39;ve been warned of the potential losses if they do not have it. â€œDecision-making work has shown that when faced with loss-framed information, people are more risk-seeking,â€? he says.</p>

<p>In other words, women are more likely to get mammograms, for example, if they hear â€œbreast cancer could kill you if you don&#39;t get a regular mammogramâ€? than â€œa regular mammogram is the best way to stay healthy.â€? </p>

<p>On the other hand, when we see healthy behaviors as relatively risk-freeâ€”unlikely to yield bad newsâ€”we&#39;re more likely to do them when we&#39;re told what we&#39;ll gain, Rothman says. People are more likely to lather up with sunscreen when they&#39;re promised healthy skin than when they&#39;re warned of the risks of not doing so; and they are more likely to brush and floss when they are promised a dazzling smile than to do so when they&#39;re warned of rotten teeth.</p>

<p>Rothman&#39;s work has important implications for people who communicate about health issuesâ€”everyone from doctors and dentists to public health officials to reporters working health beats. By framing messages promoting healthy behavior in ways that are tailored to the degree of risk people associate with the behavior, communicators of medical advice can increase the likelihood of compliance.</p>

<p>But that&#39;s not as easy as it sounds. â€œTo the extent that there&#39;s great consensus, then one message might work,â€? says Rothman. â€œIf we socialize people to think about mammography as an illness-detection behavior, then a message emphasizing the potential consequences of failing to get a mammogram will work pretty uniformly. On the other hand, to the extent that there&#39;s diversity in the way that people construe the behavior, then a single message doesn&#39;t work well.â€?</p>

<p>Take the dental visit, for example. For Rothman and those whose teeth have seen the sharp side of the dentist&#39;s drill, going to the dentist is a screening behaviorâ€”there&#39;s a risk that they&#39;ll get bad news. But for those who have never had a cavity, going to the dentist is a health-affirming behavior, an opportunity to get your teeth cleaned and your smile brightened.</p>

<p>That&#39;s why, for behaviors that are likely to be seen differently by different people, personalized communications may ultimately be more effective than one-size-fits all messaging. So Rothman has been looking recently at the impact of messages on reminder cards. â€œWithin clinics, in theory, you can tailor the reminder card to what you know about your individual patientâ€”especially in the age of <br />
electronic records,â€? he says. So, for example, if a dentist has a savvy computer program and electronic records, her patients with a history of cavities will receive messages emphasizing the negative consequences of not getting their teeth cleaned, and those without cavities would receive messages emphasizing the benefits of continued dental check-ups. Both groups would end up in her waiting room in high numbers.</p>

<p>Rothman&#39;s findings are a testament to the double-edged nature of the rise of information technology. By enabling hundreds of channels and millions of Web sites, technology fragments usâ€”we&#39;re socialized in hundreds of idiosyncratic media worlds, making one-size-fits-all messages difficult and ineffective. But even as it fragments us, technology has the potential to use our individual differences to get us to act in the same healthy ways. </p>

<p><em>- by Danny LaChance</em><br />
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         <title>Drinking from the Fire Hose</title>
         <description><p><img src="http://blog.lib.umn.edu/clareach/stories/SchwitzerGaryhose.jpg" alt="Portrait: Gary Schwitzer. " width="200" height="151" />These days, medical information and health news coverage is everywhere&mdash;online, on television, on magazine covers. But are we parched in the deluge? <a href="?entry=121131"><strong>Learn more</strong></a></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121131</link>
         <guid>121131</guid>
        <body><p><em>by Danny LaChance</em></p>

<p>In the sentimental 1980s flick Beaches, Barbara Hershey plays a character who learns she has cardiomyopathy. She goes to a university library and, hunched over a hardwood table under the dusty light of a green desk lamp, flips through the pages of a medical textbook, trying to find out what, if anything, she can do.</p>

<p>She can&#39;t Google treatment options or read online bulletin boards filled with multiple perspectives and disagreements over the limits of medical knowledge. There are no WebMD.coms with articles about her ailment, no online newspaper archives that might contain research reports related to the disease.</p>

<p>With the loss of gatekeepers&mdash;those charged with filtering, fact checking, and framing the information that people encounter&mdash;we enjoy unparalleled access to the most obscure knowledge, to breaking medical news, to unconventional points of view. Such access offers unparalleled opportunities&mdash;the chance to stumble upon a condition unknown to your doctor or to gather the latest treatment options in just a few keystrokes.</p>

<p>But it also comes with new risks. When anyone can produce and consume medical knowledge without the mediation of professionals, it becomes increasingly likely that the information we encounter will be inaccurate, misinterpreted, or stripped of its context in ways that can hurt more than help us.</p>

<p>â€œWe are blessed by many information tools and outlets, but it can be like trying to get a drink from a fire hose," says Gary Schwitzer, an associate professor of journalism and mass communication. â€œThere is so much that comes with such force and such overwhelming volume, the sources of which aren&#39;t always immediately clear."</p>

<p>As the stream of medical knowledge becomes a deluge, Schwitzer is one of several CLA researchers whose work is helping us learn, in essence, how to have our fire hose&mdash;and drink from it, too.</p></body>
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         <pubDate>Fri, 04 Apr 2008 14:23:38 -0600</pubDate>
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         <title>A Not-Always-So-Happy Medium</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121072</link>
         <guid>121072</guid>
        <body><p>It may not be like a visit to the doctor, but it gets awfully close. When you visit the popular medical information website WebMD.com, you can point to where it hurts: clicking on a graphic representation of a human body part produces a pop-up list of possible ailments, with  links to suggested courses of action.</p>

<p>Interactive experiences like this one are the defining feature of the online experience. When we&#39;re online, we&#39;re busyâ€”entering search terms, clicking through menu options, following links. But how does this interactive format affect our ability to process the information we find online? Brian Southwell, assistant professor and director of graduate studies in the School of Journalism and Mass Communication, decided to find out.</p>

<p>We often think of the Web&#39;s interactive nature as a boon: you see what you want to see and can by-pass the dull or the irrelevant. But Southwell hypothesized that the interactivity that makes the Web so appealing might be the very thing that derails our search, interfering with our understanding and retention of the information we find.</p>

<p>In an experiment conducted in collaboration with Mira Lee of Michigan State University, Southwell presented subjects with an interactive and non-interactive version of a documentary program interspersed with public service announcements. One group of subjects had no control over the content they were shown: they had to watch the presentation from beginning to end.</p>

<p>Members of another group, however, had a different experience. In a format that mimicked the Web&#39;s interactive environment, they were presented with clickable images of the different segments of the program. While they had to watch all of the segments, they could do so in any order. They were also allowed to fast-forward, stop, pause, and rewind the program.</p>

<p>Interviewing the subjects a week later, Southwell and Lee found that those who interacted more with the content were less able to recall the details of an especially complex public service announcement than those who simply watched the program from start to finish. (Memory differences between groups did not show up for a relatively simple public service announcement, suggesting that the effects increase with the complexity of information.)</p>

<p>â€œInteraction with user controls introduces yet another set of information with which a person must contend. While such controls likely afford certain pleasures and possibilities, they also introduce a processing burden,â€? the two concluded.</p>

<p>In other words, the bells and whistles of interactive platforms like the Internet can sometimes be a liability: we&#39;re so busy clicking that we&#39;re forgetting to do other things, like synthesizing, encoding, and storing the information that&#39;s popping up before us. â€œPeople talk about interactivity as inherently a good thing,â€? Southwell says. â€œBut when it comes down to it, all that glitters is not gold in technology. You can have too much of a good thing.â€? <br />
</p></body>
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         <pubDate>Fri, 04 Apr 2008 10:13:10 -0600</pubDate>
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         <title>Shop Before You Drop</title>
         <description><p>Pooling their expertise, two researchers cast some light on impulse buying.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121071</link>
         <guid>121071</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/Faber_Vohs.jpg"><img alt="Photo of Ron Faber and Kathleen Vohs with shopping carts" src="http://blog.lib.umn.edu/clareach/stories/Faber_Vohs-thumb.jpg" width="115" height="145" /></a><em>By Danny LaChance</em><br />
In higher education circles these days, it&#39;s fashionable to wax poetic about the importance of interdisciplinary collaborations. The most important discoveries of the twenty-first century, we&#39;re told, will be made not by some intrepid soul working in one field, but by teams of researchers who bring different disciplinary perspectives to some of our most perplexing puzzles.  </p>

<p>But what does interdisciplinary collaboration actually look like? And how, exactly, does it produce all this touted progress?</p>

<p>Ron Faber and Kathleen Vohs have one answer. He&#39;s a CLA researcher in the School of Journalism and Mass Communication. She&#39;s a professor of marketing and logistics management in the University&#39;s Carlson School of Management. </p>

<p>Collaborating with one another for years, the two have been able to make some unique connections between their respective disciplines and as a result, have increased our understanding of a nearly universal phenomenon: impulse buying. </p>

<p><strong>White bears and empty pockets</strong><br />
Vohs and Faber wanted to know how and why we purchase goods on a whim, and they each had a set of knowledge that, alone, couldn&#39;t answer the question properly. â€œI understood the self-control failure model," Vohs explains, â€œthe psychological theory that we have a limited amount of resources that we can use each day to resist the temptation for immediate gratification in order to achieve longer term goals. Think of your capacity for self control as a gas tank in a car. When you successfully curb that impulse to devour a 1,000-calorie burrito by reminding yourself of your weight loss goals, you press down on an accelerator, spending a bit of the gas in your tank. The more you control your impulses, the more gas you use. After operating for a long time, people, like cars, run out of gas: they become less able to resist their impulses in order to meet longer-term goals."</p>

<p>But would this theory explain people&#39;s behavior when it came to impulse buying? That&#39;s where Faber came in. </p>

<p>â€œI knew I could count on Ron to flesh out the spending, the consumer context in which the model was applied," Vohs said. </p>

<p>The two crafted a series of experiments that tested whether shoppers are more likely to buy impulsively after â€œspending" self-control resources. Their hunches were correct: Those asked to expend lots of resources by engaging in certain tasksâ€”not thinking about a white bear during a ten-minute writing exercise or ignoring random words that flashed along the bottom of a screen during a boring videoâ€”were later more likely to buy products impulsively and to value them at higher dollar amounts when compared to people who were not asked to control themselves.  </p>

<p>The results suggest that we&#39;re much more likely to buy impulsively after we&#39;ve spent a good deal of time making choices and regulating our behavior. The implications of the research are numerous, Faber says. â€œIf you don&#39;t want to make impulse purchases, break your shopping into shorter trips. Don&#39;t do all your shopping at once. If you have a really tough day, don&#39;t go shopping," he adds.</p>

<p><strong>Crossing over</strong><br />
One of the key benefits of working with scholars from a different disciplinary background is that they tend to ask new questions and challenge the core assumptions of your own discipline, Vohs says. </p>

<p>â€œPsychologists consider self control as having a lot to do with persistence. When people show good self control, they persist in the face of struggle or difficult demands," she explains. And when they give up quickly, they are exhibiting poor self control.</p>

<p>Her colleagues in the business school, however, didn&#39;t see it that way. When she explained to them how psychologists classify behaviors as signaling low self control, â€œThey said,  â€˜Why is [abandoning a struggle] a sign of low self control rather than good self control? Perhaps these subjects knew where to put their energy in a judicious manner," Vohs recounts. </p>

<p>Cross-disciplinary interactions like these, Vohs says, can ultimately lead to the revision of concepts that have been taken for granted for years by specialists in a field. â€œRon knows the right questions to ask," says Vohs. â€œHe&#39;ll ask, â€˜Now why do you do it like that?&#39; Those challenges can sometimes lead to major new insights into the fundamental nature of what you&#39;re studying."</p>

<p><em>-by Danny LaChance</em></p></body>
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         <pubDate>Fri, 04 Apr 2008 10:07:45 -0600</pubDate>
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         <title>Bridging Race</title>
         <description><p>When it comes to representations of multiracial people, Catherine Squires says, the media often don&#39;t have it covered.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=120974</link>
         <guid>120974</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/bridging_race.jpg"><img alt="Illustration of children waiting to get on a school bus. A group of 3 boys wearing backpacks is on the left. A girl wearing a backpack is on the right facing the bus. All the children are of different races." src="http://blog.lib.umn.edu/clareach/stories/bridging_race-thumb.jpg" width="115" height="78" /></a>Catherine Squires was power-walking through her Minneapolis neighborhood last September when she came upon three kids having a heated first-day-of-school conversation. One boy was explaining to his two black friends that he was from a mixed racial background that included, among other things, Native American and Asian American relatives. The response from his peers was fascinating to Squires, an associate professor of journalism and mass communication at the University.<br />
 <br />
&#39;They said, &#39;Just say you&#39;re mixed&mdash;that&#39;s what we all say. Just tell everybody at school that,&#39;&#39; Squires recalls. She wondered at the time whether the boy would take that advice. Would saying that he&#39;s "mixed" make it easier for him to interact with his peers?</p>

<p><strong>Intersecting backgrounds</strong><br />
To Squires, such conversations suggest the unique and sometimes difficult role of multiracial people in an American culture that prefers to traffic in black and white. Her recent book <em>Dispatches from the Color Line: The Press and Multiracial America</em> is a groundbreaking investigation into the way news media have reported on what it means to be a person of more than one race in the United States.</p>

<p>Historically, multiracial people were depicted in literature and other media as representing the "dangers" of racial mixing, says Squires. Films in the beginning of the 20th century depicted people of white and Asian parentage as deviants or villains. A film character with both black and white ancestry&mdash;"mulatto"&mdash;"had to die or be punished in some way," Squires says. </p>

<p>Times have changed, of course. Tiger Woods, of Asian and African-American descent, is a hero to aspiring golfers everywhere. And Barack Obama&mdash;who has a white American mother and black African father&mdash;is a leading presidential contender. </p>

<p>Nonetheless, Squires argues, such examples are frequently trotted out to foreclose discussions of racial inequality. "Multiracial people are framed as a bridge away from race," she explains. "The increase in multiracial people and interracial marriages is [seen as] proof positive that we&#39;ve made it to a post-racial society," where differences no longer exist or matter. </p>

<p><strong>Media at the racial intersection</strong><br />
In the 2000 census, people were allowed to identify for the first time as multiracial. To make the coverage interesting, the media framed the story in terms of individual experience. "It&#39;s such a big trope in journalism&mdash;&#39;let&#39;s see what the person on the street thinks about this,&#39;&#39; Squires says. "It&#39;s very easy to tell a heartwarming story about a multiracial family that&#39;s overcome barriers. On an individual level, that&#39;s great. But all the other intricacies then get lost because the personal story is so compelling."</p>

