<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0">
   <channel>
      <title>CLA Reach</title>
      <link>http://blog.lib.umn.edu/clareach/stories/</link>
      <description>The magazine of the College of Liberal Arts.</description>
      <language>en</language>
      <copyright>Copyright 2012</copyright>
      <lastBuildDate>Fri, 30 Dec 2011 14:43:26 -0600</lastBuildDate>
      <generator>http://www.sixapart.com/movabletype/?v=4.31-en</generator>
      <docs>http://blogs.law.harvard.edu/tech/rss</docs>
      <categories> 
        9701=Alumni|36278=Animating the liberal arts|18304=arts|10068=Awards|29815=Bound to Please|33631=Bound to Please|36282=Bound to please|36288=Catch an arts event up close|36281=Conducting peace|36385=Conducting Peace Sublist|17853=Dean|29814=Departments|33630=Departments|33634=Donors|29627=donors|10074=Donors|17732=Environmental Perspectives|24760=Faculty and Staff|9698=Faculty Notes|17600=Faculty Notes|17854=Faculty Notes|17594=Fall 2006|36111=Fall 2011|17725=Featured Discoveries|10071=Features|17595=Features|33629=Features|29811=Features|10069=Field of Inquiry|17598=Field of Inquiry|36279=Field of inquiry|36286=For the love of learning|17597=From the Dean|10072=Full Circle|17599=Full Circle|9702=Giving|17601=Giving|36280=Going places|17729=Health &amp; Society|36287=How do you animate the liberal arts?|17726=Learning, Thought, &amp; Perception|24761=Margin of Excellence|24757=On a Personal Note|29623=On a Personal Note|33633=On a Personal Note|36284=On a personal note|9700=Outreach|9699=Research|29608=Spring 2010|33628=Spring 2011|17097=SpringSummer2007|9942=Student (Graduate)|9943=Student (Undergraduate)|29844=Sub-Bound to Please|33632=Sub-Bound to Please|33635=Sub-Features|18392=Subfeatures|29840=Subfeatures|10166=Subfeatures 1|10167=Subfeatures 2|24753=Summer2009|36285=The lives they led|36283=There when the troops come home|29615=Undergraduate Education|17098=Winter2008|22148=Winter2009|24762=You Are Invited|
      </categories>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/artsevents-thumb-540x262-107351.jpg" length="61555" type="image/jpeg" />
         <title>Calendar</title>
         <description><p>A calendar of CLA concerts, plays and exhibits</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=328350</link>
         <guid>328350</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/artsevents-107354.html" onclick="window.open('http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/artsevents-107354.html','popup','width=1000,height=486,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/artsevents-thumb-540x262-107351.jpg" width="540" height="262" alt="" style="margin-left:0;margin-right:0;" /></a></p>

<p>Click the calendar to enlarge it.</p>

<p><a href="https://artsquarter.umn.edu/events">View more information and a complete calendar</a></p></body>
         <category>
            36288|36111
         </category>
         <pubDate>Fri, 30 Dec 2011 14:43:26 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/animate-thumb-540x719-107348.jpg" length="193515" type="image/jpeg" />
         <title>Share your experience, join the discussion!</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=328348</link>
         <guid>328348</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/animate-107348.html" onclick="window.open('http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/animate-107348.html','popup','width=700,height=933,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/12/animate-thumb-540x719-107348.jpg" width="540" height="719" alt="How do you animate the liberal arts? Send us a note at clareach@umn.edu." style="margin-left:0;margin-right:0;" /></a></p>

<h3>How do you animate the liberal arts?</h3>

<p>"We need to initiate a Campaign for the Liberal Arts &ndash; a campaign that makes plain their essential place in the contemporary world.</p>

<p>"It never ceases to astonish me how easily the liberal arts are taken for granted in our society. Yet when a major crisis impacts our daily lives, the persons most needed and most wanted in the room are those trained in language, religion, history, politics, anthropology, sociology, psychology, and media. We must animate the liberal arts daily."</p>

<p><em>Dean Jim Parente<br />
2011 State of the College Address</em></p>

<h4>Share your experience</h4>

<ul><li>How are the liberal arts essential in your life?</li>
<li>How do you demonstrate their vitality in the world?</li></ul>

<p>Join the conversation. We'll share your ideas and experiences. Send us a note at <a href="mailto:claReach@umn.edu">claReach@umn.edu</a>.</p></body>
         <category>
            36111|36287
         </category>
         <pubDate>Fri, 30 Dec 2011 14:25:52 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Mary Hicks06-thumb-200x286-107845.jpg" length="95354" type="image/jpeg" />
         <title>Grad students keep the learning legacy alive</title>
         <description><p>By Mary Hicks</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=328346</link>
         <guid>328346</guid>
        <body><p style="float: right; margin: 4px 12px 8px; padding:0;width:200px; font-size:90%;"><img alt="Mary Hicks06.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Mary Hicks06-thumb-200x286-107845.jpg" width="200" height="286" class="mt-image-right" style="margin: 0;" />Mary Hicks<br /><em>Photo by Everett Ayoubzadah</em></p>

<p>By Mary Hicks</p>

<p>Like many of you who have supported the University over the years, I recently received a thank-you letter from our new president. Frankly, I was touched. And I was especially touched to see his signature -- Eric W. Kaler, Ph.D. &rsquo;82.</p>

<p>OK, I know it&rsquo;s just a signature. But I&rsquo;m a sentimentalist. I&rsquo;m thrilled that President Kaler is so proud to declare his University of Minnesota provenance as an educator, researcher, and leader. Just listen to him talk, and you&rsquo;ll know his pride is deep and heartfelt.</p>

<p>As a president who earned his stripes on this campus, he knows that a great University of Minnesota opens the doors to greatness for Minnesotans. And he knows from his own experience the importance of financial support to help students across the threshold. As he said in his inaugural address, the fellowship awarded to him &ldquo;was the only way this son of a working-class family could go to graduate school.&rdquo;</p>

<p>As a leading land grant institution, we have a responsibility to develop talent for a 21st-century economy. And as a top-tier research university, we have a special responsibility to educate graduate students. Graduate and professional degrees are increasingly essential for hiring and advancement in all of the industries that drive discovery, innovation, and the economy. Our graduate students are tomorrow&rsquo;s leaders not only in higher education but also in just about every other arena imaginable.</p>

<p>It all begins here -- as a dream, a partnership, and a legacy. Every great professor was once a graduate student aspiring to create something new. And behind every great professor, behind every great scholarly or creative work or research project or breakthrough discovery, there&rsquo;s a new generation of graduate students not only learning &ldquo;from the master&rdquo; but also providing inspiration and insight, investigating, collecting and synthesizing data, working shoulder-to-shoulder with their faculty colleagues and mentors to create knowledge, advance human understanding and create a better world. They are also teaching the next generation of students and keeping the legacy going.</p>

<p>As music professor Mark Russell Smith says so eloquently, </p>

<blockquote>Music is an art of legacy -- I was taught by [a] ... master conductor when I was a graduate student, and now I have the same opportunity to share my experience with these fan-tastic students. I am a better conductor and musician because of my interaction with these students, and I have the privilege of sharing and exploring some of the greatest masterworks of art ever created with them.&rdquo;</blockquote>

<p>And you can see the results on the faces -- and in the words -- of graduate students like Ethan Rowan Pope:</p>

<blockquote>The Voice to Vision anti-genocide project ... [with David Feinberg] helped me look outside and beyond myself for inspiration and knowledge; to learn from people who have survived unimaginable horror and trauma; to keep my artistic eye on the things that most matter; and to be grateful for my good health and my good life. David helped me stay confident with my own distinct voice even while his own, more experienced, voice gave me encouragement and guidance.</blockquote>

<p>Without graduate fellowship support, especially in these hard times, such rich teaching and learning partnerships might never happen. We can only imagine the wasted potential and lost opportunities. With fellowships ranging in cost from $20,000 to $40,000 (depending upon the field), the need is monumental. </p>

<p>But so is the payoff. As President Kaler said, &ldquo;philanthropy [plays] an absolutely pivotal role in building on the foundation of public investment to catapult us to excellence.&rdquo; It makes &ldquo;the difference between good and great.&rdquo; </p>

<p>I hope that you will do what you can to keep CLA great by supporting our graduate students.</p>

<p>&gt;&gt; Mary Hicks is the director of Development and Alumni Relations. You can reach her at 612-625-5031 or hicks002@umn.edu.</p></body>
         <category>
            36111|36286
         </category>
         <pubDate>Fri, 30 Dec 2011 14:15:46 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/DonorsPinky312-thumb-300x200-107841.jpg" length="110315" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Judith Martin-thumb-175x262-107671.jpg" length="92852" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Staats-thumb-175x252-107677.jpg" length="12658" type="image/jpeg" />
         <title>In memory</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=328345</link>
         <guid>328345</guid>
        <body><p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="Judith Martin.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Judith Martin-thumb-175x262-107671.jpg" width="175" height="262" class="mt-image-right" style="margin: 0;" /><br />"Everyone should learn her name...We all live in a better city because of her." -- Gary Schiff, Minneapolis City Council<br /><em>Photo by Diana Watters</em></p>

<p><strong>Judith Martin, Ph.D. &rsquo;76 and M.A. &rsquo;71, American studies; M.A. &rsquo;73, history; </strong>CLA professor of geography, died October 3 of complications related to breast cancer treatment. She was 63.</p>

<p>A highly respected academic and popular professor, Martin had an enormous impact on the Twin Cities. She served for 15 years as a member of the Minneapolis Planning Commission, seven years as its president. She worked on zoning, transit, and airport issues, on a plan for downtown and a jobs-open space-transit project. She was an advocate for the greening and revitalization of the Mississippi riverfront.</p>

<p>Said &ldquo;to be everywhere,&rdquo; in Saint Paul she worked on economic development and on the Capitol Area Architectural and Planning Board; she was a board member of the Hennepin County Historical Society and advised the Minneapolis Historic Preservation Commission.</p>

<p>Minneapolis City Council member Gary Schiff told the Star Tribune that Martin &ldquo;was a bridge from the ivory tower to City Hall and from theory to practice. Everyone should learn her name, because we all live in a better city because of her.&rdquo;</p>

<p>Martin joined CLA as a research associate in 1985, and in 1989 was hired as a geography professor and director of the urban studies program, a position she held until her death. She taught a generation of students to factor into urban development an entire range of human and environmental considerations: the history of a community, its geography, anthropology, architecture, culture -- and real world experience with the give-and-take of civic life and public policy.</p>

<p>In a tribute to Martin, CLA Dean Jim Parente wrote that she was an exemplary University citizen who could be depended on for thoughtful leadership and counsel. She served on many University and college committees, often as chair or vice-chair. She was a member of the CLA 2015 planning committee, and of the search committee for a new U of M provost. She received virtually every teaching honor bestowed by the University, the CLA Alumna of Notable Achievement Award, and the President&rsquo;s Award for Outstanding Service. </p>

<p>She had a high national profile as well; she was widely published, often consulted, a frequent speaker, and a sought-after interviewee. </p>

<p><em>Memorials can be directed to the <a href="http://www.cla.umn.edu/giving/">University of Minnesota Foundation&rsquo;s Judith Martin Memorial Fund</a>.</em></p>

<p><a href="http://cla.umn.edu/news/clatoday/summer2004/martin.php"><em>Read about Dr. Martin&rsquo;s work.</em></a></p>

<hr />

<p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="Portrait: Elmer Staats." src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Staats-thumb-175x252-107677.jpg" width="175" height="252" style="margin-left:0;margin-right:0;" /><br />Staats was comptroller general of the United States</p>

<p><strong>Elmer B. Staats, M.A. &rsquo;37, public affairs, and Ph.D. &rsquo;39, political science, </strong>died July 23 in Washington, D.C. at 97. </p>

<p>As comptroller general of the United States, he headed what is now known as the General Accountability Office (GAO) from 1966 to 1981, through four presidential administrations, appointed first by President Lyndon Johnson, then serving the Nixon, Ford, Carter, and Reagan administrations.</p>

<p>Staats transformed the GAO from an agency that kept track of federal dollars to one that evaluates federal programs, which have included Social Security, the War on Poverty, and the cost and reliability of military weapons. According to the GAO, he saved the government $20 billion. </p>

<p>In the days after his death, the flags in front of the GAO were flown at half-staff.</p>

<p>Staats began his federal career at the Bureau of the Budget (now Office of Management and Budget), in 1939 under President Franklin D. Roosevelt, and continued to serve in high-level positions under presidents Truman, Eisenhower, Kennedy, and Johnson -- who named him head of the GAO. He believed his most notable achievement was the agency&rsquo;s audit of the Committee to Re-Elect the President (CREEP), showing that contributions to President Nixon&rsquo;s campaign had been used to finance the Watergate break-in of the offices of the Democratic National Committee. </p>

<p>He was a founding member of the National Academy of Public Administration and worked to establish its public service award program. After he retired, Staats served as president of the Harry S. Truman Scholarship Foundation Board of Trustees, and in the 1990s became the first chairman of the Federal Accounting Standards Advisory Board.</p>

<p>He never disclosed his party affiliation; on the sofa in his office he kept a pillow embroidered with an elephant on one side, a donkey on the other.</p>

<p><a href="http://www.cbsnews.com/video/watch/?id=7375926n"><em>Watch newsman Bob Scheiffer mark Staats&rsquo; passing on CBS television.</em></a></p>

<hr />

<p style="float: right; margin: 4px 12px 8px;padding:0; width:300px; font-size:90%;"><img alt="DonorsPinky312.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/DonorsPinky312-thumb-300x200-107841.jpg" width="300" height="200" class="mt-image-right" style="margin: 0;" /><br/>Benefactor "Pinky" McNamara (in suit and tie) with CLA staff<br /><em>Courtesy University of Minnesota Foundation</em></p>

<p><strong>Richard &ldquo;Pinky&rdquo; McNamara, B.A. &rsquo;56, </strong>died on May 23, after a long battle with Alzheimer&rsquo;s disease. He was 78. </p>

<p>An immensely successful entrepreneur who credited his liberal arts education with the skills he used in his career, McNamara went on to become a University of Minnesota Foundation trustee, a member of its Board of Regents, and one of the University&rsquo;s -- and CLA&rsquo;s -- biggest benefactors.</p>

<p>From humble beginnings (he got his nickname from the faded red corduroys he wore as a child), he made his way to the U with the help of an athletic scholarship, and became a Gopher football star. Post-graduation he turned to business and discovered a knack for turn-around leadership. He founded Activar, a holding company that specializes in resurrecting ailing companies and today has 17 thriving businesses under its umbrella plus facilities across the U.S.</p>

<p>In 1992 McNamara launched his philanthropic support of CLA with a gift of computers to enhance the technology involved in student advising. Later, he earmarked $3 million of a $10 million gift to the University for the creation of the McNamara Employer Network, an endowment for expanded career planning for CLA students.</p>

<p>He received the University&rsquo;s prestigious Outstanding Achievement Award in 1997. He served as a trustee of the University of Minnesota Foundation and was appointed to the Board of Regents in 2001, serving until 2005, when he resigned because of health reasons.</p>

<p>&ldquo;There&rsquo;s something about the University,&rdquo; he once said. &ldquo;You read about it, you listen to Gopher games on the radio, and you fantasize that you might be here. And one of the risks of dreaming is, it&rsquo;s liable to happen. It did, for both of us.... Everything I think of, what I&rsquo;m doing, it just goes back to the University. It&rsquo;s a great institution.&rdquo;</p>

<hr />

<p><strong>Sadie Kreilkamp, B.A. &rsquo;35, M.A. &rsquo;42, English</strong>, died December 21, 2010, in Cambridge, Mass., at the age of 97. She was a co-translator from the French of Paradoxes of Faith by Cardinal Henri-Marie de Lubac, S.J., an influential 20th-century theologian who played a key role in shaping the Second Vatican Council. Her grandson Ivan, an English professor at Indiana University, wrote that Sadie &ldquo;at age 90 showed up uninvited at a presentation I gave at the Harvard Humanities Center and asked me a tough question about my definition of dramatic monologue.&rdquo;</p>

<hr />

<p><strong>Charles Leonard Lewis, M.A. &rsquo;52 and Ph.D. &rsquo;55, psychology, </strong>died February 6, 2010, in Lancaster, Penn. He was 84 years old. </p>

<p>He had served in teaching and academic roles at Ohio University, University of North Dakota, University of Tennessee, and at the University of Minnesota, where he was associate director of activities from 1950 to 1955. Between 1972 and 1982 he was vice president for student affairs at Pennsylvania State University. </p>

<p>Lewis was the first editor of the American College Personnel Association Journal, and a consultant to the Central Intelligence Agency.</p>

<hr />

<p><strong>Nicholas P. Barker, Ph.D. &rsquo;66, English,</strong> died of liposarcoma in Lookout Mountain, Ga., on December 24, 2009 (his death only recently noted in the press), at age 72. Barker joined the Covenant College faculty as an English professor in 1966 and went on to become dean of faculty, then vice president for academic and student affairs, a position he held for 25 years.</p></body>
         <category>
            36111|36285
         </category>
         <pubDate>Fri, 30 Dec 2011 14:06:13 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Amla-thumb-125x124-107813.jpg" length="31593" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Carruthers-thumb-125x175-107669.jpg" length="36321" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/KarenHanson-thumb-175x131-107699.jpg" length="37543" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/MILES_2-thumb-175x263-107811.jpg" length="60760" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Marcus-Sherels-Interception-Return-For-Touchdown-vs.-Seahawks-thumb-125x145-107815.jpg" length="40661" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Mokros-thumb-125x125-107681.jpg" length="30611" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Sater_240X180-thumb-125x94-107675.jpg" length="29031" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Sutphen at Levine 200-thumb-125x149-107679.jpg" length="35486" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/bly_mark-thumb-125x166-107666.jpg" length="46862" type="image/jpeg" />
         <title>News from alumni</title>
         <description><p>The interesting lives of our alumni</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=328343</link>
         <guid>328343</guid>
        <body><p>What can you do with a liberal arts degree? <br />
	<br />
Good question. <br />
	<br />
And good answers!<br />
	<br />
Alums continually tell us how they are &ldquo;animating&rdquo; the liberal arts in the world. In this issue you&rsquo;ll read about judges and museum directors, poets and novelists, VPs of corporations and universities. CLA alumni work in the White House, in news rooms and in classrooms, they are lawyers, musicians and film makers. The MacArthur Foundation recently dubbed one a &ldquo;genius.&rdquo; Oh, and did we mention that Minnesota Viking?<br />
	<br />
Tell us how you are animating the liberal arts: <a href="mailto:claREACH@umn.edu">claREACH@umn.edu</a>.<br />
	<br />
<h3>1930s</h3></p>

<p><strong>Ann Schultz, B.A. &rsquo;39, English, </strong>published <em>Message in a Bottle, </em>a collection of poems that was nominated for a Minnesota Book Award. Now 93 years old, Schultz found her voice in poetry in her 40s, having lost much of her ability to speak from repeated bouts of pneumonia. Her work has been published in <em>The Saturday Evening Post, Chatelaine, Selco Regional Anthology,</em> and elsewhere.<br />
	<br />
<h3>1970s</h3></p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="bly_mark.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/bly_mark-thumb-125x166-107666.jpg" width="125" height="166" class="mt-image-right" style="margin: 0px;" /><br/>Mark Bly</p>

<p><strong>Mark Bly, B.A. &rsquo;73, English; </strong>M.A. Boston College, M.F.A. Yale University, is senior dramaturg and director of new play development at the Alley Theatre in Houston, Tex. He teaches playwriting and dramaturgy with Edward Albee at the School of Theatre and Dance, University of Houston, and is Distinguished Professor of Playwriting in the theater department at Hunter College, Manhattan. He has dramaturged more than 200 productions at major regional theaters and on Broadway.</p>
<br class="clearabove"/>
<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="Carruthers.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Carruthers-thumb-125x175-107669.jpg" width="125" height="175" class="mt-image-right" style="margin: 0;" /><br/>Philip C. Carruthers</p>
	
<p><strong>Philip C. Carruthers, B.A. &rsquo;75, political science, </strong>J.D. &rsquo;79, is the newly appointed District Court Judge in Minnesota&rsquo;s Fourth Judicial District, serving Hennepin County. He previously served in the Ramsey County Attorney&rsquo;s Office as director of the civil division, and as the head of the prosecution division, where he started the Elder Abuse Unit and helped organize the Joint Domestic Abuse Prosecution Unit. He has been in private practice in Minneapolis for 21 years, and from 1997 to 1998 served as speaker of the Minnesota House of Representatives. The U of M Law School named its public interest law clinic after him.</p>
	
<p><strong>Michael Sidney Fosberg, B.F.A. &rsquo;79, theater,</strong> author of a book and a one-man play, both titled <em>Incognito</em>, was interviewed about his work on National Public Radio by (CLA alumna) Michele Norris. His works are autobiographical, about growing up believing he was white, never having met his biological father, who was black. <em><a href="http://www.npr.org/2011/07/06/137656165/in-the-blink-of-an-eye-writers-racial-identity-changed">Listen to the interview.</a></em></p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="KarenHanson.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/KarenHanson-thumb-175x131-107699.jpg" width="175" height="131" class="mt-image-left" style="margin: 0" /><br/>Karen Hanson</p>

<p><strong>Karen Hanson, B.A. &rsquo;70, Ph.D. &rsquo;80 (Harvard), philosophy and mathematics, </strong>has been named U of M senior vice president for academic affairs. She previously served at Indiana University as executive vice president, and provost of the Bloomington campus.<br />
	<br />
As provost, Hanson will oversee budgeting, all matters related to academic programs, faculty promotion and tenure, research, outreach, and student recruitment and retention. She starts her new duties in February.<br />
	<br />
She is acutely aware of the scope of the challenge she faces: times are hard, the public is focused on the economy and jobs, and there is a new public skepticism about higher education. <br />
	<br />
&ldquo;College is a time to prepare for a job,&rdquo; she says, while maintaining that &ldquo;public research universities also play the central role in creating society&rsquo;s new knowledge. Through their liberal arts mission they help sustain and advance culture. They help people have productive and meaningful lives. They help citizens learn to live with one another, express themselves civilly, and be analytic about directions of the nation.&rdquo;<br />
	<br />
She says, &ldquo;Universities themselves must make the case that public higher education is a fundamental building block that the nation can&rsquo;t do without.&rdquo; <br />
	<br />
<h3>1980s</h3></p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="Sater_240X180.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Sater_240X180-thumb-125x94-107675.jpg" width="125" height="94" class="mt-image-right" style="margin: 0;" /><br/>Terry Sater</p>
<p><strong>Terry Sater, B.A. &rsquo;83, speech communication, </strong>was part of a news team which was recently honored with an Edward R. Murrow Award. Sater is a reporter and news anchor at WISN-TV in Milwaukee, Wisc.</p>
	
<h3>1990s</h3>

<p><strong>Christian Overland, B.A. &rsquo;94, American studies,</strong> has been named executive vice president of The Henry Ford. He oversees all historical research, education programs, and experience design, and is responsible for the maintenance and growth of the institution&rsquo;s collections. The Henry Ford is a history destination that includes a museum, village, IMAX theater and research center.<br />
	<br />
<strong>David Gerbitz, B.A. &rsquo;96, speech communication, </strong>is joining Yahoo! as vice president for account management. He was most recently the general manager for U.S. ad sales, strategy, and operations at Microsoft.</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="Sutphen at Levine 200.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Sutphen at Levine 200-thumb-125x149-107679.jpg" width="125" height="149" class="mt-image-right" style=" margin: 0;" /><br/>Joyce Sutphen</p>
	
<p><strong>Joyce Sutphen, B.A. &rsquo;82, M.A. &rsquo;93, Ph.D. &rsquo;96, English, </strong>is the new poet laureate for the State of Minnesota, following inaugural state poet laureate Robert Bly. Charged with promoting and supporting poetry in Minnesota, Sutphen says she aims to bring together poets from around the state. A teacher of literature and creative writing at Gustavus Adolphus College in St. Peter, Minn., she subscribes to Robert Frost&rsquo;s description of poetry as &ldquo;a momentary stay against confusion.&rdquo;</p>
	
<p><strong>Jennifer Holmes, Ph.D. &rsquo;98, </strong>associate professor, University of Texas at Dallas, and <strong>Amy E. Jasperson, Ph.D. &rsquo;99,</strong> associate professor, University of Texas at San Antonio, both political science, won the University of Texas Regents&rsquo; Outstanding Teaching Award, the regents&rsquo; highest honor.</p>
	
<p><strong>Lee Hutton, B.A. &rsquo;99, journalism and speech communication</strong>, was named by <em>Minnesota Finance</em> <em>and Commerce</em> as one of the 25 Attorneys of the Year. <a href="http://www.lommen.com/pdf/Lee-Hutton-Atty-of-Year-MinnLawyer-2-28-11.aspx">Read about him in <em>Minnesota Lawyer</em>. (PDF)</a></p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="Mokros.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Mokros-thumb-125x125-107681.jpg" width="125" height="125" class="mt-image-right" style="margin: 0;" /><br/>Andrea Mokros</p>	

<p><strong>Andrea Mokros, B.A. &rsquo;99, political science</strong>, is the new White House director of scheduling and advance for First Lady Michelle Obama. She previously served in Minnesota Governor Mark Dayton&rsquo;s administration.</p>
<br class="clearabove"/>

<h3>2000s</h3>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="MILES_2.JPG" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/MILES_2-thumb-175x263-107811.jpg" width="175" height="263" class="mt-image-right" style="margin: 0;" /><br/>Tiya Miles<br /><em>Courtesy the John D. &amp; Catherine T. MacArthur Foundation</em></p>

<p><strong>Tiya Miles, Ph.D. &rsquo;00, American studies, </strong>is a 2011 MacArthur &ldquo;Genius&rdquo; Fellow. An associate professor at the University of Michigan, Miles is a public historian -- like the historians who work in museums, historical societies, and on TV documentaries, whose primary audience is not other academics, but the public.</p>
	
<p>She writes about the complex relationships between the African and Cherokee peoples of colonial America. Her book, <em>Ties that Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom</em> (2005), which won two awards, was based on her dissertation. Her newest work is <em>The House on Diamond Hill: A Cherokee</em> <em>Plantation Story,</em> which in 2006 was awarded the Frederick Jackson Turner Award from the Organization of American Historians and the Lora Romero Distinguished First Book Award from the American Studies Association. <a href="http://www.macfound.org/site/c.lkLXJ8MQKrH/b.7730987/k.2B30/Tiya_Miles.htm"><em>See the video.</em></a></p>
	
<p><strong>Katherine E. Merkel, B.A. &rsquo;02, political science,</strong> has joined the law firm of Henschel Moberg, P.A. as an associate attorney. Merkel previously clerked for the Honorable Laurie J. Miller and will practice exclusively family law. Merkel is treasurer of CLA&rsquo;s Alumni Society Board.</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="Amla.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Amla-thumb-125x124-107813.jpg" width="125" height="124" class="mt-image-right" style="margin: 0;" /><br/>Paul Amla</p>
	
<p><strong>Paul Amla, B.A. &rsquo;03, global studies, </strong>M.Ed., 07, is president and founder of Amla International Translations, a Minneapolis interpreting service developed from his own experience as a West African refugee confronting the language barrier. Services offered include document translations, telephone and on-site interpretation in more than 150 languages. He is the recipient of the Business of the Year Award from <em>Mshale, </em>a newspaper for African immigrants in the Americas.</p> 
	
<p><strong>Asim Dorovic, B.A. &rsquo;05, political science, </strong>German, and global studies, is the chief of cabinet to the minister of foreign affairs of Bosnia and Herzegovina.</p>
	
<p><strong>Conor O&rsquo;Brien, M.M. &rsquo;06, music performance</strong>, will join the faculty of Luther College in Decorah, Iowa, in February 2012 as a visiting assistant professor of music. A native of Dublin, Ireland, he runs a private teaching studio in Minneapolis and recently established a chamber music program that caters to youth and adult musicians in the Twin Cities. O&rsquo;Brien has played with the Minnesota Orchestra and Saint Paul Chamber Orchestra, and is a member of the Minnesota Opera, Minneapolis Pops, and Lyra Baroque orchestras.</p>
	
<p><strong>Amy Propen, Ph.D. &rsquo;07, rhetoric</strong>, was awarded the 2010 John R. Hayes Award for Excellence from the Journal of Writing Research. Propen is an assistant professor of rhetoric and composition at York College of Pennsylvania.</p>
	
<p><strong>Sao Seugene Her, B.A. &rsquo;08, Asian languages and literatures</strong>, recently won Best of the Fest award for her short film, <em>Distance, </em>at the Hmong Qhia Dab Neeg (Story Telling) Film Festival, Saint Paul, Minn. &ldquo;The most important thing in my artwork,&rdquo; she says, &ldquo;is to express: don&rsquo;t forget who you are and your roots, no matter where you may end up and adapt to a different society and culture.&rdquo;</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:125px; font-size:90%;"><img alt="Marcus-Sherels-Interception-Return-For-Touchdown-vs.-Seahawks.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Marcus-Sherels-Interception-Return-For-Touchdown-vs.-Seahawks-thumb-125x145-107815.jpg" width="125" height="145" class="mt-image-right" style="margin: 0;" /><br/>Marcus Sherels</p>
	
<p><strong>Marcus Sherels, B.A. &rsquo;10, political science,</strong> signed with the Minnesota Viking as an undrafted free agent. After spending most of the 2010 season on the practice squad, he made the active roster in 2011 and is the team&rsquo;s starting punt returner.</p>
	
<h3>Writing Awards</h3>

<p><strong>Wendy Webb, B.A. &rsquo;84, political science, </strong>won the 2011 Minnesota Book Award for Genre Fiction for her first novel, <em>The Tale of Halcyon Crane.</em><br />
	<br />
<strong>Peter Geye, B.A.&rsquo;00, English, </strong>won the inaugural Independent Literary Award for fiction, a prize given by literary bloggers, for his novel, <em>Safe From the Sea.</em><br />
	<br />
<strong>Lightsey Darst, M.F.A. &rsquo;03, creative writing, </strong>received the Minnesota Book Award for poetry for her debut collection Find the Girl. <br />
	<br />
<strong>Swati Avasthi, M.F.A. &rsquo;10, creative writing, </strong>won a CYBILS Award for Young Adult Fiction for her debut novel <em>Split</em>. The awards are given by literary bloggers for the year&rsquo;s best children&rsquo;s and young adult titles.<br />
	<br />
Three out of four 2011 McKnight Artist Fellowships for Writers went to M.F.A. alumni: <strong>John Colburn, M.F.A. &rsquo;96, creative writing, B.A. &rsquo;90, English; Ethan Rutherford, M.F.A., &rsquo;09, creative writing; and Dominic Saucedo, M.F.A. &rsquo;02, creative writing.</strong> Each will receive $25,000. </p></body>
         <category>
            36111|36284
         </category>
         <pubDate>Fri, 30 Dec 2011 12:29:17 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/PeaceIntroCompositecropped-thumb-540x219-107843.jpg" length="128462" type="image/jpeg" />
         <title><![CDATA[After war, after genocide; after our hearts break&mdash;children, friends, and lovers gone&mdash;what do we do?]]></title>
         <description><ul>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=322713">The power of the human story</a>
<span class="claBlogEntryBlurb"><p>Scribes for Human Rights: telling stories that statistics cannot. By Greg Breining</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327494">The pity of war, the call to peace</a>
<span class="claBlogEntryBlurb"><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></span>
<span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327495">And then there was one</a>
<span class="claBlogEntryBlurb"><p>Making art that honors the survivors of genocide. By William Randall Beard</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327496">The justice cascade</a>
<span class="claBlogEntryBlurb"><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></span>
<span class="claBlogEntryDate"></span></li>
</ul></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322707</link>
         <guid>322707</guid>
        <body><p><img alt="PeaceIntroCompositecropped.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/PeaceIntroCompositecropped-thumb-540x219-107843.jpg" width="540" height="219" class="mt-image-right" style="margin: 0;" /></p>
<br class="clearabove"/>

<p>How do we find peace after ruptures that are every bit as terrible as the world's worst natural disasters, but perpetrated by our own kind?</p>

<div style="background:#EBEBEB; float: right; width:220px; padding:10px 12px; margin:4px 12px;"> 
Hope is the thing with feathers<br />
That perches in the soul,<br />
And sings the tunes without the words<br />
And never stops at all<br /><br />
<em>Emily Dickinson</em>
</div>

<p>The question is ancient and persistent. We struggle with unreason and despair as loved ones return from Afghanistan and Iraq -- or not -- and the daily news, steady as a metronome, beats out stories of tragedy and injustice around the world.</p>

<p>These are hard things to think about.</p>

<p>But human beings have hope. We believe in the powers of human intelligence and empathy, and in the miracle of the creative spark -- powers we have invoked throughout history to invent incredibly complex structures like language, music, art, and poetry, democracy, social institutions, as well as technological solutions for problems of health, hunger, and commerce.</p>

<p>In this feature you will read about four College of Liberal Arts faculty members and a graduate student who are working to create ways to make humanity whole after self-inflicted trauma.</p>

<p>They are investigating how we can retain painful memories as cautionary and not destructive, how to heal broken hearts and reconcile old enemies, and how to elevate the cause of justice to the highest levels of human attention.</p>

<p>The wrongs they address may be painful, but their proposals ring true and their hopes are transcendent. Read, and imagine: we can conduct peace.</p>

<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=322713">The power of the human story</a>
<span class="claBlogEntryBlurb"><p>Scribes for Human Rights: telling stories that statistics cannot. By Greg Breining</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327494">The pity of war, the call to peace</a>
<span class="claBlogEntryBlurb"><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></span>
<span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327495">And then there was one</a>
<span class="claBlogEntryBlurb"><p>Making art that honors the survivors of genocide. By William Randall Beard</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327496">The justice cascade</a>
<span class="claBlogEntryBlurb"><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></span>
<span class="claBlogEntryDate"></span></li>
</ul></body>
         <category>
            36281|36111
         </category>
         <pubDate>Fri, 02 Dec 2011 10:20:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/hamplstanfordfrey.jpg" length="11231" type="image/jpeg" />
         <title>The power of the human story</title>
         <description><p>Scribes for Human Rights: telling stories that statistics cannot.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322713</link>
         <guid>322713</guid>
        <body><p style="float: right; margin: 4px 0 10px 12px; width:175px; font-size:90%;"><img alt="" src="http://blog.lib.umn.edu/clareach/stories/hamplstanfordfrey.jpg" width="175" height="216" style="margin-left:0;margin-right:0;" /><br />Patricia Hampl, Claire Stanford and Barbara Frey: telling stories of human rights in a personal voice<br /><em>Photo by Darin Back</em></p>

<p>By Greg Breining</p>

<p>One person&rsquo;s voice, one person&rsquo;s story, can rise above the cacophony of world events. Consider <em>Anne Frank: The Diary of a Young Girl, </em>an extraordinary account of the Holocaust. » &ldquo;When you think about it, you realize there is not a concentration camp in that book, there are no figures, there are no numbers, there are no statistics, there is no documentation, except the documentation of a life, a precious life, snuffed out by hatred, racism, genocide,&rdquo; observes Patricia Hampl, regents professor of English. &ldquo;We supply that information, the horror, while she supplies what was lost. And so I keep going back to Anne Frank as the model for why it is we need the personal voice.&rdquo;</p>

<p>Fostering the power of the personal voice -- in memoir, fiction, poetry, and creative nonfiction --to defend human rights is the purpose behind Scribes for Human Rights, a fellowship Hampl and Barbara Frey, director of CLA&rsquo;s Human Rights Program, launched in 2006. The fellowship enables masters of fine arts students in creative writing to connect with academics and other professionals in the field of international human rights. The experience provides material for their writing, with the goal of conveying the experience of persecution and human rights struggles in personal terms, through stirring narratives.</p>

<p>&ldquo;The personal voice is the centerpiece of what I feel creative writing has to bring to all this,&rdquo; says Hampl. &ldquo;It is not propagandistic; it is not polemical. It is, rather, expressionist and personally voiced documents. Sometimes of horror. Think Anne Frank. That&rsquo;s who I think of.&rdquo;</p>

<p><br class="clearabove" /></p>

<h3>When Hampl met Frey</h3>

<p>The story of Scribes began several years ago as Hampl wondered how to financially support students not only with teaching or research assistantships, but for their chosen craft. &ldquo;We ought to have some things that are -- writing instead of teaching!&rdquo; she exclaims. &ldquo;Not everyone wants to or should be a teacher.&rdquo; Then, at a dinner party, Hampl met Frey. </p>

<p>She was familiar with Frey&rsquo;s work and the human drama at its foundation, and her ideas began to spill out: &ldquo;... and you publish reports, but these reports are mostly based on trends, statistics. And we have all these people who can do narrative writing that brings the story into story form and highlights an individual....</p>

<p>&ldquo;I hardly had to get the first sentence out of my mouth before she not only grasped it but augmented it,&rdquo; recalls Hampl. &ldquo;We have been a real team since then.&rdquo;</p>

<p>Frey concurs. &ldquo;In the field we produce a lot of dry legal reports and complaints on what are essentially gripping and wrenching human stories. I really believe there&rsquo;s a need and I see an emergence of writers who are able to tell the whole story of what the victims or what communities go through when they are subject to human rights violations. It&rsquo;s valuable to bring good writing skills to spread information and understanding about human rights violations, about their causes and consequences. We feel the scribes really benefit from learning about the practice of human rights on the ground.&rdquo;</p>

<p>Scribes began as a full-year fellowship with a requirement to publish in the field. But the program changed with the realities of funding. Now it is a summer fellowship (with a stipend of about $4,000). Scribes have written about immigrant detention in Midwest jails, Minnesota&rsquo;s movement to stop the genocide in Darfur, the Liberian truth and reconciliation commission and Thai desecration of Hmong burial sites.</p>

<p>One scribe spent time in Minnesota&rsquo;s prisons and hosted workshops for human-rights workers on how to write compelling accounts of oppression. In some cases, students have proposed teaching writing workshops instead of writing themselves. To some extent, it&rsquo;s up to the student to propose how writing will be combined with human rights. </p>

<h3>Food Justice</h3>

<p>The current scribe is Claire Stanford, a third-year MFA student. She writes primarily fiction, but has also written blogs and magazine articles on food. (She is getting a graduate minor in sustainable agricultural systems.) Her human rights focus is on &ldquo;food justice,&rdquo; ensuring that all people, especially the urban poor who might live in &ldquo;food deserts,&rdquo; have access to high-quality, fresh, nutritious food. </p>

<p>Stanford spent the summer working with at-risk students at Gordon Parks High School in Saint Paul, where many students have fallen behind in their studies, wrestled with drug addiction, or spent time in jail. Some are parents. Many have dealt with racial discrimination.</p>

<p>Says Stanford, &ldquo;They are students who are experiencing a number of human rights issues, depending on how you define that.&rdquo;</p>

<p>Stanford met with students three days a week, &ldquo;helping the kids to work on their own writing, to work on their literacy and their basic writing skills, and also to work on some self-realization and self-empowerment.&rdquo; Many days, Stanford met the students on the University&rsquo;s St. Paul campus, where they visited Cornercopia, the student organic farm. Students were introduced to foods, such as kale, that may have been unfamiliar and learned lessons -- literal and metaphoric -- from the farm, often writing about the experience afterward. </p>

<p>Says Stanford, &ldquo;There are a lot of intense moments coming out of these students&rsquo; lives. And they&rsquo;re extremely willing to share them, which I thought was amazing.&rdquo; Stanford will be writing lesson plans from the Gordon Parks experience. She also plans to blog about it and incorporate some of her experience and observations in a long essay or memoir. </p>

<p>Meanwhile, the fellowship provided her much needed financial support and provided the opportunity to represent the University&rsquo;s Human Rights Program at the Edible Schoolyard Academy conference in Berkeley this coming June. &ldquo;It&rsquo;s easy during graduate school to get really cloistered in your own work,&rdquo; says Stanford. &ldquo;The fellowship really gave me the motivation and also the support to go out and do something. That&rsquo;s been really invaluable in my understanding of this.&rdquo;</p>

<p>And understanding is important, both for the writer and the public. Whether the rights in question are access to an adequate diet, freedom from racial discrimination, or salvation from political oppression or genocide, the human story is a persistent flame that casts a light of understanding.</p>

<p>Says Hampl, &ldquo;We really trust first-person voice, just as we have all been moved by Anne Frank to understand that that voice and the ability to bring that voice to an audience and a readership is what can change hearts and minds.&rdquo;</p>

<p><em>&gt;&gt; Greg Breining has written for publications including </em>The New York Times, National Geographic Traveler, Star Tribune, Minnesota Monthly<em> and is the author of several books.</em></p>

<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=322713">The power of the human story</a>
<span class="claBlogEntryBlurb"><p>Scribes for Human Rights: telling stories that statistics cannot. By Greg Breining</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327494">The pity of war, the call to peace</a>
<span class="claBlogEntryBlurb"><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></span>
<span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327495">And then there was one</a>
<span class="claBlogEntryBlurb"><p>Making art that honors the survivors of genocide. By William Randall Beard</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327496">The justice cascade</a>
<span class="claBlogEntryBlurb"><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></span>
<span class="claBlogEntryDate"></span></li>
</ul></body>
         <category>
            36385|36111
         </category>
         <pubDate>Fri, 02 Dec 2011 10:19:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/mark_2443-thumb-175x263-107827.jpg" length="65120" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/markrusselsmith.jpg" length="8208" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/nobel.gif" length="5217" type="image/gif" />
         <title>The pity of war, the call to peace</title>
         <description><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=327494</link>
         <guid>327494</guid>
        <body><p style="float: right; margin: 4px 12px 8px; width:175px; font-size:90%;"><img alt="mark_2443.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/mark_2443-thumb-175x263-107827.jpg" width="175" height="263" class="mt-image-right" style="margin: 0;" /></br>Mark Russell Smith, artistic director of orchestral studies: rehearsing the U of M Symphony Orchestra, Ted Mann Concert Hall<br /><em>Photo by Darin Back</em></p>

<p>By William Randall Beard</p>

<p>&ldquo;All a poet can do today is warn,&rdquo; said Wilfred Owen, the premier English poet of the First World War. &ldquo;My subject is War,&rdquo; he wrote, &ldquo;and the pity of War. The poetry is in the pity.&rdquo; Indeed. Only 25 years old, Owen was killed in action in France -- just a week before the 1918 Armistice.</p>

<p>One of the greatest composers of the 20th century, Benjamin Britten, a fellow Englishman, melded Owen&rsquo;s exquisite poetry with the ancient Latin Mass of the dead to create his masterful War Requiem. It premiered in 1962 at the reconsecration of Coventry Cathedral, a 14th-century Gothic church destroyed by the Luftwaffe during World War II. Today a modern cathedral, rising like a phoenix and dedicated as a World Centre for Reconciliation, adjoins its skeletal ruins.</p>

<p>This spring CLA will mark the premiere&rsquo;s 50th anniversary with an elaborate production conducted by Artistic Director of Orchestral Studies Mark Russell Smith and his German colleague Karl-Heinz Bloemeke. The Twin Cities performance will take place on March 1, 2012, in the Ted Mann Concert Hall as part of the 24th annual Nobel Peace Prize Forum, a major public event organized by Augsburg College and the Humphrey School of Public Affairs. The War Requiem also will be performed in Detmold, Germany on February 18 and 19; and in the Quad Cities on March 3 and 4.</p>

<div style="background:#EEF5F4; float: right; width:220px; padding:10px 12px; margin:4px 12px;"><img alt="Nobel Peace Prize Forum, March 1-3" src="http://blog.lib.umn.edu/clareach/stories/nobel.gif" width="220" height="116" style="margin:0 0 8px;" />The Britten War Requiem will be performed on March 1 as part of the Nobel Peace Prize Forum, whose theme this year is "The Price of Peace."<br /><br />The Nobel Peace Prize Forum is the only program affiliated with the Norwegian Nobel Institute outside Norway. For 23 years, this unique civic learning experience has brought Nobel Laureates, civic leaders, and scholars together with students and other citizens to inspire peacemaking by celebrating the work of those Laureates.<br /><br />The Forum's executive director is Maureen Reed, CLA '75.
<br />
<a href="z.umn.edu/nobelforum">Learn More</a></div>

<h3>Learning to incline toward peace</h3>

<p>The work is monumental -- from its powerful plea for peace, to its engulfing 80-minute performance time, to its orchestration and arrangement for multiple orchestras and choruses.</p>

<p>The educational goal of such an ambitious project is to combine the learning of the music, its poetry, and its cultural context to inspire an enlarged world understanding on the part of the students. </p>

<p>Art has that power, says David Myers, School of Music director. In contrast to technological solutions to our world problems, art offers empathy, sensitivity, nuance. &ldquo;We want the performance to be at a high level,&rdquo; he says, &ldquo;but we want that high level to emerge out of understanding -- not just technical proficiency. The musical understanding then becomes a foundation for larger social-cultural understanding. In entering into an ambitious project like this we think about what our students will take with them as human beings and musicians. Will the experience make internationalization personal to them? Will the fact that these students come from two nations once at war humanize them? Attune them to the ravages of war and incline them toward more peaceful resolutions of conflict? We hope so.&rdquo;</p>

<p style="float: left; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="" src="http://blog.lib.umn.edu/clareach/stories/markrusselsmith.jpg" width="175" height="212" style="margin-left:0;margin-right:0;" /><br />Mark Russell Smith</p>

<p>The War Requiem is ideal for these purposes. Smith says it &ldquo;communicates to us of a more poignant and complicated world. [It is] is about the human condition, the human toll of war, the futility of war.&rdquo;</p>

<p>That is why it will be studied by the performers and students from the School of Music, the departments of history and English, and the broader Nobel Peace Prize Forum audience, which will include a large and diverse group of undergraduate students, graduate students, professionals, and academics. Smith says, &ldquo;I want to get as many people involved as we can. It&rsquo;s a big thing, multifaceted, with so many layers to study.&rdquo;</p>

<p>Replete with moments of great drama, the piece fairly cries for unity. In the final movement, for example, a soldier entering the afterlife meets another who blesses him -- it turns out to be the man he&rsquo;d slain in war. In the Offertorium the baritone sings a poem that chillingly subverts the biblical story of Abraham and Isaac: while the poet says Abraham &ldquo;slew his son /And half the seed of Europe, one by one,&rdquo; a boys choir sings the Hostias (&ldquo;Sacrifices and prayers of praise, Lord / we offer to You&rdquo;) as if they were the ones being slain. In the Dies Irae, the soprano and chorus&rsquo;s offering of consolation is juxtaposed with the cries of the tenor, singing of dead comrades -- the voice of a soldier who cannot be consoled.</p>

<p>Such musical moments touch the human soul in ways not available to political rhetoric.</p>

<h3>International Collaboration</h3>

<p>A unique set of circumstances makes this production a truly international affair. While traveling in Germany, Smith visited a colleague, soprano Caroline Thomas, who was teaching at the Hochschule für Musik in Detmold, one of Europe&rsquo;s leading music conservatories. They brainstormed opportunities to collaborate and Smith mentioned his idea of the War Requiem.</p>

<p>Serendipitously, the German faculty had experience with the piece and were thrilled at the opportunity. &ldquo;The work is ripe for collaboration,&rdquo; Smith says. &ldquo;It requires two orchestras and two conductors. And the size of the forces required, and difficulty of the writing, make it too much for a single chorus. The big choral features need critical mass for effect.&rdquo;</p>

<p>Critical mass it will have, with groups combining and recombining over the several performances. In Minneapolis the University will contribute its 100-piece orchestra and 60 of 150 voices. The Hochschule will fly in its chamber orchestra and a small group of German singers; other groups include Macalester College Choir, Minnesota Boychoir, Augustana Choir of Augustana College in Rock Island, Ill., Quad City Choral Arts, the a capella chamber choir Kantorei, and soloists. In all performances, soprano Thomas will be joined by School of Music professor tenor John De Haan and baritone Philip Zawisza.</p>

<p>The March 1 performance at Ted Mann will take place on the first day of the Nobel Peace Prize Forum, a day dedicated to two separate themes: the relationship between peace and art, and the relationship between peace and business. </p>

<p>The Ted Mann performance will have a strong theatrical element. The main orchestra and chorus, with the soprano, perform the Latin text from center stage. There will be a stage extension for the chamber orchestra and male soloists, who perform the Owen poetry: the more separation, the better. A boys choir, in the distance behind, performs as disembodied voices.</p>

<p>Smith hopes his audiences, on whichever side of the Atlantic, will come away from the performance  recognizing what &ldquo;man&rsquo;s inhumanity to man can mean, and in the reflective moments, react to the toll. For the performers, it&rsquo;s one of those pieces that will be with them forever. The audience leaves transformed. It is not hyperbole to say that.&rdquo;</p>

<p><a href="http://www.brittenpears.org/page.php?pageid=441">Watch a video introduction to War Requiem.</a></p>

<p><em>William Randall Beard writes regularly about theater and classical music for the </em>Star Tribune<em> and is the theater writer for </em>Mpls/St Paul Magazine.</p>

<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=322713">The power of the human story</a>
<span class="claBlogEntryBlurb"><p>Scribes for Human Rights: telling stories that statistics cannot. By Greg Breining</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327494">The pity of war, the call to peace</a>
<span class="claBlogEntryBlurb"><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></span>
<span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327495">And then there was one</a>
<span class="claBlogEntryBlurb"><p>Making art that honors the survivors of genocide. By William Randall Beard</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327496">The justice cascade</a>
<span class="claBlogEntryBlurb"><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></span>
<span class="claBlogEntryDate"></span></li>
</ul></body>
         <category>
            36385|36111
         </category>
         <pubDate>Fri, 02 Dec 2011 10:18:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/feinberg_1915 Kemmerling-thumb-175x250-107829.jpg" length="89526" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/feinbergart.jpg" length="14727" type="image/jpeg" />
         <title>And then there was one</title>
         <description><p>Making art that honors the survivors of genocide. By William Randall Beard</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=327495</link>
         <guid>327495</guid>
        <body><p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="feinberg_1915 Kemmerling.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/feinberg_1915 Kemmerling-thumb-175x250-107829.jpg" width="175" height="250" class="mt-image-right" style="margin: 0;" /><br/>David Feinberg, associate professor of art, with Joe Grosnacht (seated), sole surviving brother from when playing trains was a game<br /><em>Photo by Darin Back</em></p>

<p>By William Randall Beard</p>

<p>Joe Grosnacht liked to play &ldquo;trains&rdquo; with his five little brothers, the dining room chairs standing in for railroad cars. He was the oldest -- which meant he was the one who got to sit in front and be the engineer. That was in Poland* before the war. By the time he was liberated from Auschwitz in 1945, Joe, 23, was the only brother left, selected by the physician Joseph Mengele, the &ldquo;Angel of Death,&rdquo; for hard labor instead of the showers.</p>

<p>Decades later, Joe&rsquo;s simple line-drawing of six chairs, five of them empty, became the starting point of &ldquo;Six Playing Train and Then There Was One,&rdquo; a collage he created with art professor David Feinberg that also includes photographs of trains full of soldiers and deportees.</p>

<p>&ldquo;It was devastating&rdquo; to listen to Grosnacht tell his story, says Feinberg. &ldquo;The collage looks as grisly as I felt.&rdquo;</p>

<h3>&ldquo;We don&rsquo;t illustrate history&rdquo;</h3>

<p>In addition to teaching, Feinberg directs Voice to Vision, a project of the interdisciplinary Center for Holocaust and Genocide Studies. The center has the <a href="http://chgs.umn.edu/museum/">largest website in the world on genocide</a>.</p>

<p>Voice to Vision pairs survivors or their children with professional artists and Feinberg&rsquo;s students, who collaborate on making works of art. &ldquo;I sometimes have trouble getting my students to think as artists, but not the survivors,&rdquo; Feinberg says.</p>

<p>He began the project in 2002, working with Holocaust survivors; today it embraces people from other cultures as well. He has worked with survivors of genocide in Cambodia and Laos, Rwanda and Sudan, Bosnia and even the greatgrandchildren of survivors of the Armenian genocide of 1914 to 1918. &ldquo;The Holocaust doesn&rsquo;t disappear,&rdquo; he says. &ldquo;The story continues.&rdquo;</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="" src="http://blog.lib.umn.edu/clareach/stories/feinbergart.jpg" width="175" height="191" style="margin-left:0;margin-right:0;" /><br /><em>Courtesy of David Feinberg</em></p>

<p>Each piece of art begins with many hours of dialogue. Feinberg uses colors or words, or objects on a table, or even odors to elicit stories and restore memories. Then he goes deeper, searching for visual elements to include in the collage. For example, for &ldquo;Six Playing Train and Then There Was One,&rdquo; Grosnacht provided 20 drawings, three of which were used in the final work.</p>

<p>&ldquo;We don&rsquo;t illustrate history,&rdquo; Feinberg says. &ldquo;We try to find visual information -- symbols or metaphors -- to create feelings. You&rsquo;d be surprised what goes together to create a new whole.&rdquo; The collages are made up of diverse fragments in juxtaposition--drawings, paintings, shards of paper, architectural elements, in one case a paint-stained floor mat.</p>

<p>Perhaps surprisingly, the collages are nonrepresentational, and that&rsquo;s the survivors&rsquo; doing, not Feinberg&rsquo;s. As one participant put it: &ldquo;We don&rsquo;t want to look at photos. We lived the photos.&rdquo;</p>

<p>In one piece, an image of an escalator is reversed to a negative -- abstracted to represent the moving of people; for the survivor it it stands for &ldquo;the bodies I had to pile up.&rdquo; In another, drips of paint representing the river they had to cross to get to the work camp moved one woman to say to her husband, &ldquo;Max, I feel like I&rsquo;m there again!&rdquo;</p>

<p>For the majority of participants, the project broke their silence about the horrors they experienced. Two sisters from Rwanda had never before told their stories, even to each other. &ldquo;Their tragedy was so great, they didn&rsquo;t need to talk about it. They understood instinctively,&rdquo; Feinberg says.</p>

<h3>Disclosing deep, emotional truths</h3>

<p>But while creating the art can be therapeutic, the goal is not. Feinberg insists that its purpose is to influence by creating &ldquo;new visual images that communicate with people who have no personal connection to the Holocaust and other genocides. We use a lot of mirrors, allowing viewers to see themselves and become a part of the artwork.&rdquo;</p>

<p>He likens the collages to messages in a bottle, written to disclose deep, emotional truths. &ldquo;The communication is not from logic. Metaphor is more powerful than illustration. If you respond to it more viscerally, it stays in your unconscious. It gets permanently saved and comes back.&rdquo;</p>

<p>He also compares them to the best poems: &ldquo;not the ones you understand immediately, but the ones that make an impression on you and make you struggle with them. Instant communication, like a poster or an infomercial, has an immediacy that is completely separate from works of art. It&rsquo;s the difference between art and decoration.&rdquo;</p>

<p>Since beginning Voice to Vision, Feinberg has stopped showing in commercial galleries. He says, &ldquo;Galleries, with their white walls, are antiseptic. I love showing in non-sterile spaces, where you can relate to art because it&rsquo;s emotional.&rdquo;</p>

<p>He says the images require viewers to &ldquo;recall their own experience of injustice, no matter how large or small. When that happens, they become part of an extension of the original experience&rdquo; -- this is the &ldquo;responsibility of the audience&rdquo; -- and the project &ldquo;answers to our own problems in the future. It doesn&rsquo;t tell us what to do, but sets us up to be as big as we can be.&rdquo;</p>

<p>Ultimately, Feinberg says, the artworks honor their creators. &ldquo;We don&rsquo;t think of them as victims, but heroes.&rdquo;</p>

<p><a href=http://chgs.umn.edu/museum/exhibitions/voice/>See more Voice to Vision art and a public television documentary about the project.</a></p>

<p><em>William Randall Beard writes regularly about theater and classical music for the </em>Star Tribune<em> and is the theater writer for </em>Mpls/St Paul Magazine.</p>

<p>* Editor&rsquo;s note: The print edition of <em>Reach</em> erroneously identifies Germany as Joe Grosnacht&rsquo;s pre-war home; Mr. Grosnacht was living in Poland at the time.</p>

<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=322713">The power of the human story</a>
<span class="claBlogEntryBlurb"><p>Scribes for Human Rights: telling stories that statistics cannot. By Greg Breining</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327494">The pity of war, the call to peace</a>
<span class="claBlogEntryBlurb"><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></span>
<span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327495">And then there was one</a>
<span class="claBlogEntryBlurb"><p>Making art that honors the survivors of genocide. By William Randall Beard</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327496">The justice cascade</a>
<span class="claBlogEntryBlurb"><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></span>
<span class="claBlogEntryDate"></span></li>
</ul></body>
         <category>
            36385
         </category>
         <pubDate>Fri, 02 Dec 2011 10:17:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/sikkink_composite_1384-thumb-175x266-107831.jpg" length="63122" type="image/jpeg" />
         <title>The justice cascade</title>
         <description><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=327496</link>
         <guid>327496</guid>
        <body><p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="sikkink_composite_1384.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/sikkink_composite_1384-thumb-175x266-107831.jpg" width="175" height="266" class="mt-image-right" style="margin: 0;" /><br />Kathryn Sikkink, political science professor, documents how justice cascades when brutal dictators go to court.<br /><em>Photo by Darin Back</em></p>

<p>By Greg Breining</p>

<p>Kathryn Sikkink has had a ringside seat to a profound shift in attitudes toward justice.</p>

<p>As a University of Minnesota exchange student in 1976, she lived in Montevideo, the capital of Uruguay, during the depths of the civilian-military dictatorship. </p>

<p>A decade later she was living in Argentina, researching her dissertation on an unrelated topic, when the very first &ldquo;trials of the juntas&rdquo; brought former military dictators to justice. She realized there had been a sea change in the attitudes of the citizenry of Latin America -- something that academics were ignoring or discounting.</p>

<p>&ldquo;My first objective was just to document something that people weren&rsquo;t paying attention to,&rdquo; says Sikkink, now a regents professor of political science at the University of Minnesota. The experience shaped her academic work and led her to write <em>The Justice Cascade: How Human Rights Prosecutions Are Changing World Politics, </em>published this fall by W.W. Norton.</p>

<p>Despite misgivings by some academics, policy makers, and commentators that the threat of trials causes dictators to cling to power more ruthlessly, Sikkink believes the evidence shows something else -- that human rights trials have brought justice, greater respect for human rights, and more-benevolent governments.</p>

<p>&ldquo;It&rsquo;s not just wishful thinking on my part. It comes from careful empirical research,&rdquo; says Sikkink. &ldquo;I like to think of myself as a strong supporter whose support is based on strong empirical evidence.&rdquo; </p>

<h3>Needed: The perfect storm</h3>

<p>The theme for <em>Justice Cascade</em> -- indeed, the concept behind the title -- came from Sikkink&rsquo;s experience in Uruguay, a one-time democracy that had recently slid into authoritarianism and political violence. &ldquo;People could barely imagine that their country would be returned to democracy.</p>

<p>But what they really didn&rsquo;t imagine at all is that the people responsible for those murders could ever be held criminally accountable,&rdquo; says Sikkink. &ldquo;If people in Uruguay couldn&rsquo;t even imagine that that would be possible, how did it happen?&rdquo;</p>

<p>What happened is that people did begin to imagine the possibility and with that convergence of events justice became possible. &ldquo;In order to have something new like this happen you have to have almost a perfect storm,&rdquo; Sikkink says. </p>

<p>Modern human rights trials were presaged by the trials of former Nazi leaders in 1945-46. &ldquo;It starts at Nuremberg because Nuremberg sets a lot of important principles. But Nuremburg is the exception that proves the rule,&rdquo; says Sikkink. The Nazi trials occurred only because Germany was defeated.</p>

<p>More recent trials are different: &ldquo;Now we&rsquo;re having trials in countries in which there was no war, no foreign army.&rdquo;</p>

<p>&ldquo;The trend, I argue, actually began in Greece in 1975 with the fall of the colonels,&rdquo; says Sikkink. &ldquo;The Greeks become the first modern society that holds its own leaders criminally accountable for human rights violations.&rdquo; The Greek colonels had blundered in Cyprus, triggering a Turkish invasion, and &ldquo;were totally delegitimized.&rdquo; With the state thus ruptured, a path was cleared for these unprecedented trials, she says. Portugal experienced its rupture with the Carnation Revolution of 1974. </p>

<p>The Argentine junta lost stature with its defeat in the Falkland Islands in 1982. In one country after another, as trials have followed regime change, the idea of holding former leaders accountable for human rights abuses is more easily imagined. </p>

<p>&ldquo;That&rsquo;s why it&rsquo;s called the justice cascade,&rdquo; says Sikkink. &ldquo;There&rsquo;s this notion of what we call a norms cascade.&rdquo; Unimaginable norms become commonplace.</p>

<h3>Testing the idea</h3>

<p>But as the use of trials has exploded -- in the former Yugoslavia, Cambodia, Egypt, and elsewhere worldwide -- critics have contended the trials are dangerous and counterproductive. The most common critique is that the increasing threat that dictators will be brought to justice ups the ante and steels the leaders against compromise: military leaders will stage coups to forestall any possibility of trials.</p>

<p>&ldquo;The dilemma is, dictators have hung on to power for a long time,&rdquo; says Sikkink, &ldquo;Stroessner of Paraguay for 40 years. So somehow the notion that dictators in the old days didn&rsquo;t hang on to power and nowadays, because of this threat of prosecution, they are all of a sudden going to hang on to power longer is a little questionable. How are we going to test that idea?&rdquo;</p>

<p>Sikkink and her colleagues created a database of all &ldquo;transitional prosecutions&rdquo; from 1979 to the present. It turned out to be an affirmation of evidence-based research in the social sciences, revealing, she says, that &ldquo;The use of human rights prosecutions is associated with improvements in human rights....In Latin America, which has had more trials than any other region of the world, the dictatorships have not lasted longer. We have virtually no dictatorships anymore in the region. We&rsquo;ve had a huge upsurge in trials, and we&rsquo;ve had the most complete transition to democracy of any of the less-developed regions of the world.&rdquo;</p>

<p>While so-called realists may oppose human rights trials because they aren&rsquo;t keen on the principle of international law, passionate advocates of international law may oppose human rights trials because they fall so far short of their ideals, says Sikkink. At a recent conference she met an academic who condemned the Cambodian trials of former Khmer Rouge dictators because they provided cover for the present regime.</p>

<p>&ldquo;I can&rsquo;t believe that no justice would be better than imperfect justice,&rdquo; Sikkink told her. &ldquo;Even if we only get five convictions, that&rsquo;s better than zero convictions.&rdquo;</p>

<p>The role of the United States has ranged from inspiring to obstructionist. America played a large role in the Hague trials for crimes committed during the disintegration of the former Yugoslavia, including political leaders Slobodan Milošević and Radovan Karadžić. On the other hand, the United States opposed the creation of an International Criminal Court except under the control of the United Nations Security Council, where the United States wielded a veto. &ldquo;We failed,&rdquo; says Sikkink. &ldquo;Sometimes we are defeated by a coalition of smaller like-minded states and non-governmental organizations.&rdquo;</p>

<p>It is said that justice delayed is justice denied, but &ldquo;one of the lessons of the book is that there is no swift justice,&rdquo; says Sikkink. &ldquo;Justice very often comes slowly.&rdquo;</p>

<p>And when it does, the world is often spectator to a defendant, a former strongman, frail and nearing death. Says Sikkink, &ldquo;People say, &lsquo;Let&rsquo;s just let them go. What can be gained from prosecuting these individuals?&rsquo;</p>

<p>&ldquo;The problem is if you don&rsquo;t have trials, sometimes people rewrite history and say, &lsquo;That never happened!&rsquo; In Argentina, where the trials left this incredible record, no one can deny anymore that 10,000 or 15,000 people were &lsquo;disappeared&rsquo; by the military regime. You can&rsquo;t deny it. And I think as a result, there will never again be an authoritarian regime in Argentina.&rdquo;</p>

<p><em>Greg Breining has written for publications including </em>The New York Times, National Geographic Traveler, Star Tribune, Minnesota Monthly<em> and is the author of several books.</em></p>

<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=322713">The power of the human story</a>
<span class="claBlogEntryBlurb"><p>Scribes for Human Rights: telling stories that statistics cannot. By Greg Breining</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327494">The pity of war, the call to peace</a>
<span class="claBlogEntryBlurb"><p>Inclining toward peace: Benjamin Britten's monumental <em>War Requiem</em>. By William Randall Beard</p></span>
<span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327495">And then there was one</a>
<span class="claBlogEntryBlurb"><p>Making art that honors the survivors of genocide. By William Randall Beard</p></span><span class="claBlogEntryDate"></span></li>
<li><a href="http://cla.umn.edu/news/reach/archive/fall11subfeature.php?entry=327496">The justice cascade</a>
<span class="claBlogEntryBlurb"><p>Trials of dictators: gathering power in the cause of human rights. By Greg Breining</p></span>
<span class="claBlogEntryDate"></span></li>
</ul></body>
         <category>
            36385
         </category>
         <pubDate>Fri, 02 Dec 2011 10:16:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Crossbones-thumb-125x185-107683.jpg" length="68243" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Crossing Barriers-thumb-125x158-107685.jpg" length="51824" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Gryphon-thumb-125x186-107695.jpg" length="44557" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Kara, Lost-thumb-125x188-107697.jpg" length="49616" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Pawlenty-thumb-125x184-107689.jpg" length="51852" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Safe from the Sea-thumb-125x183-107691.jpg" length="56606" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/disappearing spoon-thumb-125x193-107687.jpg" length="63730" type="image/jpeg" />
         <title>Books by CLA faculty and alumni</title>
         <description><p>Reviews of books by CLA faculty, staff and alumni<br />
Discounts<br />
New: An online book club</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322717</link>
         <guid>322717</guid>
        <body><p>Get 20% off all "Bound to Please" books at Coffman Bookstore, and 10% off other books (except textbooks). Buy in person, or <a href="http://site.booksite.com/7291/nl/?list=CNL6">online</a>. </p>

<p>If you like to read and explore what's new in books, you may already be on Goodreads.com, the social netowking site bout books. <em>Reach</em> is on Goodreads, and we'd love to have you join us. See our <a href="http://www.goodreads.com/group/show/47173.Reach_Magazine_U_of_MN_College_of_Liberal_Arts">Reach Magazine group</a> to check out the latest books by CLA authors.</p>

<h3>Nonfiction</h3>
<h4>Crossing Barriers:<br />
The Autobiography of Allan H. Spear</h4>
<h5>Allan Spear</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="Crossing Barriers.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Crossing Barriers-thumb-125x158-107685.jpg" width="125" height="158" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>University of Minnesota Press , 2010</strong> / Although I never had the opportunity to meet Allan Spear, when I finished his autobiography I felt I knew him well. With compelling candor and sharp insight, Spear explicates much of his life's journey &mdash; his awkward childhood years, his pursuit of a Ph.D. in African-American history, his move to Minneapolis for an academic career at the University of Minnesota, his frustrating and gratifying experiences with local politics and the DFL Party, his competitive bids for elected office, his intensely personal process of openly identifying as gay, and some of his experiences in the Minnesota Senate.</p>
<p>Spear is at his best when he takes readers with him through his life's critical junctures, including his decisions to stay in Minnesota, leave academia for a career in politics, and reveal that he is gay, as well as his responses to political changes. His at-times jagged path highlights the personal and political tradeoffs associated with pursuing a life in politics, and ultimately, the rewards that come with personal and political courage.</p>
<p>Spear championed a range of liberal policy issues inside and outside of the Senate, supporting his contention that, "When I insisted that I was a legislator who just happened to be gay rather than a gay legislator, this was not just political rhetoric." Even so, Spear perhaps underestimates his importance to the gay rights movement. My only dissatisfaction is that just as did Spear's life, the 410-page book ends too soon, leaving readers wanting Spear's own perspective on the last 25 years of his life.</p>
<p><em>Spear, associate professor emeritus, taught in the history department from 1964 to his retirement in 2000. Reviewer Kathryn Pearson is an assistant professor in the Department of Political Science.</em></p>

<h4>The Disappearing Spoon: And Other True Tales of Madness , Love, and the History of the World from the Periodic Table of Elements</h4>
<h5>Sam Kean</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="disappearing spoon.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/disappearing spoon-thumb-125x193-107687.jpg" width="125" height="193" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>Back Bay Books, 2011</strong> / As an undergraduate at the U, Sam Kean loved his professors' anecdotes concerning various chemical elements and the scientists who discovered them &mdash; indeed, as he admits straight off in this lively volume, he enjoyed hearing the stories more than practicing the science. His enthusiasm blows the fusty off this project: a survey of all 118 elements on the periodic table. With an eye for inventive metaphor (a mercury ball is a "silver lentil") and comic detail (in 1963 a San Diego scientist earned the headline "S.D. Mother Wins Nobel Prize"), Kean strings together his elemental tales into an immensely readable narrative reaching from Mendeleev's creation of the periodic table in 1869 to the new forms of matter being explored today. The story is shot through with references to mythology, politics, literature, philosophy, geology, history, and so on, as Kean shows how inextricably human life and thought are bound to chemistry. That lesson sounds like a chore, though, and this bright, ranging book is anything but.</p>
<p><em>Kean, summa cum laude B.A. '02, English and physics, writes for Science. Reviewer Terri Sutton is staff for the English department.</em></p>

<h4>Courage to Stand: An American Story</h4>
<h5>Tim Pawlenty</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="Pawlenty.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Pawlenty-thumb-125x184-107689.jpg" width="125" height="184" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>Tyndale , 2011</strong> / Written in the run-up to his bid for the presidency, the two-term Minnesota governor's autobiography is a personal manifesto for conservatism based on the belief that the U.S. has become addicted to government; the virtue cited in the title refers to "the power and the guts to say, 'No' " to "never-ending demands for more spending." The story follows the transformation of this son of a Catholic, liberal Saint Paul stockyard worker into an Evangelical Protestant conservative, through his legislative and gubernatorial service, and the account of presidential candidate John McCain's non-choice of him as running mate. Not least, the book is a testament to Pawlenty's religious beliefs and a paean to his wife, Mary.</p>
<p><em>In a humorous turn, Gov. Pawlenty, B.A. '83, political science, <a href="http://z.umn.edu/tpaw/">endorsed Stephen Colbert for president</a>. Reviewer Mary Pattock is editor of Reach.</em></p>

<h3>Creative writing</h3><h4>Crossbones</h4>
<h5>Nuruddin Farah</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="Crossbones.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Crossbones-thumb-125x185-107683.jpg" width="125" height="185" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>Riverhead books, 2011</strong> / Somali pirates and clan warlords. Young men from Minnesota recruited to blow themselves up in the country their parents fled. Nuruddin Farah's eleventh novel seems torn from headlines about his stricken homeland. In Crossbones, a U.S.-based foreign correspondent travels with his Somali-American father-in-law to Mogadiscio where he hopes to chronicle the strife; meanwhile, his brother flies into northeastern Somalia looking for his stepson, who has disappeared from Minneapolis. Farah completes his Past Imperfect trilogy, focused on diasporic Somalis returning to the country, with a taut narrative of well-meaning actors tightrope-walking through increasingly chaotic circumstances. Along the way, Farah fills in the gaps for Western readers, exposing the international game behind so-called "Somali" piracy and the toll taken on the ground by the decisions of distant trigger-pullers, whether they be "religionist" martyr-trainers or presidents.</p>
<p><em>Farah is CLA's 2010-12 Winton Chair in the Liberal Arts. Reviewer Terri Sutton is staff for the English department.</em></p>

<h4>Safe from the Sea</h4>
<h5>Peter Geye</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="Safe from the Sea.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Safe from the Sea-thumb-125x183-107691.jpg" width="125" height="183" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>Unbridled Books, 2010</strong> / This debut novel spirals out from the sinking of an ore ship in Lake Superior in the gales of November, a wreckage that continues to grind at one of the three survivors until it erodes his health, his marriage, and his relationship with his children. And yet, within the book's narrative all that action is long over; there is only the quiet story of the man, dying, and his bitter, bristly son, whom he's called to a remote cabin near the Superior shore. When author Peter Geye finally describes the ship going down, the visceral tale unspools as humble dialogue, the father carrying the son on his back out into the old storm to show how completely it destroyed -- and also how it shouldn't have: his survivor's pain didn't have to rot inside him. Within an attentive depiction of Northern Minnesota's stark beauty, autumn collapsing to winter, Geye illustrates the slow paring away of the duo's guilt and resentment until what's left is nothing but the heavy grace of snowfall. </p>
<p><em>Author Peter Geye, BA '00, English, lives in Minneapolis. Reviewer Terri Sutton is staff for the English department.</em></p>

<h4>Gryphon: New and Selected Stories</h4>
<h5>Charles Baxter</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="Gryphon.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Gryphon-thumb-125x186-107695.jpg" width="125" height="186" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>Pantheon Books, 2011</strong> / Halfway through Gryphon, Charles Baxter's collection of 23 new and selected stories, one character turns to the other and informs him that the very sight of him causes her sadness -- "a complicated sadness," she explains. Though augmented with Baxter's gift for creating marvelously comic scenes, one could argue that complicated sadness is the condition that binds these beautiful and often surreal tales. From the elderly woman struggling with her own memory as her husband slips further into dementia in "Horace and Margaret's Fifty-Second" to the same couple marching toward divorce in "Poor Devils," life is not kind to the characters who populate Baxter's imagination. And yet, through defeats large and small, they survive and press on. Each story illuminates Baxter's mastery of short fiction, including the now-classic title story as well as the newly published work. This acclaimed author will read his work at the annual Benefit for Hunger, Nov. 15, Coffman Theatre.</p>
<p><em>Author Charles Baxter, a professor in the English Department, teaches creative writing. Reviewer Sally Franson is an English department graduate student and instructor.</em></p>

<h4>Kara , Lost</h4>
<h5>Susan Niz</h5>
<p style="float:right; margin:4px 12px 8px; padding:0;width:125px;"><img alt="Kara, Lost.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Kara, Lost-thumb-125x188-107697.jpg" width="125" height="188" class="mt-image-right" style="margin: 0;" /></p>
<p><strong>North Star Press , 2011</strong> / It's one thing to feel completely isolated in the Twin Cities, another to struggle with homelessness, and yet another to be sixteen; Susan Niz's protagonist is all three. After fleeing the confinements of her suburban life, Kara escapes to Minneapolis where she faces much harsher realities than the ones she left behind. Susan Niz's debut novel deals with the frustrations of being a misunderstood teenager, ultimately revealing deeper questions of family and self. Susan Niz's protagonist feels so real; long after I'd set the book down, my mind kept wandering back to Kara, wondering if she made the right decisions, hoping she found the refuge she deserves.</p>
<p><em>Author Susan Niz, B.A.'04, English, M.E., lives in Eagan, Minn. Reviewer Liza Pierre is a senior in strategic communication.</em></p></body>
         <category>
            36282|36111
         </category>
         <pubDate>Fri, 02 Dec 2011 10:16:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/Reach Fall2011 v7_Page8-9-thumb-500x294-103281.jpg" length="96869" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/kalersvision.jpg" length="334875" type="image/jpeg" />
         <title>President Eric Kaler maps out his vision</title>
         <description><p>The new president maps a path to access, excellence, and value.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322702</link>
         <guid>322702</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/kalersvision.jpg"><img src="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/Reach Fall2011 v7_Page8-9-thumb-500x294-103281.jpg" width="540" alt="" style="margin:10px 0 0;" /></a><br/ ><br />
<span style="font-size:90%;"><a href="http://blog.lib.umn.edu/clareach/stories/kalersvision.jpg">View larger</a><br /><em>Design by Dan Woychick</em></span></p>

<p>The University of Minnesota's new president, Eric Kaler, maps out his vision. It's premised on the value the U brings to the State of Minnesota by generating new ideas and preparing future leaders. In an interview last summer, President Kaler said the U's future depens on how well we communicate that value to the people who support it with their tuition and their tax dollars.</p>

<p><a href="http://z.umn.edu/kalerinaug">Watch or read President Kaler's inaugural speech.</a></p></body>
         <category>
            36111|36280
         </category>
         <pubDate>Fri, 02 Dec 2011 10:11:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Blue_Earth_pottery_sm.jpg" length="49974" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/Archaeology 3526_sm-thumb-300x219-103131.jpg" length="56490" type="image/jpeg" /><enclosure url="http://mediamill.cla.umn.edu/mediamill/download.php?file=133346.flv&amp;width=540&amp;height=324&amp;repeat=false&amp;autostart=false&amp;image=http://mediamill.cla.umn.edu/mediamill/thumb.php?mediaId=133346%26big=true" length="12404140" type="video/x-flv" />
         <title>Detectives in the dirt</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322465</link>
         <guid>322465</guid>
        <body><p style="float: right; margin: 4px 12px 8px;padding:0; width:300px; font-size:90%;"><img alt="Tape Measure" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/Archaeology 3526_sm-thumb-300x219-103131.jpg" width="300" height="219" style="margin-left:0;margin-right:0;" /><br />A basic archaeological tool: the tape measure<br /><em> Photo by Kelly O'Brien</em></p>

<p>Ever wonder what was happening in Minnesota in, oh, 410 CE, as Alaric and the Visigoths were busy sacking Rome and putting the fall of the Roman Empire on a fast track?</p>

<p>CLA anthropology students are finding out. Twelve undergraduates spent the summer on their knees--scrape-scrape-scraping in the dirt in 100-plus degree heat at an archeology field school in Hastings, about 45 minutes away from campus. The first school of its kind near the Twin Cities (another is near Wadena), it's organized by Department of Anthropology Assistant Professor Gilliane Monnier and Ed Fleming (Ph.D. '09), the curator of archeology at the Science Museum of Minnesota.</p>

<p>The students already knew that the area was inhabited from the Middle Woodland time (1-400 CE), into the Mississippian time (1200 CE until European contact), as established by Science Museum excavations in the 1950s.</p>

<p style="float: left; margin: 4px 12px 8px;padding:0; width:300px; font-size:90%;"><img alt="Blue Earth Pottery" src="http://blog.lib.umn.edu/clareach/stories/Blue_Earth_pottery_sm.jpg" width="300" height="203" style="margin-left:0;margin-right:0;" /><br />Ancient blue Earth ceramic vessel of the kind found in southern Minnesota<br /><em>Photo by Department of Anthropology</em></p>

<p>The summer challenge was to learn more about how, in ancient times, the area worked as a village. The students uncovered pieces of pottery, flakes of chert, broken tools and arrows, and postholes that indicated dwellings.</p>

<p>"It's really weird to think these were once in the hands of people," said senior Heather Van Hove. "You're definitely connected to the area you're working in."</p>

<p>Anthropology major Gregory Reinert was over the moon when he discovered a nearly intact projectile point.  "I had no idea it would get my adrenaline flowing so much; it was a very exciting time for myself and everyone else around here," he said.</p>

<p>Were these permanent settlements? (Doubtful, according to Fleming.) If not, what time of the year were people there? (The site may have been a winter camp.) Did the people have any kind of relationship with the robust trading community located at Red Wing? Many questions remain.</p>

<h3>Video of retired CLA alumni volunteer, Keith Manthie</h3>
<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="flvplayer" align="middle" height=324 width=540 style="margin:0 0 8px 12px;"><param name="allowScriptAccess" value="sameDomain" /><param name="movie" value="http://mediamill.cla.umn.edu/mediamill/flvplayer.swf" /><param name="quality" value="high" /><param name="bgcolor" value="#ffffff" /><param name="allowfullscreen" value="true"><param name="FlashVars" value="file=http://mediamill.cla.umn.edu/mediamill/download.php?file=133346.flv&width=540&height=324&repeat=false&autostart=false&image=http://mediamill.cla.umn.edu/mediamill/thumb.php?mediaId=133346%26big=true" /><embed src="http://mediamill.cla.umn.edu/mediamill/flvplayer.swf" FlashVars="file=http://mediamill.cla.umn.edu/mediamill/download.php?file=133346.flv&width=540&height=324&repeat=false&autostart=false&image=http://mediamill.cla.umn.edu/mediamill/thumb.php?mediaId=133346%26big=true" quality="high" bgcolor="#ffffff" width=540 height=324 name="flvplayer" align="middle" allowScriptAccess="sameDomain" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" allowfullscreen=true /></embed></object>

<h3>Video of students</h3>
<iframe width="540" height="330" src="http://www.youtube.com/embed/RBmfqxzNOZ4" frameborder="0" allowfullscreen style="margin:0 0 8px 12px;"></iframe>
<p style="font-size:90%;"><em>Courtesy University Relations</em><br />Archaeology story begins at 31 seconds</p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:10:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Folwell%20Crowd%20Band%207589.jpg" length="76435" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/Folwell Ribbon Cutting 7604_full-thumb-175x262-103147.jpg" length="51920" type="image/jpeg" />
         <title>Folwell houses humanities hub</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322489</link>
         <guid>322489</guid>
        <body><p style="float:right; margin:4px 12px 8px; padding:0;width:175px; font-size:90%;"><img alt="Folwell Ribbon Cutting" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/Folwell Ribbon Cutting 7604_full-thumb-175x262-103147.jpg" width="175" height="262" style="margin-left:0;margin-right:0;" /><br />Cutting the ribbon: President Eric Kaler (left), Board of Regents Chair Linda Cohen, Dean Jim Parente.<br /><em>Photo by Everett Ayoubzadeh</em></p>

<p><em>A $34.5 million renovation has set the stage for historic Folwell Hall to be the homebase for CLA's national hub for the study of humanities, culture and languages.</em></p>

<p>The marble walls still gleam, the woodwork still shines, and the massive iron balustrades still recall the baronial Jacobean architectural taste popular in the U.S. when Folwell Hall was built in 1906.</p>

<p>But when some 12,000 students entered Folwell Hall this autumn, they found comfortable new study spaces, and high-tech classroom equipped with sophisticated audio-visual, projection systems, and solar-sensitive window shades that interface with classroom lighting. They could access campus maps and room schedules by sliding their ID cards through electronic card-readers in the hallways.</p>

<p>New offices for professors and teaching assistants are wired for modern electronics, and have demountable walls that will make future reconfigurations less costly. There is sound masking, and an air-conditioning system that no longer drowns out the subtleties of the spoken tilde or <em>accent grave</em>.</p>

<p style="float:left; margin:4px 12px 14px; padding:0;width:300px; font-size:90%;"><img alt="Folwell Crowd Band" src="http://blog.lib.umn.edu/clareach/stories/Folwell%20Crowd%20Band%207589.jpg" width="300" height="200" style="margin-left:0;margin-right:0;" /><br />Finally Folwell! A new and improved Folwell Hall reopened in September as the Midwest's epicenter of studies of languages, literatures, and cultures. The year-long update of the interior followed an exterior re-do in 2008. The building is on the National Register of Historic Places.<br /><em>Photo by Everett Ayoubzadeh</em></p>

<p>A gala grand opening on September 9 drew a crowd, including Board of Regents Chair Linda Cohen, President Eric Kaler, and CLA Dean Jim Parente.</p>

<p>CLA has one of the most extensive language programs in the nation, offering 40 different languages, many of which support Minnesota trade interests, and are considered by the U.S. State Department "critical" for national trade and security purposes.</p>

<p>The internal re-do, like the 2007 external renovation which won a Minneapolis Heritage Preservation Award, was funded in part by $23 in State of Minnesota bond issues. The CLA Student Board played an important role in rallying legislative support for the project.</p>

<p>Folwell is on the National Historic Register as part of the University of Minnesota Old Campus Historic District.</p>

<p><em><a href="http://z.umn.edu/folwellreopen">See Folwell before, during, and after renovation</a></em></p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:09:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Learning &quot;behind the seens&quot;</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322491</link>
         <guid>322491</guid>
        <body><p>Epicurus, the ancient Greek, had a theory: objects are comprised of tiny vibrating particles, they get lose and fly through the void of the air right into our eyes--and that is how we see things.</p>

<p>It was a controversial idea. Cicero thought it was wacky.</p>

<p>Although we know today that the process is much more complicated, there actually was something to that vibrating particles concept. Our eyes do collect light <em>energy</em>, which they convert into electric energy, formatting it into several types of patterns that are transmitted to the brain--where we make meaning of them and call the result "seeing."</p>

<p>Now CLA researchers, exploring that eye-to-brain transmission, have discovered we can train our brains to improve how they process those electrical signals.</p>

<p>Over a period of 30 days, post-doctoral student Min Bao, working with psychology professor Stephen Engel, trained 14 research subjects to perceive increasingly fainter images on a computer screen. They measured electrical responses in the brain's visual cortex with before-and-after electroencephalography (EEG) tests, and found that in all 14 cases the participants' brains were able to produce stronger electrical reactions to the series of images after the training.</p>

<p>This meant the participants could discern images that had been invisible to them before--images that were on average 30 percent less luminous.</p>

<p>Why is this important? It tells us that the primary visual cortex, one of the first areas to receive visual information and over which we have no direct conscious control, can be trained to improve performance.</p>

<p>This discovery could help people with amblyopia (lazy-eye disorder), in which visual stimulation is not well transmitted to the brain. It could also improve the training of professionals who must detect subtle patterns quickly--people like doctors who read x-rays or air traffic controllers who read radar screens.</p>

<p>The report of findings, "Perceptual Learning Increases the Strength of the Earliest Signals in Visual Cortex," was co-authored by Engel and Bao of CLA's psychology department, and Bin He, Lin Yang and Christina Rios of the University of Minnesota College of Science and Engineering. It appeared in the <em>Journal of Neuroscience</em> and was supported by a grant from the National Institutes of Health.</p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:08:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Owl_Boy.jpg" length="39133" type="image/jpeg" />
         <title>Stutter Camp: Getting free to speak</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322493</link>
         <guid>322493</guid>
        <body><p style="float: right; margin: 4px 12px 8px;padding:0;width:300px; font-size:90%;"><img alt="Owl_Boy.jpg" src="http://blog.lib.umn.edu/clareach/stories/Owl_Boy.jpg" width="300" height="200" style="margin-left:0;margin-right:0;" /><br />
At the Raptor Center: what do you say to a snowy owl?<br /><em>Photo by Everett Ayoubzadeh</em></p>

<p>Children who stutter sometimes stop talking--they feel it's not worth the effort. But at the Department of Speech-Language-Hearing Sciences' day camp, young stutterers learn a different tune: "It's okay to say what you want to say, stutter or not. Don't clam up: you can be successful the way you are."</p>

<p>Proving the point are camp leaders, professionals from the community, and grad students, some of whom stutter. Children receive speech therapy, but the emphasis is on examining the effect their stuttering has on others and interacting with people they meet on field trips to fun places like the U of M Raptor Center (photo above).</p>

<p>The department has launched a similar program for teens. Scholarships are available, thanks to an anonymous donor.</p>

<p>For more information, contact Linda Hinderscheit, <a href="mailto:hinde001@umn.edu">hinde001@umn.edu</a></p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:07:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/heart.gif" length="1651" type="image/gif" />
         <title><![CDATA[How to succeed in romance&mdash;without seeming to try]]></title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322495</link>
         <guid>322495</guid>
        <body><p>What's the worst way to helping your partner with a thorny problem? Offer advice.</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="" src="http://blog.lib.umn.edu/clareach/stories/heart.gif" width="175" height="154" style="margin-left:0;margin-right:0;" /><br /><em>Image by Dan Woychick</em></p>

<p>In an experiment involving 85 romantic partners, CLA psychology professor Jeffrey Simpson and grad student fellow Maryhope Howland found that overt support, either practical or emotional, usually backfires. It often makes the recipient feel even more anxious or angry, indebted to the support-giver, and experience lowered self-esteem.</p>

<p>This was especially true among anxiety-afflicted males receiving emotional support from their sweeties.</p>

<p>Effective support, the researchers found, is invisible--given so skillfully that the recipient isn't aware of it. This was true of both practical and emotional support: the more "under the radar," the more effective. In order for this system to work, however, a recipient must trust the giver's good intentions.</p>

<p>How to give invisible support? The research warns against playing an overtly "supportive" role, and instead making the discussion equal and conversational. Invisible support de-emphasizes the roles of supporter and supported.  One approach is to avoid calling attention to the partner's problem or limitations by using oneself or a third person as an example.</p>

<p>The research, published in <em>Psychological Science</em>, emphasized that, like most everything else in an intimate relationship, it takes two to tango when it comes to support. In delivering it the one partner has to be skillful; in receiving it, the other blissfully ignorant.</p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:06:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/59688.jpg" length="22935" type="image/jpeg" />
         <title>A handbook for peace?</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322497</link>
         <guid>322497</guid>
        <body><p></p>

<p style="float: right; margin: 4px 12px 8px;padding:0;width:175px; font-size:90%;"><img alt="Portrait: Rosita Albert" src="http://blog.lib.umn.edu/clareach/stories/59688.jpg" width="176" height="200" style="margin-left:0;margin-right:0;" /><br />Rosita Albert</p>