<p>For Squires, the representation of multiracial people as bridges to a post-racial society is a manifestation of the media&#39;s failure to cover the persistence of racial inequality in the United States. It&#39;s only when racial inequality appears in stark and undeniable forms, as it did following Hurricane Katrina, that media coverage changes, say Squires. "But then ten minutes later in the news cycle, the denial of race is still strong again."</p>

<p>Media discussions of race often take a point-counterpoint turn that is ultimately unhelpful to viewers. Take radio announcer Don Imus&#39;s derogatory comments a while back about the black members of the Rutger&#39;s women&#39;s basketball team. As the controversy heated up, the dominant media strategy was to pit two black pundits against one another. "It&#39;s &#39;let&#39;s find a black conservative and a black liberal to duke it out about whether or not Don Imus is a racist. We need to get a &#39;pro&#39; and a &#39;con&#39; on this.&#39;"</p>

<p>In the end, the coverage rarely goes beyond facile debates about whether or not this or that public figure is racist. "If that&#39;s the question," Squires argues, "you can&#39;t ask other important questions"&mdash;about misogyny directed against black women, for example.</p>

<p>"The conventional wisdom is &#39;if you talk about race, you&#39;re going to lose,&#39;" Squires says. But the ubiquity of conversations like the one she heard on her September walk suggests to Squires a public desire for meaningful discussions of race. She&#39;s heartened by the hunger she sees in her students for racial conversations that break out of old patterns that are, well, black and white.</p>

<p>"They don&#39;t want to talk about race in ways that rehash old frameworks," she says. "They want to speak about their experiences; they want to understand them in larger frameworks."</p>

<p>Squires was attracted to Minnesota in part by the size and proximity of the Twin Cities television market and her potential to influence coverage of hot-button issues such as race. "I hope that as I get to know more people in the industry, I&#39;ll be able to leverage the U&#39;s resources and contacts to have frank conversations about racial coverage with people who work in the industry."</p>

<p>Squires has her work cut out for her. As images of New Orleans painfully reminded us, race is still caught up in large-scale power dynamics that go beyond individual acts of racism. If we are serious about addressing the inequalities that still haunt American society, Squires says, we need journalists dedicated to uncovering, rather than masking, those large-scale dynamics.</p>

<p>"If journalists aren&#39;t doing a good job of reporting on racial issues, then we all suffer."</p>

<p><em>- by Danny LaChance</em></p></body>
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         <title>Tightrope Walker</title>
         <description><p>The United States has its first viable black presidential candidate. Enid Logan explores how Barack Obama is a sign of our racial times.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=120972</link>
         <guid>120972</guid>
        <body><p>If you want to know something about how Barack Obama differs from the black presidential hopefuls who came before him, you might begin by looking at the people who turn out to see him when he speaks.</p>

<p>Take, for instance, the crowd that stood in the rain last November in Austin, Texas, to hear the candidate give a stump speech. They included African immigrant men in traditional dress; white middle-aged limousine liberals in cashmere sweaters; white University of Texas fraternity brothers sporting burnt orange Longhorn caps; and affluent black teenage girls in designer shoes. </p>

<p>There was no Jesse Jackson-style fiery rhetoric, no inveighing against racial and economic injustice. And that, Enid Logan says, is part of Obama&#39;s appeal&mdash;his modulated tone, his message of unity. "He&#39;s appealing because he is a new-millennium black politician," the University of Minnesota sociologist explains. "He&#39;s non-confrontational. And he focuses much more on America&#39;s future&mdash;and its promise&mdash;than on the racial problems of the past."</p>

<p>But what does the shift from old-style to Obama-style mean for the country&#39;s thinking about race? Why has the multiracial Obama become the country&#39;s first truly viable black presidential candidate? Those are important questions, says Logan, noting that Obama&#39;s campaign presents unprecedented opportunities for us to understand the politics of race in the United States.</p>

<p>Part of Obama&#39;s appeal to white voters, Logan has found, is his ability to offer them a sense of absolution for racial sins of the past while assuring them that we are on the verge of a "post-racial society," a utopia where race has no effect on one&#39;s life chances.</p>

<p>In surveys, white Americans tend to say that racism is, for the most part, a thing of the past. "There is this fervent desire to believe that we&#39;ve become a colorblind nation&mdash;or that we&#39;re very close," says Logan. And Obama&#39;s heritage&mdash;his mother is white and his father was born in Kenya&mdash;allows us to "side-step the whole issue of slavery. He&#39;s a black man we can stand behind without having references to this ugly past."</p>

<p>Of course, by many measures, and despite much progress, the legacy of that ugly past still lingers, with black Americans still trailing behind their white counterparts in income, education levels, and homeownership. So does support for Obama offer white people a way to deny the persistence of racial inequality?</p>

<p>Obama does acknowledge the persistence of racism, says Logan. But rather than outlining a specific agenda for combating it, he delivers a message of change, hope for an inclusive America.</p>

<p>The message is clearly paying off. Yet Obama is walking a tightrope, Logan says. "How does he maintain his viability as a mainstream candidate without alienating the black community by seeming to say &#39;the battle is over&#39;?" she asks, noting that the vast majority of blacks, unlike whites, say that racism remains an unsolved problem in American society. </p>

<p>The media, meanwhile, "keep reporting that working class blacks are skeptical about whether Obama is black enough," says Logan. "But we rarely actually hear the voices of the black working class. They&#39;re generally not the people being interviewed. They&#39;re not the journalists or the pundits."</p>

<p>What these reports really reveal, Logan contends, is a society both obsessed with race and desperate to leave it behind&mdash;collectively eager to wrestle with what it means to be black or white, yet pretending that only African Americans dwell on racial categories. </p>

<p><strong>Sugar-coating the pill</strong><br />
For all the old patterns she&#39;s unearthed in the speeches she&#39;s read and the coverage she&#39;s watched, Logan is, like the candidate she studies, hopeful. Obama&#39;s candidacy may appeal to a mainstream that has become Pollyannaish in its approach to racial inequality. But maybe, just maybe, a spoonful of sugar will make the medicine go down. </p>

<p>"There&#39;s a tremendous divide between the ways blacks and whites think about race in the United States, and it&#39;s been really hard to bridge because there&#39;s so much mistrust on either side," Logan says. "But Obama doesn&#39;t point fingers. He&#39;s telling us that the struggle for equality is part of our inheritance as Americans. And I think that his candidacy makes it feel safe for white people to talk about race."</p>

<p>The question, of course, is whether this new comfort level will ultimately lead to complacency rather than change. Logan, for one, is hopeful that change is on the horizon. "We&#39;re in a moment of transition and uncertainty. Obama&#39;s candidacy could help us move away from the post-civil rights movement stalemate we&#39;ve become mired in and toward new ways to bridge our nation&#39;s most persistent divide."</p>

<p><em>- by Danny LaChance</em></p></body>
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         <pubDate>Thu, 03 Apr 2008 15:46:14 -0600</pubDate>
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         <title>Uncommon Bonds</title>
         <description><p>Interim Dean James Parente on the connections of the liberal arts to each other and the world.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=120957</link>
         <guid>120957</guid>
        <body><p><img alt="Photo of James A. Parente, Jr." src="http://blog.lib.umn.edu/clareach/stories/ParenteJames-thumb.jpg" width="86" height="103" />Since last fall, I have had the pleasure of serving as interim dean of the College of Liberal Arts. Stepping into the shoes of former dean Steven Rosenstone (now Vice President for Scholarly and Cultural Affairs) whose distinguished and visionary leadership in his 11 years as dean has left enormous footprints has been not only an honor, but also a humbling opportunity to experience on a grander scale what this college is all about. </p>

<p>The liberal arts are often called the heart of the University. Indeed, the liberal arts foster critical thinking, expose students to a diversity of viewpoints, and are fundamental to any sort of higher-level education. I also believe that it is vitally important in this century for a liberal arts education to develop global citizens. </p>

<p>As this century has unfolded especially since 9/11 it has become increasingly essential that American leaders and Americans in general understand how U.S. political, social, economic, and cultural institutions and values intersect with those of other countries around the world. Liberal arts education as a repository and purveyor of social and cultural knowledge; of languages, literatures, and the arts; and of history and philosophy, including knowledge of the world&#39;s religions is exactly the foundation needed by the next generation of Americans who will navigate those intersections. </p>

<p>9/11 awakened us to our global responsibilities and reminded us of the need for the expert knowledge that only the liberal arts can provide. We wanted people who read and understood Arabic, who knew something about the Middle East, about history and philosophy and religion, about world cultures and global geo-politics. Every internationally minded firm these days wants not only people with business expertise but also those who are culturally competent in the broadest sense. </p>

<p>As CLA steps up to this challenge, we understand that such a broad liberal arts education for the next generation of citizens means moving beyond our own academic homes. To be sure, academic disciplines matter. But as we educate our students to be global citizens, we also know that one of our most important contributions as scholars and teachers will be to cross traditional academic boundaries to collaborate and make connections with other disciplines, as well as with other communities within and beyond the University. </p>

<p>The Latin motto on our University&#39;s Board of Regents seal&mdash;"commune vinculum omnibus artibus"&mdash;reminds us that "a common bond unites all fields of knowledge." We have paid homage to that motto for generations. But now, in the 21st century and for this college, it is an ideal that we must actively embrace.</p>

<p><em>- James A. Parente, Jr., Interim Dean</em></p></body>
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         <pubDate>Thu, 03 Apr 2008 14:36:10 -0600</pubDate>
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         <title>Colorblind or colorbind?</title>
         <description><p>At first glance, the work of these CLA researchers may seem to dovetail with the spirit of Proposition 54 and its assumption that classification can never serve good purposes.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84299</link>
         <guid>84299</guid>
        <body><p>Coupled with certain cultural assumptions, or with a simplistic or distorted view of diversity, classification enables us to create unwarranted hierarchies, to attach values and judgments to large swaths of people. But it would be a mistake, <a href="https://apps.cla.umn.edu/directory/profiles/craddock">Craddock</a> and <a href="https://apps.cla.umn.edu/directory/profiles/fergu033">Ferguson</a> argue, simply to dismiss classification as inherently evil and embrace colorblindness instead.</p>

<p>â€œThose of us who see the importance of maintaining some spotlight on difference do so because racial identification still has adverse effects on marginalized communities and ethnic minorities," Craddock says. In other words, people are not color blindâ€”they do recognize differences, and make judgments about them. And to counter the negative consequences of that reality, institutions need to be sensitive to those differences.</p>

<p>But she offers a caveat: â€œCategories of race and ethnicity should be maintained only to the extent they help us address the multiple effects of oppressions and racisms," Craddock says. â€œFor example, if they can point out how to deliver better and more appropriate resources to communities."</p>

<p>Ferguson notes that the ideal driving proponents of Proposition 54&mdash;the desire for a society of race-less individuals&mdash;is the same ideal that led sociologists to declare that African American culture was pathological. â€œThey&#39;re two sides of the same coin," he says.  </p>

<p>What&#39;s needed, Ferguson says, is not the abandonment of institutional sensitivity to difference, but a more cautious and skeptical approach to interpreting the data collected. Social scientists should avoid presuming that their results â€œcapture all aspects of the groups that they&#39;re looking at," he says. â€œThey would then understand that their interpretations are part of a range of interpretations," an approach that might forestall broad declarations of cultural incompetence or dysfunction.</p>

<p>Ultimately, an institution&#39;s use of classification is only as good or bad as the principles and people that guide the institution, Craddock says. â€œWe need to be training professionals in public health and medicine who aren&#39;t going to be assuming that high infant mortality rates result from mothers&#39; lack of a â€˜get up and go&#39; mentality," she explains, referencing recent news. â€œThat kind of comment is biased and ill informed. People with institutional authority need to find ways to intervene in stereotypes of race and gender, not mobilize these stereotypes in ways that further marginalize vulnerable communities."</p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
         <category>
            17097|10167
         </category>
         <pubDate>Tue, 31 Jul 2007 15:29:35 -0600</pubDate>
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         <title>A homogenous mosaic</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84296</link>
         <guid>84296</guid>
        <body><div id="blogImageCaption"><img alt="Picture of Doug Hartmann and Penny Edgell" src="http://blog.lib.umn.edu/clareach/stories/H%26E-0023.gif" width="182" height="274" /><br /><i>Doug Harmann and Penny Edgell<br /> Photo: Richard Anderson</i></div>

<p>Why does classification by institutions like public health departments or universities often seem to lead to stigmatization? It&#39;s tempting to write off this tendency as malice or ignorance. But CLA sociologists <a href="https://apps.cla.umn.edu/directory/profiles/edgell">Penny Edgell</a> and <a href="https://apps.cla.umn.edu/directory/profiles/hartm021">Doug Hartmann </a>suggest that it often stems from a complex mixture of good intentions and rigid expectations.</p>

<p>Americans usually say they value the ideal of diversity, but they also expect others to behave in particular ways, speaking English, for instance, or celebrating Thanksgiving, or worshipping a certain way. That way of thinking may unconsciously inform the way our institutions, like health departments and universities, are structured and the ideals of the people who work in them. When faced with populations whose habits, lifestyles, or incidence of illness deviate from the norm, the institution&#39;s response is â€œto decide that something is wrong with [these people]," Edgell explains. â€œThey are perceived as problems."</p>

<p>Meanwhile, even outside the institution, people who don&#39;t belong to minority groups often don&#39;t see the inequalities resulting from the institutional response. That&#39;s one of the key findings, so far, of the American Mosaic Project, a multi-year study led by Edgell and Hartmann that examines how Americans view racial, religious, and cultural difference. </p>

<p>Americans embrace the concept of equality, Hartmann and Edgell say, but while whites tend to believe that our institutions create a level playing field, minorities don&#39;t. The ideals of fair play and justice that pervade our cherished national documents may account in part for this phenomenon, the two hypothesize. Because our commitment to equality on paper is so strong, people in the majority may have difficulty recognizing the unfair treatment that some groups receive from institutions in practice. </p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
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            17097|10167
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         <pubDate>Tue, 31 Jul 2007 15:12:16 -0600</pubDate>
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         <title>Dysfunction&#39;s Function</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84294</link>
         <guid>84294</guid>
        <body><div id="blogImageCaption"><img alt="picture of Rod Ferguson" src="http://blog.lib.umn.edu/clareach/stories/2ferguson-0009.gif" width="274" height="182" /><br /><i>Rod Ferguson<br />Photo: Richard Anderson</i></div>

<p>Policy makers and political pundits, even celebrities like Bill Cosby, often speak about disease in social and cultural as well as biological terms. In the 1950s, university professors were more often the source of public thinking about social disease.</p>