<p>Far more common now than wars between nations, inter-ethnic conflict takes many forms -- from prejudice and discrimination to anti-government insurgencies and state-sponsored slaughter. Some of these struggles -- like the seemingly endless combat in the Democratic Republic of the Congo -- are responsible for millions of deaths.</p>

<p>"Stopping the madness" and improving intercultural relations have been the aims of Rosita Albert, an associate professor in CLA's Department of Communication Studies who leads the University's pioneering Intercultural Communication program.</p>

<p>Much of her early research examined ways to foster understanding between immigrants and "mainstream" Americans. In recent years, her work has gone global: troubled by massacres in places like Rwanda and Darfur, Albert joined with academic allies worldwide to look beyond interpersonal friction to the more volatile discord that often arises between ethnic groups.</p>

<p>With co-editor Dan Landis from the University of Hawaii, editor of <em>International Journal of Intercultural Relations</em>, Albert has gathered 20 of the world's top intercultural-relations experts to contribute to a first-of-its-kind <em>Handbook on Ethnopolitical Conflict</em>. Slated for publication in 2011, the book will provide guidance to scholars and policymakers eager to understand, calm, and avert inter-ethnic conflict.</p>

<p>"I see this book as a step towards genocide prevention," Albert says. "Some might say that's grandiose, and of course it's just a step."</p>

<p>Indeed, this child of a Holocaust survivor knows full well that inter-ethnic discord won't end any time soon. Easing it will require the sort of profound societal transformation that can prompt rival groups to stop shooting, start talking, and ultimately find their way to mutual understanding.</p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:05:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/SizeDiagrams.jpg" length="81133" type="image/jpeg" />
         <title>(Relative) size counts</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322506</link>
         <guid>322506</guid>
        <body><p>Are you extraverted? It's probably because your medial orbitofrontol cortex is large compared to the rest of your brain. Bet you didn't know that.</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:350px; font-size:90%;"><img alt="Brain Size Diagrams" src="http://blog.lib.umn.edu/clareach/stories/SizeDiagrams.jpg" width="350" height="415" style="margin-left:0;margin-right:0;" />Brain regions light up on a scan, their color indicating activities relating to the Big Five personality traits.<br /><em>Photo courtesy of the Association of Psychological Science</em></p>

<p>CLA psychologists are learning more about how the physical characteristics of our brains--specifically, the relative sizes of the various regions of a given individual's brain--affect behavior.</p>

<p>In a study funded in part by the National Institute of Mental Health, a team led by Professor Colin DeYoung studied brain scans of 116 health adults. They saw that four of the "Big Five" personality traits--extraversion, neuroticism, agreeableness and conscientiousness--related directly to the size of specific regions of the brain. (The fifth of the Big Five, openness, did not.) The assumption is that a bigger area of brain can accommodate more neurons, which can produce more activity.</p>

<p>Are we slaves, then, to the brains we were born with? No, says DeYoung. Just like biceps or glutes, the various regions of the brain grow larger the more they are used. So if you want to grow the empathic side of your personality, practice empathy. You will be beefing up your posterior cingulated cortex, making empathy biologically easier in the future.</p>

<p>The study, published in <em>Psychological Science</em>, is significant to the field of personality neuroscience because it supports the hypothesis that greater volume of brain tissue is associated with increased function. This, in turn, contributes to the creation of a broad theoretical framework for understanding the relationship of biology and personality.</p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:04:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/nobelpressconf_MG_6484_hires.jpg" length="37471" type="image/jpeg" />
         <title>Nobel Prizes with a CLA pedigree</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322689</link>
         <guid>322689</guid>
        <body><p>Thomas Sargent and Christopher Sims, two former CLA faculty members, have won the 2011 Nobel Memorial Prize in Economic Science "for their empirical research on cause and effect in the macroeconomy."</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:300px; font-size:90%;"><img alt="nobelpressconf_MG_6484_hires.jpg" src="http://blog.lib.umn.edu/clareach/stories/nobelpressconf_MG_6484_hires.jpg" width="300" height="169" style="margin-left:0;margin-right:0;" /><br />Economists Christopher Sims (left) and Thomas Sargent conducted their Nobel Prize-winning research in CLA.<br /><em>Photo courtesy of the Nobel Foundation</em></p>

<p>Much of their prize-winning work was done in CLA's Department of Economics, which now claims seven of the University's 22 Nobelists, more than any other department. Their awards also elevated the U to second place among public research universities with Nobel ties, and to 12th place among all such institutions in the world.</p>

<p>In the early days of the partnership with CLA's Department of Economics and the Federal Reserve Bank of Minneapolis, econometrician Sims and macroeconomist Sargent started building a better model to measure the impact of fiscal and monetary policy. Their work has helped explain why economies respond the way they do to intervention by central banks or other government authorities.</p>

<div style="float:left; width:196px; padding:10px; margin:0 12px 0; background:#EBEBEB;">
<h3>Three's a Crowd</h3>
<p>... if they're Nobel Laureates from the same discipline. On November 16, headliner Peter Arthur Diamond, MIT professor, pioneer in the economics of social insurance and 2010 Nobel Laureate spoke at the inaugural Heller-Hurwicz Economics Institute policy forum.</p>
<p>On the following night faculty and alums celebrated with Sims and Sargent in recognition of their 2011 Nobel award.</p>
<p><a href="http://hhei.umn.edu/policyForum2011/">Learn more</a></p> 
</div>

<p>"Sargent has primarily helped us understand the effects of systematic policy shifts, while Sims has focused on how shocks spread throughout the economy," the Nobel Prize academy said. Sims, a professor at Princeton University, maintains close ties with CLA. Sargent is a professor at New York University, an advisor to the Federal Reserve Bank of Minneapolis, and serves on the advisory board of CLA's Heller-Hurwicz Economics Institute.</p>

<p><a href="http://www.nobelprize.org/nobel_prizes/economics/laureates/2011/popular.html">Read about Sims's and Sargent's work, in lay terms, on the Nobel Prize website.</a></p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:02:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/StroudCrop-thumb-200x276-103262.jpg" length="61663" type="image/jpeg" />
         <title>CLA receives $14 million, largest scholarship gift ever to U of M</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322671</link>
         <guid>322671</guid>
        <body><p>It came out of the blue: a notice of beneficiary. Two months later the estate attorney said the gift would be at least a million dollars. Then the checks began to arrive.</p>

<p style="float: right; margin: 4px 12px 8px;padding:0; width:200px; font-size:90%;"><img alt="StroudCrop.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2011/11/StroudCrop-thumb-200x276-103262.jpg" width="200" height="276" style="margin-left:0;margin-right:0;" /><br />Charles and Myrtle Stroud: Their gift came out of the blue. It will change lives.<br /><em>Photo courtesy of the Stroud Estate</em></p>

<p>Myrtle Erickson Stroud, who died at 101, had left CLA $14 million for undergraduate scholarships.</p>

<p>It was not only the single largest scholarship gift in the history of CLA, but in the history of the university--and it was a complete surprise.</p>

<p>Stroud and her husband Charles lived modestly in Windom, Minn., for 68 years. Neither was a U of M alum, although Charles had attended classes here in the early 1920s, Myrtle in 1932. She'd previously graduated from Miss Wood's School in Minneapolis, one of the nation's first preparatory academies for kindergarten teachers, and went on to teach in Minnesota schools. Charles, a businessman and investor, died in 1973.</p>

<p>The Strouds had no children, and that they chose to make university students their heirs touched President Eric Kaler, who said of the gift: "It came from their heart, unprompted. We're incredibly grateful for that."</p>

<p>The Charles E. and Myrtle L. Stroud Scholarship will support new freshmen entering the College of Liberal Arts, and returning students and students transferring from other colleges. In its first year it will help 45 students, a number that will grow over the years as the endowment is fully established and invested.</p>

<p>"This generous gift can open the doors of the university to talented students who face financial barriers," said CLA Dean James Parente, "especially in view of the high rate of transfer students we have entering CLA and the growing need for all students for financial support. The return on Myrtle Stroud's investment in CLA students will be felt for generations to come." </p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:01:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Accolades</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322694</link>
         <guid>322694</guid>
        <body><p><strong>Prof. Matt McGue</strong> received the Behavior Genetic Association's highest research honor.</p>

<p><strong>Ellen Berscheid</strong>, professor emerita, received the William James Award for lifetime achievement from the Association for Psychological Science (APS).</p>

<p><strong>Prof. James Dillon</strong> has become the most celebrated winner in Royal Philharmonic Society Music Awards history.</p>

<p><a href="http://blog.lib.umn.edu/cla/enews/accolades/">See more</a></p></body>
         <category>
            36111|36279
         </category>
         <pubDate>Fri, 02 Dec 2011 10:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/James%20Parente_sm.jpg" length="640384" type="image/jpeg" />
         <title>Animating the liberal arts: Bringing them to life in the real world</title>
         <description><p>By James A. Parente, Jr, Dean</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=327396</link>
         <guid>327396</guid>
        <body><p style="float: right; margin: 4px 12px 8px; padding: 0pt; width: 200px; font-size: 90%;"><img alt="James Parente_sm.jpg" src="http://blog.lib.umn.edu/clareach/stories/James%20Parente_sm.jpg" width="200" height="221" class="mt-image-right" style="float: right; margin: 17px 0 10px 10px;" />
<br />Jim Parente<br /><em>Photo by Kelly MacWilliams</em></p>

<p>Every day and in all sectors of our college -- the arts, humanities, and social sciences -- we work on fundamental questions about the nature of the human experience, the kind of society in which we want to live, the boundaries between individual well-being and the collective good, and most importantly, how to prepare students to shape and lead our world.</p>

<p>This important work animates the liberal arts, bringing them to life in the real world and demonstrating their centrality and value.</p>

<p>In this issue of Reach, you will find stories about faculty and students confronting issues of human rights, justice, and accountability under the law; producing written and visual art that helps us understand the remembered horrors of genocide; performing music that heals and humanizes. We take great pride in the accomplishments of our faculty and students, but they do more than contribute to their disciplines. They also animate the liberal arts and illuminate their fundamental role in educating individuals and shaping public discourse.</p>

<p>Dr. Eric Kaler, our new President, embraces the centrality of the liberal arts. An alumnus of the U's distinguished Department of Chemical Engineering, he well understands that the continued distinction of our University depends on the academic strength and vibrancy of the College of Liberal Arts. He visited our college on several occasions this fall to reaffirm the foundational role liberal arts play in 21st-century research and education.</p>

<p>Many public universities have been disinvesting in the humanities, but this fall CLA affirmed its commitment by celebrating the renovation of Folwell Hall, the U's center for global languages, literatures, and cultures -- fields essential to the success of a global university. We are grateful for the extraordinary support we received for this project from the Board of Regents, former President Robert Bruininks, and the Minnesota legislature.</p>

<p>We were further buoyed by the stunning estate gift of Ms. Myrtle Stroud of Windom, Minn.: $14 million, the largest gift for undergraduate student support ever received by either the college or the University. This fall we welcomed the first cohort of students funded by this extraordinary gift.</p>

<p>In October, the bright light of the Nobel Prize in Economics shone on two former faculty, Thomas Sargent and Christopher Sims, for work completed largely during their joint tenure at our stellar Department of Economics. This month they joined us at the first public forum of our Heller-Hurwicz Economics Institute, launched last February to bring the latest research to bear on issues like environmental protection, social insurance, and financial regulation.</p>

<p>I invite you to stay in touch. Visit the <a href="http://z.umn.edu/cla2015">CLA2015</a> website to find my 2011 State of the College address and plans to advance the college this year. Contact me at <a href="mailto:cladean@umn.edu">cladean@umn.edu</a>. And join us for a lecture, performance, or exhibition. I promise you will be amazed and delighted!</p>

<p>With best wishes for the holidays and the New Year,<br />
James A. Parente, Jr.<br />
Dean</p></body>
         <category>
            36278|36111
         </category>
         <pubDate>Fri, 02 Dec 2011 09:59:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Scott_Litman_Couch_Aug_09-thumb-175x197-107833.jpg" length="53111" type="image/jpeg" />
         <title>Entrepreneur Scott Litman, B.A. &apos;90, raises funds for combat veterans</title>
         <description><p>By Joe Kimball</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=322719</link>
         <guid>322719</guid>
        <body><p style="float: right; margin: 4px 12px 8px;padding:0; width:175px; font-size:90%;"><img alt="Scott_Litman_Couch_Aug_09.jpg" src="http://blog.lib.umn.edu/clareach/stories/assets_c/2012/01/Scott_Litman_Couch_Aug_09-thumb-175x197-107833.jpg" width="175" height="197" class="mt-image-right" style="margin: 0;" /><br/><em>"I've been incredibly fortunate so far as an entrepreneur and as a citizen of our state and now, it's my turn to 'pay it forward.'"</em> Scott Litman<br /><em>Photo courtesy of Magnet 360, LLC</em></p>

<p>Scott Litman spends his days on the cutting edge of digital marketing and promotion, creating social media systems and web search optimization and other strategies that didn&rsquo;t even exist a decade ago.</p>

<p>The 1990 University of Minnesota CLA graduate and his business partner, Dan Mallin, have hit the entrepreneurial jackpot three separate times, building successful digital marketing companies from scratch and then selling them at great profit to bigger businesses. Now they&rsquo;re back with a fourth company, Magnet 360, which looks like another winner. </p>

<p>He&rsquo;s rightly proud of his career success, but there&rsquo;s an extra touch of satisfaction in his voice when Litman speaks about his volunteer efforts with a non-profit venture he helped launch and sustain: the Minnesota Military Appreciation Fund, which raises money for troops returning from overseas combat zones. He and Mallin, who has an M.B.A. from the University&rsquo;s Carlson School of Management, have provided much time and expertise to the fund as it has mushroomed from its founding in 2005 to its current level, raising $12 million to provide grants to more than 12,000 returning troops and their families.</p>

<p>The grants range from $500 to each service member returning from combat, up to $10,000 to those who&rsquo;ve been seriously injured during their tour of duty. Families of a Minnesota service member killed in action receive $5,000. </p>

<h3>Entrepreneurial energy</h3>

<p>Although Litman didn&rsquo;t serve in the military, and no one in his family has been sent overseas on combat missions since 2001, he threw himself into the project with his typical entrepreneurial energy after being recruited by MMAF founders Gene Sit and Michael Gorman. </p>

<p>Gorman knew about Litman&rsquo;s marketing abilities and public service commitment from their work together in the local entrepreneurial community.</p>

<p>&ldquo;We knew from the beginning that we needed to project a consistent and highly professional face, to build a brand, as well as a technical platform to get the word out about our program and facilitate the grant process,&rdquo; said Gorman, managing director of Split Rock Partners, a Twin Cities venture capital firm. &ldquo;I knew Scott has a tremendous energy level and appetite for interesting challenges; he&rsquo;s an optimistic person who wades right in and rolls up his sleeves to make something happen,&rdquo; Gorman said.</p>

<p>Litman didn&rsquo;t hesitate when approached.</p>

<h3>So we just go on with our lives?</h3>

<p>&ldquo;We were having a nice lunch and Gene Sit reminded us that there were thousands of Minnesotans in the desert that very day with nothing to eat but MREs [Meals Ready to Eat]. And he said that only about .5 percent of Americans were being impacted by the war while the rest of us go on with our lives,&rdquo; Litman recalled.</p>

<p>&ldquo;I saw it as a way to make sure that everyone -- whether they were for the conflicts or against them, whether they want to support war or support the troops by bringing them home -- could say thank you and help take care of these people. It&rsquo;s a thank-you, not just for the injured or those in need, but for everyone who served.&rdquo;</p>

<p>So Litman and Mallin joined the fund&rsquo;s steering committee in those beginning stages. They set up the website, conceived and executed the branding, and promoted the program, both to eligible veterans and to the public, for the fundraising efforts that provide the funding.</p>

<p>Their promotion efforts include the MMAF&rsquo;s annual walk and recognition event for military members, and an annual fundraising dinner which has featured speakers like Sen. John McCain, journalists Tom Friedman and Tom Brokaw, and author Vince Flynn.</p>

<h3>Gratitude</h3>

<p>The response from veterans receiving the grants has been heartwarming and inspirational, Litman said. He cited thank-you notes from recipients:</p>

<blockquote><em>&ldquo;I just wanted to take a moment and let you know how much my family and I have appreciated the MMAF grant we received. The $500 was such an encouragement to us as we were facing reintegration time together. Your work is important! Please let everyone know that MMAF is making a positive difference in so many lives.&rdquo; -- </em>Staff sergeant, Geneva, Minn.</blockquote>

<blockquote><em>Thank you kindly for the $500 grant I received in the mail. The funds will be used wisely and couldn&rsquo;t have come at a better time as I transition back into civilian life. Wishing you all the best and thank you for your generosity.&rdquo; --</em> First lieutenant, Saint Paul, Minn .</blockquote>

<p>John Kriesel, state representative from Cottage Grove, Minn. and a sergeant in the Minnesota National Guard who lost both legs in a roadside bomb explosion in Iraq, was another fund recipient. &ldquo;The Minnesota Military Appreciation Fund is a tremendous asset to the state. It&rsquo;s always an honor to work with them,&rdquo; he said.</p>

<p>Litman and Mallin are also the founders of the Minnesota Cup, a statewide business plan competition for entrepreneurs. Since 2005, the competition has played an important role in the state&rsquo;s efforts to seek out and reward new inventions and ways of doing business.</p>

<p>Litman was a history major at the University and says that was a great foundation for his business success.  &ldquo;The CLA and History Department don&rsquo;t realize that they&rsquo;re actually providing a good business background for students,&rdquo; Litman said. &ldquo;Many graduates are very successful entrepreneurs; we know about learning from the past and appreciate the guidepost lessons of others who&rsquo;ve gone before.&rdquo;</p>

<p>His achievements, and appreciation for the help he&rsquo;s had along the way, led to the interest in community service, he said. &ldquo;Everything I&rsquo;ve received, especially from the U and from my family, has ultimately led me to realize there&rsquo;s a time to give back,&rdquo; he said. &ldquo;I&rsquo;ve been incredibly fortunate so far as an entrepreneur and as a citizen of our state and now, its my turn to &lsquo;pay it forward&rsquo;. Both the Minnesota Cup and MMAF are there to help people who are working hard and doing great things and give them a leg up when they need it.&rdquo;</p>

<p><em>Joe Kimball, a former columnist and reporter for the </em>Star Tribune,<em> now writes for </em>MinnPost.<em> He is the author of the bestselling </em>Secrets of the Congdon Mansion.</p></body>
         <category>
            36111|36283
         </category>
         <pubDate>Fri, 18 Nov 2011 12:59:52 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Bound to Please</title>
         <description><p>Read reviews of books and other creations by CLA faculty, staff, and alumni</p>

<ul>
<li>A Rare Perspective<br />
At 94 she's fierce, honest, and a published poet. What happened when alumna Lucille Broderson returned to CLA...</li>
<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=285415">Story and interview</a> of Lucille Broderson by poet Michael Dennis Browne and Reach editor Mary Pattock</li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=285418">Poem</a>: "After"</li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=281819">Videos</a>: Broderson reading her poetry</li>
</ul>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=283025">Nonfiction</a></li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=283026">Creative Writing</a></li>
</ul>

<h3>To Purchase These Books</h3>

<p>You can find these books on display at the bookstore or purchase books online at the <a href="http://site.booksite.com/7291/nl/?list=CNL6">Bound to Please</a> website.</p>

<p>Online or in-store, use this code: <strong>BTP41510</strong></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=285207</link>
         <guid>285207</guid>
        <body></body>
         <category>
            33631|33628
         </category>
         <pubDate>Mon, 11 Apr 2011 08:54:50 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/broderson1.jpg" length="21137" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/broderson2.jpg" length="17571" type="image/jpeg" />
         <title>A Rare Perspective</title>
         <description><p>At 94 she's fierce, honest, and a published poet. What happened when alumna Lucille Broderson returned to CLA...</p>

<p><em>From an interview of Lucille Broderson by poet Michael Dennis Browne and Reach editor Mary Pattock</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=285415</link>
         <guid>285415</guid>
        <body><div style="width:275px; float:right; margin:0px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Lucille Broderson" src="http://blog.lib.umn.edu/clareach/stories/2011/broderson1.jpg" width="275" height="183" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Kelly MacWilliams</p></div><p><h3>You're Wearing a Blue Shirt the Color of the Sky: <em>Selected Poems</em></h3>
<h4>Lucille Broderson</h4>
<p>Nodin Press, 2010 / She is fierce, delicate, breathtakingly honest, and writes poetry from a rare perspective: she's 94 years old. Alumna Lucille Broderson has become something of a phenom since the publication of this, her second book. She draws crowds at her readings at The Loft and elsewhere. Her poems have been featured on <em>The Writer's Almanac with Garrison Keillor</em>.</p>
<p>Broderson graduated from CLA in English in 1937, proceeded to earn a degree in library science and work as a librarian, and served for some years at the U of M. Then, an empty nester in her 60s, she returned to her first love&mdash;writing. She signed up for a poetry class in CLA with English professor Michael Dennis Browne, now emeritus, who edited her current book. "It changed my life," she says. "I am a better person."</p>
<p>The scholarship that launched Broderson on her literary journey some 70 years ago, the Captain DeWitt Jennings Payne Memorial Scholarship, now provides $2,000 annually to students "who show special capacity for literary studies." It was established by the late Olivia Payne Stover in memory of her brother, Captain Payne, the first American aviator killed in World War I. -MP</p>

<p><strong>MDB</strong>: Lucille, I've heard you read twice in the last month&mdash;never heard you give a full-length reading before&mdash;at the Loft and Coffman. I was just blown away by your reading style. Were you ever going to be an actress? Where do you get your voice and your strength as a reader?</p>
<p><strong>LB</strong>: I think from reading my poetry and other students' poetry in your classes! Because I knew for some reason that I could read well. I mean, I thought I did. I don't know whether I knew, but I was sure. I want to <em>read it right</em>! The interesting thing is afterwards, one of my sons&mdash;I have four&mdash;this is Eric, who is now 60, and he said, "Mom, you could have been an actress!" So he was really impressed!</p>
<p><strong>MDB</strong>: Any signs of that when you were younger, like at home? Did you get to recite things at home? Where did the voice come from&mdash;from inside, like the poems?</p>
<p><strong>LB</strong>: Yea, it's just there. That's what I was thinking when I read this wonderful book [of my own poetry] that Michael is really responsible for. And I picked it up and I started at the back&mdash;don't ask me why but I did, and when I got through, I thought, "I am amazing!" I didn't say "I" though, to the <em>book</em>. I said, "Lucille, you are amazing. I think it is amazing that you can do this!"</p>
<p><strong>MDB</strong>: Where'd it come from?</p>
<p><strong>LB</strong>: It was nothing I did. I found many of my poems in my journal. The feeling was that it had been taken from me; I didn't do it.  It was like I was up here, and then suddenly I reached down and brought up this, and I didn't know who did it. I don't write these poems. I have nothing to do with it. And then it's like: here, you can have it now&mdash;and they give it to me. I don't know whether I'm dreaming or what. But nevertheless I feel like I can't take any credit for anything.</p>
<p><strong>MP</strong>: Lucille, I heard you say poetry changed your life. 
<strong>LB</strong>: I think somehow it made me&mdash;I hate to use the term, but a nicer human being. I mean a more understanding human being of other people's problems and misery.</p>
<div style="width:275px; float:left; margin:20px 20px 10px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Lucille Broderson" src="http://blog.lib.umn.edu/clareach/stories/2011/broderson2.jpg" width="275" height="183" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Two Poets<br />Broderson and Browne</p></div>
<p><strong>LB</strong>: Absolutely. I say, Lucille, you can't forget that Captain Dewitt Jennings Payne [scholarship]. It was a $200 award. Now I don't know why I would get that. It was a lot of money. It must have been related to the writing. I was an English major. I wanted to be a writer.</p>
<p><strong>MDB</strong>: Your poems are so rich in things that you see. You see something and the movie kind of begins. Robert Bly said once, "It's not a matter of making something up, but tuning in to something." You sit on a bench and maybe you see a starfish or a young couple and it's like a painter. It's enough subject matter to get you going, isn't it? Your poems are so painterly. The other day when you were reading at Coffman you had this line: "splits like fluff from a dandelion" and I thought of Theodore Roethke&mdash;and it's a great line: "like a wet log I stand within a flame." But you have a gift of imagery, too. Based on your observation of the real world. You use your eyes.</p>
<p><strong>LB</strong>: Evidently you use your eyes, but you don't know you used them! But it's there inside of you!</p>
<p><strong>MDB</strong>: And then it draws things out from the heart and memory and dreams.</p>
<p><strong>MP</strong>: A lot of people, when they get older, close in on their life. You did the opposite, you learned something new, went back to school. Where did get that energy?</p>
<p><strong>LB</strong>: That's never been a problem. I'm still here, still getting things that excite me inside. So I read. I take the <em>Wall Street Journal</em>. A friend of mine says, "Oh&mdash;they're nuts. I wouldn't pay any attention to what they tell you to do." That's not it! It's a way for me to know what's happening, for God's sake, not to get their advice!</p>
<p>As far as poetry, what it did for me, I can absolutely say this and feel comfortable saying it: I <em>like</em> myself. This is the person I would be but I would never know that when I was younger. I would have had no idea this is what I should be. I think it was the poetry. Something drove me to it.</p>
<p><strong>MDB</strong>: There's a great Yiddish word, <em>bashert</em>: meant to be, destined to be. You were meant to do this.</p>
<p><strong>LB</strong>: I think so. When I finally could do it, I seemed to become what I could be, whatever that is. For one thing, I think there's a lot more empathy than there ever was. And of course, (gesturing to Michael) it's brought me such a wonderful friend.</p>
<h3>A Rare Perspective</h3>
<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=285418">Poem</a>: "After"</li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=281819">Videos</a>: Broderson reading her poetry</li>
</ul></body>
         <category>
            33631|33628|33632
         </category>
         <pubDate>Sun, 10 Apr 2011 12:14:26 -0600</pubDate>
      </item>
      
      <item>
	
         <title>After</title>
         <description><p><em>By Lucille Broderson</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=285418</link>
         <guid>285418</guid>
        <body><p><em>The eaves sag on the house,<br />
the dog grays,<br />
its eyes film over,<br />
there are lumps on its legs.<br />
It doesn't get you up in the morning.</p>

<p>Even your daughter's love<br />
for you, her Daddy, goes.<br />
You die and she looks at her mother<br />
for the first time.</p>

<p>You leave and your clothes<br />
hang untouched for a year.<br />
On a hanger, a suitcoat with a shirt under it,<br />
a tie folded in at the neck.<br />
Your wife leans against it, crying.</p>

<p>Now your son wears it,<br />
feels comfortable, he says.<br />
He's seen your bankbook, knows<br />
how much money you left.</p>

<p>Your wife raises her face<br />
to another man, wants more from him<br />
than he can ever give.<br />
</em></p>

<p>Printed with permission of the author.</p>

<h3>A Rare Perspective</h3>
<ul>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=285415">Story and interview</a> of Lucille Broderson by poet Michael Dennis Browne and Reach editor Mary Pattock</li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=281819">Videos</a>: Broderson reading her poetry</li>
</ul></body>
         <category>
            33628|33632
         </category>
         <pubDate>Fri, 08 Apr 2011 12:24:37 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/macwilliamsk.jpg" length="37510" type="image/jpeg" />
         <title>Sustaining Excellence with Reduced Public Resources</title>
         <description><p><em>By Dean James A. Parente, Jr.</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282968</link>
         <guid>282968</guid>
        <body><div style="width:200px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Dean James Parente, Jr." src="http://blog.lib.umn.edu/clareach/stories/macwilliamsk.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Dean James Parente, Jr.<br />Photo by Kelly MacWilliams</p></div>

<p>Our long, snowy winter has finally drawn to a close, and the burgeoning colors of spring signal a long-awaited renewal. Spring in the Midwest also brings the threat of violent storms, but some of the greatest storms around the country center on the funding of education, especially public higher education, and strategies state governments are pursuing to balance their budgets. We read almost daily of looming deep reductions to higher education in several states and of proposals for dramatic increases in tuition. Public research universities are, of necessity, re-examining their priorities and devising new ways to fulfill their educational, research, and outreach missions with fewer resources from states whose citizens and economies they were founded to serve. </p>

<p>The changing landscape of American higher education&mdash;indeed, of higher education globally&mdash;affects all colleges and universities, both public and private, albeit in different ways. Of the many fields represented at a university, the liberal arts, especially the humanities, arts, and humanistic social sciences, are being subjected to intense scrutiny. </p>

<p>Some universities have reduced and even eliminated programs such as classics or philosophy that have for centuries been fundamental to a liberal education. Foreign language instruction is being sharply curtailed, even in commonly taught languages such as German and French, even as many institutions are expanding their internationalization efforts. The academic job market for Ph.D.s across the humanities continues to contract, despite strong student interest in these fields, and we are in danger of losing a generation of scholars and teachers whose research otherwise would have forged new paths in philosophy, history, literature and culture, and religion.</p>

<p>During the past year, the CLA 2015 Planning Committee&mdash;a group of faculty, staff, and students I charged in December 2009 to provide counsel about the long-term future of our college&mdash;has been meeting. Its report, issued late last fall, garnered much attention across the college and University for its eloquent exposition of the centrality of the liberal arts to every great university.</p>

<p>The report outlines steps we must take to ensure that the liberal arts at Minnesota will continue to thrive. It emphasizes the need for <em>signature</em> undergraduate, graduate and research programs, in which we will excel and by which we will distinguish ourselves among peer institutions. It calls for building greater connections with external communities and partners in accordance with our public mission. (You can read more about the report in this issue of <em>Reach</em>.)</p>

<p>The changes we are considering aim to ensure sustainable academic excellence at a time of reduced public resources. That challenge actually provides us an exciting opportunity to rethink priorities and devise new ways to improve research and education as we reaffirm our enduring belief in the fundamental value of the liberal arts. </p>

<p>The success of our University depends on maintaining a vibrant College of Liberal Arts as its strong foundation. Without the liberal arts, our deepest knowledge&mdash;of ourselves, our relationships to other cultures, the values by which we live, and the political, social, and religious institutions that shape our world&mdash;would be sorely wanting.     </p>

<p>You, our alumni and supporters, are the best ambassadors for the core value of a liberal arts education. Please join with us in promoting the liberal arts in Minnesota and beyond. The future of our society and our world depend on whether we can make visible the myriad ways in which the liberal arts illuminate the most complex issues of our time and provide a sure path for resolving them.</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Fri, 08 Apr 2011 11:36:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/hhei1.jpg" length="25462" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/hhei2.jpg" length="20175" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/hhei3.jpg" length="24907" type="image/jpeg" />
         <title>Heller-Hurwicz Economics Institute</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=285364</link>
         <guid>285364</guid>
        <body><div style="width:200px; float:right; margin:0px 0px 15px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Heller-Hurwicz Economics Institute" src="http://blog.lib.umn.edu/clareach/stories/2011/hhei2.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Kelly MacWilliams</p></div><p>The Heller-Hurwicz Economics Institute is an exciting new global initiative in CLA. Two prominent economics alums, Richard Sandor and Robert Litterman, were the featured speakers at the Feb. 9 inaugural event, Addressing Climate Change: Economic Perspectives on Pricing Environmental Risk.</p>
<p>"Why now, why this institute?" asked economics alumnus and advisory board chair Kurt Winkelmann at the event. "The mission of the Heller-Hurwicz Economics Institute is consistent with a public university: educate, inform and, by doing so, help influence the direction of public policy. The institute will connect the economics profession to broader themes affecting society."</p>
<p>Visit <a href="http://www.hhei.umn.edu">hhei.umn.edu</a> to watch video from the event and join the mailing list for the latest research and event information. "We are on the verge of important, innovative thinking in economics, and we hope to bring that to the public at large," said Professor V.V. Chari, HHEI's founding director.</p>
<div style="width:300px; float:left; margin:0px 15px 15px 0px;">
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Heller-Hurwicz Economics Institute" src="http://blog.lib.umn.edu/clareach/stories/2011/hhei3.jpg" width="300" height="227" class="mt-image-left" style="float: left; margin: 0 15px 10px 0;" /></span><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Heller-Hurwicz Economics Institute" src="http://blog.lib.umn.edu/clareach/stories/2011/hhei1.jpg" width="275" height="183" class="mt-image-left" style="float: left; margin: 0 15px 10px 0;" /></span><p style="clear:both; font-size:10px;">Photos by Kelly MacWilliams</p></div>
</body>
         <category>
            33630|33628
         </category>
         <pubDate>Fri, 08 Apr 2011 09:09:50 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/Viswanath.jpg" length="57460" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/brenda.jpg" length="14355" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/buchwald.jpg" length="22861" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/clegg.jpg" length="23521" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/sperling.jpg" length="13931" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/taylor.jpg" length="3943" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/tennessen.jpg" length="7160" type="image/jpeg" />
         <title>CLA Alumni</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283027</link>
         <guid>283027</guid>
        <body><div style="width:200px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Nicholas Clegg" src="http://blog.lib.umn.edu/clareach/stories/2011/clegg.jpg" width="200" height="261" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Nicholas Clegg</p></div><p><strong>Nicholas Clegg</strong>, a 1990 CLA graduate student, was named deputy prime minister of the United Kingdom last May. A Liberal Democrat, he is part of the coalition government headed by the Conservative Party's Prime Minister David Cameron&mdash;the result of a rare "hung parliament" in which no political party commanded a majority in the House of Commons.</p>

<p>At the U, Clegg studied politics and international relations, and pursued a special interest in human rights.  His thesis title was "The Deep Green Movement and its Political Philosophy."</p>

<p>Clegg previously served as a Member of the European Parliament, co-founding a movement for reforms relating to its expenses, transparency, and accountability. Among his signature issues are civil liberties, opposition to identity cards and excessive counter-terrorism laws, and defense of Britain's Human Rights Act.</p>

<div style="width:200px; float:left; margin:10px 20px 10px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Gene Sperling" src="http://blog.lib.umn.edu/clareach/stories/2011/sperling.jpg" width="200" height="146" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Gene Sperling</p></div><p><strong>Gene Sperling, B.A. '82</strong>, political science, J.D. '85, Yale, is the new director of the White House National Economic Council, replacing Larry Summers. He will be involved in shaping virtually all of the administration's economic policies. In announcing Sperling's appointment, President Obama said, "He's a public servant who has devoted his life to making this economy work&mdash;and making it work specifically for middle-class families. Few people bring the level of intelligence and sheer work ethic that Gene brings to every assignment he's ever taken."</p>

<p>Sperling, who most recently served as counselor to Treasury Secretary Timothy Geithner, actually held this NCE directorship before, during President Clinton's last four years as president. He previously was a corporate philanthropy consultant for Goldman Sachs, an economic columnist and commentator for Bloomberg News, and a consultant and contributing writer to the NBC drama series <em>The West Wing</em>.</p>

<p>In 1980, while at the U of M, Sperling captained the tennis team as he maintained a 4.0 grade point average. At Yale, he was the editor of the <em>Yale Law Journal</em>.</p>

<p><em>See Associated Press story and video of appointment at z.umn.edu/2vs</em></p>


<p><strong>Mitch Anderson, B.A. '08</strong>, journalism, has joined Tunheim Partners, a Twin Cities strategic communications company. He previously held newspaper and communications positions at the Minneapolis <em>Star Tribune's</em> Washington, D.C., bureau, the <em>Minneapolis-St. Paul Business Journal</em>, and Edina Public Schools.</p>
<p><strong>Sid Bacon, Ph.D. '85</strong>, experimental psychology, is the dean of natural sciences at Arizona State University's College of Liberal Arts and Sciences, and directs ASU's Psychoacoustics Laboratory.</p>

<div style="width:108px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Emilie Buchwald" src="http://blog.lib.umn.edu/clareach/stories/2011/buchwald.jpg" width="108" height="139" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Emilie Buchwald</p></div>

<p><strong>Emilie Buchwald, Ph.D. '71</strong>, English, received the 2010 A.P. Anderson Award from the Anderson Center in Red Wing, Minn., in recognition of her contributions to the cultural and artistic life of Minnesota. Buchwald recently retired from Milkweed Editions, the Minnesota-based influential literary press she co-founded. She has written award-winning children's novels and edited or co-edited books that together have won more than 200 awards. She received the McKnight Distinguished Artist Award, National Book Critics' Circle Lifetime Achievement Award, and an honorary Doctor of Humane Letters from the University of Minnesota.</p>

<p><strong>Ann Cathcart Chaplin, B.A. '95</strong>, sociology,  J.D. '98, Harvard Law School, was named a "Minnesotan on the Move" by <em>Finance & Commerce</em> magazine. The award honors 40 Minnesota businesspeople "poised to make business history during the coming years." Cathcart Chaplin is the managing principal of the Twin Cities office of Fish & Richardson, the country's largest intellectual property law firm. At 36, she is the firm's first female managing principal and the youngest woman ever to head a major Twin Cities law firm.</p>

<p><strong>Deborah Ann (Offt) Peterson, B.A. '74</strong>, German, has joined the Northwest Area Foundation in Saint Paul as manager of grants and contracts. She formerly worked at 3M, negotiating and overseeing vendor contracts. Peterson holds a master's degree in organizational leadership from St. Catherine University and a mini MBA in nonprofit organizations from the University of St. Thomas.</p>

<p><strong>Peter Purin, M.A. '07</strong>, Ph.D. music theory, University of Kansas, Lawrence, Kan., has been named an assistant professor of music at Oklahoma Baptist University. He specializes in musical theater; his dissertation was titled "Musical Style in the Musical Theatre Works of Stephen Sondheim." Purin previously served as teaching assistant in CLA and at Kansas.</p>

<p><strong>Kimberly Allen Snyder, B.A. '92</strong>, history, M.A. '97, has been elected to the board of directors of the Charities Review Council, Saint Paul. Snyder founded and is a partner of Excelsior Bay Group, LLC, a business that helps non-profit organizations build and assess their long-term fundraising capacity.</p>

<p><strong>Jacqueline Stahlmann, B.A. '10</strong>, Spanish and global studies, worked at the Kennedy Center in Washington, D.C., this fall as the Theater For Young Audiences intern. She researched, read, and reported on possible subjects for commissions, and contributed to conversations regarding future international children's theater festivals and tours.</p>

<div style="width:170px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Robert Tennessen" src="http://blog.lib.umn.edu/clareach/stories/2011/tennessen.jpg" width="170" height="172" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Robert Tennessen</p></div>

<p><strong>Robert Tennessen, B.A. '65</strong>, economics, J.D. '68, was elected president of The Advocacy Group, a network of independent public affairs and government relations companies based in Arlington, Va., that provides professional advocacy services worldwide, and over multiple jurisdictions. A former state senator, Tennessen practices law in Minneapolis, specializing in government relations and administrative law. He is a state appointee to the national Uniform Law Commission, and chairs its legislative committee. CLA previously honored him with an Alumni of Notable Achievement award.</p>

<br class="clearabove" />

<div style="width:130px; float:right; margin:0px 0px 20px 30px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Kasisomayajula Viswanath" src="http://blog.lib.umn.edu/clareach/stories/2011/Viswanath.jpg" width="130" height="165" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Kasisomayajula Viswanath</p></div>

<p><strong>Kasisomayajula (Vish) Viswanath, M.A. '86, Ph.D. '90</strong>, journalism and mass communication, was named Outstanding Health Communication Scholar for 2010 by the health communication divisions of the National Communications Association and the Internal Communication Association.</p>
<p>He is an associate professor at the Harvard School of Public Health, Department of Society, Human Development, and Health, and Director of the Health Communication Core of the Dana-Farber/Harvard Cancer Center.</p>

<p><strong>Melissa Weiner, Ph.D. '06</strong>, sociology, is an assistant professor of sociology at Quinnipiac University, Hamden, Conn. In her first book, <em>Power, Protest, and the Public Schools: Jewish and African American Struggles in New York City</em>, she describes how students in both groups were denied high-quality education, but Jews eventually advanced academically because their "whiteness" gave them more opportunity to assimilate. In her own effort to boost literacy and promote social justice, Weiner has started Brighter World Books, a nonprofit organization that collects used books in the United States and ships them to school libraries in South Africa.</p>

<div style="width:170px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Brenda Cassellius" src="http://blog.lib.umn.edu/clareach/stories/2011/brenda.jpg" width="170" height="227" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Brenda Cassellius</p></div>

<p><strong>Brenda Cassellius, B.A. '89</strong>, psychology, Ed.D. '07, University of Memphis, was appointed Commissioner of the Minnesota Department of Education. Most recently superintendent of the East Metro Integration District in the Twin Cities, she previously served as an associate superintendent in the Minneapolis Public Schools, and academic superintendent of middle schools in Memphis, Tennessee.</p>

<p><strong>Kathy Tunheim, B.A. '79</strong>, political science, was named Governor Dayton's senior adviser for job creation, an unpaid position. She will continue as CEO of Tunheim Partners, a public relations firm she founded, and as president of IPREX Worldwide, a network of leading PR agencies.</p>

<h3>Four of the 12 U of M alumni honored this year with UMAA Alumni Volunteer Service Awards hail from CLA.</h3>

<div style="width:102px; float:right; margin:10px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Paul Taylor" src="http://blog.lib.umn.edu/clareach/stories/2011/taylor.jpg" width="102" height="86" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Paul Taylor</p></div><p>CLA's nominee was <strong>Paul A. Taylor, B.A. '61</strong>, economics. He has served the University for many years as a volunteer: on the CLA Career Services Advisory Board (1987-1992), the CLA Alumni Society Board (1997-2003), the University's Council on Public Engagement (2003-2006), the Department of English Advisory Committee (2004-present); and as an active advocate in the Legislative Network and on the University of Minnesota Alumni Association's Advocacy Committee for more than 18 years. He is currently the principal in the Masters Alliance, a business-consulting firm, where he advises the senior management of his clients, and specializes in business development, project management, and long-range planning and strategic assessment.</p>
<p>Other CLA graduates receiving the volunteer award were:</p>
<p><strong>Bernadine Joselyn, B.A. '78</strong>, humanities, M.A. '01, public affairs, nominated by the Humphrey Institute; she is the director of public policy and engagement at the Charles K. Blandin Foundation.</p>
<p><strong>Bruce W. Mooty, B.A. '77</strong>, sociology, J.D. '80, nominated by the U of M Alumni Association and Law School. He is a principal at Gray Plant Mooty law firm, and was the immediate past president of the U of M Alumni Association.</p>
<p><strong>Sandy Morris, B.A. '64</strong>, journalism, M.A. '72, educational psychology, nominated by the College of Design; she is past president of the Goldstein Museum of Design Board of Directors.</p></body>
         <category>
            33633|33628
         </category>
         <pubDate>Thu, 07 Apr 2011 19:39:44 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://cla.umn.edu/assets/swf/Peace2.swf" length="224952" type="application/x-shockwave-flash" />
         <title>Can We Imagine Peace?</title>
         <description><p>Imagination&mdash;one of the liberal arts' most valuable tools&mdash;allows human beings to transcend present realities and shape the future. Three scholars investigate fundamental components of peace and envision new ways to make it a reality.</p>

<p><em>By Kate Stanley; introduction by Mary Pattock</em></p>

<ul class="hide"><li><a href="http://cla.umn.edu/news/reach/archive/spring11subFeatures.php?entry=283017">Dancing and Dreaming of Justice</a></li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subFeatures.php?entry=283018">Defining Happiness</a></li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subFeatures.php?entry=283020">Caring, For Justice</a></li></ul></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283005</link>
         <guid>283005</guid>
        <body><p><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="530" height="500"><param name="movie" value="http://cla.umn.edu/assets/swf/Peace2.swf"><param name="quality" value="high" /><param name="wmode" value="opaque" /><embed src="http://cla.umn.edu/assets/swf/Peace2.swf" width="530" height="500" allowscriptaccess="always" allowfullscreen="true" /></object></p>

<p>So here we are, at the end of the new millennium's first decade. We've peered back at the dawn of creation, found water on Mars. We've mapped most of the human genome, can watch the brain at work, know how to replace hearts, clone pigs from stem cells, and smash protons. We have smart phones. And vacuum cleaners with minds of their own.</p>

<p>But the thing we claim to desire most continues to elude us. <br />
Peace. And its twin sister, justice.</p>

<p>Peace exists, but only ephemerally, vanishing as quickly as a bullet can escape the barrel of a gun. War, political and economic terrorism, and ethnic conflict continue to wrack the globe as they have from time immemorial. In fact, our last century was our bloodiest. It was also the one in which we first applied practical imagination to what was previously unimaginable--how to achieve our own self-destruction--and then made the tool to do it: the atom bomb.</p>

<p>The idea of the atom, the radical component of all matter, originated long ago where all of our endeavors do: in the human imagination, that astonishing place in the mind we visit when we need to transcend limitations.</p>

<p>The atom was just a notion in the 5th century B.C.E., when Democritus and Leucippus came up with the theory of "atomism." It was 2,300 years before that child of the mind actually shook hands with reality--first with Einstein and others who produced a description of the atom's shape, size, behaviors, and relationships, then when J. Robert Oppenheimer and colleagues split the atom, framing its overarching presence in a way that changed the world forever. Its release spawned the dark clouds of war, nuclear proliferation, nuclear terrorism, and mutually assured destruction. </p>

<p>Perhaps, reader, you see this question coming: can we do the same thing with the elusive concept of peace? Are we able to take the first step--to imagine peace, a sustained peace, and make tools of mind and body that might help us create it? Can we figure out what peace is made of, discover its "atomic" components and release its power so that at last we can intentionally, knowledgeably, make peace?	</p>

<p>The faculty members we feature in this story are doing just that: imagining peace. They are committed to the belief that with knowledge, creativity, and commitment we can, indeed, realize peace and justice.  </p>

<p>Their research questions are radical--about the nature of peace, about the "atoms" that make it up and that just might be amenable to some kind of rearrangement or condition that will allow peace to settle in and stay awhile. </p>

<p>Imagination--one of the liberal arts' most valuable tools--allows us to transcend present realities and shape the future.  Albert Einstein said, "Imagination is everything. It is the preview of life's coming attractions."</p>

<ul><li><a href="http://cla.umn.edu/news/reach/archive/spring11subFeatures.php?entry=283017">Dancing and Dreaming of Justice</a></li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subFeatures.php?entry=283018">Defining Happiness</a></li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subFeatures.php?entry=283020">Caring, For Justice</a></li></ul></body>
         <category>
            33629|33628
         </category>
         <pubDate>Thu, 07 Apr 2011 16:46:05 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://mediamill.cla.umn.edu/mediamill/flvplayer.swf" length="50153" type="application/x-shockwave-flash" />
         <title>Videos: Lucille Broderson Reading Her Poetry</title>
         <description><p>In her early 60s <strong>Lucille Broderson, '37</strong>, English, returned to CLA to study poetry. Now 94, she is winning prizes for her work, and has published her first book, <em>But You're Wearing a Blue Shirt the Color of the Sky</em>.</p>

<p>She read a selection of her poems at an event at the University of Minnesota
Bookstore in Coffman Union on December 2, 2010. Her mentor, Michael Dennis
Browne, now CLA professor emeritus, introduced her.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=281819</link>
         <guid>281819</guid>
        <body><p><strong>Lucille Broderson Reading at Coffman</strong><br />
<em>Introduction by Michael Dennis Browne</em><br />
27 minutes</p>

<center><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" id="flvplayer" align="middle" height=380 width=480>
<param name="allowScriptAccess" value="sameDomain" />
<param name="movie" value="http://mediamill.cla.umn.edu/mediamill/flvplayer.swf" />
<param name="quality" value="high" />
<param name="bgcolor" value="#ffffff" />
<param name="allowfullscreen" value="true">
<param name="FlashVars" value="file=107467.flv&repeat=false&streamscript=http://mediamill.cla.umn.edu/mediamill/download.php&width=480&height=380&autostart=false&image=http://mediamill.cla.umn.edu/mediamill/thumb.php?mediaId=107467%26big=true" />
<embed src="http://mediamill.cla.umn.edu/mediamill/flvplayer.swf" FlashVars="file=107467.flv&repeat=false&streamscript=http://mediamill.cla.umn.edu/mediamill/download.php&width=480&height=380&autostart=false&image=http://mediamill.cla.umn.edu/mediamill/thumb.php?mediaId=107467%26big=true" quality="high" bgcolor="#ffffff" width=480 height=380 name="flvplayer" align="middle" allowScriptAccess="sameDomain" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" allowfullscreen=true />
</embed>
</object></center>
<p>
<hr></p>

<p><strong>Lucille Broderson</strong><br />
<em>"The Letter Never Sent"</em><br />
2.42 minutes</p>

<center><div id="mmVideoPlayerEmbed107371" width=480 height=286>We're sorry, you need Javascript enabled to view this video.</div>
<script>var detect = document.createElement('video');if(typeof detect.canPlayType ==='function' && detect.canPlayType('video/quicktime; codecs="avc1"') == 'probably') {document.getElementById('mmVideoPlayerEmbed107371').innerHTML = '<video controls=true height=286 width=480><source src="https://mediamill.cla.umn.edu/mediamill/download.php?file=107371" type="video/quicktime" /></video>';	}else {document.getElementById('mmVideoPlayerEmbed107371').innerHTML ='<object CLASSID="clsid:02BF25D5-8C17-4B23-BC80-D3488ABDDC6B" width=480 height=286 CODEBASE="http://www.apple.com/qtactivex/qtplugin.cab"><param name="src" value="https://mediamill.cla.umn.edu/mediamill/download.php?file=107371"><param name="qtsrc" value="https://mediamill.cla.umn.edu/mediamill/download.php?file=107371"><param name="autoplay" value="false"><param name="cache" value="false"><param name="loop" value="false"><param name="controller" value="true"><embed type="video/quicktime" cache="false" src="https://mediamill.cla.umn.edu/mediamill/download.php?file=107371" qtsrc="https://mediamill.cla.umn.edu/mediamill/download.php?file=107371" width=480 height=286 autoplay="false" loop="false" controller="true" pluginspage="http://www.apple.com/quicktime/"></object>';}</script>
</center>
<p><hr></p>
<h3>A Rare Perspective</h3>
<ul>
<li><a href="http://cla.umn.edu/news/reach/index.php?entry=285415">Story and interview</a> of Lucille Broderson by poet Michael Dennis Browne and Reach editor Mary Pattock</li>
<li><a href="http://cla.umn.edu/news/reach/archive/spring11subBoundToPlease.php?entry=285418">Poem</a>: "After"</li>
</ul></body>
         <category>
            33631|33628|33632
         </category>
         <pubDate>Thu, 07 Apr 2011 13:08:03 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/Manfred2.jpg" length="6045" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/anderson.jpg" length="9200" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/burke.jpg" length="6737" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/larkin.jpg" length="10278" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/miller.jpg" length="10750" type="image/jpeg" />
         <title>The Lives They Led</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283028</link>
         <guid>283028</guid>
        <body><div style="width:130px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Curtiss Anderson" src="http://blog.lib.umn.edu/clareach/stories/2011/anderson.jpg" width="130" height="173" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Curtiss Anderson</p></div>
<p><strong>Curtiss M. Anderson, B.A. '51</strong>, journalism, died of cancer on May 22, 2010 at his home in Tiburon, Calif. He was 81. Anderson had a career in magazines: he was editor-in-chief of <em>Ladies Home Journal</em> and the American Express magazine, <em>Venture</em>. As editor of magazine development at Hearst Magazines, he helped develop <em>Country Living</em>, <em>Smart Money</em>, and a Sunday magazine for <em>The San Francisco Examiner</em>. He reached beyond the magazine world, becoming an editor at Hallmark Cards, and helping its founder, Joyce C. Hall, write his autobiography. Anderson's coming-of-age memoir, <em>Blueberry Summers: Growing Up at the Lake</em>, was published in 2008 by the Minnesota Historical Society Press. One reviewer described it as "a Garrison Keillor tale as told by Truman Capote."</p>

<div style="width:170px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Samuel Burke" src="http://blog.lib.umn.edu/clareach/stories/2011/burke.jpg" width="170" height="167" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Samuel Burke</p></div>

<p><strong>Samuel M. Burke</strong>, CLA professor emeritus of South Asian studies, died on September 10, 2010, in Watlington, Oxfordshire, England, at the age of 104.
<em>The National</em>, the United Arab Emirates' English-language newspaper, called Burke "an incorruptible jurist, one of Pakistan's first ambassadors, an academic and an author."</p>
<p>A brilliant student of history, Burke was one of the few Indians to become a senior official&mdash;a High Court judge&mdash;in the elite Indian Civil Service established under the British Raj.</p>
<p>During the partition of India in 1949, massive upheaval and mutual slaughter of some one million Muslims and Hindus ensued as the country fractured into India and Pakistan. Burke remained impartial, retiring from the court and refusing to serve either government, despite requests to do so from both sides.</p>
<p>He eventually chose to help Pakistan's first foreign minister establish the Pakistani Foreign Service, and was named High Commissioner (ambassador) to India and the United Nations. He eventually served in 11 countries, including England, Brazil, Sweden, Norway, Finland, Denmark, Thailand, Canada, and the United States.</p>
<p>In 1961 he resigned from the foreign service to assume CLA's new chair in South Asian studies, and began writing books on the history of India and Pakistan. He taught until 1975, moving to England with his English-born wife, Louise.</p>
<p>Burke received the Star of Pakistan Award, Pakistan's highest civilian honor, from President Ayub Khan, and a commendation from Prime Minister Rajiv Gandhi for his book <em>Akbar the Greatest Mogul</em>. Other books include <em>Pakistan's Foreign Policy</em>, and <em>The British Raj in India</em>.</p>

<div style="width:169px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Maryanna Manfred" src="http://blog.lib.umn.edu/clareach/stories/2011/Manfred2.jpg" width="169" height="225" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Maryanna Manfred</p></div>

<p><strong>Maryanna Manfred, B.A. '42</strong>, journalism, died December 6, 2010, in Sioux Falls, S.Dak. She was 90 years old. Manfred, a freelance editor and writer of poetry, book reviews, and news features, was for 33 years the first reader of the novels of her husband, the late Frederick Manfred. She also worked as a supervisor for the American Research Bureau. Manfred was an editorial consultant on histories of the Democratic Party and Unitarian Universalism in South Dakota, and a volunteer for Common Cause, the National Alliance on Mental Illness, and the Cousteau Society.</p>

<br class="clearabove" />

<div style="width:170px; float:right; margin:0px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Eugene Larkin" src="http://blog.lib.umn.edu/clareach/stories/2011/larkin.jpg" width="170" class="mt-style-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Eugene Larkin</p></div>
<p><strong>Eugene Larkin, B.A. '46, M.A. '49</strong>, art, died on November 13, 2010, at the age of 89, in South Bend, Indiana, from complications due to pneumonia. His woodcuts and other prints appear in the collections of the Library of Congress, Museum of Modern Art, Minneapolis Institute of Arts, Art Institute of Chicago and the Weisman Art Museum. Frequent subjects included musicians, leaves, and trees; he created a series of wood cuts based on William Blake's <em>Songs of Innocence and Experience</em>.</p>

<p>Best known as a lithographer, Larkin figured on the national scene as a teacher and promoter of lithography education. He was the author of <em>Design: The Search for Unity</em>, a text on basic design and visual composition. Larkin headed the printmaking department and chaired the fine arts division at the Minneapolis College of Art and Design, and from 1969 to 1991 was a U of M professor in what was called at the time the Department of Design, Housing and Apparel. He also served on the Weisman Art Museum Board of Directors.</p>

<div style="width:170px; float:right; margin:0px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Roger Pierce Miller" src="http://blog.lib.umn.edu/clareach/stories/2011/miller.jpg" width="170" height="189" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Roger Pierce Miller</p></div>

<p>Associate Professor <strong>Roger Pierce Miller</strong>, geography, died May 30, 2010, from complications following a motorcycle crash he had en route to see his only son, Jonah, graduate from Harvard University. He was 59 years old.</p>

<p>Miller joined the Department of Geography in 1980, specializing in urban history and city planning in North America and Europe, especially Sweden. A master teacher with a colorful personality, he was named to the University's Academy of Distinguished Teachers and was a favorite with students.</p>

<p>His immensely popular signature class, The City in Film, sprang from deep interests in literature and the cities of the world, but he had other interests, too. His family called him a Renaissance man with a puckish sensibility.He was the director of graduate studies in the master of liberal studies program, taught in several units besides geography, and served on many committees over the years. He was active in the Higher Education Consortium for Urban Affairs, an organization dedicated to education for social justice, and chaired its academic programs committee. He earned his Ph.D. from the University of California, Berkeley, and before coming to Minnesota taught at the University of Pennsylvania and the University of Colorado, Boulder.</p>

<p>Memorials can be made to the Ralph Brown Fund (# 2308), which supports and encourages graduate and undergraduate research and study.<br />
<em>Go to <a href="http://www.cla.umn.edu/giving">www.cla.umn.edu/giving</a>.</em></p>

<p>>>  <strong><a href="http://cla.umn.edu/alumni">Send us your news</a>!</strong></p></body>
         <category>
            33633|33628
         </category>
         <pubDate>Wed, 06 Apr 2011 19:53:36 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/farah.jpg" length="20527" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/wimsatt.jpg" length="8848" type="image/jpeg" />
         <title>The Audacity of Questions</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282969</link>
         <guid>282969</guid>
        <body><div style="width:183px; float:right; margin:20px 20px 5px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Nuruddin Farah. " src="http://blog.lib.umn.edu/clareach/stories/2011/farah.jpg" width="183" height="275" class="mt-image-right" style="float:right; margin 0;" /></span><p style="clear:both; font-size:10px;">Nuruddin Farah<br />Photo by Everett Ayoubzadeh</p></div><p>Questioning established patterns of thought: that is the audacious core of the liberal arts. The Winton Chair fosters such audacity, bringing world scholars to CLA whose work "challenges cultural paradigms and represents important breaks from dominant patterns of thought."</p>

<p>Currently in residence under the program are two such bold thinkers: renowned Somali novelist and playwright Nuruddin Farah, and philosopher William C. Wimsatt. During their three-year residencies they will engage with CLA students and researchers, and deliver public lectures.</p>

<p>Farah's works were barred in his native Somalia under the Siyad Barre regime, which was known for its human rights abuses, and he was forced into exile after writing a novel about cross-cultural love. In Somali and English, he explores themes ranging from the patriarchal clan system and exploitation of women, to the parallels between colonial practices and authoritarian regimes in post-colonial Somalia, to long-standing tribal disputes that continue to plague Somalia today.</p>

<p>One of the most exciting aspects of his tenure at CLA will be the opportunity to refine and stage a production of his new play, a Somali version of <em>Antigone</em>&mdash;involving many collaborative partners and close work with the Twin Cities Somali community.</p> <div style="width:250px; float:left; margin:10px 20px 20px 0px;"><img alt="William C. Wimsatt. " src="http://blog.lib.umn.edu/clareach/stories/2011/wimsatt.jpg" class="mt-image-right" style="float: left; margin: 10px 20px 5px 0px;" width="250" height="167" class="mt-image-none" style="" /><p style="clear:both; font-size:10px;">William C. Wimsatt<br />Photo by Everett Ayoubzadeh</p></div>

<p>Wimsatt is a professor emeritus of philosophy at the University of Chicago. His work centers on the philosophy of the inexact sciences&mdash;biology, psychology, the social sciences, the history of biology, and the study of complex systems. During his first semester in CLA, Wimsatt led a weekly discussion group focused on his book, <em>Re-Engineering Philosophy for Limited Beings: Piecewise Approximations to Reality</em>.</p>

<p>Wimsatt addresses the challenges that human beings, limited creatures that we are, face in understanding an infinitely complex world, and how the process of error and correction is central to learning. His cheeky concept: "Maybe error is okay."</p>

<p>Benefactors David Michael Winton and Penny Rand Winton established the chair in 1987 to encourage "innovative, distinctive research in the liberal arts."</p>

<p><em>Learn more at <a href="http://z.umn.edu/2vo">z.umn.edu/2vo</a></em></p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Wed, 06 Apr 2011 11:48:33 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/ptsd.jpg" length="11772" type="image/jpeg" />
         <title>Researchers Discover Site of PTSD Brain Activity</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282970</link>
         <guid>282970</guid>
        <body><p>First the Minnesota research team discovered they could use a special kind of brain scan to identify, with 95 percent accuracy, people with post-traumatic stress disorder (PTSD). Now, as they recently announced in the Journal of Neural Engineering, they can actually watch a brain as it experiences PTSD: it becomes hyperactive in the right temporal lobe, which is responsible for memory.<div style="width:253px; float:right; margin:0 0 5px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Brain activity. " src="http://blog.lib.umn.edu/clareach/stories/2011/ptsd.jpg" width="253" height="120" class="mt-image-right" style="float: right; margin: 0;" /></span><p style="clear:both; font-size:10px;">Hyperactivity in the composite brain image on the left indicates PTSD. The composite on the right shows brain activity among people who are recovering from the disorder.</p></div></p>

<p>Psychology professor Brian Engdahl and his medical school colleague Apostolos Georgopoulos, M.D., used Magnetoencephalography (MEG) to measure magnetic fields in the brains of 80 people with PTSD; 18 of them were in remission, and 284 were healthy. Many of the sufferers had served in the military in Vietnam, Afghanistan, or Iraq.</p>

<p>They found clear differences in brain activity among the groups&mdash;something that X-rays, CT scans, and MRIs have been unable to do. They also observed that the telltale hyperactivity continued in the brains of the PTSD sufferers even when they were not consciously remembering past trauma, indicating that the terrifying memories could return at any moment.</p>

<p>Engdahl and Georgopoulos, both members of the Brain Sciences Center at the Minneapolis VA Medical Center, hope the findings will help them develop better kinds of treatment for PTSD, and encourage more veterans who suffer from it to seek help.</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Tue, 05 Apr 2011 11:53:59 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/raptor.jpg" length="20990" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/raptor3.jpg" length="22254" type="image/jpeg" />
         <title>Raptors Ate Our Ancestors! </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282971</link>
         <guid>282971</guid>
        <body><p>"Beware the Jabberwock, my son!<br />
The jaws that bite, the claws that catch!<br />
Beware the Jubjub bird, and shun<br />
The frumious Bandersnatch!"<br />
&mdash;<em>Lewis Carroll</em>, Alice in Wonderland</p>

<div style="width:225px; float:right; margin:0px 0px 15px 25px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Raptor" src="http://blog.lib.umn.edu/clareach/stories/2011/raptor3.jpg" width="225" height="194" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Raptor</p></div>

<p>Lewis Carroll could well have been summoning primeval body-wisdom when he penned his famous nonsense poem "Jabberwocky."</p>

<p>It turns out that an early primate, the Proconsul ape&mdash;thought to be an ancestor of both humans and chimps, actually was a meal of choice for the "jabberwocks" of 16 to 20 million years ago: the raptors. </p>

<p>An archaic mammal called the creodont apparently enjoyed a good supper of Proconsul, too.</p>

<p>Kirsten Jenkins, a fifth-year Ph.D. anthropology student, uncovered this chapter of pre-human family history while digging on Rusinga Island, Kenya, which, during the Miocene age, was a reforested area on the side of a large volcano.<div style="width:200px; float:left; margin:10px 20px 15px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Carroll's Jabberwock. " src="http://blog.lib.umn.edu/clareach/stories/2011/raptor.jpg" width="200" height="300" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Carroll's Jabberwock</p></div></p>

<p>Presenting at the 70th annual conference of the Society of Vertebrate Paleontology in Pittsburgh, Jenkins said that tooth pits and probable beak marks on the fossils provide direct evidence of damage from raptor beaks and talons from creodont teeth. "I hope to better understand these ancient predator-prey relationships and thus possible selection pressures on Proconsul."</p>

<p>Up until now it has been believed that early humans evolved as aggressive hunters, but if Jenkins is correctly interpreting the defleshed, chomped, and gnawed Proconsul bone fossils, they may also have been the hunted.</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Mon, 04 Apr 2011 11:56:04 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/atlas.jpg" length="22248" type="image/jpeg" />
         <title>Crossing Cultures</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282973</link>
         <guid>282973</guid>
        <body><p>Since Europe's Middle Ages, Islam has shared with the West remarkable contributions to science, architecture, art, and the humanities. A February conference, sponsored by the Religious Studies program with funding from the National Endowment for the Humanities, took a closer look at this centuries-old exchange of ideas.<div style="width:325px; float:right; margin:20px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Catalan Atlas of 1375. " src="http://blog.lib.umn.edu/clareach/stories/2011/atlas.jpg" width="325" height="221" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Catalan Atlas of 1375 (detail)<br />One of the most important maps of the medieval period, this section of the Catalan Atlas shows how cultural boundaries were crossed in the exchange of knowledge between the Islamic world and Europe. The original Catalan Atlas is housed in the Bibliothèque Nationale de France. </p></div></p>

<p>"Shared Cultural Spaces: Islam and the West in Arts and Sciences" brought together prominent scholars from across the country and from many local colleges. Speakers included keynoters Anouar Majid (addressing "The Inhumanity of Orthodoxy") and Wadad Kadi, an expert on Islamic political thought. Speakers from CLA included professors Catherine Asher (art history), William Beeman (anthropology), Nabil Matar (English), and Ali Momeni (art), and Religious Studies program director Jeanne Kilde. </p>

<p>The conference premiered <em>Journey</em>, a stage adaptation of the 12th century masterpiece <em>Hayy ibn Yaqzan</em>, by the Andalusian Muslim philosopher and physician Ibn Tufayl.  Described by Beeman as a compendium of many aspects of Islamic science in the context of a parable, it is a story about a boy raised in the wild by a deer. Its empiricism profoundly influenced not only Arabic and Islamic thinkers, but also Europeans including Defoe, Newton and Kant, and heralded the Scientific Revolution and the Enlightenment. </p>

<p>Other conference sessions addressed science (especially astronomy), aesthetics and architecture, and how new media is shaping how Muslims tell their stories. </p>

<p><em>Learn more at <a href="http://z.umn.edu/sharedspaces">http://z.umn.edu/sharedspaces</a></em></p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Sun, 03 Apr 2011 12:04:41 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/ananya1.jpg" length="14908" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/ananya3.jpg" length="20977" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/chatterjea-still.jpg" length="12615" type="image/jpeg" />
         <title>Dancing and Dreaming of Justice</title>
         <description><p><em>By Kate Stanley</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283017</link>
         <guid>283017</guid>
        <body><p><strong><span style="color:#800000;">Editor's note:</span></strong> <em>The John Simon Guggenheim Memorial Foundation recently announced its 180 Fellowships recipients for 2011. Among them was Ananya Chatterjea. She will be using the fellowship to launch a quartet of evening-length dance pieces exploring how women in global communities of color experience and resist violence.</em></p>

<div style="width:200px; float:right; margin:0 12px 10px 10px;"><img alt="Ananya Chatterjea" src="http://blog.lib.umn.edu/clareach/stories/2011/ananya1.jpg" width="200" height="250" /><p style="font-size:10px;margin-left:0;">Chatterjea<br /><em>The body doesn't lie.</em><br />Photo by Darin Back</p><a href="http://www.youtube.com/watch?v=lwpItysLb9E"><img alt="Video Interview with Chatterjea" src="http://blog.lib.umn.edu/clareach/stories/chatterjea-still.jpg" width="200" height="125" /></a><p style="font-size:10px;margin-left:0;">Watch an interview with Chatterjea</p></div>

<p>Like her CLA colleagues, Ananya Chatterjea is on a quest for knowledge. What separates her from others is where she finds it. "Whatever it is I know," says Chatterjea, "I know most certainly in my body."</p>

<p>It may seem a curious declaration from a scholar. Many academicians regard knowledge as something discovered "out there"&mdash;beyond the bounds of the self. Yet for Chatterjea, associate professor in the University's Department of Theatre Arts and Dance, the territory "out there" is populated not by bits of disembodied knowledge, but by millions of embodied lives being lived.</p>

<p>For her, distilling the human meaning from the raw material of those lives&mdash;transforming stark fact into the deeply known&mdash;is something only the crucible of the body can do. </p>

<p>"It is hard work," Chatterjea says. "But what the body deeply knows, it can reveal to others. This, really, is the essence of dance."</p>

<p>This is the idea that energizes Chatterjea's work. Raised in Kolkata, she grew up studying the performance of Odissi, India's most ancient dance form. The style is associated with the Tantric tradition of goddess-worship and invokes the intensity of female sensuality as an emblem of the spiritual passion for God.</p>

<p>Yet even as Chatterjea perfected the Odissi form as a girl, she noticed contradictions of its artistic content in her surroundings: "I was raised in a culture divided by class and gender," she recalls, "one in which violence against women was an everyday reality."</p>

<p>This dissonance between the ideal and the real&mdash;found in every culture&mdash;led Chatterjea to reject conceptions of dance as a superficial mode of entertainment. Over time, her feminist and egalitarian instincts and her conviction that dance could become an instrument for social justice merged into an unshakable passion. After finishing two degrees in literature in Kolkata, Chatterjea moved to New York's Columbia University to earn a master's degree in dance and then pursued her doctorate at Temple University in Philadelphia.</p>

<div style="width:350px; float:left; margin:16px 10px 10px 12px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Ananya Chatterjea" src="http://blog.lib.umn.edu/clareach/stories/2011/ananya3.jpg" width="350" height="388" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;margin-left:0;">Ananya Chatterjea<br /><em>Associate professor of Theatre Arts and Dance<br />In the studio, Barbara Barker Center for Dance</em><br />Photo by Darin Back</p></div>

<p>By the time she arrived in Minnesota in 1998, Chatterjea had found a medium for her message. Years of experimentation led her to develop a distinctive choreography that merged deconstructions of classical Odissi style with the liveliness of Indian street theater and the rituals of yoga and Indian martial arts.</p>

<p>This unique artistry quickly found a place in the University's dance program, which Chatterjea directs, and became the "dance language" of Ananya Dance Theatre, the company of women of color she founded upon her arrival.</p>

<p>Surely anyone who sees Chatterjea's company onstage will appreciate how dance can open minds to new ideas.</p>

<p>In 12 years of performance in the Twin Cities and beyond, the company has conjured bodily declarations of joy and lament, of struggle and beauty. It has danced the stories of religious fundamentalism and domestic violence, environmental degradation and the oppression of women, the stealing of land and the brutality of war. Often the company provides study guides to accompany its offerings and conducts post-performance discussions about the issues it explores.</p>

<p>Chatterjea and her fellow dancers often perform for packed houses, and she's heartened by the audience response. "A dance performance is a moment of live connection among human beings. It's an especially powerful moment in a world overwhelmed by 'virtual' connection, by technology. And in the end, all that remains of a dance performance is that flash of light, that experience of connection with the audience."</p>

<p>This is what Chatterjea cares about most: coaxing her audiences to recognize the world's great wrongs&mdash;the first step, she knows, toward eventually setting things right. Her latest project is a four-performance examination of the suffering women endure as the world's powerful plunder the Earth for natural lucre&mdash;represented by mud, gold, oil, and water&mdash;and of their resistance to these "violences."</p>

<p>The first installment, <em>Kshoy!/Decay</em>, was performed at the Southern Theater in Minneapolis last September. Invoking the metaphor of mud&mdash;land that holds fast to the body&mdash;the choreography conveyed the dispossession of women forced from their homes by the corporate clamor for land.This is Chatterjea's answer to injustice: to dance the truth of oppression into the minds and hearts of her audiences&mdash;and in the end, perhaps, to dance oppression itself into the dust. She has put her faith in the wisdom of the body, in its remarkable power to express "the truth we know yet cannot speak."</p>

<p>"I know that dance has the power to open minds and to change them," Chatterjea says. She knows it because she has danced it and witnessed it. So long as her body knows a truth that needs telling, she'll likely carry on.</p>

<p><em>>> Kate Stanley, B.A.'80, is a Minneapolis journalist. She was editor-in-chief of the </em>Minnesota Daily<em> from 1979 to 1980.</em></p></body>
         <category>
            33628|33635
         </category>
         <pubDate>Sat, 02 Apr 2011 18:45:03 -0600</pubDate>
      </item>
      
      <item>
	
         <title>State Department Funds CLA Critical Language Scholars</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282974</link>
         <guid>282974</guid>
        <body><p>In an effort to expand dramatically the number of Americans studying and mastering 14 "critical need" languages, the U.S. State Department annually awards a number of foreign language instruction and cultural enrichment scholarships. They are highly competitive. Of the 575 students chosen this year, 11 are from the U of M&mdash;eight from CLA. </p>

<p>Students spend seven to ten weeks in intensive summer language institutes in countries where these languages are spoken. They are expected to continue their language study beyond the scholarship and apply their critical language skills in their future professional careers.</p>

<h4>Undergraduates</h4>
<p>Tyler Conklin, studying Turkish in Turkey<br />
Brianna Crowley, Turkish in Turkey<br />
Susan Metzger, Russian in Russia<br />
Kelly Heitz, Arabic in Jordan</p>

<h4>Graduate Students</h4>
<p>Greta Bliss, Arabic in Jordan<br />
Michelle Baroody, Arabic in Egypt<br />
Dustin Chacon, Bangla/Bengali in Bangladesh<br />
Stephanie Rozman, Hindi in India</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Sat, 02 Apr 2011 12:08:43 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/valerie1.jpg" length="11641" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/valerie2.jpg" length="11789" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/valerie3.jpg" length="32700" type="image/jpeg" />
         <title>Defining Happiness</title>
         <description><p><em>By Kate Stanley</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283018</link>
         <guid>283018</guid>
        <body><div style="width:200px; float:right; margin:0px 0px 15px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Valerie Tiberius" src="http://blog.lib.umn.edu/clareach/stories/2011/valerie1.jpg" width="200" height="248" class="mt-image-right" style="float: right; margin: 0 0 10px 0;" /><img alt="Valerie Tiberius" src="http://blog.lib.umn.edu/clareach/stories/2011/valerie2.jpg" width="200" height="250" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Tiberius<br /><em>Reflect wisely.</em><br />Photos by Darin Back</p></div>

<p>Valerie Tiberius is all about happiness. A philosophy professor, she's spent years describing happiness and exploring the circumstances that produce it.</p>

<p>For her&mdash;for all of us&mdash;happiness is a substanial concept. In the United States, the pursuit of happiness is a right. Happiness drives personal relationships and serious politics. For lack of happiness, people hate and fight each other, and nations get swept into the black hole of war and ethnic conflict.</p>

<p>Some years back, having pondered the views of the ancients and of her contemporaries on the subject, Tiberius, the philosopher, took a rather unorthodox leap. She started swapping notes with psychologists. The venture acquainted her with the field of positive psychology, whose practitioners have spent decades investigating what makes people happy (and what doesn't) and how well (or poorly) people know themselves.</p>

<p>This inquiry led to her book <em>The Reflective Life: Living Wisely Within Our Limits</em> (Oxford University Press), which invokes empirical psychology in considering what makes for a good life, or happiness.  She continued her work with the University of Chicago's acclaimed Defining Wisdom project, which is funded by the John Templeton Foundation. It helps philosophers like Tiberius, as well as psychologists, linguists, computer scientists, pharmacists, and other scholars investigate wisdom, its benefits, how to cultivate it, and how to apply it.</p>

<p>But Tiberius found that psychology's findings about happiness don't add up to a recipe for living well; some philosophy is in order. This is, she says, because "it partly depends on how one defines happiness"&mdash;a philosophical question. There is a difference between experiencing pleasure, and the happiness one associates with "a good life"&mdash;what the Greeks called <em>eudaimonia</em>.</p>

<p>Not that Tiberius knows what's best for the rest of us. That's a decision we must make for ourselves. "Most of us would like to be able to look back at how we've lived and honestly say that we did our best with what life dealt us," she's written. "[T]here are some things we can do to meet the goal of living a life that we can review with satisfaction--and this is the domain of wisdom."<div style="width:275px; float:left; margin:20px 20px 15px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Valerie Tiberius" src="http://blog.lib.umn.edu/clareach/stories/2011/valerie3.jpg" width="275" height="414" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Valerie Tiberius<br /><em>Associate professor of Philosophy<br />In her office, Heller Hall</em><br />Photo by Darin Back</p></div></p>

<p>But what is wisdom? Her conclusion thus far is that wisdom is not purely cerebral. It merges rational and emotional intelligence. So our best tool for reaching wise conclusions is reflection, Tiberius says&mdash;but the right kind, and not too much. According to psychological research, human beings aren't terribly good at it.</p>

<p>"The rational self," she says, "makes inaccurate predictions about what we'll find satisfying, is plagued by biases, and has a tendency to distraction. When we try to be reflective about our choices, we end up confused about our reasons, and we choose things we don't ultimately like."</p>

<p>In the end, Tiberius urges not that we reflect more, but rather that we reflect wisely.</p>

<p>It's a formidable undertaking, of course, to reach into a folk concept like wisdom and pull out a list of its parts. Her approach is, with the help of two graduate students, to look into practices and ideas&mdash;ranging from values clarification and mindfulness to cognitive behavior therapy and emotional intelligence&mdash;that appear connected with wisdom.</p>

<p>Her work is significant because it explores a radically new tool people can use to make their lives happier and help them get along together&mdash;a new way to imagine ethics. Traditional ethics are based on <em>principles</em> that align with outcomes like good and evil, right and wrong. But Tiberius imagines an ethic based on using <em>wise process</em> to make decisions.</p>

<p>She knows this is a project of a lifetime, or two, or three. That doesn't bother her. "I often ask myself," she says, "what our culture would be like if we didn't have people asking these questions. Answering is important, but maybe not as important as asking.</p>

<p>"I think some of these philosophical questions&mdash;about what it means to have a good life, what it is to flourish, what it means to be wise&mdash;aren't really meant to have final answers."</p>

<p><em>>> Kate Stanley, B.A.'80, is a Minneapolis journalist. She was editor-in-chief of the</em> Minnesota Daily<em> from 1979 to 1980.</em></p></body>
         <category>
            33628|33635
         </category>
         <pubDate>Fri, 01 Apr 2011 18:54:50 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/rosenstone.jpg" length="14251" type="image/jpeg" />
         <title>Steven Rosenstone to Head MnSCU System</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282976</link>
         <guid>282976</guid>
        <body><p>A "capacity to think big" is what got Steven Rosenstone his new job&mdash;chancellor of the Minnesota State Colleges and Universities system, according to MnSCU trustee Duane Benson. Rosenstone will assume the new position August 1. </p>

<p>Currently the university's vice president for scholarly and cultural affairs and CLA professor of political science, Rosenstone has led a number of visionary projects, most recently the renovation of Northrop Auditorium, the U of M's Future Financial Resources Task Force (which he co-chaired), and new scholarship programs. <div style="width:300px; float:right; margin:20px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Steven Rosenstone. " src="http://blog.lib.umn.edu/clareach/stories/2011/rosenstone.jpg" width="300" height="200" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span></div></p>

<p>From 1996 to 2007 he was dean of CLA. Under his leadership, the college revamped the undergraduate experience, created state-of-the-art facilities and forged new partnerships with businesses, communities, and cultural and civic organizations. He was awarded the McKnight Presidential Leadership Chair for his service to the University. </p>

<p>MnSCU is a complex organization, comprising 32 state universities and community and technical colleges. It operates 54 campuses and serves some 277,000 students in credit-based courses and 157,000 students in non-credit courses.</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Fri, 01 Apr 2011 12:14:13 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/joan1.jpg" length="8796" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/joan2.jpg" length="9995" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/joan3.jpg" length="31727" type="image/jpeg" />
         <title>Caring, for Justice</title>
         <description><p><em>By Kate Stanley</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283020</link>
         <guid>283020</guid>
        <body><div style="width:200px; float:right; margin:0px 0px 15px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Joan Tronto" src="http://blog.lib.umn.edu/clareach/stories/2011/joan1.jpg" width="200" height="247" class="mt-image-right" style="float: right; margin: 0 0 10px 0;" /><img alt="Joan Tronto" src="http://blog.lib.umn.edu/clareach/stories/2011/joan2.jpg" width="200" height="250" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Tronto<br /><em>The care system is broken.</em><br />Photos by Darin Back</p></div>

<p>Whoever you are and whatever you do, says Joan Tronto, chances are you're being cheated. No matter how pleased you are with life, you're almost certainly not getting what you deserve. What does Tronto think you're missing? Your fair share of the experience of care&mdash;giving it and getting it.</p>

<p>This may seem a small matter, something on which you can take a pass without much fuss. But Tronto, a professor in the Department of Political Science, thinks opting out of either end of the care equation creates a world of trouble.</p>

<p>Tronto has spent much of her career writing about care&mdash;and she's nowhere near finished. In her view, care isn't a sentimental concept. It's a political one. Neither does she see it as an optional or peripheral human enterprise. It's a mainstay of existence, a requirement of the unspoken pact that enables societies to thrive.</p>

<p>Tronto's definition of care might surprise you: "It's everything we do to continually maintain and repair the world," she says, "so we can live in it as well as possible." That world, as Tronto sees it, "includes our bodies, our selves, and our environment."</p>

<p>This explains why trying to duck out of the care pact is such a mistake. For starters, receiving care isn't an optional experience: it's something we do for ourselves every day, when we can. The rest of the time&mdash;at the beginning of life, at its end and at many points in between&mdash;the care we need is provided by others.</p>

<p>Once we look at care from the perspective of recipients, it becomes pretty clear that shrugging off the duty to help give care just isn't fair. Yet many people do just that. In this society, Tronto points out, merely being male can get you a pass out of caring responsibilities. And many buy their way out by hiring proxy caregivers to tend to children, elders, and others who need care. The price of this purchase is far less than the service is actually worth. "If you were made to pay its true value," Tronto says, "you couldn't possibly afford it."</p>

<p>The clamor to avoid caregiving, and the refusal to pay caregivers well enough, destabilize the entire system. "It assures an unequal distribution of caregiving responsibilities that hurts everyone," Tronto says. "It has a bad effect on people who have to care too much and on those who care too little."<div style="width:275px; float:left; margin:20px 20px 15px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Joan Tronto" src="http://blog.lib.umn.edu/clareach/stories/2011/joan3.jpg" width="275" height="414" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Joan Tronto<br /><em>Professor of Political Science<br />At the Minnesota State Capitol</em><br />Photo by Darin Back</p></div></p>

<p>How, exactly? For the "free-riders," Tronto explains, it means missing out on the joys of caregiving and quite possibly on a fully developed capacity for intimacy. For those who must pick up the caregiving slack, she says, it means unbearable strain.<br />
  <br />
And for those who need care from others&mdash;a group that may include your kids or parents and that most of us will join sooner or later&mdash;this disequilibrium poses palpable danger: When too few caregivers must do too much for too little pay, the work of care may be dispensed inattentively, perfunctorily, resentfully, and sometimes not at all.</p>

<p>"Everyone realizes now that the care system we have is broken," says Tronto. "It's made up of patchworks of daycare for children and nursing care for elderly people. The workers aren't paid enough and can't do their work well. It just doesn't function."  Given the lowly status of care, the poor are more likely to end up as caregivers, increasing the distance between them and those who are able to pay for their services.</p>

<p>Why hasn't this shambles of a care system been fixed? Tronto answers without a pause: "Politics has always involved activities beyond the realm of care, of the household, of the family. All that is considered beneath politics, really. And in this society, care comes after almost everything else. It's a result of our preoccupation with economic life: we measure too much only in money."</p>

<p>All of this could change, she says. In the end, all that's necessary is sufficient public resolve and an emphatic public voice. But how does a society even begin to solve a problem so vast?</p>

<p>Tronto has some starting points in mind. "There are two things we need to think about," she says. "The first is time. On average, Americans employed full time work 50-plus hours per week. That's too much. So the first thing we have to do is organize time so all people would be free to do care work." Tronto figures a 20-hour work week would be about right.</p>

<p>"That would mean we'd have to spend more of our resources on caring and on paying care workers more." Tronto grants. "We wouldn't be able to buy as much stuff as we do now. But stuff is really a substitute for care. People buy stuff to show care, but it doesn't work."</p>

<p>But changing the American work schedule won't be enough. "If all we do is give people more time," Tronto says, "men will spend more time in leisure activities and women will do more care." What's needed, she says, is a change in how men and women think about care.</p>

<p>Policy change is daunting enough, but how do we adjust attitudes? "You begin by talking it," she says. "You call attention to the fact that men and women both have responsibilities for care."</p>

<p>And the government can help, Tronto says, citing Sweden's move to encourage shared caregiving through its parenting-leave regulations. "If the father doesn't take parenting time," she explains, "the mother doesn't get as much time as she otherwise would." Changes in law often prompt changes in how people think.</p>

<p>It's an ambitious vision, but not an outlandish one. "This is a reform that would benefit everyone," Tronto says. "Such changes happen very slowly. But they happen."</p>

<p><em>>> Kate Stanley, B.A.'80, is a Minneapolis journalist. She was editor-in-chief of the</em> Minnesota Daily<em> from 1979 to 1980.</em></p></body>
         <category>
            33628|33635
         </category>
         <pubDate>Thu, 31 Mar 2011 19:05:51 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/graduates.jpg" length="15080" type="image/jpeg" />
         <title>Pomp and Snowcumstance</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282991</link>
         <guid>282991</guid>
        <body><div style="width:275px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Graduates. " src="http://blog.lib.umn.edu/clareach/stories/2011/graduates.jpg" width="275" height="183" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Kelly MacWilliams</p></div>

<p>The Metrodome collapsed under 17 inches of snow, buses got stuck, flights were canceled and plows pulled off the roads. Here at the University, the campus closed for one day&mdash;but opened the next, December 12, to host CLA's fall 2010 commencement ceremony.</p>

<p>Only about 30 of CLA's 600 graduating seniors were unable to make it to the event, held in Northrop Auditorium.</p>

<p>Nuruddin Farah, the prominent African novelist currently a Winton Chair in the Liberal Arts, delivered the commencement address, calling attention to the community's investment in the new graduates: </p>

<blockquote><em>I keep talking about your life...as though [it] is yours to do with what you please. However, let me wonder aloud and ask: how much of a young person's life is his or hers to do with what they please? Has it ever occurred to you that your life is as much yours as the bank in which you deposit your paychecks.... The truth is, you are a mere custodian of your life, which belongs, in big or small ways, to many other persons too. I propose that your life belongs, in part, to those who have invested in it: your parents, your guardians, your relatives, your peers, those of whom you're enamored and to whom you've committed yourself. In short, it belongs to anyone who has invested in your well-being from the instant you opened your lungs at birth until now.</em></blockquote></body>
         <category>
            33630|33628
         </category>
         <pubDate>Thu, 31 Mar 2011 15:47:27 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/granovsky.jpg" length="11582" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/serhii.jpg" length="20351" type="image/jpeg" />
         <title>Hear Me Hilma!</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282992</link>
         <guid>282992</guid>
        <body><p>Next time you are in the mood for a good story, log onto CLA's <a href="http://ihrc.umn.edu">Immigration History Research Center</a> website.<div style="width:200px; float:right; margin:15px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Serhii Neprytsky-Hranovsky " src="http://blog.lib.umn.edu/clareach/stories/2011/serhii.jpg" width="200" height="269" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Serhii Neprytsky-Hranovsky</p></div></p>

<p>You'll find century-old letters from half-mad lovers, pleas from lonely moms in the Old Country, accounts of communities emptying as the youth left Europe for the U.S., photos, newspapers, legal documents, and more, all of which shaped the lives of Minnesota immigrants&mdash;not to mention our own cultural legacy.</p>

<p>The IHRC, headed by professor Donna Gabaccia, has one of the largest collections of materials related to immigration and refugee life in the world. The collection is unique because it interprets U.S. immigration history through the stories of immigrants. This "Minnesota School" of scholarship was fostered in the early part of the century by professor and later dean of the Graduate School Theodore Blegen, and carried forward by historians including Hy Berman, Clarke Chambers, John Gjerde, and Rudolph Vecoli.  (Vecoli, the IHRC's first director, was known to rummage for documents through the attics and basements of potential donors, according to his June 23, 2008, obituary in the <em>New York Times</em>.)</p>

<div style="width:200px; float:left; margin:15px 20px 15px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Alexander Granovsky " src="http://blog.lib.umn.edu/clareach/stories/2011/granovsky.jpg" width="200" height="278" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Alexander Granovsky</p></div>Holdings range from letters from Iron-Range Finns, Poles displaced after World War II, Italians in Chicago, and Liberian and Cambodian refugees, to newspapers and legal documents.