<p>In the aftermath of World War II, U.S. officials increasingly turned to professors of sociology to help solve social problems like poverty that plagued minority communities, including African Americans. But, as <a href="https://apps.cla.umn.edu/directory/profiles/fergu033">Rod Ferguson</a> notes, their academic research often reinforced the inequality it sought to reduce. </p>

<p>Ferguson, an associate professor of American studies at the University, has studied the way that academic institutions have been complicit in stigmatizing populations that are different. In earlier decades, social scientists studying inequality often inadvertently blamed the victims. The problem, they said, wasn&#39;t the economic system or the historical denial of resources and opportunities to African Americans. It was, rather, the attitudes and habits of black people. </p>

<p>"Academics pointed to many examples of so-called black dysfunction," Ferguson explains. "The Chicago school of sociology looked at black homosexuals on the South Side of Chicago as evidence of corruption--corruption that could contaminate the nearby white neighborhoods. Some sociologists also pointed to single-head households, the unwed mothers and the families with no fathers in the households, as examples of dysfunction. To some of these academics the norm, a healthy household, was one that was patriarchal."</p>

<p>Other academics decried the close quartering of extended families and lodgers--often migrants moving from the South to stay with families in small apartments in cities like Chicago and New York. To many African Americans, opening their homes to newcomers showed hospitality and generosity; in the minds of some sociologists, though, that openness signaled harmful breakdowns of the nuclear family--a structure that, they argued, provided economic and moral security.</p>

<p>Had these academics&#39; conclusions remained confined to textbooks and scholarly journals, they might not have made much of a difference in the lives of African Americans. But they found a new and robust life in government policies and laws. "They became general common sense, and you see them all over the place," Ferguson observes. </p>

<p>In his 1976 presidential campaign, Ronald Reagan told the story of a Chicago woman who allegedly was making $150,000 a year from fraudulent welfare claims. When the woman he described, Linda Taylor (who happened to be black), was later convicted of defrauding the government of $8,000, a prosecutor quoted in the New York Times called her a "parasitic growth" on the system. Before long, the politically charged image of the welfare queen--described in the Times as "a heavy woman driving a big white Cadillac and paying for steaks with wads of food stamps"--became the prevailing image of a woman receiving assistance. Given the infamous Taylor and the general public&#39;s perception of the racial composition of welfare rolls, it seemed to go without saying that the "welfare queen" was black.</p>

<p>The rhetoric of welfare reform in the last few decades of the 20th century, then, was essentially a spinoff of what sociologists had been saying in the 1950s. "In welfare reform, from Reagan to Clinton, these sociologists&#39; findings became a bedrock of social change," Ferguson says. "Public discourse about what went wrong in black communities began with the female head of household."</p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
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         <pubDate>Tue, 31 Jul 2007 15:07:20 -0600</pubDate>
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         <title>Hazardous to your health</title>
         <description><p>Last April, the New York Times reported a sharp up-tick in infant mortality rates in the South, a rise that was especially pronounced within the state&#39;s disproportionately poor African American population.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84293</link>
         <guid>84293</guid>
        <body><div id="blogImageCaption"><img alt="Professor Susan Craddock" src="http://blog.lib.umn.edu/clareach/stories/craddock-0007.jpg" width="174" height="171" /><br /><i>Susan Craddock<br />Photo: Richard Anderson</i></div>

<p>As state officials and experts struggled to make sense of the data that had been collected by state agencies, they came to disparate conclusions. Some charged that the differences resulted from cutbacks to state-funded prenatal medical care. Others, however, explained the increase in deaths not as a function of healthcare access but as a function of characterâ€”of willpower. </p>

<p>â€œThe mothers in general, black and white, are not as healthy," a Mississippi doctor told the Times, pointing to increases in obesity, diabetes, and hypertension across racial categories. But he rejected the notion that the state&#39;s infrastructure was responsible. â€œSome women just don&#39;t have the get up and go," he said. </p>

<p>Despite the doctor&#39;s inclusion of whites, the â€œsome women" he referenced tended to be poor and black, the article notesâ€”implying a link between race and gumption. And that&#39;s a cause for concern. </p>

<p>â€œBoth the promise and the pitfall of statistics is that they can show where resources need to be directed or problems addressed, or they can be used to perpetuate negative stereotypes" says <a href="https://apps.cla.umn.edu/directory/profiles/craddock">Susan Craddock</a>, associate professor of gender, women and sexuality studies and affiliate in the Institute for Global Studies. </p>

<p>Craddock has found that policy makers, using categories of race and nationality, have justified unfair practices under the guise of protecting the public health. It&#39;s not a new phenomenon, she says. During a 19th-century epidemic of bubonic plague, health officials in San Francisco singled out Chinese immigrants and their neighborhoodsâ€”where the disease was rampantâ€”as the source of the contagion. â€œDisease became a way of pathologizing the Chinese, a political tool used to differentiate the immigrant community," says Craddock. â€œThis was clearly part of a larger anti-immigrant discourse."</p>

<p>Similar attempts in the 19th century to link other immigrant groups, especially Jews and Eastern Europeans, to disease and pestilence fill the pages of medical history books, Craddock says. â€œIf they are diseased, they are to be feared," she says. And, it seems, if they are feared, they are diseased.</p>

<p>The link between disease and discrimination is a phenomenon Craddock is monitoring in Minnesota. Right now, Twin Cities public health officials are trying to intervene in the high incidence of tuberculosis among members of the Somali immigrant community. Statistics from the Centers for Disease Control and Prevention show that TB infections run highest among immigrants to the U.Sâ€”a fact that has led some policy makers to advocate restrictions on the immigration of people from certain regions of the world, or greater surveillance before and after they enter the United States. </p>

<p>But other research suggests that many immigrants acquired tuberculosis after their arrival in this country, raising the possibility that living conditions in their adopted land are responsible for the outbreak. Craddock and her colleague John Song recently launched a study to ask members of the Somali community about their experiences with tuberculosis. They hope to provide a more accurate picture of transmission and appropriate response. Among other things, their work will raise questions about whether Somalis&#39; living conditions and limited access to good health care bear some blame for the current TB epidemic.</p>

<p>Craddock is concerned that in the absence of such research public health agencies might adopt policies that â€œessentially stigmatize and police immigrant groups rather than focusing on the economic and social factors that create vulnerability." What too often happens, she notes, is that â€œthose institutions that should be ameliorating problems are too often propagating them." She hopes that her research will help to counter that trend, sparking awareness in public health officials about which concerns are reasonableâ€”and which are not.</p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
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         <pubDate>Tue, 31 Jul 2007 15:04:43 -0600</pubDate>
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         <title>David Wilkins</title>
         <description><p><em> American Indian Studies </em></p>

<p>David Wilkins will never forget Lois Louis and Vine Deloria, two professors who made an enormous difference in his life. </p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84198</link>
         <guid>84198</guid>
        <body><div id="blogImageCaption"><img alt="Professor David Wilkins" src="http://blog.lib.umn.edu/clareach/stories/WilkinsDavid2.jpg" width="168" height="250" /><br />
<i>Dan Wilkins<br>Photo: Leo Kim</i></div>
â€œThey required us to speak with them. It was a reciprocal process. They had faith in our ability to come up with a solid critique of what we had read."

<p>Wilkins demands a lot from his students, because the abilities â€œto think critically and to be prepared to field questions immediately are critical. They help you throughout life." The most valuable skill a student can take from education, he adds, is â€œthe ability to exercise individual selfdetermination." And that&#39;s the kind of skill that the face-to-face interaction of a classroom community can nurture.</p></body>
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         <pubDate>Mon, 30 Jul 2007 13:02:52 -0600</pubDate>
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	<enclosure url="http://blog.lib.umn.edu/clareach/stories/NobleDavid2.jpg" length="76406" type="image/jpeg" />
         <title>David Noble</title>
         <description><p><em> American Studies </em></p>

<p>David Noble depends on classroom learning to teach his students that they&#39;re studying real people with real problems.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84197</link>
         <guid>84197</guid>
        <body><div id="blogImageCaption"><img alt="Professor David Noble" src="http://blog.lib.umn.edu/clareach/stories/NobleDavid2.jpg" width="285" height="190" /><br />
<i>David Noble<br> Photo: Diana Watters</i></div>â€œIt&#39;s crucial for students to know that they&#39;re not dealing with abstractions but with livingâ€”well, they&#39;re dead but they were livingâ€” human beings," he says. He even has been known to impersonate prominent historical figures to â€œhelp students feel the drama of the moment."

<p> Noble believes that fully understanding the multifaceted situations these historical icons faced gives students invaluable skills in their own lives. â€œWe&#39;re always making choices within contexts. But it&#39;s much easier to come to know the context you find yourself in if you can compare it with other contexts."</p>

<p><br />
</p></body>
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            17854|17097
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         <pubDate>Mon, 30 Jul 2007 13:00:59 -0600</pubDate>
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         <title>Jason McGrath</title>
         <description><p>â€œIf you need to engage in analysis and interpretation, in-class learning provides something that online learning can&#39;t, because in the give-and-take process of hearing and contemplating others&#39; ideas and testing your own against them, you will actually come to a much deeper understanding."</p>

<p>Participating in class discussions, says McGrath, enables students â€œto approach cultural texts on a more sophisticated and complex level, and to get a richer experience of culture."</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84196</link>
         <guid>84196</guid>
        <body><div id="blogImageCaption"><img alt="Professor James McGrath" src="http://blog.lib.umn.edu/clareach/stories/film-collaborative2.jpg" width="172" height="228" /><br />
<i>Jason McGrath</i></div>â€œIf you need to engage in analysis and interpretation, in-class learning provides something that online learning can&#39;t, because in the give-and-take process of hearing and contemplating others&#39; ideas and testing your own against them, you will actually come to a much deeper understanding."

<p>Participating in class discussions, says McGrath, enables students â€œto approach cultural texts on a more sophisticated and complex level, and to get a richer experience of culture."</p></body>
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            17854|17097
         </category>
         <pubDate>Mon, 30 Jul 2007 12:58:48 -0600</pubDate>
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         <title>Professors Ponder... The Importance of Classroom Learning</title>
         <description><p>In this age of experiential learning and cyberlearning, the art of human interaction in the classroom continues to thrive. Even large lecture classes have taken on new life. Why do classrooms still matter? What can students get from the classroom that they might not be able to find online or in the field? Here&#39;s what some CLA faculty members are saying:</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84195</link>
         <guid>84195</guid>
        <body><p><strong><a href="https://apps.cla.umn.edu/directory/profiles/jmcgrath">Jason McGrath</a></strong><br />
<em>Asian Languages and Literatures</em></p>

<p>A scholar of Chinese film, McGrath is â€œa big believer in film as a collective experience." He often <br />
moderates in-class debates, enabling students to collectively discover truths within complex subject matter. </p>

<p>â€œIf you need to engage in analysis and interpretation, in-class learning provides something that online learning can&#39;t, because in the give-and-take process of hearing and contemplating others&#39; ideas and testing your own against them, you will actually come to a much deeper understanding."</p>

<p>Participating in class discussions, says McGrath, enables students â€œto approach cultural texts on a more sophisticated and complex level, and to get a richer experience of culture."</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/noble015">David Noble</a></strong><br />
<em>American Studies</em></p>

<p>David Noble depnds on classroom learning to teach his students that they&#39;re studying real people with real problems.</p>

<p>â€œIt&#39;s crucial for students to know that they&#39;re not dealing with abstractions but with livingâ€”well, they&#39;re dead but they were livingâ€” human beings," he says. He even has been known to impersonate prominent historical figures to â€œhelp students feel the drama of the moment."</p>

<p> Noble believes that fully understanding the multifaceted situations these historical icons faced gives students invaluable skills in their own lives. â€œWe&#39;re always making choices within contexts. But it&#39;s much easier to come to know the context you find yourself in if you can compare it with other contexts."</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/wilkinsd">David Wilkins</a></strong><br />
<em>American Indian Studies</em></p>

<p>David Wilkins will never forget Lois Louis and Vine Deloria, two professors who made an enormous difference in his life. </p>

<p>â€œThey required us to speak with them. It was a reciprocal process. They had faith in our ability to come up with a solid critique of what we had read."</p>

<p>Wilkins demands a lot from his students, because the abilities â€œto think critically and to be prepared to field questions immediately are critical. They help you throughout life." The most valuable skill a student can take from education, he adds, is â€œthe ability to exercise individual self determination." And that&#39;s the kind of skill that the face-to-face interaction of a classroom community can nurture.</p>

<p><em>By Andrew Hogan</em></p></body>
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         </category>
         <pubDate>Mon, 30 Jul 2007 12:56:20 -0600</pubDate>
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         <title>Biking to Discover</title>
         <description><p>From July through December 2007, <a href="https://apps.cla.umn.edu/directory/profiles/lmendoza">Louis Mendoza</a>, chair of the University of Minnesota&#39;s Department of Chicano Studies, will bicycle around the perimeter of the United States.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84097</link>
         <guid>84097</guid>
        <body><div id="blogImageCaption"><img alt="Professor Louis Mendoza. " src="http://blog.lib.umn.edu/clareach/stories/LouisMendoza.jpg" width="282" height="189" /><br />
<i>Louis Mendoza<br>Photo: Kelly MacWilliams</i></div>

<p>Covering 8,500 miles, he&#39;ll visit 34 states. Along the way, he plans to talk with people about their views on the emergence of Latinos as the nation&#39;s largest ethnic minority and the impact this demographic shift is having on U.S. national identity and culture. </p>

<p>â€œMy goal is to listen to the person on the street, to meet people in churches, cafes, and bars, to find out what they understand are the issues around the â€˜Latino-ization&#39; of the U.S.," Mendoza says. </p>

<p>â€œMy hope is that this journey will not be just my story, but the story of the people I encounter who are both part of the problem and part of the solution. My goal is to offer much needed insight from voices that aren&#39;t often heard in formal media venues."</p>

<p><em>By Kelly O&#39;Brien</em></p>

<p>Visit Louis Mendoza&#39;s blog and track his journey across America. Go to <a href="http://reach.cla.umn.edu/mendoza">reach.cla.umn.edu/mendoza</a>.</p></body>
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         <pubDate>Fri, 27 Jul 2007 11:57:45 -0600</pubDate>
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         <title>Teaching Reconciliation</title>
         <description><p>Catherine Guisan and her students discuss the meaning of the term political reconciliation</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84096</link>
         <guid>84096</guid>
        <body><div id="blogImageCaption"><img alt="Catherine Guisan and students in the classroom" src="http://blog.lib.umn.edu/clareach/stories/guissan-0169.gif" width="274" height="182" /><br />
POL 4210, Spring 2007</div>