<p>Lately the IHRC has been digitizing letters from the period 1850 to 1970 by and to immigrants, including letters written in languages other than English.  </p>

<h4>Peek Into the Past</h4> 

<p><strong>1899 //  Lucia Fazio Hobokan, N.J., to Alessandro Sisca (aka Riccardo Cordiferro), New York, N.Y.</strong><br />
"I had the strength to drag myself to the window and you didn't even look back. I wanted to cry out to you like a crazy woman, but the tears stopped me. Why did you hurt me so much? .... I would like to continue to write to you but my heart hurts terribly. If you don't mind. Tomorrow, wait for me at 3 pm on the 10th Street at the corner of Bleecker [sic] Street where the carriage passes. If tonight I don't die, tomorrow I will be there to speak with you for the last time. Will you come? You won't be cruel to that point, isn't that true?" </p>

<p><strong>1911 // Bert Aalto of Big Falls, MinN. to Hilma Aerila, of Laitila, Finland </strong><br />
"Dear Hilma, I come to you as a flying leaf because the distance is too long for me to speak to you or to greet you with a warm hand. ...I have no girlfriend now, I guess I never have. I will tell you about my conditions here. I am working in the logging site again, I do all kinds of work in the forest and my salary is 3 dollars a month. Hear me Hilma, I am really planning to come to Finland next summer to have some fun. I have been here long enough. I want to see home again, and old friends. I don't know if I have any left; maybe I have lost them all. But it is you that I want to see, and I don't care for anybody else..."</p>

<p><strong>1914 // Serhii Neprytsky-Hranovsky, Ukraine, to his brother Alexander Granovsky, Chicago</strong><br />
"Easter holiday we spent in sadness. When we returned from church and sat down to break fast, such a grief enveloped us that we cried bitterly. We were heart broken that with a heavy heart there were only three of us sitting around the table. During the holidays none of our relatives visited us except for the uncle from Bilokrynytsia. The kind of relatives there are in Berezhtsi, are those that just like to drink and not help in anything."</p>

<p><strong>1957 // Anna Paikens to her son Edward Paikens, Minneapolis</strong><br />
"Why aren't you writing to me about yourself? I am asking you if you are married or just engaged. And if you are satisfied with your life? Son, I am interested in your life. ... You have lived there already 6 years. Are you happy in your married life? ....I don't know if I will ever see you. Write me if I can hope for seeing you ever again. How much I would want to meet and see you again. Most likely it is just a dream, which cannot be fulfilled." </p>

<p><strong>1950s // Ken Enkel, Minneapolis, to Taisto Elo </strong><br />
Minnesota readers of a certain age will remember attorney Ken Enkel&mdash;the fierce, fiery, bushy-browed defender of civil liberties. During the McCarthy era he defended, among others, Taisto Elo, a Finnish lumberjack from Beaver Bay who was eventually deported under the McCarran-Walter Act for having been a member of the Communist Party&mdash;for two months&mdash;two decades earlier. (Others deported under the act included poet Pablo Neruda, novelists Graham Greene, Doris Lessing, and Gabriel García Márquez, philosopher Michel Foucault, and Pierre Trudeau, the future prime minister of Canada.) <em>See his letters at <a href="http://z.umn.edu/2vq">z.umn.edu/2vq</a></em>.</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Wed, 30 Mar 2011 15:49:15 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Hicks.jpg" length="672651" type="image/jpeg" />
         <title>For the Love of Learning</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283036</link>
         <guid>283036</guid>
        <body><div style="width:200px; float:right; margin:0px 0px 10px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Hicks.jpg" src="http://blog.lib.umn.edu/clareach/stories/Hicks.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Mary Hicks<br />Photo by Everett Ayoubzadeh</p></div>

<p>I recently heard a group of really smart undergraduates talk about what brought them to CLA. The list of "competitors" for these students was a kind of who's who of universities&mdash;Chicago, North Carolina, Berkeley, and Northwestern, to name but a few. So why CLA? One reason stood out: the amazing professors.</p>

<p>The students talked about the thrill of learning from professors who were always ahead of the curve in their fields, being inspired to burrow into subjects they'd never even thought about before, and being invited to collaborate on research projects that just could end up changing the world. And they stressed again and again how much their professors&mdash;and yes, their TAs, too&mdash;cared about students and went out of their way to spend quality time with them. </p>

<p>It's easy to take for granted the brilliance and stature of our faculty. After all, they're part of the web and weave of CLA life. But the conversations I heard got me thinking: What makes them so exceptional? And why do they work so hard&mdash;teaching, doing research, writing books, creating art, advising and mentoring students, and serving the University in so many ways?  It's certainly not the money. Most of them could earn far more with their talents in private industry.</p>

<p>I think the answer is simple: it's a labor of love. They love learning and discovery, and even more, they love sharing what they know with their colleagues and students, and learning from them as well. And they love seeing their discoveries take root in the world, transforming lives and communities. That's the ultimate jackpot.</p>

<p>But all of this is in jeopardy. The CLA 2015 Report warns that the risk of a "slide into mediocrity" is very real, given the enormous fiscal and political challenges we face. And yet, we remain optimistic. We truly believe in our own hearts that "CLA is the University's beating heart." How do we keep that heart beating? With a course of treatment that includes bold interventions like the 62 strategies recommended <a href="http://cla.umn.edu/news/reach/archive/spring11.php?entry=283002">in the report</a>. </p>

<p>For some of us, the treatment might feel a little like major surgery&mdash;to get better, we'll have to feel some pain, not to mention anxiety. But we're absolutely dedicated to the kind of inside-out transformation and renewal that will strengthen our college for the long haul. And driving us toward the fifteen goals outlined in the report is our core commitment to teaching and learning.</p>

<p>In the smaller, student-centric college that we envision, <em>every student</em> will have access to gifted and committed faculty members throughout their education.</p>

<p>That means we must build faculty capacity even as we shrink our college and realign our programs to address 21st-century realities. Just as "the liberal arts are the very core and essence of academic learning," CLA faculty are the "core and essence" of our college. We may define "best" in many different ways, but we probably all agree that no college can be "best" without a great faculty.</p>

<p>We're at a pivot point. As the economy took a dive in 2007-09, faculty raids subsided. We are now seeing a resurgence of raids, especially by private universities with deeper pockets. This is a serious challenge for CLA. We simply can't buttress our faculty with public dollars alone. </p>

<p>This is where you come in. We're asking you, our alumni and friends, to partner with us in new creative ventures to recruit and retain the A-list faculty everybody's clamoring for. And I don't mean just the academic superstars; I mean all of the brilliant, hard-working scholars and teachers whose lights could glow a whole lot brighter if they only had the resources. Just imagine a special research fund, perhaps $5,000-$10,000 for each of three years, helping a CLA scholar get a pathbreaking book published and into the hands of students; or a major gift for an endowed professorship or chair providing ongoing support for the scholarly and creative work that our students are so pumped about.</p>

<p>If you love learning, if you put stock in what those students are saying, if you care about public higher education, and if you care about the future of CLA and the University of Minnesota, this is your moment, and ours. It's time for all of us to step up and do what we can to help reinvent CLA for the decades ahead, so that it can be the strong, innovative, intellectually rich, student-centric college that we are all so proud of. I'd love to talk with you.</p>

<p>Mary Hicks<br />
Director, Development & Alumni Relations<br />
612-625-5031, <a href="mailto:hicks002@umn.edu">hicks002@umn.edu</a></p></body>
         <category>
            33634|33628
         </category>
         <pubDate>Sat, 26 Mar 2011 21:33:51 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/gisslen.jpg" length="16007" type="image/jpeg" />
         <title>Thank You to Our Donors</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283030</link>
         <guid>283030</guid>
        <body><p>Each of us in the CLA community plays a role in growing and strengthening the college we love.</p>

<p>Donors help the college realize its highest ambitions.</p>
<div style="width:200px; float:right; margin:0px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Wayne and Meg Gisslen" src="http://blog.lib.umn.edu/clareach/stories/2011/gisslen.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">"We've always felt music education is important and needs support. If the arts, in general, aren't part of your life when you are young, when will they be?" &ndash;Wayne and Meg Gisslen<br />Photo by Trish Grafstrom</p></div>
<p>Those listed below have made extraordinary contributions:</p>

<ul>
	<li>They've created hundreds of scholarships and fellowships that keep CLA's doors open to more than a thousand students each year; </li>
	<li>They've established dozens of academic chairs and professorships that help us recruit and retain top faculty; </li>
	<li>They've fueled discovery through dedicated research and outreach funds;</li>
	<li>They've invested in CLA's educational infrastructure by improving facilities for the creative and performing arts, languages, and social sciences.</li>
</ul>

<p>In July the University will have a new president, Eric Kaler; the state has new leadership; we are charting a dynamic course for the new century with <em>CLA 2015</em>. As we move into this new era, we are grateful for the continued loyalty, trust, and support of our donors.</p>

<p>Thank you for joining us in creating the CLA of tomorrow.</p>

<p>To see a more comprehensive list of annual donors to CLA, please visit <a href="http://www.cla.umn.edu/donors2010">the donor roster</a>.</p>

<h3>Do you give to CLA? Tell us why!</h3>

<p><a href="http://z.umn.edu/whyIgive">Share your story</a>.</p>

<p><em>* deceased</em></p>

<h3>Lifetime gifts or pledges $10,000,000+</h3>
<p>Hubbard Broadcasting, Inc. and The Hubbard Broadcasting Foundation</p>

<h3>Lifetime gifts or pledges $1,000,000+</h3>
<p>Austrian Government<br />
Nathan* and Theresa Berman<br />
Harvey V. Berneking*<br />
Elizabeth B.* and John* Cowles, Sr.<br />
Sage and John Cowles, Jr.<br />
Curtis L. Carlson Family Foundation <br />
Ruth and Bruce Dayton<br />
Deluxe Corporation Foundation<br />
Edelstein Family Foundation<br />
N. Marbury Efimenco*<br />
Beverly Wexler Fink and Richard M. Fink<br />
Esther F. Freier*<br />
Starke* and Virginia Hathaway*<br />
Donald V. Hawkins*<br />
Erwin A. and Miriam J. Kelen<br />
Kelen Family Foundation<br />
Terence E. Kilburn<br />
Myron and Anita Kunin<br />
David M. and Janis Larson<br />
Benjamin Evans Lippincott* and Gertrude Lawton Lippincott*<br />
Ted Mann*<br />
Don A.* and Edith I. Martindale<br />
R. F. "Pinky" McNamara<br />
Hella L. Mears and William F. Hueg, Jr.<br />
Charles M. Nolte*<br />
Arsham H. Ohanessian*<br />
Helen F. and Otto A.* Silha<br />
Myrtle L.* and Charles E. Stroud*<br />
Leland "Lee" and Louise Sundet<br />
Marvin and Elayne Wolfenson<br />

<h3>Lifetime gifts or pledges $250,000 - $999,999</h3>
<p>3M Company and 3M Foundation<br />
AOL Time Warner, Inc.<br />
Dominick J. Argento and Carolyn Bailey-Argento*<br />
Fern L. and Bernard* Badzin<br />
Alex Batinich<br />
Lyle A. Berman<br />
Bilinski Educational Foundation<br />
Selmer Birkelo*<br />
James I. Brown*<br />
Sidney L.* and Betty L.* Brown<br />
John R. and Susan L.* Camp<br />
China Times Cultural Foundation<br />
Patrick Corrigan<br />
Aina Swan Cutler*<br />
Ronnaug Dahl*<br />
Carol E. and Charles M. Denny, Jr.<br />
Dietrich W. Botstiber Foundation<br />
Hannah Kellogg Dowell*<br />
Everett A.* and Ruth Dickson* Drake<br />
Leaetta M. Hough and Marvin D. Dunnette*<br />
Ruth Easton*<br />
Freedom Forum<br />
Frenzel Foundation<br />
Gwenith F. Gislason*<br />
Harrison G. and Kathryn W. Gough<br />
Government of Finland<br />
Ellen D. Grace<br />
Bert M. Gross and Susan Hill Gross<br />
N. Bud* and Beverly N. Grossman<br />
Marion D. Groth*<br />
Herman F. Haeberle*<br />
Fleurette Halpern*<br />
Charlotte H. and Gordon H. Hansen<br />
Lowell and Cay Shea Hellervik<br />
Herbert Berridge Elliston Fund<br />
Vivian H. Hewer*<br />
Harold L.* and Harriet Thwing* Holden<br />
Jay and Rose Phillips Family Foundation<br />
Cecill C. and Judge Earl R.* Larson<br />
Ronald L. and Judith A. Libertus<br />
Benjamin Evans Lippincott* and Gertrude Lawton Lippincott*<br />
Robert B. and Mary A. Litterman<br />
Phyllis B. MacBrair*<br />
William W. and Nadine M. McGuire<br />
The McKnight Foundation<br />
Thomas B.* and Elizabeth K.* Merner<br />
Doris B.* and Raymond O.* Mithun<br />
Bruce D.* and Mildred D.* Mudgett<br />
Eula* and Gil* Northfield<br />
Jevne H.* and George T.* Pennock<br />
Pew Charitable Trusts<br />
Harold E.* and Louise A.* Renquist<br />
Katherine* and W. Gardner Roth*<br />
Ruth Easton Fund of the Edelstein Family Foundation<br />
Richard L. and Ellen R. Sandor<br />
Showboat Fund<br />
Werner Simon*<br />
Star Tribune and Star Tribune Foundation<br />
Raymond J. and Elvira A.* Tarleton<br />
Ted and Roberta Mann Foundation and Blythe Brenden<br />
Asher Waldfogel<br />
William D. Wells<br />
Virginia J. Wimmer*<br />
Kurt Winkelmann and Janine Gleason<br />
David Michael* and Penny Rand Winton<br />
Robert O. Young, Jr.*</p>

<h3>Lifetime gifts or pledges $100,000 - $249,999</h3>
<p>American Latvian Association in the U.S.<br />
American-Israeli Cooperative Enterprise<br />
Frances Coakley Ames*<br />
Elmer L.* and Eleanor J.* Andersen<br />
Andreas Foundation<br />
James Ford Bell and the Bell Family<br />
Marvin and Betty Borman<br />
Paul Brainerd<br />
Caroline Brede*<br />
Gerard L. Cafesjian<br />
Joan Calof<br />
Jean E. Cameron and Robert O. Linde<br />
David P. Campbell<br />
Cargill and Cargill Foundation<br />
John S. and Margaret Chipman<br />
Margaret I. Conway*<br />
David C. and Vicki B. Cox<br />
Mathias Dahl*<br />
Dayton Hudson Corporation and Dayton Hudson Foundation<br />
Dicomed<br />
A. Richard Diebold, Jr.<br />
Doran Companies<br />
Robert W. and Mary Eichinger<br />
Herbert B. Elliston*<br />
Embassy of Cyprus<br />
Equity Services of Saint Paul, Inc.<br />
Estonian Archives in the U.S.<br />
William E. Faragher<br />
Judy Farmer<br />
Ted Farmer<br />
David R.* and Elizabeth P. Fesler<br />
David D. Floren<br />
The Ford Foundation<br />
John E. Free*<br />
Jeanne K. Freeman*<br />
Helen Waters Gates*<br />
General Mills and General Mills Foundation<br />
R. James and Teddy Gesell<br />
Margaret E. Gilbertson*<br />
Marion D. Groth*<br />
Guy Grove Family Foundation<br />
Jo-Ida C. Hansen<br />
Evelyn J. Hanson*<br />
Mark and Jacqueline Hegman<br />
Dona M. and Thomas P.* Hiltunen<br />
Jean McGough Holten<br />
John S. Holten*<br />
James A. Johnson and Maxine Isaacs<br />
Richard* and Freda M.* Jordan<br />
Kaemmer Fund of the HRK Foundation<br />
Michael H. and Julie A. Kaplan<br />
Samuel and Sylvia Kaplan<br />
Anoush Khoshkish<br />
James M.* and Audrey H. Kinney<br />
Ida F. Kramer*<br />
Joel R. and Laurie M. Kramer<br />
Carol E. Ladwig*<br />
Bruce A. Larson<br />
Mary Frances Lehnerts*<br />
Stephen E. and Sheila R. Lieberman<br />
Benjamin Y. H. and Helen C. Liu<br />
Merle W. Loppnow*<br />
Donald J. and Diana Lucker<br />
Natalie C. Lund*<br />
Sidney Lyons*<br />
Emily Maltz and Dale T. Schatzlein*<br />
Carol K. March<br />
Tom and Martha Martin<br />
Max Kade Foundation<br />
Robert H. Mc Clellan*<br />
Medtronic and Medtronic Foundation<br />
Mertz Gilmore Foundation<br />
Miller Khoshkish Foundation<br />
Marjorie E.* and Franklin W. Mortenson*<br />
James W. Nelson<br />
Marion E. Newman*<br />
Otto Bremer Foundation<br />
Robert and Joan* Owens<br />
Patrick and Aimee Butler Family Foundation<br />
Lawrence Perlman and Linda Peterson Perlman</p>
Daniel E. Peterson*<br />
Public Interest Projects, Inc.<br />
Gloria J. Randahl*<br />
Phillip J. Ranheim*<br />
Gerald and Henrietta Rauenhorst<br />
Reader's Digest Foundation<br />
Regis Foundation<br />
Armand A. and Madeleine S.* Renaud<br />
Jane and Bernard H.* Ridder, Jr.<br />
Warren W. Roberts<br />
Katherine* and W. Gardner Roth*<br />
Robert P. Sands and Sally Glassberg Sands<br />
Stephen B. and Chacke Y. Scallen<br />
Judith McCartin Scheide and William Scheide<br />
Robert Schlafle*<br />
Thomas D. Schoonover and Ebba Wesener Schoonover<br />
Elaine Dahlgren Schuessler* and Roy A. Schuessler*<br />
R. Smith Schuneman and Patricia Ward Schuneman<br />
Kathryn M. Sederberg*<br />
Vincent Bancroft Shea*<br />
Hide Shohara*<br />
Morton and Artice Silverman<br />
Steven J. Snyder and Sherry L. Stern<br />
Sons of Italy Foundation<br />
Nancy and David J.* Speer<br />
Starkey Laboratories and Starkey Hearing Foundation<br />
Theofanis G. and Freda Stavrou<br />
Esta E. Stecher<br />
Walter Stremel*<br />
Sun Microsystems, Inc.<br />
Lowell T. and Marjorie E. Swenson<br />
Frank and Carol Trestman<br />
Emily Anne Tuttle<br />
Ukrainian National Association<br />
Rudolph J. Vecoli*<br />
Gerald Vizenor and Laura Hall<br />
Elma F. Walter*<br />
Elizabeth A. Warburton*<br />
Jean Worrall Ward<br />
Warwick Foundation<br />
WCCO AM/TV-WLTE FM<br />
Edward W. Weidner*<br />
Mark and Muriel Wexler</p>

<h3>Lifetime gifts or pledges $25,000 - $99,999</h3>
<p>A. G. Leventis Foundation<br />
AT&T Company and AT&T Foundation<br />
Adath Jeshurun Congregation<br />
Shaykh Kamal Adham*<br />
Advanced Bionics<br />
Joan Aldous<br />
Allianz Life Insurance Company of North America<br />
American Council of Learned Societies<br />
American Express Company and American Express Foundation<br />
American Psychological Assn.<br />
Americana Arts Foundation<br />
Katherine B. Andersen*<br />
Brian* and Kari Anderson<br />
Harold C. Anderson*<br />
Keith H.* and Martha S. Anderson<br />
Neil P. Anderson<br />
Ronald E. Anderson<br />
Dwayne O. Andreas<br />
Association of American Universities<br />
Austrian Federal Ministry of Science and Research<br />
Ayers Bagley and Marian-Ortolf Bagley<br />
Carol A. Balthazor<br />
Jacob J. and Marjorie L. Barnett<br />
Carol and George* Barquist<br />
Belford Foundation<br />
Bemis Company Foundation<br />
Judson* and Barbara* Bemis<br />
Robert D. and Pearl Lam Bergad<br />
Michael and Carol* Berman<br />
Eileen Bigelow*<br />
Carl E. Blair<br />
Kenneith G. Bomberg*<br />
Robert L. Borg*<br />
Frederick J. Bollum<br />
Lee A. Borah<br />
Margaret E. Borgman*<br />
Sharon L. and Carl A. Borine<br />
Boss Foundation<br />
Thomas J. and Pauline M. Bouchard<br />
Caroline Brede*<br />
Henry L. Brooks*<br />
Joseph Brown and Mary Easter<br />
Robert H. Bruininks and Susan A. Hagstrum<br />
John C. Bryant* and Marilyn Tickle Bryant<br />
Donald G. Burch*<br />
Russell W. Burris<br />
Judy R. Burton*<br />
The Bush Foundation<br />
Carolyn L. Williams and James N. Butcher<br />
Peter M. and Sandra K. Butler<br />
Carmen and Jim Campbell<br />
John P. Campbell<br />
Christopher G. Cardozo<br />
Carl and Eloise Pohlad Family Foundation<br />
Joanne C. Carlson<br />
Karl F. Carlson<br />
Stan W. Carlson*<br />
Lynn and Steve Carnes<br />
Edward J. and Arlene E. Carney<br />
Sol and Mitzi Center<br />
Century Council, Inc.<br />
Mythili V. and Varadarajan V. Chari<br />
David S. and Margot H. Chatterton<br />
Leeann Chin*<br />
Thomas Choi<br />
Charles H. Christensen<br />
Christian Services, Inc.<br />
City of St. Paul<br />
Shirley M. Clark<br />
Burt and Rusty Cohen<br />
Mary Sue Comfort<br />
Allison and Dan Connally<br />
Harold and Phyllis* Conrad<br />
Ellen R. Costello*<br />
Randy and Carol Cote<br />
C. Mayeron Cowles and C. F. Cowles<br />
Cowles Media Company<br />
Ella P. and Thomas M.* Crosby, Sr.<br />
Christine M. Cumming<br />
Mary C. Cunningham<br />
DAAD - German Academic Exchange Service<br />
Michael and Nancy Dardis<br />
Bruce K. Nelson and Sandra J. Davies-Nelson<br />
Joyce Ekman Davis and John G. Davis*<br />
Ken* and Barbara J. Davis<br />
Marjorie J. and Wendell J. DeBoer<br />
Mike Decker and Julie Ferguson Decker<br />
Shirley I. Decker<br />
Cy and Paula DeCosse<br />
Stefania B.* and Carl H.* Denbow<br />
Mary L. Devlin<br />
Michael A. Donner*<br />
Esther B. Donovan*<br />
Mary J. Dovolis*<br />
Gerald S. and Judy C. Duffy<br />
Florence G. Dworsky*<br />
Zola C. Dworsky*<br />
Eastern Enterprises<br />
Karla Beveridge Eastling<br />
Jeff H. Eckland<br />
Todd W. Eckland<br />
Elizabeth D. Edmonds*<br />
April H. Egan and Kevin J. Lawless<br />
Rondi C. Erickson and Guilford S. Lewis<br />
Fred and Patricia L. Erisman<br />
Ernst and Young LLP and Ernst and Young Foundation<br />
F. R. Bigelow Foundation<br />
Farfellow Foundation<br />
David L. and Shirley M. Ferguson<br />
Donald Ferguson*<br />
Mark K. Ferguson and Phyllis M. Young<br />
Merrill J. and Shauna Ferguson<br />
Gertrude Finch*<br />
Norma C. and John R. Finnegan, Sr.<br />
Joan C. Forester*<br />
Edward and Janet Foster<br />
Francis Maria Foundation for Justice and Peace<br />
Douglas A. and Emma Carter* Freeman<br />
John D. and Berna Jo French<br />
Eugene U. and Mary F. Frey<br />
Friends of the IHRC<br />
Carol M. and Benjamin F.* Fuller, Jr.<br />
Burt and Nan Galaway<br />
Jacqui and George* Gardner<br />
GE Co. and GE Fund<br />
Anne F. and Seymour Geisser*<br />
Meg and Wayne Gisslen<br />
GKL Management Consulting LLP<br />
Glen and Harold Bend Foundation<br />
Mary and Steven Goldstein<br />
Lloyd F.* and Mary J.* Gonyea<br />
David F. and Rosemary Good<br />
Robert L. and Katherine D. Goodale<br />
Doug and Jane Gorence<br />
Government of Cyprus<br />
Persis R. Gow<br />
Graco, Inc. and Graco Foundation<br />
William F.* and Patricia M.* Greer<br />
Greystone Foundation<br />
Sharon C. Grimes<br />
Shane T. and Suzanne R. Grivna<br />
Jonathan R. Gross<br />
Leo* and Lillian Gross*<br />
William Grossman<br />
Catherine B. Guisan and Stephen J. Dickinson<br />
Cleyonne Gustafson*<br />
H. R. K. Trust<br />
Bette Hammel<br />
Ronald N. and Carol A. Handberg<br />
Hanovers Manufacturers Trust<br />
Lars P. Hansen and Grace R. Tsiang<br />
Patricia* and Einar* Hardin<br />
Harlan Boss Foundation for the Arts<br />
Elizabeth T.* and John L.* Harnsberger<br />
Harold L. Korda Foundation<br />
Elizabeth S. Harris and Family of Dale B. Harris<br />
Sigmund M.* and Joye G.* Harris<br />
Nils and Patricia* Hasselmo<br />
Helen B. Hauser<br />
Leopold A. Hauser III<br />
The Hawley Family<br />
Headwaters Foundation for Justice<br />
Patricia J. Heikenen*<br />
Samuel D. Heins<br />
Helen Harrington*<br />
Hazel H.* and John* Helgeson<br />
William Henderson<br />
The Henry Luce Foundation, Inc.<br />
Allan A. Hietala<br />
A. William Hoglund*<br />
John L. Holland*<br />
The Holland Foundation<br />
Grace E. Holloway<br />
Honeywell and Honeywell Foundation<br />
Deborah L. Hopp<br />
Wendy Horn<br />
The Horst M. Rechelbacher Foundation<br />
Leonid Hurwicz* and Evelyn Jensen Hurwicz<br />
Marion B. Hutchinson*<br />
ITT Consumer Financial Corporation<br />
Warren E. and Mary E. Ibele<br />
Institute for Aegean Prehistory<br />
Jane Burkleo Fund of the Minneapolis Foundation<br />
Janice Gardner Foundation<br />
James J. Jenkins and Winifred Strange<br />
Anne and Eric Jensen<br />
Ardes Johnson<br />
Paul E. Joncas*<br />
Chester R. Jones*<br />
Jacqueline Nolte Jones<br />
Wendell J. and Elizabeth Josal<br />
Donald W. and Phyllis L. Kahn<br />
Max M. and Marjorie* Kampelman<br />
Odessa Katsila<br />
Clayton Kaufman<br />
Wilbur C.* and Kathryn E. Keefer<br />
Garrison E. Keillor<br />
William H. and Madoline D.* Kelty<br />
Dorothy Kincaid*<br />
Ruth Kincaid<br />
Joseph* and Jacqueline* Kinderwater<br />
Suzanne and Kip Knelman<br />
Knight Foundation<br />
Jim and Pam Knowles<br />
Nicholas and Anastasia Kolas<br />
Korn/Ferry International<br />
Samuel S. Kortum<br />
Peter J. and Linda R. Kreisman<br />
Mark R. Kriss<br />
Dorothy T. Kuether<br />
Frauncee L. Ladd<br />
Lam Research Foundation<br />
John and Nancy Lambros<br />
Trudy E. Lapic<br />
Rosalind L. Laskin<br />
Billie C. Lawton<br />
DJ Leary and Linda L. Wilson<br />
David S. and Julie Lee<br />
Kaarle H. Lehtinen*<br />
Mildred B. Leighton*<br />
Leonard Street and Deinard and Leonard Street and Deinard Foundation<br />
Leonard H. and W. Joyce Levitan<br />
Marilyn and Drew Lewis<br />
Liberace Foundation for Performing and Creative Arts<br />
David M. and Perrin B. Lilly<br />
Lynn Y. S. Lin<br />
Leonard E. Lindquist*<br />
Daniel T. and Helen E. Lindsay<br />
Serge E. Logan<br />
Lominger Limited, Inc.<br />
Longview Foundation<br />
Merle W. Loppnow*<br />
Maureen Lowe and Carl McGary<br />
Richard Luis and Juanita Bolland Luis<br />
Carla Lukermann<br />
Fred* and Barbara* Lukermann<br />
Kathryn Lukermann Plaisance<br />
Judy I. Lund and Neilan B. Lund*<br />
William O. Lund*<br />
Stephanie K. and Warren L. Lundsgaard<br />
Terry E. Shima and Margaret A. Lutz<br />
Joseph D. Lykken<br />
Matthew A. and Suzanne L. Lykken<br />
Warren and Nancy MacKenzie<br />
Dorothy B. Magnus*<br />
Phyllis Maizlish<br />
Lester A. Malkerson*<br />
Mardag Foundation<br />
Erwin and Doris G. Marquit<br />
Jacqueline G. McCauley<br />
Virginia G. McDavid<br />
James "Red"* and Edythe V.* McLeod<br />
Ellen Messer-Davidow<br />
Janice A. Meyer<br />
Midwest Communications, Inc. WCCO-TV<br />
Midwest Federal Savings and Loan<br />
Minnesota State Council on Economic Education<br />
Minneapolis Jewish Federation Community Foundation<br />
Arthur H. "Red"* and Helene B.* Motley<br />
Rolf and Ingrid Muehlenhaus<br />
Marilyn J. and Malcolm H.* Myers<br />
Paul B. Mulhollem and Valerie K. Cravens<br />
National Italian American Foundation, Inc.<br />
Jack and Cathy* Nelson<br />
Richard F. Noland*<br />
Eula* and Gil* Northfield<br />
Mary Ann and Louis P.* Novak<br />
Keith and Nancy Nuechterlein<br />
Michael O'Rourke<br />
Arsham H. Ohanessian*<br />
Roger* and Mary Anne Page<br />
Grace C. and Charles A.* Parsons, Sr.<br />
Pearson Clinical Assessment Division<br />
Personnel Decisions Research Institute<br />
Pfizer Pharma GmbH<br />
Phyllis and Irvin Maizlish Foundation<br />
Wilma G.* and Wayne R.* Pierce<br />
Laura D. Platt<br />
Dottie* and Harold J. Pond*<br />
Charles K. Porter<br />
Porter Creative Services, Inc.<br />
Edward C. and Jan Prescott<br />
PriceWaterhouseCoopers and PriceWaterhouseCoopers Foundation<br />
Ken* and Pat Puffer<br />
Virginia G. Puzak<br />
Ralph R. Kriesel Foundation<br />
Harvey B. Ratner* and Barbara Ratner<br />
George and Frances C.* Reid<br />
Republic of Latvia<br />
R. C. Lilly Foundation<br />
Marcel and Sheila Richter<br />
Norman F. Rickeman and Kathy Murphy<br />
Donald John Roberts<br />
Michelle E. Roberts<br />
Robert G. Robinson*<br />
Calvin J. and Caroline K. Roetzel<br />
Rosenthal Collins Group LLC<br />
Elizabeth E. Roth<br />
A. L. Rubinger<br />
Bruce P. Rubinger<br />
Ronald K. and Carol B. Rydell<br />
Robert W. and Janet F. Sabes<br />
Sabes Family Foundation<br />
Salus Mundi Foundation<br />
Parker D. and Isabella Sanders<br />
David B. Sanford and Frank D. Hirschbach*<br />
Santa Fe Institute<br />
David and Leena Santore<br />
Rusdu and Nurdan Saracoglu<br />
Donald C.* and Mary J.* Savelkoul<br />
Richard L. and Maryan S. Schall<br />
Jean Schlemmer<br />
The Nick Schoen Family<br />
The Schubert Club<br />
Hertha J. Schulze<br />
Jeff and Mary Scott<br />
John T. Scott*<br />
William F.* and Zoe W. Sealy<br />
Securian Foundation<br />
Miriam Segall<br />
Michael R. Sieben<br />
Kathryn A. Sikkink<br />
Carol M. and John M. Simpson<br />
Debra A. Sit and Peter H. Berge<br />
Richard H. and Mary Jo Skaggs<br />
Jonathan E. Smaby<br />
Maureen C. Smith<br />
Soka University of America<br />
Southways Foundation<br />
Charles E. Speaks and Family<br />
Janet D. Spector<br />
St. Paul Pioneer Press<br />
Matthew and Terri Stark<br />
Jane A. Starr<br />
Lucille* and Del Stelling<br />
Mary K. and Gary H. Stern<br />
Eldon L.* and Helen H.* Stevens<br />
Gretchen Stieler*<br />
Hannah C. Stocker*<br />
Winnifred Fabel Stockman*<br />
Svenska Institutet<br />
Craig and Janet Swan<br />
Charles B. Sweningsen<br />
Margaret J.* and Kenneth R. Talle<br />
The Target Corporation/Target Stores<br /> 
Joseph H. Tashjian and Sandra Kay Savik<br />
Ming Li Tchou<br />
Mildred C. Templin*<br />
Tennant Foundation<br />
Clarence L. Torp*<br />
Luther P. and Lou R. Towner<br />
Edward Trach<br />
Travelers Companies and Travelers Foundation<br />
Walter R. McCarthy and Clara M. Ueland<br />
Unico Foundation, Inc.<br />
Union Pacific Foundation<br />
Unisys Corporation<br />
Donald and Janet Voight<br />
WM Foundation<br />
Joyce L. and Daniel F. Wascoe, Jr.<br />
Irving and Marjorie Weiser<br />
Patrick J. Whitcomb and Patty A. Napier<br />
Tod and Linda White<br />
Delvina E. Wiik<br />
Lloyd A. Wilford*<br />
William Randolph Hearst Foundation<br />
Elsie P. Worch*<br />
Enza Zeller*</p>

<h3>Lifetime gifts or pledges $10,000 - $24,999</h3>
<p>3 H Industries<br />
Aaron Copland Fund For Music<br />
Ronald F. Abler<br />
Harold R. Adams<br />
John S. Adams<br />
Russell B. Adams<br />
Kenneth J. and Janet E. Albrecht<br />
Douglas Allchin<br />
James R. and Elaine W. Allen<br />
American Broadcasting Co., Inc.<br />
Craig and Nancy Wilkie Anderson<br />
Mary A. Andres<br />
Ann and Gordon Getty Foundation<br />
Carolyn F. and Daniel J. Ansel<br />
Stephen D. Ansolabehere<br />
Lydia Artymiw and David Grayson<br />
Catherine B. and Frederick M. Asher<br />
Beverly M. and Stephen B. Atkinson<br />
Achilles C. Avraamides<br />
Moya A. and Alan Ball<br />
Jenny Victoria Baker*<br />
Barbro Osher Pro Suecia Foundation<br />
Robert L. and Linda M. Barrows<br />
Merritt L. and Marilyn O. Bartlett<br />
Baxter International Foundation<br />
Northrup* and Myrtle* Beach<br />
Paulina Beato<br />
Charles H. Bell*<br />
John W. and Inga H.* Benson<br />
Robert and Margaret Berdahl<br />
Linda Keillor Berg and David A. Berg<br />
Nicholas E. Berkholtz<br />
Frank and Toby Berman<br />
Caroline A. Blanshard*<br />
The John and Jane Borchert Family<br />
Rick A. Borchert<br />
Sharon L. and Carl A. Borine<br />
Michael A. and Sally Bosanko<br />
Lily T. Brovald<br />
Sheila A. Burke<br />
David R. and Sharon E. Burris-Brown<br />
Jon H. and Roxanne D. Butler<br />
Diane Camp and Paul Leutgeb<br />
Karlyn Kohrs Campbell<br />
Campbell Mithun<br />
Andrew M. and Miriam A. Canepa<br />
Howard C. Carlson<br />
Georgia L. Carmean*<br />
Chiang Ching-Kuo Foundation<br />
Allison H. Christensen* and Raymond L. Page*<br />
Hsiao-Lei Chu and Nan-Kuang Chen<br />
Heather M. and Matthew J. Clark<br />
Classical Assn. of the Middle West and South<br />
Conference on Jewish Material Claims Against Germany<br />
Parker M. Congdon*<br />
Gus* and Shirley* Cooper<br />
Crown Equipment Corp.<br />
Claudia Drake Curtis<br />
Czechoslovak Society of Arts and Sciences, Inc.<br />
Gertrude W.* and Sophus M.* Dahl<br />
S. M. Dahl*<br />
Lenore B. Danielson<br />
Julia W. and Kenneth* Dayton<br />
DDB Needham Worldwide, Inc.<br />
Beatrice Lofgren De Lue*<br />
Amos and Sandra S. Deinard<br />
Deutsche Bank Americas Foundation<br />
Lois E. DeWitt<br />
Hazel F. Dicken-Garcia<br />
Douglas A. Dolliff*<br />
Dee Gaeddert Dorsey and James E. Dorsey<br />
Anna L. Downs and Paul Cohen<br />
George Duncan and Sheryl Kelsey<br />
Dunnette Group LTD<br />
E.I. DuPont De Nemours and Company<br />
E. K. Strong Memorial Foundation<br />
Brian E. Engdahl and Raina E. Eberly<br />
Embassy of Italy<br />
George S. Emery and Lori S. Jennings-Emery<br />
Emma B. Howe Memorial Foundation<br />
Richard Engebretson<br />
Patricia Hill Engel<br />
Gail G. Engerholm<br />
Emogene Becker Evans<br />
Sara M. Evans<br />
Fannie Mae Foundation<br />
David L. and Susan K. Ferguson<br />
John K.* and Elsie Lampert* Fesler<br />
Kevin W. Finn and Michele E. Fraser<br />
Finnish American Social Club<br />
Robert C. Flink<br />
Florence Kanee Fund<br />
Florida International University Foundation, Inc.<br />
F. P. L. Group Foundation, Inc.<br />
Robert E. and Dorothy Flynn<br />
Abraham Franck<br />
Bonita and William Frels<br />
Thomas L. Friedman<br />
Henry E. Fuldner<br />
Andrew L. Galaway<br />
Aina Galejs<br />
Francis C. Gamelin<br />
Norman* and Edith* Garmezy<br />
William and Beth Geiger<br />
George or Lillith Burner Foundation<br />
George W. Patton and Mary Burnham Patton Foundation<br />
German-American Heritage Foundation, Inc.<br />
Heidi Gesell<br />
Helen J. and William R. Gladwin<br />
Marie K. and David L. Goblirsch<br />
Stanley M. and Luella G. Goldberg<br />
Gayatri and Zakkula Govindarajulu*<br />
Kenneth L. Graham*<br />
Greater Worcester Community Foundation<br />
Greek Ministry of Culture<br />
Lawrence and Ronya Greenberg<br />
Willard A. Greenleaf<br />
Jean M. and Edward M. Griffin<br />
Dalos W. Grobe<br />
Gustavus Adolphus College<br />
Guthrie Theater<br />
Helen M. Hacker<br />
Herman F. Haeberle*<br />
James J. Hahn<br />
Milton D. Hakel<br />
Patrice A. and Gerald P. Halbach<br />
Mark Chatterton and Julia Halberg<br />
Kathleen A. Hansen<br />
Richard A. and Linda S. Hanson<br />
Harcourt Brace and Company<br />
Alfred and Ingrid Lenz Harrison<br />
George Hatzisavvas<br />
Casper H. and Mary Hegdal<br />
Claire K. Hekman<br />
Emily J.* and Walter W. Heller*<br />
Henry J. Kaiser Family Foundation<br />
Mary Kay Hicks<br />
Wallace G. and Deborah B. Hilke<br />
Michael and Judy Hopp<br />
Graham B. Hovey*<br />
John R. and Judith J. Howe<br />
Zenas W. and Susanne L. Hutcheson<br />
IBM Corporation<br />
International MultiFoods Charitable Foundation<br />
Barbara D. Jackson<br />
Charlotte W. Januschka<br />
Irene K. K. and J. Vernon Jensen<br />
Jerome Foundation<br />
Jacqueline Jodl and James Viceconte<br />
John and Mary R. Markle Foundation<br />
John Wiley and Sons<br />
Earl L. and Beverly R. Johnson<br />
Johnson and Johnson<br />
Paul E. Joncas*<br />
Marguerite G.* and Chester R. Jones*<br />
KARE 11<br />
KTCA/KTCI-Public T V<br />
Peter R. Kann<br />
Paul and Sarah Karon<br />
Karon Family Foundation, Inc.<br />
Diane Katsiaficas and Norman Gilbertson<br />
Thomas A. Keller III<br />
Michael and Helene Keran<br />
Eva C. Keuls<br />
Margaret A. Keyes<br />
Kidder Peabody Foundation*<br />
Judith M. Kirby<br />
Solveig M. and Victor H.* Kramer<br />
Steven Krikava and Linda Singer<br />
John and Nanciann Kruse<br />
KSTP AM/FM and TV<br />
Sharon K. Thompson Kuusisto<br />
Janice M. and Dr. Joseph J.* Kwiat<br />
Dorothy E. Lamberton<br />
Steven J. Lambros<br />
Thomas and Anne LaMotte<br />
Land O'Lakes Foundation<br />
Lawrence A. and Mary J. Laukka<br />
Fred and Catherine Lauritsen<br />
David and Randy Lebedoff<br />
Helga Leitner and Eric S. Sheppard<br />
Lerner Foundation<br />
Lilliput Foundation<br />
Diane M. and David M. Lilly<br />
Lincoln Financial Foundation<br />
Lincoln Park Zoological Society<br />
Russell C. Lindgren* and Anne Winslow Lindgren*<br />
Janice O. and John D. Lindstrom<br />
Howard and Roberta Liszt<br />
John Y. and Marjorie C. Loper<br />
Sidney Lyons*<br />
David J. Madson<br />
Mark and Charlie's Gay Lesbian Fund for Moral Values<br />
Marquit-Grieser Fund<br />
Martin Marietta Corporation Foundation<br />
Andreu Mas-Colell<br />
Lawrence J. and Andrea K. McGough<br />
McVay Foundation<br />
Robert and Wanda McCaa<br />
Mildred McClellan<br />
Aileen* and George McClintock<br />
Sheila J. McNally<br />
Mary Myers McVay<br />
Christopher M. Meadows and Barbara Reid<br />
Merrill Lynch and Co. Foundation, Inc.<br />
Ministry of Culture of the Hellenic Republic<br />
Shirley P. Moore<br />
Marion S. Moulton*<br />
Mary N. Mullaney*<br />
Joseph J. and Priscilla J. Nauer<br />
NCS Pearson, Inc.<br />
Nederlandse Taalunie<br />
Jon D. Nelson<br />
William C. Nelson*<br />
New Pioneers<br />
New York Times Co. Foundation, Inc.<br />
Alice Park Newman<br />
Charles N. Newstrom<br />
Katherine and Stuart Nielsen<br />
Earl and Judy Nolting<br />
Steven Ruggles and Lisa Norling<br />
Northwest Airlines<br />
Monica B. Novak<br />
Linda Odegard<br />
Josep C. Oliu<br />
Rhoda C. and Gregory L. Olsen<br />
Craig N. and Elizabeth A. Ordal<br />
Coleen Pantalone<br />
Marcia Motley Patterson<br />
June D.* and Theodore C.* Paulson<br />
Marilyn K. H. and Steven W. Peltier<br />
Personnel Decisions International<br />
Elaine D. and Erland K. Persson<br />
Pharmaceutical Research/ Manufacturers of America<br />
Morton B. and Pauline Phillips<br />
Photo Marketing Association International<br />
Ellen F. and John S. Pillsbury III<br />
Philip W. Pillsbury, Jr.<br />
Pillsbury Company and Pillsbury Company Foundation<br />
Polish American Congress<br />
Polish National Alliance<br />
Wayne E. and Virginia L. Potratz<br />
Pragmatic C. Software Corp.<br />
Prudential Financial, Inc. and the Prudential Foundation<br />
Psi Chi<br />
Sylvia A. Quast<br />
Qwest and Qwest Foundation<br />
Gwendoline L. Reid*<br />
Joanne Wright Reierson and Lars A. Reierson<br />
Harold E.* and Louise A.* Renquist<br />
M. and J. Rice<br />
Right Management Consultants<br />
Charles* and Evelyn Ritz*<br />
Harold and Ruth Roitenberg<br />
Florane* and Jerome Rosenstone*<br />
Falsum Russell*<br />
Ruth Schaefer Trust<br />
S. C. Johnson Fund<br />
Florence Saloutos*<br />
Donald C.* and Mary J.* Savelkoul<br />
Eileen A. Scallen<br />
Lili Hall Scarpa and Andrea Scarpa<br />
Sage Ann D'Aquila Scheer<br />
William W. and Mary A. Seeger<br />
Stephen R. and Mary Jane Setterberg<br />
Myrna H. and E. Joe Shaw, Jr.<br />
Thomas J. Shroyer and Nan K. Sorensen<br />
Marjorie Sibley*<br />
John A. Simler<br />
Simon Fraser University<br />
Dennis A. Simonson and Pamela J. Alsbury<br />
Joseph A. Sirola<br />
Sit Investment Associates, Inc.<br /> 
and Sit Investment Associates Foundation<br />
George G. Sitaramiah*<br />
Charles K. and Susanne M. Smith<br />
SmithKline Beecham Corporation and SmithKline Beecham Foundation<br />
Norma B.* and James A.* Smutz<br />
Michael and Betty Anne Soffin<br />
Eugene A. and Joan E. Sommerfeld<br />
Frank J. Sorauf<br />
Margaret Spear<br />
Statue of Liberty Ellis Island Foundation, Inc.<br />
Victor N. Stein*<br />
Glenn and Mary Steinke<br />
Edwin O. Stene*<br />
James M. Sternberg<br />
Lorraine Gonyea Stewart<br />
Virginia and Frederick Stohr<br />
Patrick J. Strother and Patricia Henning<br />
Donald F. and Virginia H. Swanson<br />
Kristin G. Sweeney<br />
Paul A. and Lucienne J. Taylor<br />
TCF Corporation, Bank and Foundation<br />
Arlene A. Teraoka and James A. Parente, Jr.<br />
Thrivent Financial for Lutherans<br />
Robert J.* and Clarine M.* Tiffany<br />
Kenneth E. and Rachel Tilsen*<br />
Hamilton P. Traub*<br />
Jose Trujillo<br />
Mary C. Turpie*<br />
Twin Cities Opera Guild, Inc.<br />
U.S. Bancorp and U.S. Bancorp Foundation<br />
Robert A. Ulstrom<br />
UNICO National Twin Cities Metro Chapter<br />
Union Pacific Corp.<br />
United Fund For Finnish American Archives<br />
University of Minnesota Band Alumni Society<br />
UPS Foundation, Inc.<br />
US Bank<br />
Mildred J. Vacarella<br />
Michele Vaillancourt and Brent Wennberg<br />
Stephanie Cain Van D'Elden<br />
Veritas Software Global Corp.<br />
Ceil T. Victor*<br />
Neal F. Viemeister and Virginia M. Kirby<br />
Lori A. Vosejpka<br />
FlorenceMae Waldron<br />
David and Mary Ann Wark<br />
Jean Dain Waters<br />
Gerhard and Janet* Weiss<br />
Barbara and William Welke<br />
Wells Fargo and Company<br />
Wells Fargo Foundation<br />
Dare L.* and William F.* White<br />
Lawrence White<br />
Wendy J. Wildung<br />
Emily K. Wilson<br />
Donald L. Winkelmann<br />
John B. Wolf*<br />
Milton P. Woodard*<br />
World Population Fund<br />
Xcel Energy<br />
Yamaha Musical Products, Inc.<br />
Mary L. and Jack Yanchar<br />
E. W.* and Betty* Ziebarth<br />
Gloria B. and Robert E. Zink</p>

<h3>Heritage Society (all future gifts to CLA)</h3>
<p>Mark L. and Sharlene Rivi Alch<br />
Joan Aldous<br />
James R. and Elaine W. Allen<br />
Harvey L. Anderson<br />
Keith H.* and Martha S. Anderson<br />
Neil P. Anderson<br />
Dominick J. Argento and Carolyn Bailey-Argento*<br />
Manouch and Lila M. "Peggy" Azad<br />
Ayers Bagley and Marian-Ortolf Bagley<br />
Beverly Balos and Mary Louise Fellows<br />
Carol and George* Barquist<br />
Robert Beck* and Corrie W. Ooms Beck<br />
Earl C. Benson<br />
Nicholas E. Berkholtz<br />
Gertrude L. Berndt<br />
Daryl Bible<br />
Thelma Boeder<br />
Lee A. Borah, Jr.<br />
Sally Bordwell*<br />
Richard A. and Nancy M. Borstad<br />
Cheryl Lynne Hubbard Brown<br />
Joan Calof<br />
Carmen and Jim Campbell<br />
James D. Catalano<br />
William J. M. Claggett<br />
Edward G. Clark, Jr.*<br />
Walter T. Connett*<br />
Harold and Phyllis* Conrad<br />
Roy D. Conradi<br />
Patrick Corrigan<br />
S. M. Dahl*<br />
Carolynne Darling<br /> 
Donna C. Davis<br />
Joyce Ekman Davis and John G. Davis*<br />
Marjorie J. and Wendell J. DeBoer<br />
Hannah Kellogg Dowell*<br />
Jean M. Ebbighausen<br />
N. Marbury Efimenco*<br />
Jean M. Ehret<br />
Joan A. Enerson and Kenneth M. Anderson<br />
Donald E. and Lydia K.* Engebretson<br />
Emogene Becker Evans<br />
William E. Faragher<br />
Judy Farmer<br />
Ted Farmer<br />
Harold D. and Mary Ann Feldman<br />
Norma C. and John R. Finnegan, Sr.<br />
Edward and Janet Foster<br />
Katie and Rick Fournier<br />
Alan P. and Yvonne G. Frailich<br />
William L. French<br />
Francis C. Gamelin<br />
Thomas A. and Erica M. Giorgi<br />
Helen J. and William R. Gladwin<br />
Mary and Steven Goldstein<br />
Natalie Ann De Lue Gonzalez<br />
Sheila M. Gothmann<br />
Andrea K. Goudie<br />
Persis R. Gow<br />
Norman E. and Helen Rachie Groth<br />
Cathy J. E. Gustafson<br />
Helen M. Hacker<br />
Gail and Stuart Hanson<br />
Susan M. Hanson<br />
Gladys Lorraine Hefty*<br />
Norma J. Hervey<br />
Lawrence J. and Carol J. Hill<br />
Dona M. and Thomas P.* Hiltunen<br />
Gordon and Louella Hirsch<br />
Lisa Vecoli and Marjean V. Hoeft<br />
Joan Vivian Hoffmann<br />
Grace E. Holloway<br />
Jean McGough Holten<br />
John S. Holten*<br />
Deborah L. Hopp<br />
Marc H. Hugunin and Alice M. Pepin<br />
Leonid Hurwicz* and Evelyn Jensen Hurwicz<br />
James J. Jenkins and Winifred Strange<br />
Clayton and Jean* Johnson<br />
Wendell J. and Elizabeth Josal<br />
Dennis R. Johnson and Mary K. Katynski-Johnson<br />
Clayton Kaufman<br />
Joyce M. and C. Christopher Kelly<br />
William H. and Madoline D.* Kelty<br />
Beverly J. Kespohl<br />
Terence E. Kilburn<br />
Stephanie L. Krusemark<br />
Steve and Sarah Kumagai<br />
James M. Kushner<br />
Sharon K. Thompson Kuusisto<br />
Frauncee L. Ladd<br />
Bruce A. Larson<br />
Rosalind L. Laskin<br />
Fred and Catherine Lauritsen<br />
Billie C. Lawton<br />
Michael C. and Lynda R. Le May<br />
Jerry Ledin<br />
Mary F. Lewis<br />
Ronald L. and Judith A. Libertus<br />
Benjamin Y. H. and Helen C. Liu<br />
Serge E. Logan<br />
John Y. and Marjorie C. Loper<br />
Stephanie K. and Warren L. Lundsgaard<br />
Kim Max Lyon<br />
Warren and Nancy MacKenzie<br />
David J. Madson<br />
Thomas S. and Kaylen K. Maple<br />
Carol K. March<br />
David and Marilyn Maxner<br />
Steven E. Mayer<br />
Jacqueline G. McCauley<br />
Stephen G. McGraw<br />
R. F. "Pinky" McNamara<br />
Valerie Meyer-DeJong and Mitchell T. DeJong<br />
Lola M. Miller<br />
Kathryn U. Moen<br />
Carol C. Moore<br />
Joseph P. Moritz<br />
Marion S. Moulton*<br />
Joseph J. and Priscilla J. Nauer<br />
Sandra K. Nelson<br />
Arnie and Judy Ness<br />
Charles M. Nolte*<br />
Earl and Judy Nolting<br />
Margaret and John* Nordin<br />
J. Douglas O'Brien, Jr.<br />
Patrick A. O'Dougherty<br />
Linda Odegard<br />
William T.* and Jeanne A. Ojala<br />
Amy L. Olson<br />
John A. and Diane J. Opsahl<br />
Roger* and Mary Anne Page<br />
Darwin Patnode<br />
June D.* and Theodore C.* Paulson<br />
Deanna Freer Peterson<br />
Carol L. Pine<br />
Robert H. Putnam<br />
Bruce and Sara Qualey<br />
Marjorie A. Ransom<br />
Harvey D. Rappaport<br />
Ruth Willard Redhead<br />
Armand A. and Madeleine S.* Renaud<br />
Katherine* and W. Gardner Roth*<br />
Robert P. Sands and Sally Glassberg Sands<br />
David B. Sanford and Frank D. Hirschbach*<br />
Eileen A. Scallen<br />
Richard L. and Maryan S. Schall<br />
Thomas D. Schoonover and Ebba Wesener Schoonover<br />
General Dennis and Pamela Schulstad<br />
Joseph E. Schwartzberg<br />
Terry E. Shima and Margaret A. Lutz<br />
Richard H. and Mary Jo Skaggs<br />
Charles K. and Susanne M. Smith<br />
Terrence L. Smith<br />
Norma B.* and James A.* Smutz<br />
Verlyn and Bette Soderstrom<br />
Paul and Rose Solstad<br />
Frank J. Sorauf<br />
Glenn and Mary Steinke<br />
Lorraine Gonyea Stewart<br />
Tom H. and Arlene M. Swain<br />
Raymond J. and Elvira A.* Tarleton<br />
Thomas L. Thompson*<br />
Stephanie Cain Van D'Elden<br />
Joy Winkie Viola<br />
Gerald Vizenor and Laura Hall<br />
Phillip A. Voight<br />
Donn L. Waage<br />
Jean Worrall Ward<br />
William D. Wells<br />
Sandra K. Walberg Westerman<br />
Patrick J. Whitcomb and Patty A. Napier<br />
Marian W. and O. M. Wilson*<br />
Marvin and Elayne Wolfenson<br />
Max S.* and Cora R. Wortman<br />
Tom and Liz Yuzer</p></body>
         <category>
            33634|33628
         </category>
         <pubDate>Sat, 26 Mar 2011 20:24:43 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Dogfight.jpg" length="11239" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Shrouds.jpg" length="17035" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-The-Wind-Blows.jpg" length="12659" type="image/jpeg" />
         <title>Creative Writing</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283026</link>
         <guid>283026</guid>
        <body><h3>Shrouds of White Earth</h3>
<img alt="Cover of Shrouds of White Earth" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Shrouds.jpg" width="150" height="221" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Gerald Vizenor</h4>
<p>State University of New York Press, Albany, 2010 / This phenomenal little book is called a novel; it reads like a prose poem, and might be a fictionalized autobiography of an artistic spirit living in two cultures. There isn't a line in it that is unbeautiful. Perhaps it is a kind of psalm, a prayer reaching for truth wherever it might occur--in laments, praise, mystical experiences, in a faint story line from history. The protagonist is a 70-year-old American Indian artist. The setting is mostly Minnesota and the White Earth Reservation, but we also visit Paris. The subject is art, freedom of expression, and authenticity. The matter is mixed, in the way of magical realism, but <em>Shrouds of White Earth</em> admits even more variety: real people and fictional ones, animals, esthetics, mysticism, eros, morality, shaminism--all equally entitled occupants of the same world. -MP</p>
<p><em>Vizenor, B.A. '60, child development, is Distinguished Professor of American studies at the University of New Mexico and Professor Emeritus at the University of California, Berkeley. He previously taught in CLA's American studies program. He is a recipient of the American Book Award and the Sundance Festival's Film-in-the-Cities Award.</em></p>

<p><br class="clearabove" /></p>

<h3>Dogfight, A Love Story</h3>
<img alt="Cover of Dogfight, A Love Story" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Dogfight.jpg" width="150" height="227" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Matt Burgess</h4>
<p>Doubleday, 2010 / Like a <em>West Side Story</em> set in 2001, <em>Dogfight: A Love Story</em> takes place in New York City against a backdrop of mixed ethnicities, and is driven by youth rivalries and a high-risk love affair. But while <em>WSS</em> was the dramatic vision of mature artists distantly fascinated by youth gangs of New York, <em>DLS</em> is by a 28-year-old who grew up, one might say, on location. The story unfolds over a weekend in Queens, during which 19-year-old Alfredo Batista, a small-time drug dealer, stages a welcome-home for his brother Tariq, newly released from prison. It's not a purely joyous event, however, since there is some question as to whether Alfredo figured in Tariq's arrest, and there is no question that he has made Tariq's girlfriend, Isabel, pregnant. WSS was tragic and romantic; Burgess's story is tragic as well, but also gritty, affectionate, and hopeful. He doesn't seem to think tragedy is unconditionally terminal; life goes on and humor happens. His characters are tender-tough and memorable, the plot fast and clever. Bets are on for when <em>Dogfight</em> becomes a movie. -MP</p>
<p><em>Burgess, M.F.A. '09, creative writing, reads from his book on <a href="http://z.umn.edu/2w3">Minnesota Public Radio</a></em>.</p>

<p><br class="clearabove" /></p>

<h3>The Wind Blows, The Ice Breaks: <em>Poems of Loss and Renewal by Minnesota Poets</em></h3>
<img alt="Cover of The Wind Blows, The Ice Breaks" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-The-Wind-Blows.jpg" width="150" height="232" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Ted Bowman and Elizabeth Bourque Johnson, co-editors</h4>
<p>Nodin Press, 2010 /  The poems in this collection, by some of the crème de la crème of Minnesota poets past and present, reflect on losses from illness, disability, death, divorce, war, and domestic violence--as well as on the saving graces of healing, happiness, and the restoration of a whole life. Included are current and former English department faculty members Patricia Hampl, John Berryman, James Wright, Michael Dennis Browne, Madelon Sprengnether, and Ray Gonzalez, other well-known figures such as Bill Holm, Phebe Hanson, Deborah Keenan, Robert Bly, Wang Ping, Louise Erdrich, Thomas McGrath, and Joyce Sutphen, and still others published for the first time. -MP</p>
<p><em>Johnson, M.A. '92, Ph. D. '98, English, recently-retired lecturer in the English department, now teaches in the Office of Distance Learning. Bowman has taught at the U of M in family education.</em></p></body>
         <category>
            33628|33632
         </category>
         <pubDate>Sat, 26 Mar 2011 19:36:12 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Angel-Island.jpg" length="13568" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Norris.jpg" length="9607" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Pill.jpg" length="12222" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-mondale.jpg" length="11714" type="image/jpeg" />
         <title>Nonfiction</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283025</link>
         <guid>283025</guid>
        <body><h3>The Good Fight: A Life in Liberal Politics</h3>
<img alt="Cover of The Good Fight" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-mondale.jpg" width="150" height="227" class="mt-image-right" style="float: right; margin: 0 12px 8px;" /
<h4>Walter F. Mondale, with David Hage</h4>
<p>Scribner, 2010 / If you are reading this magazine, chances are your life has been affected by former Vice President Walter Mondale, whose public service has been a feature of politics in this state and nation for more than four decades. His book is a readable, down-to-earth memoir of that long career. It is also an argument for a liberalism based on the values and mature perspective of a man who can say, for example, with genuine humility: "But I've been close to power, and I know the temptations a president faces." He writes, among other things, of civil rights battles, the Vietnam War, Watergate, the Iran hostage crisis, and his six-day run at the Senate in the stead of Senator Paul Wellstone, who was killed mid-campaign in a plane crash. Throughout, his focus is on achieving fairness and intelligent deliberation in the public arena; you see it especially when he writes with passion about the U.S. Senate. Mondale pulls no punches--you are clear where he stands; but he writes with grace, modesty, kindness--and refreshing candor. -MP</p>
<p><em>Vice President Mondale, B.A. '51, political science, J.D. '56, remains engaged with the University of Minnesota, especially via lectures and forums.</em></p>

<br class="clearabove" />

<h3>The Grace of Silence: <em>A Memoir</em></h3>
<img alt="Cover of The Grace of Silence" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Norris.jpg" width="150" height="247" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Michele Norris</h4>
<p>Pantheon, 2010 / Michele Norris, the NPR news host, has written movingly of her family and how it was affected by racism post-World War II and during Jim Crow. Particularly poignant is the through-thread story of the quiet heroism of her father, falsely accused of a crime and shot by a white police officer, even as he simply "aspired to be ordinary." Norris appreciates and honors the grace with which this black family did the dance we all do with the truths of our lives--now engaging, now distancing, sometimes singing and sometimes silent--in order to survive and prepare for their children a path "uncluttered by their pain." Is it better to learn the truth? Norris thinks yes, and ends this concise and elegantly written book urging us to do just that. -MP</p>
<p><em>Norris, B.A. '05, journalism, is the host of National Public Radio's evening news program, "All Things Considered." She has earned Emmy and Peabody awards, and the University of Minnesota's Outstanding Achievement Award. </em></p>

<br class="clearabove" />

<h3>America and the Pill: A History of Promise, Peril, and Liberation</h3>
<img alt="Cover of America + The Pill" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Pill.jpg" width="150" height="227" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Elaine Tyler May</h4>
<p>Basic Books, 2010 / Elaine Tyler May was only 12 years old in 1960, the year the FDA approved "the pill." But her mother was an activist who established free birth control clinics in Los Angeles. And her father, Dr. Edward Tyler, who ran clinical tests of the pill, had held up its approval because he was concerned about significant side effects that weren't being addressed by the manufacturers. Young Elaine knew more about oral contraceptives than most kids her age. Her insider knowledge enhances this very readable history of the pill and its impact--good and bad--on the lives of women, politics, and society. Its greatest effect, she argues, was to make it possible for women to have both a family and a career. -KO</p>
<p><em>May, Regents Professor of American studies and history, has served as president of both the American Studies Association and the Organization of American Historians.</em></p>

<br class="clearabove" />

<h3>Angel Island: <em>Immigrant Gateway to America</em></h3>
<img alt="Cover of Angel Island" src="http://blog.lib.umn.edu/clareach/stories/2011/BOOKS-Angel-Island.jpg" width="150" height="228" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Erika Lee and Judy Yung</h4>
<p>Oxford University Press, USA, 2010 / From 1910 to 1940, more than half a million people sailed through the Golden Gate, hoping to start new lives in America. But they did not all disembark in San Francisco; most were ferried across the bay to the Angel Island Immigration Station. For many, this was the real gateway to the United States. For others, it was a prison and their final destination before being sent home. Lee and Yung uncover the stories of these surprisingly diverse immigrants through extensive new research, immigration records, oral histories, and inscriptions on the barrack walls. Readers learn of Chinese "paper sons," Japanese picture brides, Korean refugee students, South Asian political activists, Russian and Jewish refugees, Mexican families, Filipino repatriates, and many others from around the world. This first comprehensive history of the Angel Island Immigration Station not only commemorates its 100th anniversary, but also helps today's reader understand America's complicated relationship to immigration, a story that continues today. -KO</p>
<p><em>Lee is associate professor of history and Asian American studies.</em></p></body>
         <category>
            33628|33632
         </category>
         <pubDate>Sat, 26 Mar 2011 19:26:07 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/kaler.jpg" length="9457" type="image/jpeg" />
         <title>Eric Kaler Named New U of M President</title>
         <description><p>He believes the liberal arts are the reason for a university.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282996</link>
         <guid>282996</guid>
        <body><p>Eric Kaler, provost and senior vice president for academic affairs at Stony Brook University, New York, has been named the University of Minnesota's 16th president. He will take office on July 1, 2011, succeeding Robert Bruininks, who is returning to a faculty position after nearly a decade of service as president.</p><div style="width:200px; float:right; margin:10px 0px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Eric Kaler" src="http://blog.lib.umn.edu/clareach/stories/2011/kaler.jpg" width="200" height="264" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Eric Kaler<br />Courtesy of Stony Brook University</p></div>

<p>Kaler, 54, earned his Ph.D. at the U of M in 1982 in chemical engineering. He is only the second U of M alum to become its president.</p>

<p>"The University of Minnesota has held a special place in my heart," he said. "This is an institution with an amazing history of achievement and a central place in the hearts of Minnesotans, but there are some enormous challenges on the horizon. It is truly humbling and a true honor to have this level of confidence bestowed upon me. [My wife] Karen and I look forward to getting to know this university&mdash;and this state&mdash;even better in the coming months."</p>

<p>Asked at one of the on-campus public interviews what role he thought the liberal arts should play at the university, he said the liberal arts are "the reason there is a university....It's an absolute core competency, and we have to protect it. I will invest in it, and they will not wane. On my watch, that will not happen."</p>

<p>He also commented on the <em>CLA 2015 Committee Report to Dean Parente</em>. "I'm extremely impressed by the recent report by the College of Liberal Arts. It outlines a clear concept on how the liberal arts should be shaped in the 21st century. I share much of what [the authors] want to do. They're committed to doing things more efficiently."</p>

<p>Kaler's career has been called meteoric. He received his undergraduate degree from the California Institute of Technology in 1978, and after earning his doctorate in Minnesota he went to the University of Washington to become an assistant and then an associate professor of chemical engineering. In 1989 he moved to the University of Delaware, chaired its Chemical Engineering Department and became dean of the College of Engineering. In 2007 he landed at Stony Brook, a highly ranked research university enrolling some 24,000 students, as provost and vice president.</p>

<p>Last year he achieved one the highest professional distinctions in his field, election to the National Academy of Engineering. He holds 10 U.S. patents; his research interests are surfactant and colloid science, statistical mechanics, and thermodynamics.</p>

<p>His honors include the Presidential Young Investigator Award from the National Science Foundation, the Curtis W. McGraw Research Award from the American Society of  Engineering Education, and the American Chemical Society Award in Colloid or Surface Chemistry.</p>

<p><em>Kaler was interviewed on KSTP-TV: <a href="http://z.umn.edu/2vr">z.umn.edu/2vr</a></em></p></body>
         <category>
            33629|33628
         </category>
         <pubDate>Sat, 26 Mar 2011 16:13:15 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Faculty, Staff, &amp; Student Awards</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=282995</link>
         <guid>282995</guid>
        <body><h3>National and International</h3>

<p><strong>Timothy Brennan</strong>, cultural studies and comparative literature: Mercator Visiting Professor by The German Research Foundation.</p>

<p><strong>Raymond Duvall</strong>, political science: American Political Science Association's Grain of Sand Award for contributions that are longstanding and merit special recognition.</p>

<p><strong>Nita Krevans</strong>, classical and Near Eastern studies: 2010 Award for Excellence in Teaching from American Philological Association. </p>

<p><strong>Rich Lee</strong>, psychology: president-elect of Asian American Psychological Association.</p>

<p><strong>Gordon Legge</strong>, psychology: biennial award from Association for Education and Rehabilitation of the Blind and Visually Impaired, and Envision Excellence Award in Low-Vision Research.</p>

<p><strong>Gary Jahn</strong>, Slavic languages and literatures: 2010 Post-secondary Teacher of the Year by American Association of Teachers of Slavic and East European Languages. </p>

<p><strong>Bernard Levinson</strong>, classical and Near Eastern studies: Fellow of American Academy of Jewish Research.</p>

<p><strong>Paula Rabinowitz</strong>, English: Fulbright Distinguished Lectureship in American Literature in People's Republic of China.</p>

<p><strong>Charles Baxter</strong>, English:  Pushcart Prize for "The Cousins," which also appeared in <em>Best American Short Stories 2010</em>. </p>

<p><strong>Matthew Canepa</strong>, art history: James Henry Breasted Prize from American Historical Association for best book in English in any field in history prior to 1000 C.E. </p>

<p><strong>Giancarlo Casale</strong>, history: McGill University's Cundill Recognition of Excellence finalist's prize for <em>The Ottoman Age of Exploration</em>.</p>

<p><strong>Carl Flink</strong>, theatre arts and dance: choreographed Jungle Theater's <em>Mary's Wedding</em>, which won a Twin Cities Theater Ivey Award. </p>

<p><strong>Hiromi Mizuno</strong>, history: Outstanding Academic Title for 2009 by American Library Association's journal CHOICE for <em>Science for the Empire: Scientific Nationalism in Modern Japan</em>. </p>

<p><strong>Chad Marsolek</strong>, psychology: 2010 NeuroImage Editors' Choice Award for "Identifying objects impairs knowledge of other objects: A relearning explanation for the neural repetition effect." Co-authors:  Becky Deason, Ph.D. 2008; Nick Ketz, B.A. 2007; Pradeep Ramanathan, Ph.D. 2009; Ph.D. candidate Vaughn Steele; and former professors Ed Bernat and Chris Patrick.</p>

<p><strong>Joanne Miller</strong> and <strong>Dara Strolovitch</strong>, political science: Best Paper Award from American Political Science Association's Political Organizations and Parties Section. "Networking the Parties: A Comparative Study of Democratic and Republican National Convention Delegates in 2008" was co-authored by Seth Masket, University of Denver, and Michael Heaney, University of Michigan.</p>

<p><strong>Julie Schumacher</strong>, English: residency at The Rockefeller Foundation's Bellagio Center in Italy.</p>

<p><strong>Shawn Treier</strong>, political science: Gregory Luebbert Article Award from American Political Science Association for "Democracy as a Latent Variable," co-authored by Simon Jackman, Stanford University. </p>

<p><strong>Wendy Zaro-Mullins</strong>, music: 2010-2011 Community Seed Grant by College Music Society for Exploring Careers in Vocal Music: The Sacred Singer's Solo Vocal Workshop. </p>

<h3>University Awards</h3>

<p><strong>William Iacono</strong>, psychology, has been named a Regents Professor&mdash;the highest level of recognition the University gives to its faculty. Iacono is a pioneer in the neurobiological approach to the study of mental disorders and one of the world's leading clinical psychologists/experimental psychopathologists. He has made seminal contributions to adolescent and adult developmental psychopathology, substance abuse, psychiatric epidemiology, behavior genetics, and lie detection, and is considered to be one of the world's foremost research scientists in these areas. Best known for the Minnesota Twins Family Study, he ranks among North America's most cited and productive clinical psychologists. </p>

<h3>CLA Awards</h3>

<p>Arthur "Red" Motley Exemplary Teaching Awards: <strong>Teresa Gowan</strong>, sociology; <strong>Kurt Kipfmueller</strong>, geography; <strong>Keith Mayes</strong>, African American & African studies; <strong>Philip Sellew</strong>, classical & Near Eastern studies. </p>

<h3>Graduate Student Awards</h3>

<p><strong>Carla Manzoni</strong>, Spanish and Portuguese: Compton International Fellow for her work on the independent, democratizing films of women of the Southern Cone of South America.</p>

<p><strong>M. Christine Marquis</strong>, classical and Near Eastern studies: Women's Classical Caucus 2010 award for best orally-delivered pre-Ph.D. paper for  "Juno and Amata: Powerful Wives and Political Disorder in the Aeneid." </p>

<p><strong>Ben Garthus</strong> and <strong>Bart Vargas</strong>, art: Outstanding Student Achievement in Contemporary Sculpture Awards from International Sculpture Center. </p>

<p><strong>Sheryl R. Lightfoot</strong>, political science: 2010 Best Dissertation Award from American Political Science Association's Race, Ethnicity, and Politics Section for Indigenous Global Politics. </p>

<p><strong>Lauren Wilcox</strong>, political science: 2010 award for Best Graduate Student Paper from International Studies Association's Feminist Theory and Gender Studies Section, for "Explosive Bodies: Suicide Bombing as an Embodied Practice and the Politics of Abjection."</p>

<p><strong>Elizabeth M. Weixel</strong>, English: Best Graduate School Dissertation in arts and humanities category for "The Forest and Social Change in Early Modern English Literature, 1580-1700."</p>

<p><strong>Michael Vuolo</strong>, sociology: Best Graduate School Dissertation in the social and behavioral sciences and education area for "Legal Context and Youth Drug Use: A Multilevel Analysis of the European Union." </p>

<h3>Unit Awards</h3>

<p><strong>CLA</strong>: participating in a three-year, $1.9 million Department of Health and Human Services grant awarded to the School of Dentistry for "Building Bridges to a Career in Dentistry for Disadvantaged Students." The grant aims at increasing diversity in the dental workforce, creating pathways for a dentistry degree through undergraduate degrees in CLA and the College of Biological Sciences.  </p>

<p><strong>Institute for Global Studies National Resource Centers</strong>: $1.2 million in U.S. Department of Education Title VI funding, over four years, for the European Studies NRC, including fellowships for foreign language graduate and undergraduate students, and  $1.2 million for its International Studies NRC.</p></body>
         <category>
            33630|33628
         </category>
         <pubDate>Sat, 26 Mar 2011 15:55:13 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/2015group.jpg" length="18143" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/2011/driventodiscover.jpg" length="28463" type="image/jpeg" />
         <title>CLA Retools for the 21st Century</title>
         <description><p>Can CLA maintain academic excellence in the face of fiscal challenge? Our blue ribbon committee says yes. The University's incoming president is impressed.<br />
<em>By Mary Pattock</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=283002</link>
         <guid>283002</guid>
        <body><div style="width:300px; float:right; margin:0px 0px 15px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="driventodiscover.jpg" src="http://blog.lib.umn.edu/clareach/stories/2011/driventodiscover.jpg" width="300" height="141" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Patrick O'Leary</p></div>

<p>Asserting that CLA is "the beating heart" of the entire University, a blue-ribbon panel has recommended ways to maintain the college's academic excellence in the face of daunting fiscal challenges.</p>

<p>Over a year ago Dean James Parente appointed the 30-member panel of faculty, staff, and students, and in November they submitted their <em>CLA 2015 Committee Final Report to Dean James A. Parente</em>. It has earned praise inside and outside the University.</p>

<p>The report establishes how the futures of the CLA and the University are inextricably bound together: every major research university requires a strong liberal arts core, and CLA students make up fully half the student body on the Twin Cities campus. "The University of Minnesota aspires to become one of the top public research universities but can only do so with a strong College of Liberal Arts," the report says.<div style="width:225px; float:left; margin:20px 20px 10px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="2015group.jpg" src="http://blog.lib.umn.edu/clareach/stories/2011/2015group.jpg" width="225" height="189" class="mt-image-left" style="float: left; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Kelly MacWilliams</p></div></p>

<p>It warns that yet another round of budget cuts would irreparably damage the academic quality that brings renown to the college and the University.</p>

<p>Just as importantly, the report identifies steps the college should take to protect and promote academic excellence. Among them:</p>

<h3>Play to our academic strengths.</h3>

<p>Focus on academic fields in which CLA excels and where we can create new, exciting, and path-breaking programs to address the rapidly changing world of the 21st century. By concentrating on programs of distinction we can create a clearer, more distinct identity and role for CLA in the world.</p>

<h3>Become more student-centered.</h3>

<p>Focusing on our strengths will mean we can offer students stronger programs and more coherent paths toward their degrees. But student-centricity has deeper goals, as well&mdash;namely, to make the disciplines actually matter to undergraduate students in their own lives, and help them understand the disciplines as tools to be applied in many ways in real life. A pre-med student, for example, should know how studying Asian or African American culture will help communication with patients; a student who is management-bound should know how to use psychology and statistics in real life. Student-centricity means helping undergraduates take purposeful responsibility for their own learning, and become creative, independent thinkers, and lifelong learners.</p>

<h3>Increase educational, research, and outreach connections.</h3>

<p>The 21st century will only become faster-paced and more complex, requiring faculty and students to become broader and more agile in our thinking. We can do this with more contact and collaboration across various academic fields, and with deeper engagement with the community, which will help us shape research and education around real-world issues and concerns.</p>

<h3>Enhance learning and administration with technology.</h3>

<p>The value of technology is its ever-growing capacity to make learning more accessible by connecting&mdash;with knowledge, teachers, and learners around the world. We must move even more actively into technology-enhanced learning in all of its emerging forms.<br />
 <br />
<h3>Pursue new revenue to enable CLA to pursue these goals.</h3></p>

<p>Offer new degree programs that build on current courses, summer and evening classes, and e-classes for non-degree students; pursue more external grants and fellowships; engage more private philanthropy.</p>

<p>"There's a sea change in higher education taking place across the nation and here in Minnesota," Parente said, "necessitating that we be smaller and more focused. The report imagines a strong and distinctive college that is bold in its commitment to excellence, but it also responds to the serious fiscal constraints within which we will need to operate. It establishes a principled foundation for recommendations that will follow."<br />
 <br />
The report has received student support. The chair of CLA Student Board's Academics Committee, Regan Sieck, told the <em>Minnesota Daily</em> that members were glad to see the document take a student-centric approach. "A lot of the conversations were about what's best for the student and what will attract students to the school and keep them here," she said. The <em>Daily</em> called the report "a sobering yet optimistic look at the issues the college must confront in the next few years."</p>

<p>The CLA 2015 report quickly drew the attention of the University's new president-designate, Eric Kaler, when he came to campus for his final interviews; he called it  "masterful."</p>

<p>In view of the central role CLA plays in the University's educational mission, the report recommends adjustments in some of the U's fiscal and academic policies&mdash;changes that would protect the integrity of the college.</p>

<p>To date CLA has cut 60 faculty positions&mdash;about 10 percent of the total, as well as 177 course sections, 27 staff positions and 10 percent of its supply budget. It has increased class sizes while teaching the same number of undergraduate students, admitted fewer graduate students, and moved administrative units into smaller spaces.</p>

<p>The CLA 2015 Committee was co-chaired by Gary Oehlert, statistics professor and CLA's Associate Dean for Planning, and Chris Uggen, Distinguished McKnight University Professor and chair of the sociology department.</p>

<p>Parente asked faculty, staff, and students to respond to the report either in writing or at town hall meetings that were held last fall. He expects implementation to begin in spring 2011.</p>

<p><em>For the full report, executive summary, and news coverage, go to <a href="http://z.umn.edu/2w2">z.umn.edu/2w2</a>.</em></p></body>
         <category>
            33629|33628
         </category>
         <pubDate>Fri, 25 Mar 2011 16:21:20 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Facts that Count</title>
         <description><p>CLA: the big picture</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236525</link>
         <guid>236525</guid>
        <body><h4>The College</h4>
<ul>
<li><strong>15,000</strong> 
CLA educates about 15,000 undergraduates every year --more than any other Minnesota college, public or private, and about half of all students on the U's Twin Cities campus</li>

<li><strong>Two-thirds</strong> of CLA programs are ranked among the <strong>Top 25</strong> in the nation (National Research Council).</li>

<li><strong>World-renowned Faculty</strong> teach and engage students in scholarly research.</li>

<li>CLA offers <strong>73 majors</strong> and <strong>73 minors</strong> in the social sciences, arts, and humanities, plus the option of an individually designed major.
</li>
<li>
Instruction is offered in more than <strong>30 languages</strong>.
</li>
<li>
Some <strong>2,200</strong> different undergraduate courses are offered each year.
</li>
<li>
More than <strong>50 freshman seminars</strong> are offered annually. 
</li>
<li>
The University houses its <strong>service learning program</strong> in CLA;  it is one of the best in the nation (U.S. News & World Report's Best Colleges 2010 List).
</li>
</ul>
<h4>The Students</h4>
<ul>
<li><strong>80%</strong> of recent U of M graduates work in Minnesota
</li>

<li><strong>7%</strong> are international students, who introduce perspectives from around the world to CLA classrooms. 
</li>

<li>More than <strong>20%</strong> are students of color.  
</li>

<li><strong>25%</strong> study abroad; the University is a national study-abroad leader. 
</li>

<li><strong>2/3</strong> come from Minnesota.
</li>
<li><strong>36%</strong>  rank  in  the <strong>top 10%</strong> of their high school class.
</li>
<li><strong>$22,000</strong> 
The cost of annual room, board, tuition, and books for Minnesota residents.
</li>
<li>To earn that much money a student earning the minimum wage would have to work about <strong>69 hours per a week, year-round</strong>.

</li>
</ul></body>
         <category>
            29608|29615
         </category>
         <pubDate>Tue, 01 Jun 2010 14:20:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/macwilliamsk.jpg" length="37510" type="image/jpeg" />
         <title>Stories that Inspire</title>
         <description><p>Commitment to students and the liberal arts inspire a CLA-2015 planning project.<br />
<em>By Dean James A. Parente, Jr.</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236526</link>
         <guid>236526</guid>
        <body><div style="width:200px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Dean James Parente, Jr." src="http://blog.lib.umn.edu/clareach/stories/macwilliamsk.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Dean James Parente, Jr.<br />Photo by Kelly MacWilliams.</p></div>

<p>Imagine the brain-power, the creativity! Imagine the experiences and perspectives that students from all over the world bring to our classrooms! </p>

<p>And imagine the impact that 15,000 smart, independent, original thinkers will have on the world, as they become the citizens and innovative leaders of tomorrow.  <br />
	<br />
This issue of reach tells that undergraduate story. </p>

<p>It traces the adventures of some of the world's best young minds into challenging new worlds of inquiry: the underlying blueprint of language, DNA to cure cancer, hip hop and Shakespeare, health in the Amazon jungle, the aging brain, leadership as an out-of-body experience. There are subplots, too, about backbends and boxing, chutzpah and geekdom, dancing, drumming, and, of course, love. </p>

<p>Could we have been more fortunate than to have America's great storyteller, our own CLA alumnus Garrison Keillor, interview the students? He wanted to write about undergraduates who are successful because they take full advantage of what this great university has to offer. </p>

<p>The students inspired Garrison, and we hope they will inspire you, too.</p>

<p>Our other feature story is about a recent graduate who is already fulfilling the promise of his CLA education. He is inventing a new way for communities, from New York to Minneapolis to Seattle, to support their local artists. If it becomes a national trend, remember: he's one of our own and you read it here first!</p>

<p>Perhaps, as you read about these young people, you will remember that higher education here and nationally is facing a watershed moment. For example, this year, for the first time in history, more student dollars than State dollars are supporting the University of Minnesota--much of it in the form of student loans.</p>

<p>Why is public support for education dropping? It is partly because of the recession, partly because of a trend toward considering a college education an exclusively private good. But as the stories of our students and alumni so clearly illustrate, higher education benefits the public at least as much as it does the student. </p>

<p>In fact, the more complex our world, the more we need higher education. We especially need the liberal arts, which bring judgment, ethics, art and beauty, deep understanding of each other and of the full range of the human experience to bear on what might otherwise be a mechanical, materialistic world.   </p>

<p>Our challenge will be to re-imagine and re-think the way we educate. </p>

<p>Exactly what will CLA of the future look like? The college has embarked on a planning process--CLA 2015--to reposition CLA to achieve higher levels of academic distinction during a period of shrinking resources and narrowing focus.</p>

<p>Uppermost in our minds will be the responsibility we have to the tens of thousands of students who place their trust in us to prepare them for the future. We shall not waver in our commitment to provide them excellent teachers; cogent, relevant and up-to-date curriculum; technological access to the world; quality advising; financial support; and the skills for successful professional lives--in other words, an exceptional educational experience to help them realize their highest ambitions. </p>

<p>They are our future!</p>

<p>Thank you for the support of our college.</p>

<p><br />
James A. Parente, Jr.</p></body>
         <category>
            29608|29615
         </category>
         <pubDate>Tue, 01 Jun 2010 14:10:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/kocherlakota.jpg" length="45796" type="image/jpeg" />
         <title>Econ Professor Heads Federal Reserve</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236528</link>
         <guid>236528</guid>
        <body><div style="width:200px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Narayana Kocherlakota, President of the Federal Reserve Bank of Minneapolis " src="http://blog.lib.umn.edu/clareach/stories/kocherlakota.jpg" width="200" height="272" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Narayana Kocherlakota<br />Photo by Kelly MacWilliams</p></div>

<p>For decades the body of economic, monetary, and fiscal policy produced by the Fed has been built upon and strengthened by research from the top-ranked University of Minnesota Department of Economics.  Kocherlakota belongs to this tradition.</p>

<h4>Theory for the real world</h4>

<p>The current interplay between University of Minnesota research and the real-world policy produced by the Federal Reserve Bank of Minneapolis traces its roots to 1970, when a special studies group of U professors working to produce a theoretical model for the Fed to predict economic behavior inadvertently triggered a surge of research into "rational expectations" theory. Ideas from this research found their way into Federal Reserve policy, and the theoretical partnership took off.</p>

<p>Today, University researchers collaborate with Federal Reserve economists on the most varied questions of macroeconomic theory and monetary and fiscal policy. Over half of the U's economics professors have worked with the Fed's research department, and at any given moment several graduate students are also doing so.</p>

<p>Kocherlakota believes that progress in economics demands rigorous discipline and an often highly technical dialogue between data and theory. In brief--the relationship that exists between the University's Department of Economics and the Minneapolis Fed. He puts it this way: "Few if any important questions in economics can be addressed with data or theory alone. Good answers require that the two be used together."</p>

<h4>Road to the Fed</h4>

<p>Kocherlakota, 45, entered Princeton University at the age of 15, and at 23 received a doctorate in economics from the University of Chicago, specializing in the pricing of financial assets. After teaching at the University of Iowa and at Northwestern University, in 1998 he joined the economics faculty at the University of Minnesota.</p>

<p>He left for Stanford in 2002 but returned to Minnesota in 2005, becoming chair of the economics department and leading a recruiting effort that increased the number of professors and enhanced the department's national standing (it is now ranked 10th in the nation). He stepped down as chair in 2008 to devote time to research on how developed societies can best design their tax systems. </p>

<p>He had worked previously with the Fed--as a researcher from 1996 to 1998 and as a consultant at the time of his appointment to the presidency.</p>

<h4>Challenges ahead</h4>

<p>Kocherlakota now prepares for new challenges. He will lead one of the dozen federal district banks that set monetary policy for the nation. "For an economist who has spent his career working on issues related to macroeconomics, monetary policy, and finance," he says, "there can hardly be a better job than president of a Federal Reserve Bank."</p>

<p>In an article in <em>Business Week</em> Kocherlakota was said to bring a new perspective and unconventional voice to the national economic discussion: although he has embraced free-market economics, he has also written that government has a role in helping the nation recover from the recession, and believes that a healthy economy requires the Federal Reserve to supervise banks.</p>

<p>"I am excited about this new opportunity for many reasons, and the special bond between the Federal Reserve Bank of Minneapolis and the University of Minnesota is certainly one of them," Kocherlakota says. "I plan to keep the partnership between these two great institutions strong and vital."</p>

<p><em>Adapted from a story by Bill Magdalene, University Relations.</em></p>

<p>Read Kocherlakota's speech to the Minnesota Bankers Association: <br />
<a href="http://www.minneapolisfed.org/about/whoweare/president.cfm">www.minneapolisfed.org/about/whoweare/president.cfm</a></p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 14:00:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Dead Sea Scrolls  </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236530</link>
         <guid>236530</guid>
        <body><p>He's a man in demand.  As the 2,000-year-old Dead Sea Scrolls--said to be the most important archaeological find of the 20th century--make a seven-month appearance at the Science Museum of Minnesota, Alex Jassen is serving as an academic adviser to the museum and speaking extensively around the community about the scrolls. An assistant professor of Classical and Near Eastern studies, his area of expertise is the literary heritage of Second-Temple Period Judaism (from the sixth to the first century B.C.E.), including the Scrolls. </p>

<p>"The Dead Sea Scrolls: Words That Changed the World" exhibit comprises fragments from familiar books like the Pentateuch, Psalms, and Isaiah, as well as extra-scriptural documents from the first century B.C.E. like the Community Rule and a Temple Scroll. Schismatic Jews, perhaps Essenes, who lived in the settlement of Qumran by the Dead Sea, hid the papyrus and animal skin documents in caves. They were discovered by a shepherd in 1947, and are now archived and conserved by the Israel Antiquities Authority. </p>

<p>Jassen, who has been awarded a McKnight Land-Grant Professorship, is currently researching the role of religious violence in the formation of the Qumran community.  </p>

<p>The exhibition runs through October 24.</p>

<p>Visit <a href="https://sites.google.com/a/umn.edu/jassen">Jassen's website</a> to learn more about the scrolls, and for a list of his public lectures.  </p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 13:50:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>A-Twitter About Abroad</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236531</link>
         <guid>236531</guid>
        <body><p>Given CLA's emphasis on life in the global community, many of its students study abroad. They're in the right place. </p>

<p>In its Open Doors report, the Institute of International Education ranks the Twin Cities campus third in the nation among research institutions in the number of students--2,521--who participate in this kind of life-changing experience. They work through the Learning Abroad Center, which offers some 300 programs in more than 70 countries, and helps with everything from program selection to disability services, financial planning to re-entry. It even has a Twitter account!</p>

<p>The campus also ranked high--20th--in the number of international students it has enrolled. In CLA's class of 2012, nearly eight percent of students come from outside the United States. </p>

<p>Find out what the Learning Abroad Center has to offer: <a href="http://www.umabroad.umn.edu">www.umabroad.umn.edu</a></p>