<p><strong>Surprised by the Politics of Reconciliation </strong></p>

<p>I was surprised that many of my 35 students from nine countries (Ethiopia, Kuwait, Liberia, Palestine, Russia, Serbia, Togo, Trinidad, and the United States) had never heard of the term political reconciliation. Hegel and Marx challenged us to think of history as a dialectical process, of social forces overcoming their contradictions in  the rational, or classless, society, eventually reconciled with itself. John Stuart Mill urged us to eschew all final resolution to pursue ongoing debates on controversial questions, from religion to private property&#39;s legitimacy, and to adopt the â€œharm principle" as a response to offensive actions. Because of totalitarianism, Hannah Arendt and Isaiah Berlin thought anew the recovery from murderous clashes of interest and belief. What did Arendt mean by â€œforgiveness and promise?" Why did the Socratic dialogue of conscience matter so to political action?</p>

<p>We stayed with these questions as we read Jewish, Christian, and Islamic scriptures with their sometimes contradictory tenor (casting evil men out and turning the other cheek). We explored the link between personal self-transformation and political change in texts by Mohandas K. Gandhi, Martin Luther King, Jr., and Desmond Tutu, and commentaries on their actions. We also studied two instances of international reconciliation: the rapprochement between France and Germany in the 1950s and, after 1989, attempts at reconciliation in other parts of Europe. We were struck by the immense sufferings that call for reconciliatory politics, and by the importance of social and economic fairness but also of a rhetoric that taps into the cultural traditions of the peoples concerned (Hegel&#39;s Sittlichkeit). We mourned the Virginia Tech shootings.</p>

<p>Queries came up: What is the difference between liberation and reconciliation? Can we trust courts to play a positive role in processes of reconciliation? One student who participated in the Liberian Truth and Reconciliation Commission&#39;s investigation in the Twin Cities explained the hopes and doubts it inspires. Another student shared  her excitement at realizing that the Bible and Koran tell the story of Joseph forgiving his brothers in very similar terms. Discussing prospects for the politics of reconciliation after 9/11, several stressed that it had to start within the U.S. between classes and ethnic groups before it could travel abroad. One wrote, â€œI know that people are changed by this class or at least thinking about it." Another said it brought his â€œdead dream alive," to help reconcile two warring ethnic groups. â€œEven if I don&#39;t see this in my lifetime," he said, â€œI hope I will share the same knowledge that you have shared with us with the next generations."</p>

<p><em>By Catherine Guisan</em></p></body>
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         <pubDate>Fri, 27 Jul 2007 11:47:43 -0600</pubDate>
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         <title>Difference 101: A Short Syllabus</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84095</link>
         <guid>84095</guid>
        <body><p><a href="https://apps.cla.umn.edu/directory/profiles/craddock">Susan Craddock</a>, <i>City of Plagues: Disease, Poverty, and Deviance<br />
in San Francisco </i>(University of Minnesota Press, 2004)</p>

<p><a href="https://apps.cla.umn.edu/directory/profiles/edgell">Penny Edgell</a>, <i>Religion and Family in a Changing Society</i><br />
(Princeton University Press, 2005)<br />
<a href="https://apps.cla.umn.edu/directory/profiles/fergu033"><br />
Roderick Ferguson</a>,<i> Aberrations in Black: Toward a Queer of<br />
Color Critique </i>(University of Minnesota Press, 2004)</p></body>
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            17097|10167
         </category>
         <pubDate>Fri, 27 Jul 2007 11:44:48 -0600</pubDate>
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         <title>OurSpace</title>
         <description><p>A year ago, Alaska Senator Tad Stevens became the dunce of the day when he referred to the Internet as a â€œseries of tubes" on the floor of the U.S. Senate. Stevens&#39;s wording might have been crude, but it raised an honest question. What, exactly, is the Internet?</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84094</link>
         <guid>84094</guid>
        <body><p><img src="http://blog.lib.umn.edu/clareach/stories/sullivan-rodman-borgidaweb.jpg" /><br> John Sullivan, Gene Borgida, Gil Rodman</p>

<p>In its physical form, it&#39;s computer servers, wireless signals, and, yes, fiber optic cables snaking through oceans and dirt. </p>

<p>But we&#39;ve also come to conceive of the Internet as a revolutionary kind of space, a new platform of communication that is fundamentally changing human life for the better. </p>

<p><a href="https://apps.cla.umn.edu/directory/profiles/rodman">Gil Rodman</a>, a communications studies scholar, smiles when he hears this kind of talk. It&#39;s a new variation on an old theme, he says. In earlier eras, innovations like the printing press or the television also stoked utopian fantasies.</p>

<p>â€œWe&#39;ve long had this utopian notion that the problems of the world are all caused by the difficulty of communication," Rodman says. â€œAnd we feel that the Internet is finally going to bring us together in a way that will solve all of those problems."</p>

<p>But that seemingly self-evident truth isn&#39;t so self evident. â€œThere&#39;s nothing about the circulation of information that guarantees that it&#39;s a good thing," Rodman observes.</p>

<p><strong>Race in Cyberspace</strong><br />
â€œWe have this idea that by going online you lose the physical markers of racial identity, that they go away. You&#39;re entering a realm of pure ideas," says Rodman. But that kind of thinking is often more fantasy than reality. In many online contexts, Rodman notes, â€œthere&#39;s a default assumption that cyberspace is white space." He cites numerous postings on listservs and mainstream Websites in the United States where the term â€œwe" is used in ways that assume those accessing the site are white.</p>

<p>What Rodman has found, in short, is that those categories of difference that inform our offline lives will bleed into our online discourse no matter how we much we manipulate themâ€”or try to forget them.</p>

<p><strong>Cyber Civics </strong><br />
The notion that cyberspace is ultimately a reflection of the human dynamics of three-dimensional space is also endorsed by psychologist <a href="https://apps.cla.umn.edu/directory/profiles/borgi001">Eugene Borgida</a> and political scientist <a href="https://apps.cla.umn.edu/directory/profiles/jsull">John Sullivan</a>. Ten years ago, they set out to study how the citizens of two rural Minnesota communities, Detroit Lakes and Grand Rapids, were responding to the rise of the Internet.</p>

<p>They wondered, Borgida says, about whether the Internet could work to counter two of the trends that other academics had been studying: increased detachment and disengagement with civic life, and a lost sense of community. And they were particularly interested in how people&#39;s socioeconomic status factored into their ability to use the Internet to increase their involvement in public life.</p>

<p>What they found is that context matters; the Internet exists in economic and political landscapes that shape who gets access to it and how it&#39;s used by communities to enhance collective well being.</p>

<p>Take Grand Rapids, for example. â€œGrand Rapids people tend to be very civic oriented," says Borgida. So it was no surprise that when the local community unveiled Grand Net, a community electronic network that allowed citizens access to the Internet, they ensured that their least well off would have access to it. â€œThey had computers in the chamber of commerce. They had them in the county health center. The public library was a big spot," Borgida says.</p>

<p>Detroit Lakes, on the other hand, is more individualistic and entrepreneurial in its approach to public services. â€œIt&#39;s a different sensibility," Borgida explains. â€œTheir civic spirit has been much more oriented around tourism and entrepreneurism and market dynamics." That made it all the more tempting to leave Internet access to private, for-profit Internet service providers. As a result, access to Lakes Net, the electronic community network that Detroit Lakes founded, was limited to those with financial means.</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/borgidaweb.jpg" />The differences in these communities&#39; approaches to the Internet was significant. Responding to a civic culture that made access to all a priority, citizens in Grand Rapids showed higher levels of participation in cyberspace than those in Detroit Lakes. And OurSpace that, in turn, affected their sense of engagement with the community and benefited them personally. â€œCommunity electronic networks," like the one in Grand Rapids, â€œmay be particularly promising because they allow citizens to tap into civic resources to gain technological experience and know-how," Sullivan, Borgida, and their research associates concluded in a recent article.</p>

<p>Borgida is quick to emphasize that leaders in both communities were equally committed to increasing civic engagement. â€œThese leaders all have a vested interest in making things happen," he explains. â€œBut they inherit a certain way of being from their predecessors. And in Grand Rapids you find that people are on average more collaborative. That made them much more able to pull together to try to figure out how to use technology to increase their collective well being."</p>

<p><strong>From the Real to the Ideal</strong><br />
The persistence in our online worlds of our disparate offline cultures and values may seem to put the brakes on the revolutionary aspirations some have for the Internet. But the goal of research isn&#39;t to dash aspirations. Indeed, Rodman is excited about the potential the Internet has for publishing voices that wouldn&#39;t otherwise be heard.</p>

<p>But he knows that the Internet will always be only as utopian or dystopian as those who use it. â€œThe same technology that enables the free-flowing global community also enables a whole range of surveillance and privacy intrusions that wouldn&#39;t otherwise exist," he notes.</p>

<p>By getting us to think about the Internet as a tool used by humans embedded in cultural, political, and social worlds, these CLA researchers aren&#39;t letting us rest easily on our platitudes about the global village. They&#39;re pushing us to think about just what it will take in our offline lives for our online ideals to become reality.</p>

<p><em>By Danny LaChance</em></p></body>
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            17097|10166
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         <pubDate>Fri, 27 Jul 2007 11:28:17 -0600</pubDate>
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         <title>Deep Impact</title>
         <description><p><img alt="Professor Dan Kersten" src="http://blog.lib.umn.edu/clareach/stories/kerstenDan.jpg"  />Neuroscientist Dan Kersten works to understand how the space in front of us is processed visually by the brain, allowing us to negotiate on a second-to-second basisâ€”driving a car through traffic, maneuvering a pen over paper, dribbling a basketball toward a net.<span class="learnMore"> <a href="?entry=84092"><strong>Learn more.</strong></a><br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84092</link>
         <guid>84092</guid>
        <body><p><em>By Danny LaChance</em></p>
<p><a href="https://apps.cla.umn.edu/directory/profiles/kersten">
Dan Kersten</a> studies that immediate relationship we have with space. He&#39;s a CLA neuroscientist who has spent years trying to understand how the space that lies in front of us gets processed visually by the brain, allowing us to know what material objects occupy that space and where those objects are located.</p>
<p>For decades, neuroscientists have known that light from the world is initially projected two-dimensionally on the retina, a screen-like piece of tissue in the back of our eyes.</p>
<p>â€œThe eyes are built to extract information about the world from projection. So there&#39;s a difference right at the start. You start with a three-dimensional scene and you&#39;ve got two dimensional data," says Kersten.</p>
<p>Those two-dimensional signals soon travel to area V1, a part of the brain&#39;s cortex located at the back of the head, where they light up clusters of cells in patterns that approximate the space of the visual field. So an apple in front of you activates cells in your V1 area corresponding to its location in your visual field. Moving the apple to the left will change the location of activated cells in your V1 area.</p>
<p>But if, like the retina, area V1 represents space only in two dimensions, how do we perceive depth? How do we know, when we look into our dining room, that the candle on the table ahead of us isn&#39;t touching the curtain hanging three feet behind it?</p>
<p>For years, Kersten says, depth processing was mostly thought to happen elsewhere in the brain, after those initial signals passed through V1. So it was a surprise, he says, when evidence collected by his laboratory last year suggested that V1 does take distance, or depth, into account.</p>
<p>That&#39;s good information to know, especially for those seeking to replicate the human eye through technology. In the future, scientists may be able to help people with eye damage see by stimulating their V1 areas directly, through cortical implants. In order to translate the two-dimensional data from a camera lens into signals meaningful to V1, they&#39;ll need to know just how V1 processes depth. That&#39;s where Kersten&#39;s finding and the research it&#39;s spawning come in.</p>
<p>The robotics industry also stands to benefit. â€œIn the long term, artificial intelligence may need to draw on what we learn about the way the human brain works in order to achieve or even go beyond human visual and cognitive competence," he says.</p>
<p>After years of thinking about V1 in a certain way, Kersten says it&#39;s hard to adjust to his new findings. It wasn&#39;t exactly like seeing water boil in a freezer, but the findings do run against years of research and speculation about the way we see, Kersten says.</p>
<p>â€œThis is actually one case where hindsight is not helping a lot," he remarks. Figuratively speaking, of course.</p>
<h3>Cyber Optic</h3> 
<p>To learn more about Dan Kersten&#39;s findings and take part in an interactive demonstration of the experiment he and his collaborators designed, go to cla.umn.edu/reach/kersten.</p></body>
         <category>
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         <pubDate>Fri, 27 Jul 2007 11:18:54 -0600</pubDate>
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         <title>Class Matters</title>
         <description><p>What&#39;s happening in CLA&#39;s undergrad classrooms? We checked in with one of the smallestâ€”and one of the largest. (Just so you know â€¦ 42 percent of CLA classes have fewer than 20 students.)<em><br />
By Laine Bergeson</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84090</link>
         <guid>84090</guid>
        <body><p><b>History 1909: Globalization in the American Heartland</b><br />
CLASS SIZE: 9</p>

<p>â€œThe discussion we can have in class is the antithesis of the online experience," says <a href="https://apps.cla.umn.edu/directory/profiles/goodx001">David Good</a>, professor emeritus of history. Good teaches his freshman seminar using the actual stuff of historyâ€”contracts, poems, diary entries, and other documents dating from the period he&#39;s teaching, many of them very personal and moving, sometimes searing. In the more diffuse and less intimate setting of cyberspace, he says, it&#39;s difficult to get students to engage deeply with those texts, to get them to make connections and look for the patterns that lie within them.</p>

<p><b>Psychology 1001:Introduction to Psychology</b><br />
CLASS SIZE: 680</p>

<p>Nothing is more cutting-edge than flesh and blood, members of the psychology department decided several years ago.â€œIntroduction to Psychology used to be taught by films shown in the large lecture hall exclusively," says Judy Peterson, an education specialist who was hired in 1989 to revamp the monster course. One of Peterson&#39;s goals was to make the class more interactive. â€œWe replaced the film lectures with live lectures by scholars and experts in the field," says Peterson. Exposed each week to experts in psychology&#39;s sub-fieldsâ€”child development, clinical psychology, or abnormal psychology for startersâ€”students hear about the latest findings in the field. And of course they still wonder, as students always have when they learn the basics of psychopathology, Is this what&#39;s wrong with me? </p></body>
         <category>
            17097|9943
         </category>
         <pubDate>Fri, 27 Jul 2007 11:11:39 -0600</pubDate>
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	<enclosure url="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb.jpg" length="18234" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb2.jpg" length="11813" type="image/jpeg" />
         <title>On the Spot: Growth</title>
         <description><p>What role does the CLA experience play in shaping students&#39; identities? At the end of last semester, we asked CLA juniors and seniors to reflect on how they&#39;ve changed since they first entered college.<br />
<em>Interviews by Andrew Hogan</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84089</link>
         <guid>84089</guid>
        <body><p><img alt="Pictures of Ryan Flaherty and Ethan Stark" src="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb.jpg" /><br/><br />
<p style="clear: left;"><br />
<i>Ryan Flaherty, &#39;07; Ethan Stark, &#39;07<br>Photos: Everett Ayoubzadeh</i></p></p>