<p>Recent UM abroad Tweets: </p>

<blockquote>"The children of the village reached for our hands and promised to teach us a traditional African dance."</blockquote>

<blockquote>"What it's like to study and intern at a design firm in London <a href="http://www.youtube.com/watch?v=FXytngs7m3U">www.youtube.com/watch?v=FXytngs7m3U</a>"</blockquote>

<blockquote>"For the love of harira: So we took a small stroll recently to a Moroccan restaurant we had seen close by."</blockquote></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 13:40:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Creative Writing Is Top-Ranked </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236533</link>
         <guid>236533</guid>
        <body><p>CLA's masters of fine arts (MFA) creative writing program ranks 14th out of 140 in the U.S., according to <em>Poets & Writers</em> magazine. The ranking was based on surveys of a group who are highly motivated to be objective, have done extensive research, and have much at stake in the results--current and prospective applicants. </p>
<p>CLA's highest sub-ranking was in the nonfiction category (eighth), and its lowest was for student-funding packages (27th). It ranked 10th for placement of grads in highly regarded post-MFA programs, a proxy for program quality and reputation. The program makes its home in the English department.</p>

<p>For more information, go to <br />
<a href="http://www.pw.org/content/2010_mfa_rankings_top_fifty_0">www.pw.org/content/2010_mfa_rankings_top_fifty_0</a></p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 13:30:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Veer_Heart.jpg" length="57324" type="image/jpeg" />
         <title>Love, Actually </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236534</link>
         <guid>236534</guid>
        <body><p><img alt="Veer_Heart.jpg" src="http://blog.lib.umn.edu/clareach/stories/Veer_Heart.jpg" width="150" height="200" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><em>What do today's young people think is important in their relationships? </em></p>

<p>Romantic love, say three CLA sociologists writing in the August 2009 <em>Journal of Marriage and Family</em>--as well as other traditional values like faithfulness and commitment. This is the case, they assure us, despite the prevalence of cohabitation, divorce, and debates about same-sex marriage.</p>

<p>In their survey of 18- to 28-year olds, Professors Ann Meier and Kathleen Hull and Ph.D. candidate Timothy Ortyl did find modest but significant differences between men and women, however. Straight women valued faithfulness and lifelong commitment more than straight men did. And gay men, lesbians, and bisexuals had relationship values similar to those of heterosexual men. </p>

<p>"The pervasiveness of the romantic love ideal across gender and sexual identity groups," says Ortyl, "really speaks to how culturally ingrained it is." </p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 13:20:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/wild.jpg" length="87110" type="image/jpeg" />
         <title>Born to be Wild</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236535</link>
         <guid>236535</guid>
        <body><div style="width:200px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Also Rustichini" src="http://blog.lib.umn.edu/clareach/stories/wild.jpg" width="200" height="301" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Aldo Rustichini<br />Photo by Kelly MacWilliams</p></div>

<p>Economists have discovered that, "just like animals in the wild," financial traders who take the greatest risks are the ones with the highest testosterone levels.</p>

<p>The most successful among them, however, have more than machismo. They also have the most experience and knowledge, so that, unlike their colleagues, they can tell which risks are smart and which are foolhardy. </p>

<p>The findings were published in the <em>Proceedings of the National Academy of Sciences</em>, in an article by University of Minnesota economics professor Aldo Rustichini, and Mark Gurnell and John Coates, both of Cambridge University, England. Coates, the lead investigator, is a Wall Street trading-floor manager-turned-neuroscientist. </p>

<p>Previous research had established that qualities like confidence, risk tolerance, vigilance, and quick reaction time are related to how much testosterone a fetus is exposed to in the womb. And for reasons not known, that level of exposure is recorded on the human body in the form of a ring finger that is longer than the index finger. This ratio, called 2D:4D, is commonly used to predict athletic success. </p>

<p>The research team wanted to know if, and to what extent, prenatal exposure to testosterone was a factor in the behavior of financial traders. </p>

<p>For their study they selected 49 males from a group of some 200 high-frequency traders from a trading floor in the City of London (only three of whom were female). They compared both the 2D:4D ratio and years of professional experience of each trader to his profit and loss record. </p>

<p>On average, traders with the most in utero testosterone exposure made 11 times more money than those with the least; while those with the most experience made 9.6 times more than the inexperienced ones, and were the most successful of all.</p>

<p>Researchers note that success on the adrenaline-charged trading floor requires skills that are not as important in other environments. Different types of financial trading reward other skills, such as the ability to relate well to clients, or to conduct a mathematical analysis of the market. </p>

<p>Beyond suggesting a predictor for a young man's success on Wall Street, the research shines a light on the perennial nature-versus-nurture question. It also offers a lens for understanding the often-baffling workings of the economy.  Rustichini opines, for example, that "The bubble preceding the current crash may have been due to euphoria related to high levels of testosterone, or high sensitivity to it." </p>

<p>It appears the world of finance is more irrational than we might suppose, given its apparent sensitivity to what Rustichini calls "the hormone of irrational exuberance." </p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 13:10:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Doctor Nice ... or Doctor House?</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236536</link>
         <guid>236536</guid>
        <body><p><em>What personality traits make for med school success?</em></p>

<p>Different traits at different stages, according to psychology professor Deniz Ones. </p>

<p>Ones and two other industrial-organizational psychologists followed an entire country's cohort of medical students--600 Belgian students--through their seven years of medical study, assessing the "Big Five" personality dimensions of conscientiousness, agreeableness, extroversion, openness to experience, and emotional stability. </p>

<p>They found that at the beginning of medical school--when students focus on basic science--the most-needed traits relate to cognitive ability. Introversion serves well at this stage, too, helping students exercise better study habits, focus, memorize, and prepare for class. </p>

<p>But as they advance into clinical practice, students increasingly need interpersonal as well as cognitive skills. Extroversion--which can be a liability in early years--becomes a definite asset. Qualities like assertiveness, warmth, and especially empathy help future doctors succeed with patients in complex, real-life settings.</p>

<p>The researchers also found that conscientiousness is an essential trait throughout every stage of medical training, playing a role both in mastery of information and in human relationships.</p>

<p>They concluded that med schools can greatly improve their admission processes by incorporating standardized personality tests--as opposed to unstructured interviews or references--in their admissions processes. </p>

<p>The study was published in the November issue of the <em>Journal of Applied Psychology</em>. Ones's co-investigators were Stephan Dilchert, Ph.D.'08, of Baruch College (City University of New York) and Filip Lievens of Ghent University in Belgium.</p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 13:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/folwellroof.jpg" length="15439" type="image/jpeg" />
         <title>Very, Very Cool, but Too Darn Hot </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236537</link>
         <guid>236537</guid>
        <body><p>If you studied language, literature, pedagogy, oratory, or psychology at the University, chances are you did so in that grand English Renaissance Revival building known as Folwell Hall. </p>

<div style="width:250px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of construction workers on Folwell's roof circa 1906" src="http://blog.lib.umn.edu/clareach/stories/folwellroof.jpg" width="250" height="156" class="mt-image-right" style="float: right; margin: 20 px 20px 20 px 20 px;" /></span><p style="clear:both; font-size:10px;">Workers laid roof tiles during Folwell construction ca. 1906-07. Note the gargoyle in the background: the four gargoyles originally on the building disappeared within a year or two, probably damaged by water leaking into them.<br />Photo from the Minnesota Historical Society</p></div>
Besides giving shelter to your academic endeavors, Folwell also provided office space to, among others, Allen Tate and Robert Penn Warren, the second and third Poet Laureates of the United States, respectively. And Folwell is listed on the National Register of Historic Places. 

<p>When Folwell was built in 1906--replacing Old Main after it burned down in 1904--it was considered the finest building of any state institution. It still is beautiful, with its keystoned arches and gables, pillars, parapets and porches, balustrades, chimneys (26 of them), granite stairs and wrought iron railings, polished wood, and Italian marble walls and floors. </p>

<p>Not to mention the cherubs, cats, eagles, gargoyles, and gophers peering down from the architraves to chastise students who arrive late to class.</p>

<p>It's a cool building--but its daily denizens say it's too darn hot.  </p>

<p>Plus it lacks the digital technology that enables classrooms "to talk to the world" as students learn foreign languages and cultures. Good reasons why both the University and the State put its renovation at the top of their legislative priority lists. The bonding bill that passed and was signed into law by the governor in March includes $23 million for Folwell. Thousands of students and CLA supporters had contacted their legislators and the governor's office to support its passage.</p>

<p>According to Minnesota Student Association President Paul Strain, who minors in German studies and has had classes in Folwell for six semesters,  "It's hot during the summer, it's hot during the fall, it's hot during the spring, and it's almost way too hot in the winter. The HVAC system is just a mess, and the electrical capabilities aren't really conducive to the new ways of teaching." </p>

<p>These are important considerations for a building where, among other things, students strive to perfect their Spanish or Japanese as they prepare to be tomorrow's teachers, translators, international traders, and attorneys.</p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 12:50:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/WatsonCatherine.jpg" length="8761" type="image/jpeg" />
         <title>CLA Stars at Graduation </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236538</link>
         <guid>236538</guid>
        <body><p>Something about sharing a background with accomplished people makes success seem a little more attainable. That's why two highly accomplished members of the CLA community were invited to send off new graduates at commencement last fall and this spring.</p>

<div style="width:170px; float:right; margin:0 0 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="WatsonCatherine.jpg" src="http://blog.lib.umn.edu/clareach/stories/WatsonCatherine.jpg" width="170" height="222" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Catherine Watson</p></div>

<p>Catherine Watson, nationally known travel writer, journalist--and CLA alumna--delivered the fall commencement address. Chief travel writer and photographer for the Star Tribune from 1978 until 2004, and author of two books of travel essays, she pioneered a genre of travel writing in which the author goes beyond geography to share personal insights. Watson was named both the Lowell Thomas Travel Journalist of the Year and the Society of American Travel Writers' Photographer of the Year. </p>

<p>"Life is a journey," she said to the students. "[L]inger. Look beneath the surface. Talk to strangers. Listen to what they have to say. Be flexible. Tear up your itinerary and take a different path if that one looks better. Keep your mind open." </p>

<p>Naryana Kocherlakota, the CLA economics professor who was recently appointed president of the Federal Reserve Bank, addressed May grads. <a href="http://cla.umn.edu/news/reach/archive/spring10.php?entry=236528">Read more about Kocherlakota</a> on in this issue of Reach.</p>

<p>Find his speech at <a href="http://z.umn.edu/commaddress">http://z.umn.edu/commaddress</a>.</p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 12:40:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>J-School Honors Public Affairs Journalists  </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236539</link>
         <guid>236539</guid>
        <body><p>Journalism strengthens communities--a fact celebrated annually with the Frank Premack Public Affairs Journalism Awards. This year's awardees, named by the School of Journalism and Mass Communication, were:</p>

<ul>
	<li><em>Star Tribune</em> and staff, for a series on a young cancer patient and his mother who fled the state rather than undergo traditional cancer treatments</li>
	<li>Bagley <em>Farmer Independent</em> and reporter-editor Tom Burford, B.A. '74,  for a series on an elderly man arrested for the way he protected his Alzheimer's-afflicted wife</li>
	<li><em>Star Tribune</em> and reporters Glenn Howatt and Pam Louwagie, B.A. '95, for their "Deadly Falls" series on nursing homes</li>
	<li>Rochester <em>Post-Bulletin</em> and Jay Furst, for their series, "Panhandlers: Are They Legit?"</li>
	<li><em>Star Tribune</em> and Doug Tice, for commentary, "It's easy to pounce on that political football" </li>
	<li>Isle <em>Mille Lacs Messenger</em> and Brett Larson, for the story, "Good governments don't fear sunshine"</li>
	<li>Lori Sturdevant, <em>Star Tribune</em> columnist, the Graven Award for a career of great public affairs journalism</li>
	<li>James P. Dolan, president and CEO of Dolan Media Company, the Farr Award for providing business information and professional services to legal, financial, and real estate sectors</li>
</ul></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 12:30:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/bfa.jpg" length="116326" type="image/jpeg" />
         <title>Who Knew? Hamlet Graduated from CLA</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236540</link>
         <guid>236540</guid>
        <body><p>At 10 years old, it's matured without aging a bit: the University of Minnesota/Guthrie Theater BFA Actor Training Program. </p>

<p>The program delivers on its promise to develop "the mind, body, voice, and spirit of the actor/artist/scholar." Many graduates--all still in their 20s--have already gone on to considerable success. <br />
<div style="width:350px; float:left; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Santino Fontana as Hamlet and Leah Curney as Ophelia in the old Guthrie Theatre's closing production" src="http://blog.lib.umn.edu/clareach/stories/bfa.jpg" width="350" height="259" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Santino Fontana as Hamlet and Leah Curney as Ophelia in the old Guthrie Theatre's closing production<br />Photo by Michal Daniel</p></div></p>

<p>Among them are Santino Fontana, chosen after a coast-to-coast search to play Hamlet in the final production of the old Guthrie Theater. "I kept coming back to Santino," said Guthrie Artistic Director Joe Dowling, "because he brought honesty, directness, an emotional palette that was remarkable and a vital intelligence to each audition we put him through." <br />
 <br />
Fontana also performed on Broadway in <em>Brighton Beach Memoirs</em> and <em>A View From the Bridge</em>. Other examples of student success include: Leah Curney as Ophelia, opposite Fontana's Hamlet; Namir Smallwood as Puck and Will Sturdivant as Lysander in <em>A Midsummer Night's Dream</em>, and John Skelley portraying Algernon in <em>The Importance of Being Earnest</em> at the Guthrie. </p>

<p>Aya Cash appeared in Ethan Coen's <em>Offices</em> at the Atlantic Theater Company in New York City and has had roles in various <em>Law & Order</em> TV episodes. Matthew Amendt, Will Sturdivant, Christine Weber, Hugh Kennedy, and Elizabeth Stahlmann are current or recent company members of the New York-based The Acting Company.</p>

<p>A group of students founded Shakespeare on the Cape, a summer festival on Cape Cod.</p>

<p>A partnership between CLA and the Guthrie, the program teaches students to perform texts of classical stature, and apply those skills to contemporary world repertoire and emerging dramatic forms--all this in the context of an outstanding liberal arts curriculum. Graduates emerge with a powerful career advantage in a profession legendary for its competitiveness. </p>

<p>The program attracts around 500 applicants each year, who audition at locations across the country. </p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 12:20:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Faculty, Staff, and Student Awards</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236541</link>
         <guid>236541</guid>
        <body><h3>National & International Awards</h3>
 
<p><strong>Mária Brewer</strong> and <strong>Daniel Brewer</strong>, French: named <em>Chevaliers de l'Ordre des Palmes Académiques</em> by the French Ministry of Education.</p>

<p><strong>Karlyn Kohrs Campbell</strong>, communication studies: National Communication Association's Diamond Anniversary Book Award, the James A. Winans-Herbert A. Wichelns Memorial Award for Distinguished Scholarship in Rhetoric and Public Address, and the Bruce E. Gronbeck Political Communication Research Award.</p>

<p><strong>Gary Cohen</strong>, history: the Republic of Austria's Medal of Honor.</p>

<p><strong>James Dillon</strong>, music: France's <em>Grand Prix de l'Académie du Disque Lyrique</em> award. </p>

<p><strong>Alan Gross</strong>, communication studies: a Distinguished Scholar and a Best Article Award from the National Communications Association.</p>

<p><strong>Alex Jassen</strong>, Classical and Near Eastern studies: 2009 Templeton Award for Theological Promise.</p>

<p><strong>Nathan Kuncel</strong>, psychology: Cattell Early Career Research Award from the Society of Multivariate Experimental Psychology, and the Anne Anastasi Award for Distinguished Scientific Contributions (Early Career) from the American Psychological Association. </p>

<p><strong>Bernard Levinson</strong>, Classical and Near Eastern Studies: 2010-2011 Henry Luce Fellow of the National Humanities Center.</p>

<p><strong>Ali Momeni</strong>, art: Minneapolis Society of Fine Arts grant (Joyce Foundation).</p>

<p><strong>Steven Rosenstone</strong>, political science: American Political Science Association's Philip E. Converse Award. </p>

<p><strong>Andréa Stanislav</strong>, art: 2010-2011 McKnight Artist Fellowship. <br />
 <br />
<strong>Edward Schiappa</strong>, communication studies: National Communications Association Distinguished Scholar. </p>

<p><strong>Jeff Simpson</strong>, psychology: Society of Personality and Social Psychology's 2010 Diener Award for Mid-Career Achievement in Social Psychology.</p>

<p><strong>Morgan Thorson</strong>, dance: 2010 Guggenheim Fellow.</p>

<h3>University Awards</h3>

<p>Council of Graduate Students Outstanding Faculty Awardees: </p>

<p><strong>Robert (Robin) Brown</strong>, cultural studies and comparative literature; <strong>Christopher Nappa</strong>, classical and Near Eastern studies; <strong>David Pellow</strong>, sociology; and <strong>Joe Soss</strong>, political science and Hubert H. Humphrey Institute of Public Affairs.</p>

<p>Morse-Alumni Awards for Outstanding Contributions to Undergraduate Education: <strong>Scott Abernathy</strong>, political science, and <strong>Julie Schumacher</strong>, English.</p>

<p>McKnight 2010 Land-Grant Professors: <strong>Alex Jassen</strong>, <strong>Classical and Near Eastern studies</strong>, and <strong>Jennifer Jane Marshall</strong>, art history.</p>

<p><strong>Cawo (Awa) Abdi</strong>, sociology: Office of International Programs Global Spotlight Grant.</p>

<p><strong>Department of Theatre Arts and Dance</strong>: 2010 Outstanding Unit Award from the U of M Council of Academic Professionals and Administrators.</p>

<p><strong>Patricia Frazier</strong>, psychology: Distinguished McKnight University Professor.</p>

<p><strong>Ruth Mazo Karras</strong>, history: 2009-10 Graduate-Professional Teaching Award. </p>

<p><strong>Nathan Kuncel</strong>, psychology: McKnight Presidential Fellowship Award.</p>

<p><strong>Joseph Schwartzberg</strong>, professor emeritus, geography: Office of International Programs 2009 Award for Global Engagement.</p>

<p><strong>Paul Timmins</strong>, Career Services: John Tate Award for Excellence in Undergraduate Advising.</p>

<p><strong>John Watkins</strong>, English: Distinguished McKnight University Professor.</p>

<p><strong>Margaret Werry</strong>, theater arts and dance: Council of Graduate Students Outstanding Faculty Award.</p>

<h3>CLA Awards </h3>

<p>Arthur "Red" Motley 2009-2010 Exemplary Teaching Awards: <strong>Walt Jacobs</strong>, African American & African Studies, and <strong>Patrick McNamara</strong>, sociology.</p>

<p><strong>Ruth Mazo Karras</strong>, history: Dean's Medalist. CLA Award for Outstanding Contributions to Post-baccalaureate, Graduate, and Professional Education.</p>

<p>2010 Scholars of the College: <strong>Helga Leitner</strong>, geography; <strong>Bernard Levinson</strong>, Classical and Near Eastern studies.</p>

<p><strong>Phyllis Moen</strong>, sociology: 2010 Public Sociology Award.  </p>

<h3>Student Awards</h3>

<p>National Science Foundation Graduate Fellowships: <strong>Antonia Kaczkurkin</strong>, psychology; <strong>Rachael Klein</strong>, psychology; <strong>Alex Maki</strong>, psychology; <strong>Hollie Nyseth</strong>, sociology.</p>

<p>State Department Critical Language Scholars: </p>

<p><strong>Michelle Baroody</strong>, studying Arabic in Egypt; <strong>Greta Bliss</strong>, Arabic in Jordan; <strong>Dustin ChacÓn</strong>, Bangla/Bengali in Bangladesh; <strong>Tyler Conklin</strong>, Turkish in Turkey; <strong>Brianna Crowley</strong>, Turkish in Turkey; <strong>Kelly Heitz</strong>, Arabic in Jordan; <strong>Susan Metzger</strong>, Russian in Russia; <strong>Stephanie Rozman</strong>, Hindi in India.</p>

<p><strong>Jules Ameel</strong>, journalism and mass communications: Society of Professional Journalists 2009 Mark of Excellence Feature Photography Award.</p>

<p><strong>Stephanie Cantu</strong>, psychology: National Science Foundation Graduate Fellowship. </p>

<p><strong>Brian Connelly</strong>, psychology: Tanaka Award from the Association for Research in Personality, and Robert J. Wherry Award for Best Paper at the 2009 IO/OB Graduate Student Conference.</p>

<p><strong>Robert Downs</strong>, journalism and mass communication: national finalist in the Society of Professional Journalists 2009 Mark of Excellence competition for feature writing. </p>

<p><strong>McKenna Ewen</strong>, journalism and mass communication: Society of Professional Journalists Mark of Excellence Award.</p>

<p><strong>Denis Evstyukhin</strong>, music: qualified to compete in XVI Fryderyk Chopin 2010 International Piano Competition.</p>

<p><strong>Shannon Golden</strong>, sociology: Doctoral Fellowship for International Research from the Office of International Programs.</p>

<p><strong>Kathleen Howard</strong>, English; and <strong>Andrew T. Urban</strong>, history: New Faculty Fellowship in English at the State University of New York, Stony Brook, by the American Council of Learned Societies, funded by the Andrew W. Mellon Foundation.</p>

<p><strong>Matthew Mead</strong>, journalism and mass communication: Society of Professional Journalists 2009 Mark of Excellence Award.</p>

<p><strong>The Minnesota Daily</strong>: Society of Professional Journalists 2009 Mark of Excellence Award for Best All-Round Daily Student Newspaper. </p>

<p><strong>Paige M. Patchin</strong>, history and geography: 2010 Beinecke Scholarship.  </p></body>
         <category>
            29814|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 12:10:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://cla.umn.edu/assets/swf/academichappiness.swf" length="147582" type="application/x-shockwave-flash" />
         <title>Academic Happiness</title>
         <description><p>CLA's most famous English major returns to campus to talk with undergrads, who inspire "the old alumnus" to "work harder and make my time count for something."</p>

<p><em>By Garrison Keillor</em></p>

<ul class="hide"><li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236544">DUSTIN CHACÓN:</a> Linguistics, Beinecke scholar, Bangladesh</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236545">AARON MARKS:</a> Music education, leadership, drum major</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236546">ANGELA MERRITT</a>: Child psychology, Max Planck Institute, Germany</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236547">THUY NGUYEN-TRAN:</a> Physiology, DNA research</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236550">JASMINE OMOROGBE:</a> Communication studies, Hip hop, Shakespeare, singer</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236553">DAVE RAILE:</a> Spanish studies, med-school bound, Ecuador</li></ul>

<p class="hide"><strong>Postscript: by Garrison Keillor</strong><br />
"I talked to these six students..." <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236555">More</a></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236543</link>
         <guid>236543</guid>
        <body><p><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="530" height="500"><param name="movie" value="http://cla.umn.edu/assets/swf/academichappiness.swf"><param name="quality" value="high" /><param name="wmode" value="opaque" /><embed src="http://cla.umn.edu/assets/swf/academichappiness.swf" width="530" height="500" allowscriptaccess="always" allowfullscreen="true" /></object></p>

<p>I landed at the University in September 1960, and stuck around  through the spring of 1969, except for the year I dropped out to try to write a great American novel. (It set out to be anguished and introspective and got lost in the dark.) I was an English major and hung out in Vincent Hall, and the basement of Walter, in a cloud of cigarette smoke. I spent a few years in the basement of Murphy, at the Ivory Tower, imitating E.B. White, and in Eddy Hall, imitating Edward R. Murrow. </p>

<p>I'm not nostalgic for those years, but when I think back, I realize what a privilege it was for a kid from Anoka to be at the U and take his sweet time trying on various personas&mdash;inscrutable aesthete, cool dude, prairie radical, billiards ace, worldly sophisticate, dangerous intellectual, Gopher hockey fan, mysterious loner, serious heartthrob, and making his way across the high plateau of education and into the gullies of adult life. </p>

<p>I wish for the current generation to have the same rousing time I had.</p>

<p>Some students then and now feel lost at the U, which is understandable, and some of them lose momentum due to bad habits, confusion, lack of sleep, poor choice of friends, poor choice of beverages, but the old alumnus knows that college is supposed to be an exhilarating time for a young man or young woman, a time of awakening and ephiphany, the discovery of one's unique capabilities and mission in life, a gathering-up of energy and ambition, a foretaste of sweet success. </p>

<p>"The race is not always to the swift, nor the battle to the strong," says Scripture, "but time and chance happeneth to them all"&mdash;yes, yes, and some shining stars flame out and some promises are never kept, but the college years are meant to be happy&mdash;the slog through high school is done, the sharp elbows of professional rivalry are off in the distance&mdash;and that was why I went over to the Kafé 421 in Dinkytown to talk to six CLA students, high achievers all: to see if they are having as good a time as they should, and if not, why not.</p>

<p>Most stories you read about higher education have to do with funding cutbacks and budget cuts and tuition hikes and the dumbing down of the coursework, especially in the humanities&mdash;but this story isn't about that. It's about academic happiness. Young people divining the future.</p>

<ul><li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236544">DUSTIN CHACÓN:</a> Linguistics, Beinecke scholar, Bangladesh</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236545">AARON MARKS:</a> Music education, leadership, drum major</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236546">ANGELA MERRITT</a>: Child psychology, Max Planck Institute, Germany</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236547">THUY NGUYEN-TRAN:</a> Physiology, DNA research</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236550">JASMINE OMOROGBE:</a> Communication studies, Hip hop, Shakespeare, singer</li>
<li><a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236553">DAVE RAILE:</a> Spanish studies, med-school bound, Ecuador</li></ul>

<p><strong>Postscript: by Garrison Keillor</strong><br />
"I talked to these six students..." <a href="http://cla.umn.edu/news/reach/archive/spring10subFeatures.php?entry=236555">More</a></p></body>
         <category>
            29811|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 12:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/chakmaraja.jpg" length="109926" type="image/jpeg" />
         <title>The Linguist</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236544</link>
         <guid>236544</guid>
        <body><p><em>DUSTIN CHACÓN is a cheerful red-haired guy, the son of Tony and Jodie, born in the Central Valley of California, raised in Rapid City, South Dakota, by his mother. A linguistics major, he's a senior majoring in linguistics, due to graduate in May. He's been accepted for grad school at University of Southern California and the University of Maryland and hasn't decided between them. </em><div style="width:350px; float:right; margin: 20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Dustin Chacón and fellow scholarship students with Raja Davasish Roy, king of the Chakma tribe, at the royal palace in Rangamati, Bangladesh." src="http://blog.lib.umn.edu/clareach/stories/chakmaraja.jpg" width="350" height="239"" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Dustin Chacón (second from right) and fellow scholarship students with Raja Davasish Roy (center), king of the Chakma tribe, at the royal palace in Rangamati, Bangladesh.<br />Photo courtesy Dustin Chacón.</p></div></p>

<p>"I had an enjoyable time growing up a geek in Rapid City. We geeks drove around a lot and went to Walmart late at night, hung around, talked, and visited the all-night Safeway. And then they put in a Borders bookstore and that was a hot spot for the geeks. When I was 12, I saw a book in a bookstore, Learning Japanese, and I just decided I wanted to do it. I read all the books I could find, listened to tapes, and one day I went to a Japanese restaurant and spoke to the people behind the counter. They thought it was cute.</p>

<p>"In high school I had a friend who was second-generation Bangladeshi and I heard her talk in Bengali and it sounded musical, rhythmic. She taught me a little, and I ordered some books. Now it's one of my primary research interests, the structure of Bengali. I know Bengali speakers and they laugh when I speak Bengali to them--it's their family language and they're surprised that a white guy with red hair speaks it. It's impossible to extract a language from its cultural context, and I knew nothing about South Asia, but I've learned something about it since.   </p>

<p>"I took four years of German in high school and borrowed a French textbook and tested into fourth-year French. I took three years of Hindi at the U, because the pop culture of South Asia is Hindi, but I haven't used my Hindi all that much.</p>

<p>"I think facility for language is just a matter of how much you enjoy it. It's a hobby of mine. When I started learning Japanese, it was like an abstract puzzle, but now that I'm studying the science of language, I am interested in the cognitive limitations of language and what languages have in common. The underlying blueprint.</p>

<p>"I took a psychology course in high school that mentioned Noam Chomsky and his theory of universal language and that got my interest. I read Stephen Pinker's <em>The Language Instinct</em>, which turned out to be the text for introductory linguistics, all about the cognitive mechanisms of language. A fascinating book. I recommend it to everybody.</p>

<p>"As a freshman, I took Introduction to Linguistics, a class of 30 or so. I didn't know <br />
a lot about what linguistics was but I fell in love with it. There was something elegant about describing language, which we do unself-consciously everyday, something so essential to being human.</p>

<p>"I've done a little work on the structure of Bengali and I'm also interested in psycho-linguistics and how the brain processes language, how neural disorders--Alzheimer's --affect language use, as the disease progresses, and in the long run to use these signs as a diagnostic tool, a predictor.<br />
  <br />
"Linguistics is a small program at the U, maybe 60 majors, maybe 20 grad students, and there are a lot of social activities. Linguistics Happy Hour and Linguistics Lunch, where the conversations are rarely about linguistics --we're all friends together--and it's been important to me to have this social contact and have friendships with professors and other students, so you're not just another face in a large program. I work hard and my rule is to have a sabbath, one day a week when I lie around and watch TV and eat bad food and decompress. Usually it's Saturday or Sunday.  I do video games like Megamen or movies, horror or horror comedies, which are usually pretty horrible, or Bollywood.<br />
  <br />
"I spent this last summer, from June to early August, in Dhaka, Bangladesh, on a State Department scholarship, and improved my Bengali massively. There were 15 of us Americans, and it was fantastic. We spent some time in the eastern part of the country, near the Burmese border, and lived with the Chakma tribe in a village of modern frame houses with thatched roofs, in the hills, surrounded by fields on slopes, and met with their king, a tall, slender man in his late 30s, English-educated, a lawyer in a suit, and we sat in his parlor and had tea and cookies. He was very personable. He talked about his people and his family and his life in London. Friendly chatter." </p>

<p><a href="http://cla.umn.edu/news/reach/index.php?entry=236543">Return to Academic Happiness introduction</a></p>

<p>Next student story: <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236545">AARON MARKS:</a> Music education, leadership, drum major</p></body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 11:50:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/musician.jpg" length="139051" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/musician2.jpg" length="81996" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/musician3.jpg" length="94794" type="image/jpeg" />
         <title>The Musician</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236545</link>
         <guid>236545</guid>
        <body><p><em>AARON MARKS is a tall guy (6'4") in black jeans and black sweater who, I am told, can stand and, leaning back, touch his forehead to the ground. It's part of his routine as the drum major of the University of Minnesota Marching Band. He grew up in Fond du Lac, Wisconsin, the son of Michael and Polly, both musicians.</em><br />
<div style="width:350px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt=""Photo of Aaron Marks performing back bend at the TCF Bank Stadium in his drum major uniform."  src="http://blog.lib.umn.edu/clareach/stories/musician.jpg" width="350" height="258" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Aaron Marks meeting a (drum-) major challenge: the ultimate backbend<br />Photo courtesy Aaron Marks</p></div></p>

<p>"I grew up in a musical family so I picked up violin and piano, and then clarinet in middle school. I was a parochial kid, Holy Family parish school, and my parents switched me to the public high school, 2,400 kids, because they saw more opportunities for me there.</p>

<p>"I played bass clarinet and then picked up the mellophone because they needed a brass player. It's the marching band equivalent of the French horn. It looks like a big trumpet with a larger bell. It was a challenge but I stuck with it.</p>

<p>"Marching band was so much fun and had such camaraderie and I was attracted to the U by the great marching band. And the Cities were a big draw. I came here with my dad once when I was 11 and we went to the Saint Paul City Hall to see the revolving onyx Indian, 38 feet high. My original goal was to study music education and I got into marching band the first year. We accept everyone, whether you've played an instrument before or not: if you're willing to put in the time, we're willing to teach you.</p>

<p>"There are around 310 students in marching band. It's a commitment. It takes about 500 hours for the season. We meet Monday through Thursday, 4:15 to 6. And on Friday on game weeks. On Saturday, we spend all day. An 11 a.m. kickoff means the band starts at 6 a.m. We march around silently on the field for half an hour with one drummer hitting cadence and then start playing until 8:30 or 9. Breakfast and then we dress. There's inspection. Then everyone is on their own until 10 a.m. I eat a bagel or something and sit down and think through the routine. I put on my white pants, which are tight, form-fitting, and black spats, knee-high, and white jacket with a maroon overlay, with a secret key sewn into it, a key to the gate of Northrop Field, the old football field and drill field that predated Memorial Stadium,  It means a lot to me as a symbol of the history of the band and the U. And then the hat and plume finish it off.<br />
 <br />
"The halftime show is seven or eight minutes long and changes every week. The pregame is 18 minutes long, the most intricate in the country and most of it is unscripted. You get a chart that says you start here and go there, but the path you take is sort of an oral tradition. I've never had a major catastrophe on the field but I think about it--an injury, for example, or the directors missing. </p>

<div style="width:200px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Aaron Marks and Garrison Keillor talking as Keillor uses a laptop computer."  src="http://blog.lib.umn.edu/clareach/stories/musician2.jpg" width="200" height="246" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">With Garrison Keillor<br />Photo by Kelly MacWilliams</p></div>

<p>"Marching band is a social activity, and we need to be able to correct each other and remind each other--we're putting a lot of time in, let's put on a good show. Drum majoring has taught me to prepare mentally and physically, and that in the moment you need to be ready to do what's best. You have to learn everyone's name and where they're from and their major, so that they know we're all working together for the same thing, and I'm not just pushing them around. You have to memorize the music and the drill. You have to be ready to laugh at yourself. The most well-scripted routine will sometimes give rise to comedy. Funny things will happen. </p>

<p>"We have four home games in a row next season, four different shows to learn in four weeks. Drum majoring has provided opportunities I never could have imagined. I got to sing the national anthem with my mom and dad at the Dome for the last Gopher football game. We sang it in three-part harmony in front of 60,000 people. You can't hear yourself so you just watch the conductor lead the band. Singing in the new stadium is a wild ride. You get your pitch before you walk out and when the drum roll starts, you go.</p>

<p>You have to sing a measure ahead and the conductor tries to time the band with your voice coming out of the speakers, and you hold the big fermatas as long as you want to, and it helps to wear earplugs. Otherwise you sing the first line and then you hear the first line sung by yourself as you're singing the second. The band plays it in B-flat, and the top note is an F, which is tough for a baritone. </p>

<p>"The driving force for me is my passion for marching band, the history of the band, the people in band, the marching in intense heat or pouring rain, sitting on the bus for three hours to go march in the rain, everyone working toward one thing. We're maybe five percent music majors, and we have English majors, business, computer science, and all these people of different perspectives and political persuasions come together to perform a show.  </p>

<p>"The drum major has to be in the moment--you've got to give the beat so the tubas stay with the drums though they may not hear them. You make up your own show, but the goalpost toss--tossing the baton over the goalpost and catching it--is a tradition that goes back 80 years. </p>

<p>"I am the 59th drum major in the history of the U and the first to march in the new stadium. We marched and saw all these Minnesotans all jacked-up, so much enthusiasm, people clapping and screaming and little kids giving you the high-fives and fist bumps. You're part of something that's bigger than yourself. It was here before, it'll be here after. We stand in front of the student section, down by the goalposts, looking up at all those students, and they have such emotional passion to give and when the band starts to play, the student section erupts. It's an out of body experience.</p>

<p>"The last couple of weeks, I've added a major in political science, and I've gotten more interested in leadership. I'm sure I'll stay involved with music but I may look for some leadership opportunities. I'm not sure what I'll do with it yet, but I know this opportunity has helped me gain incredibly valuable leadership experience." </p>

<p><img alt="Photo of marching band brass musicians playing at the TCF Stadium." src="http://blog.lib.umn.edu/clareach/stories/musician3.jpg" width="250" height="188" class="mt-image-none" style="margin: 20px 20px 20px 0" /></p>

<p><a href="http://cla.umn.edu/news/reach/index.php?entry=236543">Return to Academic Happiness introduction</a></p>

<p>Next student story: <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236546">ANGELA MERRITT</a> Child psychology, Max Planck Institute, Germany</p></body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 11:40:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/psych.jpg" length="73233" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/psych2.jpg" length="134215" type="image/jpeg" />
         <title>The Child Psychologist </title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236546</link>
         <guid>236546</guid>
        <body><div style="width:250px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Angela in front of the Conservatory at Como Park." src="http://blog.lib.umn.edu/clareach/stories/psych.jpg" width="250" height="185"  class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Angela Merrit refreshing her spirits at Como Park Conservatory<br />Photo by Kelly MacWilliams</p></div>

<p><em>ANGELA MERRITT is a Saint Paul girl, dark-haired, gentle, soft-spoken, but very clear about things. She doesn't search for words or beat around the bush. She's the daughter of Fred and Rosemary and grew up near Como Park, riding her bike around the lake and visiting the Conservatory where, especially in winter, she got a strong sense that "everything would be okay."</em></p>

<p>"I went to Saint Paul Central High School, which offered a child-care services class with an in-house day care with 20 to 25 kids at any particular time,  and that piqued my interest in working with children. I thought it was wild that my school offered child care. Now, looking back, I can see that I was always interested. So I set out to become a pre-school teacher.</p>

<p>"I went to a tech college in Eau Claire to get a teaching certificate and I taught in preschools for a few  years. I love teaching. I have a caregiver sense about me but more than that I have a fascination with children and how they learn language, and math problems, and why some kids are so much faster than others. Kids from rough backgrounds, how they compare with their peers. You see everything when you work in pre-school. But I knew I wanted more. Pre-school teaching is fascinating, but it's thankless work, high stress, and the pay is no good. Nobody does it forever. </p>

<p>"So I went to the University of Wisconsin - Rice Lake, a small town, so friendly and it was great to be in that atmosphere. </p>

<p>"And then I decided to come home to the U of M. I had always imagined that I would go here. It felt like home, the Gophers and all that. I had an apartment in Saint Paul with a roommate, and rode the bus from Como Park to the U. I went in the child psychology program, which was very lucky for me, a small program and I was an honors student so the classes were smaller and there was more contact with professors. Sometimes I feel overwhelmed by all the work I have to do, but the other day I was organizing computer files and read over some of my old papers, and it reminded me of why I was so excited about college. To write about new things and get comments back and to take literature classes as a break from reading science--classes like The Nature of Good and Evil, and Sexuality and Culture.<img alt="Photo of Angela with a group of children at the Como Park Conservatory." src="http://blog.lib.umn.edu/clareach/stories/psych2.jpg" width="250" height="306" class="mt-image-left" style="float: left; margin: 20px 20px 20px 0;" /></p>

<p>"I'm a morning person. I make lists and take notes, I form study groups--'Hey ladies, there's a test next week, let's get together and study'--we meet in the library or someone's house. I study at a café or at home or in the library; I move around. I always eat breakfast. Three meals a day. I don't believe in staying up all night. I get eight hours of sleep, seven or nine just doesn't work out for me.<br />
 <br />
"I had been at the U for two years and a student came into class talking about this exchange program in Berlin. I'd always wanted to study abroad but I come from a family with not much money and I was 26, older than most other students, and I thought I should graduate and get it over with and go to work or start grad school. </p>

<p>"But I applied, and I got an interview, a cold day in January, 11 people sitting behind a table in the Social Science Tower. I was very nervous, big-time stress. I knew they were going to ask me a question in German. I had taken two years of German at the U--my grandmother was German, second-generation, Delores Love, she lived in Saint Paul, near Saint Bernard's Church--but I was afraid of the German Question. Which was: "What do you do in your free time?" I stuttered. I said, "Could you please repeat the question?" I said something about cooking and going rock climbing and doing yoga. At the end, I walked out of the room thinking, 'At least you tried and they're having a good laugh.' </p>

<p>"Three hours later, they called up and said, 'We're supposed to notify you by mail but we wanted to tell you that you got the scholarship.' It was a year at the Freie Universität (Free University) of Berlin. I thought, 'This is really scary. I might not even do it. I don't have to go.' But in the end, I went. </p>

<p>"I flew to Newark, then to Berlin and was met by a friend from German class at the U. Found an apartment in Prenzlauer Berg, which somebody told me was a cool place to be, in the old East Berlin, in old apartment buildings where, after the Wall came down, squatters lived who had then become more legal and most of them were still around, artists, musicians, classic lefties, bohemians, some young families with kids. Artists, musicians. The Free University is 45 minutes away by U-Bahn, the subway, which I rode three times a week to class. </p>

<p>"I decided to jump right in and look for an internship at a research institute and I sent emails to the Max Planck Institute which responded with discouraging comments, and I kept at it, and got an interview, and got the internship. They were doing cognitive research and I thought I'd just help out, but they sat me down and made me a junior researcher. I felt like a fish out of water and knew I had gotten myself into a bigger thing than I'd counted on. It was like learning to ride a bike. I did a project with adults, comparing older with college-age in working memory and categorization tasks, studying the possible adaptive effects of aging. </p>

<p>"Being in a foreign country and learning the language was something I thought I'd never be able to do. But I gave a presentation in German about cognitive modeling and answered questions. And I met a man and fell in love. Speaking with his German family was a high point of my fluency, so that I felt they really 'got' me. Though in German I was shyer, less sure, and a lot more polite. I couldn't make sarcastic remarks in German. He and I are still together. </p>

<p>"I'll go over to Berlin this summer and he'll come visit here.  I'll do an internship at an elementary school this summer, and begin a master's in educational psychology in Berlin in the fall." </p>

<p><a href="http://cla.umn.edu/news/reach/index.php?entry=236543">Return to Academic Happiness introduction</a></p>

<p>Next student story: <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236547">THUY NGUYEN TRAN:</a> Physiology, DNA research</p></body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 11:30:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/dna1.jpg" length="100128" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/dna2.jpg" length="100204" type="image/jpeg" />
         <title>The DNA Researcher</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236547</link>
         <guid>236547</guid>
        <body><p><em>THUY NGUYEN-TRAN is a slender, clear-eyed young woman with gold-rimmed glasses who talks very fast in complete sentences and complete paragraphs, too. Thuy [pronounced Twee] sat down in jeans, black boots, and a blue sweater, and looked me straight in the eye. She listens to a question and before I'm halfway through it, I can see her framing her answer. She lives in Richfield with her parents and rides the bus to the U (100 dollars per semester) and she will enter medical school in the fall.</em><br />
<div style="width:350px; float:right; margin:0 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Thuy Nguyen-Tran in the lab" src="http://blog.lib.umn.edu/clareach/stories/dna1.jpg" width="350" height="233"  class="mt-image-right" style="float: right; margin:5px 0;" /></span><p style="clear:both; font-size:10px; padding:0;">Thuy Nguyen-Tran--the scientist (above) and the dancer (below in red dress)<br />Lab photo by Kelly MacWilliams and dance photo courtesy of Thuy Nguyen-Tran</p></div></p>

<p>"My parents were law students in Saigon and emigrated in 1984, escaping by boat to a camp in Malaysia. My aunt in Los Angles sponsored them to come to America and they moved to Minneapolis in 1988 when I was born. Both of them went to the U, my dad in economics, my mom in French, and my dad became a stay-at-home dad so my mom could take a job at the U library. They had four kids and we all grew up in a bilingual home.  My sister and I started a traditional Vietnamese dance group, girls four to 21, some of them adopted, and our family works every summer at Vietnamese camp at St. Olaf, which is for adoptees, 150 kids every summer, to learn about where they came from.</p>

<p>"I was in kindergarten when I knew I'd go into science. We had a little pencil box science kit and you took it home and did the activities--make a volcano with vinegar and baking soda, for example--and it was fun and I got to do it with my parents. I developed a passion for health care as well, thanks to my parents, and I volunteered at a hospital and did a program called Health Career Investigators and got to tour hospitals and learn about the field.</p>

<p>"We have relatives in Vietnam, Japan, New York, New Jersey, Canada, California, and Texas. I want to go back to Vietnam to see where my parents grew up, in the center of Saigon. I wanted to go this summer but my classes start in early August. The U has a flex M.D. program so maybe I could go to Vietnam as an educational experience, hopefully within the next couple years. <br />
<img alt="THUY NGUYEN-TRAN" src="http://blog.lib.umn.edu/clareach/stories/dna2.jpg" width="350" height="154" class="mt-image-left" style="float: left; margin: 20px 20px 20px 0;" /><br />
"It was logical and comfortable to come to the U, which was familiar to me. I started taking U classes my junior year in high school, a lot of science, biology, history, English, so I started here as a freshman with 50 credits--I had sophomore standing--but I decided to do the full four years because there were a lot of courses I wanted to take. </p>