<p>â€œI developed a personal theory that nothing is one-sided. Nothing is only this or only that. You can never make an argument without giving some room to the other side, because you know you&#39;re not completely right; you know there are always two parts to every issue."<br />
â€”Ryan Flaherty (individualized studies &#39;07)</p>

<p>â€œI went to a play recentlyâ€”a oneman showâ€”that dealt a lot with how fear motivates a lot of our actions, and I got to thinking how it was really applicable in my lifeâ€”fear of what other people thought, fear of failure, fear of rejection. That was a recent epiphany of seeing the role it could play in my life."<br />
â€”Ethan Stark  (psychology &#39;07)</p>

<p><img alt="Jarrod Muneer Karcherramos" src="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb2.jpg" />â€œI became more conscious of my interactions with other peopleâ€”what people think when I say â€˜I&#39;m a Muslim,&#39; or when I say â€˜I&#39;m Mexican-American,&#39; or when I say this or that. It made me want to find out why these things matter."<br />
â€”Jarrod Muneer Karcherramos (political science &#39;08)</p></body>
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            17097|9943
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         <pubDate>Fri, 27 Jul 2007 11:06:08 -0600</pubDate>
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         <title>CLA faculty make their marks on CLA, Minnesota, and the world.</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84088</link>
         <guid>84088</guid>
        <body><p><strong>Received the prestigious Guggenheim Fellowship Award:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/berda004">Daphne Berdahl</a></strong> (Anthropology and Institute for Global Studies)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/hbizri">Hisham Bizri</a></strong>  (Cultural Studies and Comparative Literature)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/treue003">David Treuer</a></strong> (English and American Indian studies)</p>

<p><strong>Elected to the American Academy of Arts and Sciences:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/hampl">Patricia Hampl</a></strong> (English)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/hellm001">Geoffrey Hellman</a></strong> (Philosophy)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/jsull">John Sullivan</a></strong> (Political Science)</p>

<p><strong>Named Regents Professors, the University&#39;s highest faculty designation:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/leppe001">Richard Leppert</a> </strong> (Cultural Studies and Comparative Literature)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/mayxx002">Elaine Tyler May</a></strong> (American Studies)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/mcgue001">Matt McGue</a></strong> (Psychology)</p>

<p><strong>Named McKnight Land-Grant Professors:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/colli433">Kathleen Collins</a></strong> (Political Science)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/karenho">Karen Ho</a> </strong> (Anthropology) <br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/wallr007">Christophe Wall-Romana </a></strong> (French and Italian)</p>

<p><strong>Named a Distinguished McKnight University Professor:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/weitz004">Eric Weitz</a></strong> (History)</p>

<p><strong>Received the University&#39;s Morse-Alumni Undergraduate Teaching Award:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/jbs">Joel B. Samaha </a> </strong> (Sociology) </p>

<p><strong>Received the Morse-Alumni Graduate-Professional Teaching Award:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/damon001">Maria Damon</a></strong> (English) </p>

<p><strong>Received the University of Minnesota President&#39;s Award for Outstanding Community Service:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/desai003">Jigna Desai</a></strong> (Gender, Women, and Sexuality Studies)</p>

<p><strong>Received the Mullen, Spector, Truax Women&#39;s Leadership Award for 2007:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/sngarner">Shirley Nelson Garner </a></strong> (English; Associate Dean, Graduate School)</p>

<p><strong>Named the CLA Dean&#39;s Medalist</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/wilkinsd">David Wilkins</a> </strong> (American Indian Studies)</p>

<p><strong>Named CLA Scholars of the College:</strong><br />
<strong><a href="hhttps://apps.cla.umn.edu/directory/profiles/archer">John Archer </a></strong> (Cultural Studies and Comparative Literature)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/kobia001">Michal Kobialka </a></strong> (Theatre Arts and Dance)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/krutt001">Candace Kruttschnitt</a></strong> (Sociology)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/windsor">Jennifer Windsor</a></strong> (Speech-Language-Hearing Sciences)</p>

<p><strong>Received the 2007 Lifetime Career Award from the International Society for the Study of Self and Identity:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/msnyder">Mark Snyder</a> </strong> (Psychology)</p>

<p><strong>Received the 2007 Sigel</p></body>
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            10068|17097
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         <pubDate>Fri, 27 Jul 2007 10:51:26 -0600</pubDate>
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         <title>Checking Our Blind Spots</title>
         <description><p>World-reowned psychologist Fanny Cheung has worked to eliminate cultural and scientific blind spots at home and abroad.<br />
<em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83316</link>
         <guid>83316</guid>
        <body><p>When it comes to family, everyone is an armchair psychologist. But what happens when you&#39;re living with grandparents, 12 brothers and sisters, three uncles, their spouses, and countless cousins? What happens, indeed, when your family occupies every floor of a six-story building? </p>

<p>Then, it seems, you end up pursuing a Ph.D. in psychology. At least if you&#39;re Fanny Cheung, the current chair of Chinese University&#39;s Department of Psychology in Hong Kong. </p>

<p>â€œI had a lot of opportunities to watch complex human interactions," Cheung recalls of her girlhood in Hong Kong. She&#39;d watch, fascinated, as the nannies her family employed to help rear the household&#39;s children would compete with one another, bragging about the achievements of their particular charges. Adults in the family, meanwhile, would often conduct serious discussions behind closed doors. When they emerged, Cheung would study their facial expressions and behavior, trying to divine their secrets. </p>

<p>These days, Cheung draws her conclusions about human personality not through furtive glances across rooms, but through the pathbreaking tests she&#39;s developed over the course of her 30-year career in psychology. Cheung, who earned her Ph.D. from Minnesota&#39;s Department of Psychology in 1975, is a world-renowned expert in personality assessment.</p>

<p>Cheung returned to Hong Kong after finishing her degree. There, she eventually developed an entirely new personality test, the Cross-cultural (Chinese) Personality Assessment Inventory (CPAI). It measures those elements of personality ignored by western assessment tools, such as our attitudes and approaches to interpersonal relationships.  </p>

<p>While she was inspired by the work that had been done in personality assessment before and during her tenure in Minnesota, Cheung recognized some of its potential blind spots. â€œDominant Western personality theories tend to focus on the individual," she explains. â€œBut in collectivistic cultures," like the one in which she had been raised, â€œthe relationships between the individual and other people are an important part of personality."</p>

<p>It&#39;s not that Westerners and Easterners have different personality traits, Cheung explains. The difference lies, she says, in what counts as a personality trait in cultures. â€œPersonality factors may be packaged differently in different cultural settings," she explains. The Chinese, for instance, often describe personality in terms of one&#39;s preference for harmonyâ€”a rarity in Western culture.   </p>

<p>Cheung has also been working to eliminate another kind of blind spot since her return home. In 1975, she says, it wasn&#39;t uncommon for newspapers&#39; help wanted ads to include gender and physical ability amongst a list of required qualifications applicants needed for a job. One-third of newspaper ads were still doing so in 1996, when Cheung became the first chair of Hong Kong&#39;s Equal Opportunity Commission (EOC).</p>

<p>To help implement anti-discrimination laws that had been passed in the territory, the EOC launched ad campaigns exposing the damage caused by gender stereotypes. One commercial produced for the campaign showed a man in downtown Hong Kong slowly turning into an ape as he made sexist remarks. â€œI wasn&#39;t sure about that one initially," says Cheung, laughing. â€œBut the message got through." Just two years after the public awareness campaign launched, nearly 90 percent of the public knew about the EOC, up from 35 percent in 1996.</p>

<p>The next phase of the campaign for gender equality needs to emphasize the benefits for men, Cheung says. â€œMen sometimes think of equality of the sexes as requiring them to give something up," she explains. â€œWe want to show them that they gain, too." Most men want more time with their children, she notes, something that gender parity would enable.</p>

<p>It&#39;s at this intersection of psychology and public policy, Cheung says, that she hopes to establish her legacy: a future, she hopes, in which help wanted ads excluding women will seem as bizarre as apes in downtown Hong Kong. <br />
</p></body>
         <category>
            9701|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 11:24:14 -0600</pubDate>
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         <title>Just to Know</title>
         <description><p>CLA graduate Ted Meinhover writes a letter home about his experiences in Indonesia.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83315</link>
         <guid>83315</guid>
        <body><p><img alt="Meinhover_6665-12.jpg" src="http://blog.lib.umn.edu/clareach/stories/Meinhover_6665-12.jpg" width="150" height="205" /><br />
<em>Ted Meinhover<br>Photo: Everett Ayoubzadeh</em></p>

<p><em>A CLA Graduate Writes a Letter Home</em></p>

<p>â€œHanya tahu Indonesia saja, Ted." Just to know Indonesia. My friend Suroto has no interest in taking me to any of the tropical islands that Indonesia has to offer or in taking me shopping at the â€œtraditional" markets where you can buy handcrafted batiks. So instead of lounging on some beach watching the sun go down over the sea, I find myself sitting on the floor in a small house in the village of Klaten, on the slopes of the still-active volcano Mount Merapi, in Central Java.</p>

<p>The large family and I eat rice in a circle on the bamboo mat, children staring in silent wonder, grandma inquiring about my marital status and pointing out the beauty of Indonesia&#39;s female population, the occasional question about world politics coming my way from a watchful father. Suroto is on a mission to help me to â€œknow" Indonesia; he says there is nothing more important for me to do here, and I agree. </p>

<p>The future of democracy is being determined right now, here, in Indonesia. Suroto was a student during the protests that catalyzed the end of the authoritarian Suharto presidency in 1998, and his eyes cloud over when he speaks of his friends who disappeared in the desperate regime&#39;s military crackdown. Today he is part of an energized community working to restore democracy and increase the welfare of the Indonesian people.</p>

<p>Spirited debate has become a large part of that process. Suppressed violently and institutionally for so long, the right to discuss, criticize and mobilize is not taken for granted. Suroto and countless others I have met are by no means shy about the passion they feel about their country, its promise and problems. Fierce national pride blends with fierce self criticism. They discuss the presence of massive economic disparity, the influences that are bombarding the country as a result of globalization. </p>

<p>And, of course, they discuss religion. It is perhaps one of the most pertinent issues in Indonesia, all the more so in light of today&#39;s global scene. And with the fourth largest population in the world, including the world&#39;s largest Muslim population, Indonesia will undoubtedly be playing a large role in that global scene. </p>

<p>Some here worry about American attitudes toward Islam. They&#39;ve heard the pessimistic â€œclash of civilizations" prophecies. Conflicts between fundamentalism and liberalism are, to be sure, part of the discourse here, as well. And there are indeed factions pushing to implement religious law in the form of legislation. But Indonesians as a wholeâ€”Muslims, Christians, and the many othersâ€”want political modernization, freedom, the chance to live under a system of democratically created laws. NU (Nahdatul Ulama), an Islamic political party and the largest political party in the world with around 40 million members, rejects the creation of laws that legislate how people practice their religion. </p>

<p>The University has given me this scholarship because it recognizes society&#39;s and its own interest in understanding and building bridges to this part of the world. If my experiences in the global studies classrooms of the University and in the small houses of Klaten have taught me anything, it&#39;s that the self interest of the individual can be achieved by pursuing the self interest of others. </p>

<p>As naÃ¯ve as I may feel when I make such an idealistic proclamation, I was rewarded the other day when my Indonesian friend Rina responded with a smile, â€œTed, I strongly believe good friendship and working together can create peace and a better world."</p>

<p>Terima Kasih.<br />
Thank you.</p></body>
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         <pubDate>Fri, 13 Jul 2007 11:21:49 -0600</pubDate>
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         <title>Not for the Faint of Heart</title>
         <description><p>Catherine Guisan and Stephen Dickinson are on a quest for healingâ€”on a personal and global scale.<br />
<em>By Eugenia Smith</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83314</link>
         <guid>83314</guid>
        <body><div id="blogImageCaption"><img alt="Catherine Guison and Stephen Dickinson" src="http://blog.lib.umn.edu/clareach/stories/pictureforgiving.jpg" width="282" height="188" /><br />
<i>Stephen Dickinson and Catherine Guisan<br>Photo:Terry Faust</i></div>

<p>From her high-backed chair in the living room of her St. Paul Victorian home, Catherine Guisan leans into the conversation, her spring-loaded gestures punctuating the thoughts that surge from her teeming brain. Settling into his chair, her spouse, Stephen Dickinson, speaks in a smooth, leisurely Midwestern cadence that is a mellow counterpoint to Catherine&#39;s high-voltage intensity.</p>

<p>Stephen&#39;s and Catherine&#39;s roots are as different as their temperaments. She grew up in Switzerland, in a cosmopolitan family of educators and political leaders, with a Greek mother born in Istanbul; and he, in a Nebraska family deeply rooted in the U.S. heartland. But they are soul mates, with formidable, searching intellects and a shared passion for public service rooted in an international worldview.</p>

<p><strong><br />
Roots of activism</strong><br />
Catherine and Stephen met at Oxford, where Stephen was a Rhodes Scholar and both were involved with Moral Re-Armament (today, Initiatives of Change), an organization that aims to create opportunities for reconciliation at the international level. In 1978 they relocated to Minnesota, where they began working with struggling communities, especially with Southeast Asian refugees.</p>

<p>As Midwest director of MRA from 1979 to 2000, Stephen helped to organize cultural education and exchange initiatives in countries from Asia to the Americas. He also worked with tribal communities on Native American issues, and once joined an effort to connect Twin Cities lawyers and judges with their counterparts in El Salvador. Today, he teaches Spanish and ethics at the Community of Peace Academy, a St. Paul charter school.</p>

<p>Among her other accomplishments, Catherine completed her Minnesota Ph.D. in political science (in 2000) and established herself as an expert on the European Union. She&#39;s continued to teach at the University, specializing in courses on issues of transnational governance (see box p. 32) and its prospects and perils in an unstable world. In 2003, the prestigious French academic press Odile Jacob published her book <em>Un Sens a l&#39;Europe, Gagner la Paix</em> (1950-2003)â€”roughly translated<em>, Winning the Peace.</em></p>

<p>Peaceful resolution, Catherine says, requires a collective commitment among states to come to terms with traumatic events of the recent and not-so-recent past. In a recently submitted journal article, â€œOf September 11, Mourning and Cosmopolitan Politics," Catherine asks, â€œCan we tap into collective suffering â€¦ as a resource for action?" And she invokes Judith Butler&#39;s â€œlife-affirming" answer: â€œMourning could be an opportunity (albeit tragic) for transformation and reconnection with the other."</p>

<p><strong>Death and commemoration</strong><br />
To Catherine and Stephen, that insight is not just academic. It&#39;s a lived reality. The couple&#39;s eldest son, Andrew, a promising Ph.D. student and N. Marbury Efimenco Fellow in the Department of Political Science, died in April 2006 when he was struck by a car while jogging.</p>

<p>In a way, the couple&#39;s quest for personal healing runs parallel to their global reconciliation workâ€”but it is even more daunting. How does one reconcile oneself to the death of a child? â€œYou don&#39;t, really," says Catherine. â€œYou just learn to live with it somehow."</p>

<p>If there&#39;s any good to be found in grieving, Catherine, Stephen, and Andrew&#39;s brother, Nicolas, may have found it. In the outpouring of support and sympathy that followed Andrew&#39;s death they discovered the makings of a memorial fellowship in Andrew&#39;s name.</p>

<p>Besides honoring Andrew, the fellowship is an expression of the generous and widely reciprocated involvement with others that is the couple&#39;s trademark and their legacy to their sons. It allows Andrew&#39;s unfinished work, and his own unrealized vision of a better world, to become the life&#39;s work of future generations of students. It is the sought-after life-affirming response to his death.</p>

<p>The fellowship was launched at a May 11 reception hosted by CLA and the political science department. Nicolas, who is working as a consultant with UNESCO in Delft, Netherlands, flew to Minneapolis to join friends and colleagues of his brother and to emcee the occasion. Now about one-third funded, the fellowship has been combined with the Efimenco fund. Menaka Philips, from Sri Lanka and Canada, will be the first recipient.</p>

<p><strong><br />
Reconciling the personal and political</strong><br />
Catherine and Stephen&#39;s joint project of global peacemaking and healing is far from finishedâ€”but they aren&#39;t about to give up. </p>

<p>â€œI think what it comes down to, always, for me is â€˜How do I live at the individual level?" says Catherine. â€œYou know, we may have those great ideas out there but frankly at the daily level, we want to survive, as well as possible and as comfortably as possible. And so I find that for me, the challenge in my life, and also in my teaching, is to ask, â€˜How do I want to treat my students? How do I treat my neighbors? How do I live?&#39; It&#39;s a work in progress. It&#39;s never overâ€”you know?</p>

<p>â€œReconciliation is not for the faint of heart. It requires steel-like resolve, a willingness to really go through a lot of pain for the sake of certain values or institutions or laws."</p>

<p>As for their grieving, Catherine and Stephen know it&#39;s a work in progress. They&#39;re working through the pain. They&#39;ve got the resolve. They&#39;ve got the fellowship. Now the healing really begins.<br />
</p></body>
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         <pubDate>Fri, 13 Jul 2007 11:16:00 -0600</pubDate>
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         <title>Little Boxes</title>
         <description><p>What are you thinking when you check those race and ethnicity boxes on forms and applications? Four CLA scholars have been studying the role those boxes play in maintaining and eradicating social inequality.<br />
<ul><li><a href="sum_spr07subFeatures.php?entry=84293">Hazardous to your health</a></li><li><a href="sum_spr07subFeatures.php?entry=84294">Dysfunction&#39;s function</a></li><li><a href="sum_spr07subFeatures.php?entry=84296">A homogenous mosaic</a></li><li><a href="sum_spr07subFeatures.php?entry=84299">Colorblind or colorbind?</a></li><li><a href="sum_spr07subFeatures.php?entry=84095">Difference 101: a short syllabus</a></li></ul></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83313</link>
         <guid>83313</guid>
        <body><p><em>From the monumental, history-making act of genocide to the mundane misery of middle school, the classification of humans always seems to precede acts of cruelty and domination. CLA scholars offer fresh perspectives on the role institutions play in stigmatizing differenceâ€”and how those institutions can undo the damage.</em></p>

<p>In 2003, Californians who opened up their voter information guides were asked a loaded question. â€œWhen you&#39;re asked to check a government form with row after row of these rigid and silly little â€˜race&#39; boxes, have you ever just wanted to say, â€˜None of your business; now leave me alone?&#39; asked proponents of Proposition 54, a ballot initiative aimed at amending the state&#39;s constitution to prohibit state and local governments from collecting data pertaining to race in many contexts. </p>

<p>The initiative called attention to something that has become as inevitable in life as death and taxes: classification. For better or worse, we simply cannot get by in this world without checking boxesâ€”or having boxes checked about us. From our race, sex, marital status, age, and citizenship to the religions we practice and the degrees we hold (or don&#39;t hold), we are all regularly described and tracked in terms of categories by institutions like the government. </p>

<p>Routine or not, proponents of Proposition 54 said the act of classification is often unnatural and never benign. Classification simply enables discrimination, which is harmful whether the target of discrimination is black or white, Latino or Asian, male or female, they argued. Opponents disagreed. Pretending that the world was colorblind, they said, would not make it so. It would only prevent institutions from collecting the information they need to monitor the gap between the ideal of equality and the reality of inequalityâ€”and to create remedies when the data show disparities.  </p>

<p>Proposition 54 failed, but public policy makers throughout the country continue to wrestle with the practical and philosophical questions raised when institutions engage in racial and ethnic categorization.  In historical and sociological studies, CLA researchers are providing crucial context for these questions. They&#39;re examining how the institutions that order our worldâ€”government agencies, universities, organized religions, courtsâ€”have classified people, often in ways that have harmed them. And, like those on both sides of the debate about colorblindness, they&#39;re thinking about how best to remedy past and continuing wrongs based on racial categorization.</p>

<p>How have communities stigmatized by institutions responded? To read more, go to <a href="http://reach.cla.umn.edu/littleboxes">reach.cla.umn.edu/littleboxes</a></p></body>
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            17854|17097
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         <pubDate>Fri, 13 Jul 2007 11:02:10 -0600</pubDate>
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         <title>In the Zone</title>
         <description><p>CLA graduate Jeff Ochs started Breakthrough, an organization which helps underserved students get ready for college.<br />
<em>By Karen Olson </em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83311</link>
         <guid>83311</guid>
        <body><p><img alt="Pictures of Ochs and Baker with Students" src="http://blog.lib.umn.edu/clareach/stories/ochs-and-bakerweb.jpg" /><br /><br />
<em>Jeff Ochs â€˜04 and Adrienne Baker &#39;06 are changing the faces of higher education. Photos: Leo Kim</em></p>

<p>For many 20-somethings, the first year out of college is a tough one. A lucky few may take some time off to travel to faraway lands. But most find themselves on the bottom rung of new laddersâ€”corporate, educational, nonprofitâ€”where they try to find their footing, hoping to begin the long climb upward. </p>

<p>Jeff Ochs didn&#39;t find a ladder to his liking. So he built his own. </p>

<p>In the first year after he graduated from CLA&#39;s Honors Program, Ochs founded Breakthrough Saint Paul, a nonprofit organization that prepares traditionally underserved students for college. The program is based on the educational model of the Breakthrough Collaborative, a national organization that now has 28 affiliates across the country. Students in Breakthrough programs commit to at least two years of tuition-free summer sessions and after-school programs, focusing on core academic subjects. They&#39;re taught by smart, energetic college and high-school students, 72 percent of whom go on to professional careers in education. </p>

<p><strong>The Comfort Zone Paradox</strong><br />
For Ochs, the road to this kind of meaningful, mission-driven work started with the click of a mouse. During his first year in CLA, Ochs received an e-mail from the CLA Honors Program about a teaching internship at LearningWorks, a tuition-free summer program for highly motivated students from traditionally underserved groups. â€œPrior teaching experience is not required," the e-mail said. â€œAll majors and interests are welcome to apply."</p>

<p>Ochs applied, was accepted, and spent the summer teaching in a program that changed the way he thought about lifeâ€”and education.</p>

<p>â€œI was completely out of my comfort zone every second of the day," says Ochs, who graduated summa cum laude in 2004 with a B.A. in history. The crash course in teaching demanded that he answer a lot of questions in a short amount of time. How do I get middle schoolers excited about studying Vichy France? How do people learn best? What do at-risk students need from me in order to succeed?</p>

<p>â€œThat summer I started understanding what I call the comfort-zone paradoxâ€”coming to a point in your life where being outside your comfort zone is within your comfort zone," he says. </p>

<p>Comfortable with discomfort, Ochs, who is now 25, began his sophomore year eager to learn and to take on new challenges. He was so inspired by the program&#39;s positive effect on students and aspiring young teachers, he says, that he began to envision ways to make this opportunity available to other Minnesota communitiesâ€”starting next door, in St. Paul.<br />
<strong><br />
Breaking Through</strong><br />
Those visions became a reality two years later when, as a senior, Ochs worked with University faculty to create a proposal for what would become Breakthrough St. Paul. </p>

<p>Not only did Ochs get university credit for the proposal through the U&#39;s Undergraduate Research Opportunity Program, he also convinced Mounds Park Academy to host it and the national Breakthrough Collaborative program to back it. </p>

<p>â€œCreating my own job was really a dream come true," says Ochs. But that&#39;s not to say it&#39;s been challenge free. He is, after all, working to reverse long-standing educational trends in underserved populations. </p>

<p>â€œThe transition into middle school is a really hard one for kids who are smart," says Ochs. â€œWe found that a lot of kids who had been identified as gifted and talented, especially minority kids, were not enrolling in honors courses in seventh grade." In fact, in St. Paul schools, only seven percent of students take honors classes and pass them. So it&#39;s a testament to the success of the program that within its first year, every student in Breakthrough St. Paul had enrolled in and passed an honors class at his or her own school. This year, 65 percent are taking more than one college prep course. </p>

<p>Ochs may have progressed to a new comfort zone, but there are still moments of disorientation. He compares the process of learning to lead a non-profit at the age of 22 to learning origami from a diagram. â€œYou make a lot of mistakes. It&#39;s messy."</p>

<p>But the payoff is significant. Take Tho Bui, for example. An eighth-grader who hopes to become a math professor, Tho came to the United States from Vietnam with his family when he was in second grade. Staff members at Breakthrough St. Paul helped him apply for the Young Scholars award from the Jack Kent Cooke Foundation. In 2006 he became the first Minnesotan to receive the prestigious scholarship, which provides guidance and financial support for his entire academic career, even through graduate school, if he keeps his grades up. </p>

<p><strong>Taking the Torch</strong><br />
Now that he&#39;s coordinator, Ochs is the one sending, rather than receiving, recruitment e-mails. One of them reached recent CLA graduate Adrienne Baker. </p>

<p>Since March 2006, Baker has been the organization&#39;s student and family liaison. She visits schools, talks with students and their families, and makes sure students are able to take advantage of resources available to them. </p>

<p>â€œI knew coming into college that I wanted to serve diverse urban populations," says Baker, who declared both of her majorsâ€” journalism and cultural studies and comparative literatureâ€”in her freshman year. â€œI wanted to give people information to make informed decisions, to enrich their lives and experience, and to have power within their own communities."</p>

<p>â€œWe set a goal and the next day we start to go for it," says Baker about the small staff that accomplishes so much. â€œWe don&#39;t think about limits very often. We consider our obstacles, but if there&#39;s something important that needs to happen for these kids and for their success, we make it happen."</p>

<p>Baker sees a future career in writingâ€”in fact, she&#39;s teaching journalism at Mounds Park Academyâ€”but right now, she says, she&#39;s committed to community service. So is Ochs, who hopes for a future of social entrepreneurship, building innovative organizations with social justice missions. </p>

<p>They aren&#39;t resting on their laurels. But already, these recent CLA graduates are doing nothing less than changing the faces of higher education.</p></body>
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         <pubDate>Fri, 13 Jul 2007 10:56:21 -0600</pubDate>
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         <title>New Release</title>
         <description><p>How do you make a documentary about prisoners without showing barbed wire, leg shackles, or prison bars? Ph.D. Candidate Rachel Raimist has a poetic answer.<br />
<em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83310</link>
         <guid>83310</guid>
        <body><p><img alt="Ph.D. Candidate Rachel Ramist" src="http://blog.lib.umn.edu/clareach/stories/raimist-IMG_0109.gif" /><br /></p>

<p><i> Rachel Raimist<br>Photo: Kelly MacWilliams</i><br />
Ph.D. candidate Rachel Raimist unsettles settled ideas about prisoners </p>

<p>For just a moment, David Doppler looks and acts like the prisoner he is. A white t-shirt two sizes too large hangs off his torso. Slouching in a chair with his arms and legs splayed about, he seems consciously to be occupying as much space as his body and clothes will allow. â€œI&#39;m the ass kicker," Doppler says to the camera, smirking. â€œI kick ass."</p>

<p>But the menacing image doesn&#39;t last. The ass kicking he&#39;s referring to? He pesters guys who haven&#39;t submitted poems to the weekly poetry workshop he coordinates at the maximum security prison in Stillwater, Minn. </p>

<p>Two years ago, filmmaker and Ph.D. student  Rachel Raimist (gender, women, and sexuality studies) spent eight months filming Doppler and other incarcerated men who meet weekly to read, write, and respond to poetry, often with the collaboration of well-known spoken word artists from the Twin Citiesâ€”Reggie Harris, Desdamona, Ed Bok Lee, Emmanuel Ortiz. Now, she&#39;s sifting through hours and hours of footage, editing the piece.</p>

<p>From the first day she lugged her camera equipment into the prison, Raimist says, she wrestled with the question of how best to represent her subjects on film. It wasn&#39;t that she lacked experience as a documentary filmmaker. She&#39;d completed an M.F.A. in filmmaking from UCLA in 1999, and her master&#39;s project, a documentary on female hip hop artists titled Nobody Knows My Name, had gained critical acclaim and was still being shown at conferences and film festivals. But from the beginning, she says, this project felt different.</p>

<p>â€œThis wasn&#39;t a space like hip hop, where I live it, I&#39;m part of it, I can theorize it from the inside," she explains. â€œI was an outsider." And so, she notes, are those who are often responsible for our conceptions of prison life. Prison documentaries, she explains, are typically produced by people who â€œcome into the space, and it feels like they&#39;re doing a drive-through, a tour, an exposÃ©â€”interviewing through bars, filming down on people. They seem to have this entitlement, this claiming." And so she set out to capture the more complex reality of prisoners who were trying to stake their own claim in the world through their poetry.</p>

<p>Just as her previous film captured the side of hip hop that never gets airtimeâ€”its progressive politics, its feminist rootsâ€”Raimist wanted her depiction of the poetry workshop to unsettle our received ideas about prisons and prisoners. In her documentary, prison isn&#39;t a place where time stops or people devolve into animals. It is, rather, a site of growth and change, a place where men findâ€”or fail to findâ€”dignity amid trying conditions.</p>

<p>To document that complex reality, Raimist tried to bridge the physical and psychological distance between filmmaker and subject as much as possible. Along with the other visiting artists, she participated in the workshops, reading her own poems, talking with the men about the joys of being the mother of a fourth-grader, recounting memories of her adolescence in Middletown, New York, her half-shaved head bobbing incessantly to hip hop. To gain the trust necessary for something as intimate as poetry writing to happen meaningfully, she explains, â€œAll of us outsiders had to become part of the circle."</p>

<p>When Raimist did turn on the camera, she was careful about how she was framing the men. She intentionally never shot film in the parts of the prison that looked the most prison-like. There are no bars, no coils of barbed wire in this film. To capture the uniqueness of each participant, she zoomed in on individual faces rather than the cellblocks so frequently seen in film.</p>

<p>The focus, she says, was always on the community within the walls of the prisonâ€”not the walls themselves. â€œI got a lot of close-up shots of hands writing because I thought it was more about that," she says. She sometimes ceded the camera to the inmates, who became, in those moments, the producers as well as the subjects of their own stories.</p>

<p>Those methods make this documentary exceptional, says <a href="https://apps.cla.umn.edu/directory/profiles/lmendoza">Louis Mendoza</a>, chair of the Department of Chicano Studies, who has studied the depiction of prisons in literature. â€œShe&#39;s capturing questions," he says of Raimist&#39;s work. â€œIt&#39;s not just simply â€˜let&#39;s put them on display.&#39; It&#39;s about the process, the struggle, the need for clarity, even as there is a willingness to embrace ambiguity or uncertainty about what the outcome is going to be."</p>

<p>That&#39;s precisely the effect Raimist hopes to generate. â€œMany people in that circle didn&#39;t get any real education. A lot of them barely had junior high educations," she notes. â€œGiving them some tools to look critically at their environment, their space, their lives, their backgroundâ€”it&#39;s a really powerful, transformative thing."</p>

<p>And while her documentary will inevitably reflect her own biases, Raimist is hoping that it will throw a wrench into the media machinery that keeps cranking out images of prisoners as lost causes. â€œPrison gets a very skewed, bad rap," she says.</p>

<p>To be sure, she&#39;s experienced its darker side. She&#39;s been cat-called in the hallways, and in one of her first weeks in the prison, a prisoner reached underneath the table and pinched her. But she&#39;s also seen in the Stillwater Poets, as she calls them, glimpses of her brother, her cousins, the guys she used to date in high school.</p>

<p>She&#39;s seen and documented guys with their arms defiantly crossed in March sitting shoulder-to-shoulder in August, talking about the children they never see or will never have. She&#39;s seen guys carrying each other&#39;s poems around in their pockets, talking about masculinity and the American dream.</p>

<p>People came to the workshop with very limited perspectives, she says. â€œAnd what they gained was an infinite amount: pockets of hope and spaces of possibility."</p>

<p>To see a working version of Raimist&#39;s documentary, go to <a href="http://reach.cla.umn.edu/raimist">reach.cla.umn.edu/raimist</a>.</p></body>
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         <pubDate>Fri, 13 Jul 2007 10:48:15 -0600</pubDate>
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         <title>Trading Spaces</title>
         <description><p>Kale Fajardo finds that despite the idea that we live in a small world, the connections that space and technology facilitate can also reinforce cultural identification.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83309</link>
         <guid>83309</guid>
        <body><div class="claBlogReachImg"><img alt="Kale Fajardo" src="http://blog.lib.umn.edu/clareach/stories/fajardo.jpg" /><br><i>Kale Fajardo<br>Photo: Kelly MacWilliams</i></div>

<p>We live, or so we&#39;re told, in a global village, where physical location, distance, and borders have been rendered irrelevant by supersonic jets and fiber optic cables.</p>

<p>But even before September 11th recharged our awareness of fault lines, anthropologist <a href="https://apps.cla.umn.edu/directory/profiles/kfajardo">Kale Fajardo</a> wasn&#39;t convinced that globalization always turned the borders between countries into leaking membranes. </p>

<p>The reason? Not all things global are fast, digital, or homogenizing, Fajardo says. More than 90 percent of the world&#39;s trade happens via ships that take two to three weeks to cross oceans. Forgotten by pundits, global shipping has important and often overlooked effects on the identities of those who work on ships and in ports. </p>

<p>Fajardo should know. This assistant professor in the Department of American Studies has spent ten years researching Filipino involvement in global shipping. Last summer, Fajardo spent two weeks doing followup research aboard a container ship traveling from the port of Oakland to the port of Hong Kong, via the Northern Pacific Rim, with stops in Tokyo, Osaka, and Kiaoshung. </p>

<p>Those ships and the sea they traverse are â€œin between" spaces, Fajardo says, where crew members are quite isolated for weeks at a time from the worlds they help to connect. And they are staffed by crews who hail from around the globe: Fajardo&#39;s ship last summer included crew members from Kiribati, Germany, and the Philippines. </p>

<p>Contrary to the conventional wisdom that globalization blurs identities, Fajardo found the opposite effect on board the cargo ship: the contained space strengthened, rather than diluted, the national identities of the ship&#39;s crew members. </p>

<p>Take, for instance, the ship&#39;s Filipino members. Within Asia and globally, Filipinos have been feminized as a people, notes Fajardo. Working in over 200 countries, they have been subjected to a global reputation that is often racist and mysogynistic: â€œMany Filipinos, particularly, women, work as overseas contract workers," Fajardo says. â€œBecause of power imbalances, images and narratives of the Filipino subject have emerged, saying that she&#39;s a victimized woman, particularly because she might work as a maid, nanny, or prostitute, or because she immigrated as a â€˜mail order bride."</p>

<p>Seafaring has become a way for Filipino men to resist global stereotypes. â€œSeafaring provides a kind of alibi or opportunity for saying, â€˜We&#39;re not the victim. We can be seen in this more manly, heroic way," Fajardo explains. </p>

<p>The same spaces and technology that facilitate connections can also reinforce just how culturally different and distinctive we remain. And that&#39;s a side of globalization that we don&#39;t see when we&#39;re reading about the latest McDonalds to open in Moscow.<br />
<em><br />
By Danny LaChance</em></p></body>
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         <pubDate>Fri, 13 Jul 2007 10:44:11 -0600</pubDate>
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         <title>Haunted Places</title>
         <description><p>Space may be a language, but in some cases, place is what we turn to when language fails, when we can&#39;t adequately express the contradictory, inchoate feelings we have about the past. To illustrate that point, associate professor of geography <a href="https://apps.cla.umn.edu/directory/profiles/ktill">Karen Till</a> recounts a story told by Hanno Loewy, director of the Frankfurt Center for Holocaust Studies.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83307</link>
         <guid>83307</guid>
        <body><div id="blogImageCaption"><img alt="Professor Karen Till" src="http://blog.lib.umn.edu/clareach/stories/till_1409.gif" width="324" height="216" /><br><i>Karen Till<br>Photo: Kelly MacWilliams</i></div>

<p>Over a decade ago, an elderly woman visiting from the United States  gasped with grief as she approached the ovens at Auschwitz. The woman, who had lost most of her family at Auschwitz, then moved even closer and touched the ovens delicately, almost reverently.</p>

<p>â€œShe was no longer touching this oven as an instrument for murder, but touching it like a shroud, like a thing that touched the dead in their last minutes of dying,â€? Loewy explained to Till.</p>

<p>It&#39;s stories like this one, collected over years of research, that have shaped Till&#39;s understanding of place and memory and spaces of trauma. Till studies wounded cities, cities whose occupants have endured trauma in their collective past: Berlin, complicit in the atrocities of the Holocaust; Cape Town, violently reshaped by apartheid; Buenos Aires, wounded by the war levied by the military against leftists.</p>

<p>The places of memoryâ€”museums, monuments, and memorialsâ€”that these cities have constructed to remember the trauma of the past are more than simply markers of something that happened long ago, Till explains. They are expressions of an elemental urge that geographers and philosophers have been studying for years: the need to take our pasts and embody them in the environments that we build and the places to which we return. </p>

<p>We do this sometimes to cling to nostalgic memories. Photographs of children at various ages line parents&#39; fireplace mantels. Ticket stubs from concerts decorate bulletin boards.  </p>

<p>But we also do it to grapple with horrific past experiences, to let goâ€”without necessarily achieving closureâ€”of our traumatic memories. The wounded and bereaved can experience healing by returning to the site of trauma.</p>

<p>Gunter Morsch, director of the memorial museum at the Sachsenhausen concentration camp, told Till that while it may seem perverse, some of the people who have been in concentration camps see them as a kind of home, â€œeven though we usually think of home in warm, touchy-feely ways.â€? </p>

<p>Creators of museums built on sites of historical trauma are increasingly becoming conscious of their therapeutic role in survivors&#39; lives, says Till. The District Six Museum in Cape Town, located in one of the few buildings that wasn&#39;t bulldozed when the apartheid government removed residents from the area, sees a fair number of tourists on any given day. But what those tourists probably don&#39;t see, Till notes, are the spaces that cater to those whose lives were directly influenced by apartheid.</p>

<p>â€œThey converted the main hall into an exhibition space. But behind that there&#39;s a little kitchen area where local people hang out. And behind that still is what&#39;s called the homecoming center, where they&#39;ll have mourning workshops where people might bring in objects related to whatever memories they want to work through,â€? says Till. The objects, she says, can become a starting point for discussions that help participants come to terms with the past while imagining a better future. </p>

<p>In these museums, these sites of historical trauma, time isn&#39;t frozen. â€œThe directors of these places see them as dynamic,â€? Till explains. â€œThey don&#39;t want to exactly capture some tragic past. They know that can&#39;t happen. But they do understand the need, the basic human need, for feeling understood, for feeling complete.â€?</p>

<p><em><br />
By Danny LaChance</em></p></body>
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         <pubDate>Fri, 13 Jul 2007 10:41:17 -0600</pubDate>
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         <title>Scenes from the Mall</title>
         <description><p>On a recent stroll down the Mall in Washington, D.C., <a href="https://apps.cla.umn.edu/directory/profiles/mayxx002">Elaine Tyler May</a> flashed on a conversation she&#39;d had almost two decades ago inside the Smithsonian&#39;s Air and Space Museum. Her son Daniel, ten at the time, had been gazing, mouth agape, at the planes suspended from the ceiling.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83306</link>
         <guid>83306</guid>
        <body><div id="blogImageCaption" style="float: right; width: 216px;"><img alt="Professor Elaine Tyler May" src="http://blog.lib.umn.edu/clareach/stories/may_0720.gif" width="216" height="216" /><br><i>Elaine Tyler May<br> Photo: Everett Ayoubzadeh</i></div>

<p>â€œWho do you think owns this place?" she asked.<br />
â€œI sure wish I knew!" he said, wide-eyed.<br />
â€œYou do," she told him. â€œYou and every other American citizen own this place."</p>

<p>It may have been a bit corny, admits May, a historian in the University&#39;s Department of American Studies. But she wanted her son to stake a claim in public spaces and, in so doing, be part of a generation that sees public space in ways that her own hadn&#39;t.  </p>

<p>In the years following World War II, when May was growing up in Southern California, spaces in the United States were being transformed in response to a shifting cultural climate that emphasized nuclear families and individualism. After the war, many who had lived densely in cities, stacked on top of one another in walk-up apartments, migrated to the suburbs and lived spaciously in subdivisions and cul-de-sacs. They shopped in privately owned shopping centers rather than downtowns. They took Pontiacs rather than public transportation to work. And they lived in houses whose design reflected a kind of detachment from public life.</p>

<p>â€œA lot of the suburban homes that are built after the war have a sheltered look," May says. â€œThere&#39;ll be hedges. There&#39;ll be low-hanging roofs. They&#39;ll be set back with fences. It&#39;s really an architecture that speaks of separation rather than engagement with the world." Even front porches and stoops, gathering places that had traditionally connected private homes to the outside world, were nearly nonexistent in these suburbs, she notes.</p>

<p>May&#39;s current work examines the legacy of this Cold War turn away from public life. It&#39;s a trend that&#39;s been amplified, in some ways, by recent events. After September 11, public spaces have become further marked as sites of danger by the elaborate security protocols put in place to prevent terrorist attacks.</p>

<p>May points to her recent trip to D.C. as an example. â€œOne of the most shocking and troubling symbolic changes is restricted access to public sites of national power," she says. â€œYou can&#39;t get near the White House; there are those big barricades, and there&#39;s not even street access anymore. Everywhere there are security gates. You can&#39;t even go into a museum without being screened."</p>

<p>That lockdown atmosphere, she fears, will make it even more difficult to convince our youngest citizens that they have both the privilege and the duty of shaping their nation&#39;s public spacesâ€”and public life.  </p>

<p>â€œWhen the first thing you encounter when you go to the Smithsonian is security rather than welcoming, that changes your relationship to that space," she says. It fosters a sense of alienation and distance from those we have elected to represent us.</p>

<p>May hopes her work ultimately helps to reverse the long-term trend she&#39;s spent much of her career exploring. â€œI want to help open up and reclaim that public space that is ours, that, in a sense, we have all participated in closing ourselves off from."</p>

<p><em>By Danny LaChance</em></p></body>
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         <pubDate>Fri, 13 Jul 2007 10:34:55 -0600</pubDate>
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         <title>Space Crafts</title>
         <description><p>We may take for granted the spaces we inhabit, but CLA scholars who study space and place don&#39;t. From the cul-de-sacs of suburbs to the berths of trans-Pacific cargo ships, we shape and inhabit spaceâ€”and are shaped by itâ€”in ways that have profound implications in our lives.<br />
<ul><li><a href="sum_spr07subFeatures.php?entry=83306">Scenes From the Mall</a></li><li><a href="sum_spr07subFeatures.php?entry=84092">Deep Impact</a></li><li><a href="sum_spr07subFeatures.php?entry=83307">Haunted Places</a></li><li><a href="sum_spr07subFeatures.php?entry=84094">OurSpace</a></li><li><a href="sum_spr07subFeatures.php?entry=83309">Trading Spaces</a></li></ul></p>

<p><em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83305</link>
         <guid>83305</guid>
        <body><div id="blogImageCaption"><img alt="Portrait: Professor John Archer. " src="http://blog.lib.umn.edu/clareach/stories/Space Crafts/archer_0054.gif" width="274" height="182" /><br><i> John Archer<br>Photo: Kelly MacWilliams</i></div>

<p>CLA researchers are examining how we&#39;ve been shaping space in recent yearsâ€”and how it, in turn, is shaping us.</p>

<p>Through the window of the French Meadow Bakery and CafÃ© on Lyndale Avenue <a href="https://apps.cla.umn.edu/directory/profiles/archer">John Archer</a> sees a landscape of contrasts.</p>

<p>This dense neighborhood southwest of downtown Minneapolis seems, at first glance, quintessentially urban with its bead and vintage clothing shops, alleys and sidewalks, pedestrians and parallel parking. </p>

<p>But first glances can be deceiving. â€œThis used to be suburbia," Archer says, pointing out the single-family houses that still dot the busy thoroughfare. And while the thought that Uptown and Woodbury could have anything in common may seem initially jolting, the truth of Archer&#39;s observation soon becomes self-evident. For Lyndale Avenue is not simply a street of art galleries and specialty shops. It&#39;s also a world of porches and front yards. </p>

<p>And those are spaces that Archer knows well. In his award-winning book <i>Architecture and Suburbia</i>, Archer examines the history and form of suburban space, from the English villa to the American dream house. His book upends many of the clichÃ©s about suburbia that songs like â€œPleasant Valley Sunday" and â€œLittle Boxes" have turned into conventional wisdom, like the notion that the suburbs breed conformity. </p>

<p>In reality, Archer says, the suburbs have been places where the middle classes have gone to assert their individuality, not to lose it. â€œSpace is like a language," Archer says between sips of coffee. â€œWe use it to define who we are." Suburbs emerged alongside capitalism as a rising ideology of individualism fueled the desire for private spaces that could distinguish individuals and their families from the rest of the world. </p>

<p>If space is a language, Archer and other CLA scholars are linguists. They&#39;re studying everything from the crematoria of World War II concentration camps to the cramped berths of trans-Pacific cargo ships, from the bulletin boards of cyberspace to the porch swings of the nineteenth century, trying to understand how we relate to space.  </p>

<p>And while their findings are as unique as the spaces and places they study, one truth seems to find its way into each scholar&#39;s work: the structures that we inhabit both shape and reflect the way we read the world. They make certain kinds of thoughts and actions and perspectives possibleâ€”and others impossible. And they reveal desires and values, forged over time, that we may not know we hold.</p>

<p>If space is a language, as John Archer suggests, by some accounts it&#39;s a dying one. Each day seems to bring new stories that call into question the significance of the three dimensions our bodies occupy. </p>

<p>If you have the Internet, you no longer need to go to the end of your driveway to get your Sunday paper, bookstores to find books, city hall to find deeds, classrooms to learn physics. It&#39;s all online.</p>

<p>And when you do venture into the world, you can find familiar stores, logos, and signs almost everywhere. </p>

<p>Given all the utopianâ€”and dystopianâ€”rhetoric about paperless offices, telecommuting, and global homogeny, it&#39;s tempting to think that physical space is becoming irrelevant.</p>

<p>But as the findings of CLA researchers demonstrate, that&#39;s a glib response to complex processes. The attacks of September 11th have made us more conscious of our surroundings, the physical spaces of our daily lives, than ever before. Cities grappling with the atrocities of their pasts create monuments and museums on the exact sites of traumaâ€”not on the Internet. The global network that enables American fourth-graders to throw Chinese-manufactured baseballs relies on cargo ships that reinforce, rather than blur, national differences. </p>

<p>Space isn&#39;t losing its relevance. It isn&#39;t being superceded by pixels or energy particles or pan-Pacific jets. It&#39;s doing what it always has done: it&#39;s changing. And so are we.</p></body>
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         <pubDate>Fri, 13 Jul 2007 10:25:54 -0600</pubDate>
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         <title>Up and Coming</title>
         <description><p>CLA&#39;s new K-12 outreach office is closing the gap between the University&#39;s learning spaces and Minnesota&#39;s underserved communities.<br />
<em>By Emily Sohn</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83304</link>
         <guid>83304</guid>
        <body><div id="blogImageCaption"><img alt="Students Tracy Blackmon and Naima Bashir, and Professor Keith Mayes" src="http://blog.lib.umn.edu/clareach/stories/access1005.gif" width="274" height="182" /><br /><i>Tracy Blackmon, &#39;07; Keith Mayes; Naima Bashir, &#39;08<br />Photo: Everett Ayoubzadeh</i></div>

<p>CLA&#39;s new K-12 outreach office is encouraging Minnesota&#39;s youngest citizens to think big.</p>

<p>As an African-American kid growing up in a working class household in Houston, Tracy Blackmon never got the sense that college was in her future. She lived with her grandmother, who taught her to cook and clean so that she could snag a husband. Even at school, guidance counselors inadvertently discouraged attempts to break out of a powerful socioeconomic rutâ€”college was never on the tips of their tongues. </p>

<p>â€œThere was a subtle knowing that if you lived in the neighborhood where I&#39;m from, you were maybe not going to college," says Blackmon, now a 23-year old senior at CLA. </p>

<p>That same discouraging message is regularly delivered to low-income kids of color throughout the country. But through student-driven documentaries, summer research programs, campus visits, and more, it&#39;s a message that CLA is working hard to change. </p>

<p>â€œIf you reach students while they&#39;re young, there is evidence that they&#39;re more likely to go to college, have better grades, less absenteeism, and fewer behavioral issues," says Anise McDowell, who became CLA&#39;s first K-12 outreach coordinator last August. </p>

<p>With that in mind, members of the CLA community are increasingly reaching out to communities in Minnesota that are traditionally underrepresented in college classrooms. Directing their messages to students as young as five, they are replacing discouraging messages with a far more positive one: black or white, rich or poor, everyone deserves an education. </p>

<p>Outreach efforts aren&#39;t new to CLA. For years, professors and departments have been visiting primary and secondary school classrooms and bringing kids to campus. But until now, there was no central clearinghouse to organize those efforts. And ambitious projects may have been shelved in favor of smaller scale efforts. Not anymore, says McDowell. â€œNow that people know I&#39;m here, they say, â€˜OK, we&#39;ve been wanting to do bigger projects. Now we can."</p>

<p><strong>Smoothing the way</strong><br />
A major goal of outreach efforts is to demystify the process of preparing for and attending college. Despite the lack of outreach in her community, Blackmon made it to the University after earning an associate degree from a community college in Houston. The journalism major, who tutors kids in Minneapolis schools, wants the next generation to know what she wished she knew at their age.</p>

<p>With that goal in mind, Blackmon is working on a documentary with classmate Naima Bashir that will film students of color talking about how high school prepared them for college, why they came to the U, and what campus life is like. The film will serve as a recruiting tool for minority high school students. Clips from its final version will appear on the African American Registry website, an extensive portal for African American history.</p>

<p><a href="https://apps.cla.umn.edu/directory/profiles/mayes">Keith Mayes</a>, assistant professor in the Department of African American and African Studies, is overseeing the project. Mayes grew up in Harlem and didn&#39;t know anything about college until his senior year in high school. â€œWe have a tendency to forget students on the margins," Mayes says. â€œOnly through luck do they come upon someone they can be inspired by. Our job as an ethnic studies department is to create inspiration for students about coming to college."</p>

<p>Among other issues, the documentary project, called Thinking &#39;Bout? Being About It, will consider the complexities of family relationships for first-generation college kids, Blackmon says. In her own case, she notes, her family started noticing with some dismay that she doesn&#39;t sound like she&#39;s from Texas anymore. â€œIt&#39;s something a lot of us first-generation college students deal with," she says. â€œAfter a certain point, your friends and family don&#39;t understand you."</p>

<p>The film, Blackmon hopes, will show kids that there are students on campus with similar backgrounds who will be willing to help them. And it will end with a challenge: â€œNow you&#39;ve heard about our success stories," the film asks, â€œWhat are your success stories going to be?"</p>

<p><strong>Engaging students in research</strong><br />
Alongside such informal, student-driven projects, other outreach programs are taking a more traditional routeâ€”designed by professors for students and administered by the K-12 outreach office. Psychology professor <a href="https://apps.cla.umn.edu/directory/profiles/angus">Angus MacDonald III</a> was walking across the knoll after a department meeting last November when he came up with an idea for a summer program that would increase diversity among applicants, boost funding for graduate student research projects, and reach out to students in the community. </p>

<p>With input and encouragement from McDowell and CLA Dean <a href="https://apps.cla.umn.edu/directory/profiles/rosen060">Steven Rosenstone</a>, the idea evolved into a program called VIRTEx (Vertically-Integrated Research Experience), which is debuting in pilot form this summer. Three teams of students, consisting of a graduate student, an undergraduate student, and a motivated high school student, are collaborating on an original research project over the course of the summer. The high schoolers earn $1,250 for eight weeks of part-time work, giving them a way to gain research experience without having to get summer jobs.</p>

<p>â€œThis is the kind of thing I would have eaten up in high school," says MacDonald, who graduated from Minneapolis South High in 1986. â€œI knew this is what I wanted to do back then, and I was looking all over for research opportunities, but there wasn&#39;t that kind of relationship with the University at that time."</p>

<p>Confident that the pilot program will a success, CLA hopes to fund dozens of similar opportunities in summers to come. </p>

<p><strong>Paying it forward</strong><br />
Other CLA programs, meanwhile, are already paying dividends. Last April, the â€œCLA Experience" gave tenth graders from Patrick Henry High School in North Minneapolis a taste of college life. Students enrolled online and spent a day attending lectures on campus. After a similar program earlier this year, students from Northeast Minneapolis&#39;s Edison High School raved about the day. â€œThey said they felt like they could go to college now," McDowell says.</p>

<p>The McGuire Academic Program helps to turn such students into University graduates, offering a next step for high school students involved in community programs like LearningWorks and Admission Possible. Nonprofit organizations like Achieve! Minneapolis and AVID in St. Paul are also part of the mix of CLA-community partnerships for access and sucess.</p>

<p>When CLA junior Douachee Lee was in high school at Patrick Henry, Admissions Possible paired her with a U student who helped her study for the ACT and apply for admission and financial aid. Through the program, which is geared toward kids from low-income families, Lee also visited campus a few times. A visit with the Hmong Minnesota Student Association made her feel even more at home. </p>

<p>â€œDuring my first year, I felt really comfortable going to classes and walking around campus," Lee says. â€œI don&#39;t think I ever got lost." These days, Lee coaches students and visits high schools, helping the next generation of U students find their way, too.<br />
</p></body>
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         <pubDate>Fri, 13 Jul 2007 10:10:32 -0600</pubDate>
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         <title>Head of the Class</title>
         <description><p>In an age of on-line and experiential learning, why do the four walls of the classroom still matter?<br />
<em>By Danny LaChance</p>

<p>- Laine Bergeson contributed to this story</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83303</link>
         <guid>83303</guid>
        <body><div id="blogImageCaption" style="float: right;"><img alt="Professor Joel Samaha" src="http://blog.lib.umn.edu/clareach/stories/Samaha.jpg" width="153" height="204" /><br />Joel Samaha</div>

<p>An 80-person class. A professor who calls on you even though your hand isn&#39;t raised. A moment of hesitation. Your ventured opinion, perhaps a bit unorthodox. And then, when you&#39;ve finished, the professor&#39;s explosive response: â€œThat&#39;s the most outrageous thing I&#39;ve ever heard!"</p>

<p>It may seem like a scene out of The Paper Chase, the classic 1973 film that depicted law school as an exercise in public humiliation. But in sociology professor <a href="https://apps.cla.umn.edu/directory/profiles/jbs">Joel Samaha</a>&#39;s hands, these moments are the stuff of good-natured debate. His students know that behind the mock outrage is a teacher who revels in their idiosyncratic views of the world.</p>

<p>Samaha, who won the University&#39;s Morse-Alumni Undergraduate Teaching Award this year, is legendary for his ability to generate debate even in large classes, says <a href="https://apps.cla.umn.edu/directory/profiles/uggen001">Christopher Uggen</a>, chair of the Department of Sociology. As former student Ryan King puts it, Samaha â€œchallenged and compelled us to logically defend our arguments and, in the process, managed to be outwardly disagreeable yet tremendously likable." It was, he says, â€œa perfect pedagogical storm."</p>

<p>It&#39;s the liveliness and intensity of professors like Samaha that make classrooms, at their best, inimitable. Sure, today you can take a college course â€” or get a college degreeâ€”without ever setting foot in a classroom. Virtual classrooms and hands-on internships have become to the twenty-first century what open schools and cooperative learning were to the twentieth: the next big thing.</p>

<p>But all it takes is a quick glance at Joel Samaha&#39;s student evaluations to know that classroomsâ€”those storied spaces with four walls, chairs filled with students, and a teacher standing somewhere in the mixâ€”still matter.	</p>

<p>In Samaha&#39;s classroom, the lights stay on. PowerPoint is banished. (â€œIt&#39;s the quickest way to make the classroom irrelevant," Samaha explains. â€œThe students just spend their time copying what you put up there.") And students participate constantlyâ€” often using clickers. </p>

<p>Like studio audience members in the popular game show Who Wants to Be a Millionaire? Samaha&#39;s students are frequently asked to respond with these hand-held devices to a case he presents at the beginning of the class. </p>

<p>â€œWho thinks the police ought to have the right to remove a passenger from a car they legally pulled over without having to give a reason?" he might ask at the beginning of a class session on discretionary power.</p>

<p>Students push a button on the clicker, a computer tallies the results, and, at Samaha&#39;s signal, a histogram displaying the results appears on the projection screen at the front of the room. It&#39;s more than just glorified hand raising, Samaha explains. Because each student&#39;s selection is invisible to peers, the results reflect a greater diversity of views than might otherwise appear in a public show of hands.</p>

<p>This anonymous process bypasses peer pressure, ensuring airtime for unorthodox and even unpopular perspectives. And that&#39;s especially important in a large lecture class, says Samaha. With clickers, students are empowered to speak up. They can dissent and, in the end,  see that they&#39;re not alone in their views. </p>

<p>Socratic-style on-the-spot interactions follow the surveys. Samaha points to a row of students and has each one explain how she or he voted and why. It&#39;s an art, he says, playing these responses off of one another. </p>

<p>â€œAll my life, I&#39;ve been kind of an oddball," he explains. â€œI have looked at what other people look at, but I don&#39;t see what they see."</p>

<p>Making the classroom an oddball-friendly atmosphere is important to Samaha, who is%</p></body>
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         <pubDate>Fri, 13 Jul 2007 09:47:49 -0600</pubDate>
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         <title>Seaquest</title>
         <description><p>Christine Baeumler illustrates science&#39;s most pressing concernsâ€”literally.<br />
<em>By Linda Shapiro</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83302</link>
         <guid>83302</guid>
        <body><div id="blogImageCaption"><img alt="Professor Christine Baeumler" src="http://blog.lib.umn.edu/clareach/stories/IMG_0383.gif" width="162" height="162" style="float: right; margin-left: 7px;" /><br><i>Christine Baeumler<br>Photo: Kelly MacWilliams</i></div>

<p>As an art student, <a href="https://apps.cl