<p>"My classes were mostly on the East Bank, including a hands-on biology class, with lots of lab work, and a great professor, Jane Phillips, a very approachable person who gave me my first job working in a lab. Through CLA I engaged in service learning courses, the Community Scholars Program, and pursued a minor in leadership. An interesting concept that definitely changed me. In Vietnamese culture, there's more focus on community, being reserved, respectful, so I needed to learn to be a leader by helping others find their own strengths and skills. Empowering others through education.<br />
 <br />
"I'm happiest when I'm doing something hands-on and something unknown, like a research project I'm doing now about DPC--DNA protein crosslinks--certain chemicals that cause a protein to link onto DNA and interfere with cellular processes which could lead to cell damage or cell death, so the big picture is learning how to create these DPCs and observe their effects on cells and someday create anti-cancer drugs. You work in the lab with little beakers and pipettes,  you make a hypothesis but you're not sure it'll turn out. Inevitably, you have setbacks and little failures along the way, but each time you give it a go, you troubleshoot and try to eliminate your mistakes, and it's really exciting when you solve problems and eliminate them. And it's exciting when you succeed. The Aha! moment.  It doesn't happen so often and so it means more to you.</p>

<p>"I'm going to medical school this fall. I enjoy research but I want to do more public health and work directly with people, especially with underserved communities, such as immigrant populations. These people have tremendous language barriers and cultural barriers. </p>

<p>"When I was a little girl, my parents made up stories about a girl who rode around on a magical turtle named Mimi and did good deeds, putting out forest fires, helping an old woman clean her house, giving back to the community, doing good for others. My parents taught me discipline. They were students and studied hard at the kitchen table and I watched them and I sat and scribbled on a pad.</p>

<p>"So I study hard. I was brought up to. I get up at six and go to campus and study for an hour or two and answer e-mails. I'm willing to work on weekends and not go out to parties. I'm in class until 5 or 5:30. I'm taking anatomy now and a nonprofit management class, and one in leadership. And I have meetings during the day. I work for a program called Minnesota's Future Doctors which is to help minority and rural students gain the skills to become competitive applicants to med school.</p>

<p>"So this is the plan. Four years of med school, then four years' residency in pediatrics. I'll be 29 and I want to be here in the Twin Cities, working in the  Vietnamese community, trying to bridge the generations, old and young, keeping the old culture and teaching American values."</p>

<p><a href="http://cla.umn.edu/news/reach/index.php?entry=236543">Return to Academic Happiness introduction</a></p>

<p>Next student story: <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236550">JASMINE OMOROGBE:</a> Communication studies, Hip hop, Shakespeare, singer</p></body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 11:20:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/communicator.jpg" length="104668" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/whole.jpg" length="56595" type="image/jpeg" />
         <title>The Communicator</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236550</link>
         <guid>236550</guid>
        <body><p><em>JASMINE OMOROGBE [aw mer AW bee--the g is silent] is a first-generation African-American, her father, Benjamin, born in Benin City, Nigeria, and her mother, Jariland Spence, from Lafayette, Alabama. Jasmine grew up in Minneapolis's North Side ("a big stigma, lots of stereotypes about crime, but I never had any problems there. You have to be mindful, that's all.") and I can't imagine she ever had any problems with anything or anyone: she is a powerhouse. She talks fast, has a big beautiful smile, a young black woman with kinky twist extensions in her hair, who tells you her story without decoration. Father was an orphan who came to this country to go to law school in Louisiana. She is a communications major who hopes to be a corporate recruiter and a motivational speaker and open a nonprofit, maybe work with minority students to prepare them for college.</em></p>

<p>" 'Education is the great equalizer,' my dad liked to tell his children. My parents raised me in a culture of education and learning. We read books together. Everyday happenings turned into teachable moments.</p>

<div style="width:350px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Jasmine Omorogbe with Garrison Keillor" src="http://blog.lib.umn.edu/clareach/stories/communicator.jpg" width="350" height="233" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Jasmine Omorogbe with Keillor<br />Photo by Kelly MacWilliams</p></div> 
 
<p>"I had a great time at Patrick Henry High School. I love school.  PH was predominantly people of color. So it wasn't an issue. I dove in and got in the college preparatory program. In my family, not going to college just wasn't an option.  I never had a rebellious phase. I was primarily raised by my mother who was pushing me, challenging me, and praising me. When I was in 10th grade, a University student group called Voices Merging came to my high school, six of them, white, African American, Latino,  and they did a spoken word performance about the power of words to create social change.  I wanted to be a part of that group and that really moved me toward coming to the U.  I joined Voices Merging and now I'm president of the group.</p>

<p>"I was thinking of elementary education at the time, but I don't have the patience to be a teacher in the trenches all day. And I'm not a math person so I knew that IT wasn't for me. I settled on communications and got in the honors program, where my advisor is Mary Moga, who's the best person on earth, and she keeps me on track. I'll graduate summa cum laude in the spring. Some people look at me and assume that I'm here because of affirmative action, because the U needed to fill a quota, but my GPA from Patrick Henry was 3.9. So I earned the right to come.</p>

<p>"I live on the East Bank, in Yudof Hall, and I've got a lot of work to do so time management is the important thing. I work for the Career & Community Learning Center and the Office of Admissions, and I coordinate the multicultural kickoff where the minority students come for a couple of days before fall semester. And I'm very involved in Voices Merging. It's been a high point of my U career. We put on an open mic show on campus every other  Monday. Four hundred people. It's magic. High energy. Every open mic has a theme, something about social change. You can rap, or sing, or speak, and we have a DJ who plays in between people. Two hours, 8 to 10 p.m. Each person gets five minutes. People put their names in a bucket and we draw 20 or so. We don't censor. Sometimes people just come and read out of the Bible or somebody says 'I don't believe in Christianity,' but it sparks discussion. </p>

<p><img alt="JASMINE OMOROGBE" src="http://blog.lib.umn.edu/clareach/stories/whole.jpg" width="250" height="176" class="mt-image-left" style="float: left; margin: 20px 20px 20px 0;" />"My honors project was about using hip hop in the classroom to teach English and poetry--some of the poetic concepts in hip hop rhythms are the same as Shakespeare's.  </p>

<p>"Hip hop culture includes graffiti, rapping or emceeing, the breakdance, and DJ turntableism. Now it's expanded to fashion, journalism, so forth. Hip hop came from Jamaica and the Bronx, and it's all about expressing the frustration of black people and telling the truth. (But you can't sad breakdance.) Some people think it's just gangsta rap and all about guns and money and referring to women as bitches or hos, but that's just done for commercial success, that's not what true hip hop is all about. The true artists are underground. It's sad. These white suburban kids are drawn to gagsta rap as a vicarious thing, but it's ridiculous. All about the 'hood.  To me, misogynism is not inherent in hip hop, and it's not all right. We have a good hip hop scene in Minnesota. Brother Ali. Heiruspecs, Atmosphere, The Blend, Toki Wright, Mike Dreams, Carnage. And Voices Merging is hosting a hip hop conference at the U April 9 to 11 called From Vices to Verses: A New Era in Hip Hop and Action--hip hop is a tool for good, and we need to use it." </p>

<p><a href="http://cla.umn.edu/news/reach/index.php?entry=236543">Return to Academic Happiness introduction</a></p>

<p>Next student story: <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236553">DAVE RAILE:</a> Spanish studies, med-school bound, Ecuador</li></p></body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 11:10:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/doc1.jpg" length="74503" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/doc2.jpg" length="134829" type="image/jpeg" />
         <title>The Doctor</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236553</link>
         <guid>236553</guid>
        <body><p><em>DAVE RAILE [pronounced RAY-lee] is a tall, lean guy with short, cropped hair who grew up on the south side of Edina and attended Saint Thomas Academy in Mendota Heights, the youngest of three children of Geoffrey and Cheryl. His dad is a radiologist, his mom is a prenatal nurse at Abbott. Dave talks in a deliberate way, but he brightens up when we start talking about boxing. </em></p>

<div style="width:250px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Dave Raile (left) interning as a medical assistant in Ecuador" src="http://blog.lib.umn.edu/clareach/stories/doc1.jpg" width="250" height="198"  class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">David Raile (left) interning as a medical assistant in Ecuador<br />Photo courtesy of Dave Raile</p></div>

<p>"I got into boxing when I was a junior in high school. I was at a crossroads, I was unhappy, things not going my way. I had a big mouth and talked a lot and got into trouble and boxing was a good way to get out negative energy and unhappiness. And anger. Hey, I wanted to beat up my big brother. I saw the Rocky movies, many times, all six of them, and I think they're great for what they are. My dad understood and he helped me find a trainer in Eden Prairie who had boxed for years. He trained me for a year with 14-ounce gloves and then I went to a trainer in South Minneapolis at Elite Boxing. It was great. I got to meet people. I never had any issue with minorities or people unlike myself. Boxing has mellowed me out. I don't have a big mouth anymore.<br />
 <br />
"I started out at the University of Denver. I was never enamored of the idea of going away to school but my sister went there and I visited it over a weekend and didn't dislike it, so I said, Okay, fine. Freshman year I had a 4.0 average but from day one, it didn't feel like the right place. One night, Denver was playing the Gophers in hockey and I cheered for the Gophers and my friends said, 'Why don't you go to Minnesota if you love it so much?' And I made a spur-of-the-moment decision to apply to the U. Got wait-listed and was accepted on July 1 and I couldn't have been happier. Both my parents went to the U.  I love everything about the place. I feel it's always run in my blood, the state and everything. It was an easy decision.</p>

<p>"I didn't want to study science or math. I knew I didn't want to go into medicine. The classes that interested me were ancient philosophy, psychology, political science, history, and so on.</p>

<p>"I lived off-campus in Stadium Village, and now I live in Dinkytown. I'm pretty organized in a disorganized way and know where everything is in my room even if it doesn't look like it.  Within the first couple weeks I joined the water skiing team. A club team, so we get no money from the U. Slalom is my event: you ski through an entrance gate and around six buoys and an exit gate. The boat drives up the middle and you have to maneuver around them. It takes 16 seconds at 36 miles per hour and you're on a 60-foot rope and every time you complete one pass, they shorten the rope to 53, then to 43.   </p>

<p>"And then, my sophomore year, I took a biology lab course, Biology and the Evolution of Sex, which took me by surprise, a couple hundred students, a great teacher, a great lab T.A. And it clicked in me that I wanted to go into medicine. There never had been any pressure from my parents, but I just knew that medicine was what would make me happiest. I always had this innate instinct as a kid to diagnose people. Once in ninth grade I was playing football with a friend and the ball hit him in the hand and he was shaking it and I grabbed his hand and felt around the bones and told him I thought it was broken and to go get an X-ray. Once my sister was lying on the couch, her stomach hurt, and I told her she had appendicitis, and she woke up at 4 a.m. and had to be rushed into surgery.</p>

<p>"I took an EMT course last semester, and passed the test last week. It was all hands-on. Did everything from managing airways to controlling bleeding, controlling shock, dealing with special needs patients, young children, infants, geriatrics. Trauma management. Diabetic emergencies. Behavioral emergencies, overdoses and so forth. </p>

<p>"Last spring I spent three months in Ecuador doing a public health internship through the Minnesota Studies in International Development program.</p>

<div style="width:350px; float:right; margin:0 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Raile at Macchu Piccu" src="http://blog.lib.umn.edu/clareach/stories/doc2.jpg" width="350" height="254"  class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px; padding:0;">David Raile at Macchu Piccu, "the Lost City of the Incas," in the Peruvian jungle<br />Photo courtesy of Dave Raile</p></div>

<p>"It was seven weeks in Quito and then an internship in a town six hours southeast of Quito on the edge of the Amazon jungle. It was mind-blowing.  Quito is industrialized and urbanized and the town is not: hot, humid, pouring rain, dirt roads, meat markets with the fresh slaughtered carcasses hanging up. I lived with a family--my mother worked at the hospital where I did my internship, my dad ran a tourist business taking people whitewater rafting. Two sisters, 23 and 25, both with little kids. The house was simple, one-story, concrete, and I slept in a room off the kitchen, a barred window looking right onto a busy street. I slept very little. I was a medical assistant at the hospital, learned how to start IVs, draw blood, take vital signs, give shots. Their number-one cause of death was pneumonia. Malnutrition was the contributing cause to most of their health problem. Low protein, a lot of starch.</p>

<p>"This semester I'll be done with the prereqs and this summer I'll take the MCAT and apply to medical schools and the U of M is my first choice.</p>

<p>"Time management is my big challenge. There's always things you'd rather be doing. I'm a creature of habit. I get my schedule down and know what I'm doing every day. I get up at seven. I don't sleep much compared to my roommates. I work out at the rec center. Lift weights, cardio--I spend a lot of time in the library and with my girlfriend and friends."</p>

<p><a href="http://cla.umn.edu/news/reach/index.php?entry=236543">Return to Academic Happiness introduction</a></p>

<p>Go to <a href="http://cla.umn.edu/news/reach/spring10subFeatures.php?entry=236555">Postscript</a> by Garrison Keillor</p></body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 11:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ps.jpg" length="109407" type="image/jpeg" />
         <title>Postscript by Garrison Keillor</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236555</link>
         <guid>236555</guid>
        <body><img alt="Garrison Keillor walking with students on campus during winter." src="http://blog.lib.umn.edu/clareach/stories/ps.jpg" width="350" height="203" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" />
<p>I talked to the six students individually for an hour or so, asked open-ended questions, scribbled down their answers as best I could. Each of them struck me as straightforward, unabashed, unselfconscious, talking to me as equals, making eye contact--none of that eye-rolling and smirking and mumbling and slouchiness that you see in some young people and that drives the old alumnus nuts. And each of them is capable of self-discipline, turning off the immediate gratification in favor of working toward the long-term reward. </p>

<p>And then there was the energy. The surge of energy when they sat down next to me and got to talking. It was inspiring to meet them. It's good to talk to people in their early twenties. You learn that weariness and disillusionment and despair are luxuries. You've got to keep going back to basics. I left Dinkytown and drove home to Saint Paul, resolved to quit fruiting around and try to focus and work harder and make my time count for something. I'm hopeful about that. </p>
</body>
         <category>
            29608|29840
         </category>
         <pubDate>Tue, 01 Jun 2010 10:50:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Bound to Please</title>
         <description><p>Read reviews of books and other creations by CLA faculty, staff, and alumni</p>

<ul>
<li><a href="http://cla.umn.edu/news/reach/spring10subBoundToPlease.php?entry=236562">Creative Writing</a></li>
<li><a href="http://cla.umn.edu/news/reach/spring10subBoundToPlease.php?entry=236565">Nonfiction</a></li>
<li><a href="http://cla.umn.edu/news/reach/spring10subBoundToPlease.php?entry=236567">Music</a></li>
</ul>

<p><br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236557</link>
         <guid>236557</guid>
        <body><h3><em>REACH</em> readers: Buy books up to 20% off </h3>

<p>With this issue we launch a new section of <em>Reach</em>:  "Bound to Please," about books and other creations by our own CLA faculty, staff, and alumni. </p>

<p>Reach readers are invited to purchase the featured items at University of Minnesota Bookstore (Coffman) at 20% off, and other books (except textbooks) at 10% off.</p>

<p>Find them on display at the bookstore or purchase books online at the : <a href="http://site.booksite.com/7291/nl/?list=CNL6">Bound to Please website</a>.</p>

<p>Online or in-store, use this code: <strong>BTP41510</strong></p>

<p>Happy reading!</p></body>
         <category>
            29815|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 10:40:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/cool%20auditor.jpg" length="37243" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/happy.jpg" length="24392" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/the%20grass.jpg" length="47133" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/what%20the%20poem%20wants.jpg" length="36058" type="image/jpeg" />
         <title>Creative Writing</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236562</link>
         <guid>236562</guid>
        <body><h3>What the Poem Wants</h3>
<img alt="Cover of What the Poem Wants" src="http://blog.lib.umn.edu/clareach/stories/what%20the%20poem%20wants.jpg" width="150" height="259" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Michael Dennis Browne</h4>
<p>Carnegie Mellon University Press, 2009 / Reading this small book is like sitting down with Browne over a cup of tea to chat about poetry. It is warm, simply and generously written. In short chapters, Browne brings the reader into his own writer's life, a world of colleagues and influences&mdash;who include Minnesota's John Berryman and James Wright&mdash;and considerations of music and poetry, walking, failure, duty, hope...so the book isn't just about poetry, but about a man who's lived and thought a lot about it. -MP</p>
<p><em>Professor Browne has taught English at the University since 1973 and has written several books of poetry. He retired in April.</em></p>

<br class="clearabove" />

<h3>Purge</h3> 
<h4>Nicole Johns</h4>
<p>SEAL PRESS, 2009 / Eating disorders are on the rise (they affect an estimated 10 to 15 percent of female college students), and have the highest mortality rate of any mental illness. In a brave, raw account of months away from the U of M at a Wisconsin eating disorder clinic, Nicole Johns describes the relentless reach of the disease into every corner of its victims' lives&mdash;producing loss of control, panic, self-loathing and bizarre body image, guilt, shame, anger, heart problems, seizures, kidney failure. "I am at war with my body," she writes; in the course of her story the reader gradually comes to understand just how massive is the war and how desperate the struggle. -MP</p>
<p><em>Nicole Johns, M.F.A. '06, received her master's of fine arts degree in creative writing from CLA's English department. Purge is a finalist for ForeWord Review's Book of the Year Award.</em></p>

<br class="clearabove" />

<h3>Cool Auditor</h3>
<img alt="Cover of Cool Auditor" src="http://blog.lib.umn.edu/clareach/stories/cool%20auditor.jpg" width="150" height="223" class="mt-image-left" style="float: right; margin: 0 12px 8px;" />
<h4>Ray Gonzales</h4>
<p>Boa Editions, Ltd., 2009 / Maybe this book of prose poems should be a Spike Jonze movie called Being Ray Gonzalez. Adventuring into Gonzalez's insurgent imagination can give you the wild and surreal feeling that he is recalling dreams you haven't yet had. Some pieces are humorous, like the riffs on research in "Findings (1)" and "Findings (2)"; others, like "Scratch," are breathtakingly existential. -MP</p>
<p><em>Gonzalez is a professor in the Creative Writing Program. He has written numerous books of poetry, non-fiction and fiction, is poetry editor for The Bloomsbury Review, and founding editor of the poetry journal</em> LUNA.</p>

<br class="clearabove" />

<h3>Happy: a Memoir <br/ >Fancy Beasts</h3>
<img alt="Cover of Happy" src="http://blog.lib.umn.edu/clareach/stories/happy.jpg" width="150" height="241" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Alex Lemon</h4>
<p>Milkweed Editions, 2010 / If you simply describe the story line of Alex Lemon's memoir, <em>Happy</em>, you do it a disservice. Yes, he describes a time in his life when he overcame a life-threatening malfunction near his brain stem. But this is no ordinary account and Lemon is no ordinary writer.</p>
<p>The corporeal quality of his language thrusts you into his world. Lemon is also a poet and uses his poetic sensuality to help us feel his evolving emotions&mdash;the denial of his vulnerability, his fear of loss, anger at his situation, and the shame that anger brings. This is more than a story of overcoming the odds.</p>
<p>SCRIBNER, 2010 /<em>Fancy Beasts</em> is Lemon's newest collection of poetry. Reading <em>Fancy Beasts</em> on the tails (no pun intended) of <em>Happy</em> has been a wonderful entry into Lemon's poems. Again, his language is corporeal and the imagery is jagged and harsh and yet funny as he pokes fun at American culture: "And when the piano drops on you, it's like wow, this is all/There is? Plop, plop&mdash;fizz fizz." Another poem is titled, "My Fallow Human Beans." I know I'm enjoying poems when I set the book down, sigh in satisfaction, and pick up the book to read it again. I read, I laughed, I sighed, I read again. -CW</p>
<p><em>Lemon, M.F.A. '04, teaches at Texas Christian University and co-edits the journal</em> LUNA <em>with U of M English professor Ray Gonzalez.</em></p>

<br class="clearabove" />

<h3>The Grass</h3>
<img alt="Cover of The Grass" src="http://blog.lib.umn.edu/clareach/stories/the%20grass.jpg" width="150" height="211" class="mt-image-right" style="float: right; margin: 0 12px 8px;" />
<h4>Paul Zerby</h4>
<p>North Star Press of St. Cloud, Inc., 2009 / We'd like to think the U has always been a bastion of reason and fairness, but according to Paul Zerby, that was not the case when he was a student here in the era of Joe McCarthy. Zerby's coming-of-age novel is driven in part by a fictionalized account of real-life philosophy instructor Forrest O. Wiggins, a socialist and the U's first black professor. University President James Morrill's decision to dismiss Wiggins was protested by CLA Dean Charles Conger, Wiggins's colleagues in the philosophy department (who wanted to give him tenure), and thousands of students who claimed the action was racist and a violation of academic freedom. The New York Times reported that Wiggins, vice-chair of the Minnesota Progressive Party, believed Morrill was bending to legislative pressure.</p>
<p>The novel is principally about the madness of war&mdash;in this case the Korean War, and, well, testosterone. The Grass was a finalist for the Bellwether Prize for fiction in support of social change, which is founded and funded by Barbara Kingsolver. -MP</p>
<p><em>Zerby, B.A. '53, a CLA political science graduate, is a retired Minnesota assistant attorney general.</em></p>

<br class="clearabove" />

<h3>To Purchase These Books</h3>
<p>You can find these books on display at the bookstore or purchase books online at the <a href="http://site.booksite.com/7291/nl/?list=CNL6">Bound to Please website</a>.</p>

<p>Online or in-store, use this code: <strong>BTP41510</strong></p></body>
         <category>
            29608|29844
         </category>
         <pubDate>Tue, 01 Jun 2010 10:20:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/HO.jpg" length="35300" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Ho_inside.jpg" length="69577" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/ZAGAR.jpg" length="30908" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/kwanzaa.jpg" length="48179" type="image/jpeg" />
         <title>Nonfiction</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236565</link>
         <guid>236565</guid>
        <body><h3>Liquidated: An Ethnography of Wall Street</h3>
<h4>By Karen Ho</h4>

<div style="width:350px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Karen Ho is an associate professor of anthropology in CLA" src="http://blog.lib.umn.edu/clareach/stories/Ho_inside.jpg" width="350" height="210"  class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Karen Ho is an associate professor of anthropology in CLA<br />Photo by Patrick O'Leary</p></div>
<p>Duke University Press, 2009 / Was the Great Recession predictable? Absolutely, says Karen Ho, who spent a year on Wall Street working as a financial analyst--and returned for another two as an anthropologist.</p>

<p>Anthropology may bring to mind archaeological digs or the recording of exotic mating dances, but for Ho, an associate professor in CLA, it means studying the high-profile but poorly understood world of American investment banking.</p>	

<p>She finds it, in the words of one of her research subjects, "all about today and--whether you can make money today and if you can't make money today, you are out of there"-- an understanding that investment bankers and traders often project onto the rest of the world. That attitude, she says, gave rise to the fast-buck, first-quarter culture largely responsible for the worst economic crisis since the Great Depression.</p>	

<p>In eye-opening detail, <em>Liquidated: An Ethnography of Wall Street</em>, describes how the behavior patterns Ho saw first-hand came to be writ large as an economic bubble that burst disastrously, dismantling vast enterprises and putting millions out of work.</p>	

<p>Financial incentives in this highly competitive industry are enormous and reward those who cut the most deals in the least time. The message to workers, according to Ho, is: don't dally, don't think too hard, don't be influenced by ultimate impact. Move now--tomorrow you may be unemployed.<img alt="Cover of Liquidated: An Ethnography of Wall Street" src="http://blog.lib.umn.edu/clareach/stories/HO.jpg" width="150" height="227" class="mt-image-right" style="float: left; margin: 20px 20px 20px 20px;" /></p>	

<p>For many privileged and highly networked Wall Streeters, graduates of top universities too young to have experienced the world, she says, it may not be particularly traumatic to be laid off from a job that pays a cool half million, knowing they will be picked up soon enough on the upswing of this churning industry. It is, however,  problematic when they mistakenly assume other workers are also only passingly affected by job insecurity and the "performance enhancing" practices that cause it--quick turn-arounds, short-selling, and restructuring. That misconception, Ho says, sets a stage where these whiz-kids can become less capable of understanding the suffering of others.</p>	

<p>"In such a context," she writes, "ﬁnancial crashes and busts are not natural cycles but, rather, are constructed out of everyday practices and ideologies: the strategies of the boom set the stage for the bust."  -MP</p>			


            <h3> Kwanzaa: Black Power and the Making of the African-American Holiday Tradition</h3>
              <h4>Keith Mayes</h4><img alt="Kwanzaa: Black Power and the Making of the African-American Holiday Tradition" src="http://blog.lib.umn.edu/clareach/stories/kwanzaa.jpg" width="150" height="227" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" />
             <p> ROUTLEDGE, 2009 / This is the first scholarly book to look at black holiday traditions as part of a greater cultural movement. Kwanzaa, Professor Mayes says, resulted from the "calendar politics" of the Black Power movement of the 1960s, where black people created their own holidays to express their unique experiences, culture, and aesthetics within the larger national context.  -KO</p>
              <p><em>Mayes is an associate professor in the Department of African American 
              and African Studies.</em></p>
<h3>Further on, Nothing</h3>
            <p>Michal Kobialka 
              University of Minnesota Press, 2009 / You may think "avant-garde" simply means "ahead of the crowd." If so, this volume of Michal Kobialka's essays and the writings of Tadeusz Kantor which they introduce and interpret will correct that notion. Kantor (1915-1990), the avant-garde Polish theater artist (also painter, writer, creator of "happenings" and theorist), peeled back words and images in order to look straight into reality. What is reality, he asked in his plays and notebooks. What is its relationship to art? What is death and what is memory? How can erasure make reality visible? Kobialka provides perspectives for understanding Kantor's deeply philosophical writings about theater, which are as enigmatic and as penetrating as Zen koans.  -MP</p>
            <p><em>Professor Kolbialka has taught in CLA's Department of Theatre Arts and Dance since 1988. He is member of the editorial board of the new journal, </em>Polish Theatre Perspectives.</p>
              <h3>Knut Hamsun: The Dark Side of Literary Brilliance</h3>
              <h4> Monika Žagar </h4><img alt="Cover of Knut Hamsun: The Dark Side of Literary Brilliance" src="http://blog.lib.umn.edu/clareach/stories/ZAGAR.jpg" width="150" height="223" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />
              <p>University of Washington Press, 2009 / Even Norway's Queen Sonja remarked, as she kicked off author Knut Hamsun's 150th birthday celebration last year, "I think we'll have to keep two thoughts [about him] in our head at the same time." Monika Žagar explains why, as she traces the Nazi sympathies of this Nobel Prize-winning literary giant back to his belief in a racial hierarchy, an idealized Norwegian rural life and "woman tamed in marriage."  -MP</p>
              <p><em> Žagar is a professor of Scandinavian studies. </em></p>

<h3>To Purchase These Books</h3>
<p>You can find these books on display at the bookstore or purchase books online at the <a href="http://site.booksite.com/7291/nl/?list=CNL6">Bound to Please website</a>.</p>

<p>Online or in-store, use this code: <strong>BTP41510</strong></p></body>
         <category>
            29608|29844
         </category>
         <pubDate>Tue, 01 Jun 2010 10:10:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/tobecertain_of_the_dawn.jpg" length="41547" type="image/jpeg" />
         <title>Music</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236567</link>
         <guid>236567</guid>
        <body><h3>To be Certain of the Dawn (CD)</h3><img alt="tobecertain_of_the_dawn.jpg" src="http://blog.lib.umn.edu/clareach/stories/tobecertain_of_the_dawn.jpg" width="150" height="151" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" />
<h4>Stephen Paulus, composer; Michael Dennis Browne, librettist</h4>
<p>BIS, 2009 / In this memorial oratorio, massed orchestra and choirs conjure the enormity of the Holocaust and solo voices lament personal tragedy. Paulus and Browne were nominated for a Pulitzer Prize for this collaboration, recorded by the Minnesota Orchestra under the direction of Osmo Vänskä. It was part of an interfaith project of the Basilica of St. Mary and Temple Israel in Minneapolis.  -MP</p>
<p><em>Paulus, B.A. '71, M.A. '76, Ph.D. '78, is a composer for orchestra, chorus, opera, and other genres. He is the founder of the American Composers Forum.</em</p>

<h3>To Purchase This CD</h3>
<p>You can find this CD on display at the bookstore or purchase books online at the <a href="http://site.booksite.com/7291/nl/?list=CNL6">Bound to Please website</a>.</p>

<p>Online or in-store, use this code: <strong>BTP41510</strong></p></body>
         <category>
            29608|29844
         </category>
         <pubDate>Tue, 01 Jun 2010 10:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Hnilicka-bagman.jpg" length="18130" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/bagman2.jpg" length="33329" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/bagman3.jpg" length="86449" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/bagman4.jpg" length="26558" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/bagman5.jpg" length="87815" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/bagman7.jpg" length="29355" type="image/jpeg" />
         <title>Bagman for the Arts</title>
         <description><p>How can communities support local art and artists? Alumnus Jeff Hnilicka leads the way, taking a page from the sustainable food movement.</p>
<p><em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236568</link>
         <guid>236568</guid>
        <body><p class="pullquote">It was three years after Hurricane Katrina had mercilessly raked New Orleans's lower ninth ward into the sea. Jeff Hnilicka, an arts administrator visiting from New York, happened to be strolling through the neighborhood. He was moved by what he saw.</p>
<p>Generations of a family displaced by the disaster, and their neighbors, were preparing to celebrate a life-sized artwork by local artist Wangechi Mutu, Mrs. Sarah's House, commemorating the loss they suffered when their home was destroyed by Katrina. "There was food and singing and dancing and crying and sharing stories," he recalls.</p>

<div style="width:224px; float:right; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Jeff Hnilicka holds a white canvas bag with a dollar sign on it." src="http://blog.lib.umn.edu/clareach/stories/Hnilicka-bagman.jpg" width="224" height="288" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Jeff Hnilicka says it feels "oddly subversive" to present artists grant money in a canvas bag. But maybe that's how one feels, starting a national movement.<br />Photo by Kelly MacWilliams</p></div>

<p>But what struck him was how this piece of art, which was part of the international Prospect.1 New Orleans Biennial, was helping the community to rebuild itself. He thought, "This is what I want my life to be about"--making contemporary art accessible where it is most effective--in the community.</p>
<p>In some ways, the revelation wasn't new. After all, following his graduation from the University in 2004 with a B.A. in theater arts, Hnilicka had launched his career as manager of visitor services at Minneapolis's Walker Art Center, where he was responsible for removing the physical and psychological obstacles encountered by visitors. But the New Orleans experience reinforced his appreciation of how powerful art can be when removed from the literal and figurative walls of museums.</p>
<p><img alt="bagman3.jpg" src="http://blog.lib.umn.edu/clareach/stories/bagman3.jpg" width="250" height="169" class="mt-image-left" style="float: left; margin: 20px 20px 20px 0;" /> He returned to New York reenergized, and with members of the Hit Factorie art collaborative began to brainstorm about how to produce art that would appeal to all the members of a community--not just arts professionals, and would be displayed where people actually live--not just in museums.</p>
<p>The product of their labor is FEAST: Funding Emerging Art with Sustainable Tactics. Inspired by a similar initiative in Chicago called Sunday Soup, FEAST turns citizens into small-scale philanthropists and their community into a large-scale grant review committee.</p>
<p>Every other month or so people of all ages and walks of life fill a small church basement in Brooklyn's Greenpoint neighborhood, paying $10 to $20 (on a sliding scale) for <img alt="bagman7.jpg" src="http://blog.lib.umn.edu/clareach/stories/bagman7.jpg" width="170" height="128" class="mt-image-right" style="float: right; margin: 20px 0 20px 20px;" />dinner. The event is local in every respect. Volunteers serve a home-cooked dinner made with locally sourced ingredients (sample menu: Tuscan soup, roasted veggie salad, locally brewed beer). Area artists mount visions of their public art projects on the walls and circulate through the crowd. Local musicians play in the background.</p>
<p>At evening's end, participants vote for the project they would most like to fund. After Hnilicka and his FEAST co-founders count up the ballots he ceremoniously presents the winner with a canvas bag stuffed with cash collected at the door. The artist leaves with a micro-grant and a mandate to bring the vision to life in time for the next FEAST.</p>
<p><div style="width:300px; float:left; margin:20px 20px 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="A funded project, the Camper Kart. A small tent with a door that is set up in a grocery cart." src="http://blog.lib.umn.edu/clareach/stories/bagman5.jpg" width="300" height="322" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">A funded project, the Camper Kart, was displayed in Manhattan and Brooklyn parks<br />Photo by Kevin Cyr</p></div>Since FEAST began, it has awarded $8,500 to 14 artists. Kevin Cyr is one of them. He created Camper Kart, a shopping cart he transformed into a one-person-sized RV, or, as he puts it, "a functioning habitat for an urban camper." He took the cart to public parks in Manhattan and Brooklyn to spark conversations about the effect of the recession on a community's sense of need.</p>
<p>And so it was that last October FEASTers crowded around the completed Camper Kart, visibly excited about a work they voted for months earlier when it was just an idea on a piece of paper.</p>
<p>FEAST, it seems, successfully counteracts the elitist air that sometimes surrounds contemporary art. "A lot of people are turned off by contemporary art because they don't get it--there's not an entry point for them," Hnilicka says. "You have to have so much context to get what the artist is talking about." With FEAST, those who appreciate the art are its context: they saw and understood the idea in its initial stages and voted for it.</p>
<p>The idea has taken off. The first FEAST drew 150 people. Eight months later, attendance had nearly doubled. Since then, Hnilicka and friends have begun to spread the idea nationally.</p>
<p><img alt="bagman2.jpg" src="http://blog.lib.umn.edu/clareach/stories/bagman2.jpg" width="180" height="92" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />They started in the Twin Cities. At the Walker Art Center last July, Hnilicka encouraged local artists to launch a spin-off. In November the first Minneapolis FEAST was held, drawing more than 300 people. The creators of one winning project, Public Consumption, plan to place paintings in public locations throughout the city and track the effects of time on them. By investigating how weather, vandalism, relocation, and other forces change the art, they hope to remind audiences that art is embedded in, rather than detached from, time and space.</p>
<p>Last winter Hnilicka also visited Los Angeles and San Francisco, meeting with artists who hope to launch FEASTs in their own communities.</p>
<p><img alt="bagman4.jpg" src="http://blog.lib.umn.edu/clareach/stories/bagman4.jpg" width="100" height="151" class="mt-image-right" style="float: right; margin: 20px 0 20px 20px;" />While he's excited about the popularity of the idea, Hnilicka is also cautious. He knows that growth isn't always an unmitigated good, and is trying to increase FEAST's scope and magnitude while maintaining its grassroots philosophy. "We don't want to be the Whole Foods of the art world. We want to be a national network of CSAs," he says, referring to the Community Supported Agriculture cooperatives in which consumers support local farmers directly and receive a share of the produce in return.</p>
<p>But whether FEAST becomes a national network or remains a quirky, bi-monthly event in a church basement in Brooklyn, Hnilicka is committed to making it work to break down barriers between art and communities.</p>
<p>There's something wholesome and transparent, yet oddly subversive, he says, about the climactic moment at each FEAST when he holds up the prize and announces the winner.</p>
<p>Handing an artist a bag of bills siphoned from the wallets of a roomful of people and calling it a grant violates, he points out, all sorts of social conventions: "No one ever gets a thousand dollars at a party." It forces you to think about the logic of the world you live in.</p>
<p>And that, Hnilicka says, is the point.</p></body>
         <category>
            29811|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 09:50:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/LuciaWatson.jpg" length="41553" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/alexlemon.jpg" length="33638" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/theresa_ward-1.jpg" length="37154" type="image/jpeg" />
         <title>CLA Alumni</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236596</link>
         <guid>236596</guid>
        <body><p><strong>Kenneth Abdo,  B.A. '79</strong>, of the law firm Lommen, Abdo, Cole, King, Stageberg, was named a 2009 Attorney of the Year by <em>Minnesota Lawyer</em> for his work in the entertainment industry. Last year he helped singer Jonny Lang start his own music company; he negotiated for Owl City on a recording which proceeded to top the charts, for the entire recorded music catalog rights for Three Dog Night, and for songwriter and pianist Jim Brickman on a song that reached #1 on the New Age chart and resulted in a PBS TV concert.</p>
<p> <strong>Kristy Athens, B.A. '91</strong>, is a writer in residence in Harney County, Oregon, finishing a book about urban people moving to rural areas, and working on collage art, mostly for her line of greeting cards (<a href="http://ithaka.etsy.com">http://ithaka.etsy.com</a>).  </p>
<p><strong>Bob Barrie, B.A. '78</strong>, owns Minneapolis advertising agency, Barrie D'Rozario Murphy,  which was named 2009 Small Agency of the Year by the American Association of Advertising agencies, for overall creative excellence and consistently high standards. </p>
<p><strong>Alan Bjerga, M.A. '98</strong>, was sworn in by Minnesota Senator Amy Klobuchar as the 103rd president of the National Press Club at a gala held in his honor. Bjerga covers agricultural policy for <em>Bloomberg News</em> in Washington, D.C. </p>
<p><strong>Jon Bream,  B.A. '74,</strong> longtime <em>Star Tribune</em> music critic, has published his latest book, <em>Neil Diamond Is Forever: The Illustrated Story of the Man and His Music</em>. Bream, a journalism graduate, has been recognized as an outstanding alum of the University's College of Liberal Arts and named to the <em>Minnesota Daily</em> Hall of Distinction. </p>

<div style="width:170px; float:right; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Lucia Watson" src="http://blog.lib.umn.edu/clareach/stories/LuciaWatson.jpg" width="170" height="111" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Lucia Watson</p></div>

<p><strong>Lucia Watson, B.A. '76</strong>, is the chef and owner of Lucia's restaurant in Minneapolis, and proprietor of a rental townhouse in Brittany (<a href="http://www.maisondegranit.com/">maisondegranit.com</a>). Last fall she was named a <em>Chevalier (Knight) du Merite Agricole </em>by the French government for her creative cuisine rooted in sustainable agriculture. Watson is the board chair of the international Institute for Agriculture and Trade Policy. </p>
<p><strong>Bette Jones Hammel, B.A. '47</strong>, has published her book, <em>Legendary Homes of Lake Minnetonka</em>, featuring homes by distinguished architects including Philip Johnson, Ralph Rapson, Elizabeth Close and Frank Gehry. Hammel, of Wayzata, Minn., an architectural journalist, established the Bette Jones Hammel University of Minnesota Scholarship for Undergraduate Students. </p>
<p><strong>Erin Hart, M.A. '95</strong>, has published her third novel, <em>False Mermaid</em>. Her touring schedule is at <a href="http://erinhart.com">http://erinhart.com</a>. </p>
<p><div style="width:170px; float:left; margin:0 20px 15px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Alex Lemon" src="http://blog.lib.umn.edu/clareach/stories/alexlemon.jpg" width="170" height="229" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Alex Lemon</div>
<strong>Alex Lemon, M.F.A.  '04</strong>, was featured in <em>Esquire</em> magazine's "Best and Brightest" issue. </p>
<p><strong>Michelle Matthees, B.A. '92, M.F.A. '01</strong>, was Poet of the Week in November 2009 on Poetry SuperHighway. </p>
<p><strong>Dominic Saucedo, M.F.A, '02</strong>, has a story in <em>Breakwater Review</em> and has recently joined the faculty at Minneapolis Community and Technical College, where he teaches composition and creative writing. </p>
<p><strong>Dr. Robert M. Twedt, B.A. '45</strong>, retired; he had worked for the U.S. Public Health Service and the Center for Food Safety and Applied Nutrition. Twedt wrote a memoir, <em>Hare, Hare, What You Doing There?: A Memoir of Growing up in the Thirties</em>, focusing on the relationship of a first generation Norwegian-American with his immigrant father. The book ends on the doorstep of Pioneer Hall. He writes, "There has been some clamor, not large, for a sequel, but arthritic wrists have supported my reluctance to extend the saga!" </p>

<p><strong>Theresa Ward, B.A. '82</strong>, Merrill Lynch Financial Advisor, was recognized as one of the top financial advisors in Minnesota on the America's Top 1,000 Advisors: State-by-State list which was published in the February 22 edition of <em>Barron's</em> magazine. </p>

<div style="width:170px; float:right; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Theresa Ward" src="http://blog.lib.umn.edu/clareach/stories/theresa_ward-1.jpg" width="170" height="213" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Theresa Ward</p></div></body>
         <category>
            29623|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 09:40:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Nolte.jpg" length="58051" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/PeterGraves.jpg" length="48105" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/farah.jpg" length="40150" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/garmezy.jpg" length="31580" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/lukermann.jpg" length="37355" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/pohland.jpg" length="34600" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/shank.jpg" length="36696" type="image/jpeg" />
         <title>In Memory</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236600</link>
         <guid>236600</guid>
        <body><div style="width:160px; float:left; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Fred Lukermann, Jr." src="http://blog.lib.umn.edu/clareach/stories/lukermann.jpg" width="160" height="204"  class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Fred Lukermann, Jr.</p></div>
<strong>FRED LUKERMANN, JR., 87</strong>, professor emeritus in geography and dean of CLA from 1978 to 1989, died on September 1, 2009, at his home in Falcon Heights.  He is credited with helping to make the geography department's doctoral program one of the finest in the country. </p>

<p>As dean, he was instrumental in establishing the departments of African American and African studies, American Indian studies and Chicano studies, the urban studies program, the School of Public Affairs (now called the Humphrey Institute of Public Affairs), and the Center for Urban Affairs. He fought for tenure for women faculty and was devoted to his students. Lukermann served the college for some 50 years. </p>

<p><a href="http://blog.lib.umn.edu/cla/discoveries/2008/07/the_lukermann_legacy_1.html">Read tributes to Fred Lukermann</a>. Memorial gifts can be made to the Lukermann Geography Fellowship Fund #6737 at <a href="http://cla.umn.edu/giving">cla.umn.edu/giving</a> (click Make a Gift).
</p>
<p>
<div style="width:200px; float:left; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Charles Nolte" src="http://blog.lib.umn.edu/clareach/stories/Nolte.jpg" width="200" height="277" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Charles Nolte</p></div>

<strong>CHARLES NOLTE, M.A. '63, Ph.D. '67</strong>, professor emeritus, distinguished actor, playwright, and director, died of prostate cancer in Minneapolis on January 14. He was 87.</p>
 
<p>Nolte first came to the University in 1941, quit to join the Navy, and finished his bachelor's degree in English history at Yale. He acted on stage and in films with the likes of Henry Fonda, Maureen Stapleton, Charleton Heston, Charles Laughton, Orson Wells, Janet Leigh, and Christopher Plummer. On Broadway he played the title role in <em>Billy Budd</em>.</p>
 
<p>He earned his master's degree and his doctorate at the U in speech and theater arts, staying to teach until retirement in the late 1990s. He was beloved by his students, among whom were actors Peter Michael Goetz and Ernie Hudson. Meanwhile he acted, wrote plays and libretti, and helped establish the Playwright's Center, where he nurtured Barbara Field, John Olive, and others. He was a friend of Tennessee Williams, who flew in to see <em>A Streetcar Named Desire</em> at Scott Hall on the University campus in early 1972, which Nolte was directing.</p>

<p>The University of Minnesota Nolte Xperimental Theatre at Rarig Center is named in his honor.  A memorial event was held on April 26. </p>
  
<p><a href="http://www.mnvideovault.org/search_results.php?q=nolte&amp;search-go.x=0&amp;search-go.y=0#">View a 1993 portrait</a> of Nolte on public television. <a href="http://theatre.umn.edu/charlesnolte.php"> Share memories </a>of Charles Nolte.</p>

<p><strong>Brian E. Anderson, B.A. '66</strong>, died of leukemia on March 16, in hospice at his home in Minneapolis.</p>
  
<p>Editor of <em>Mpls.St. Paul</em> (formerly <em>Mpls</em>) magazine for 33 years, Anderson was one of the longest-serving city-magazine editors in the country. He was civic-minded, an enthusiastic booster of the Twin Cities, and mentor to many young journalists. </p>

<p>He graduated Phi Beta Kappa from the School of Journalism and Mass Communication, and worked on the <em>Minnesota Daily</em>. His first job as a reporter was at the <em>Minneapolis Tribune</em>. He later worked in Washington, D.C., as a Senate staff writer, assistant U.S. Senate librarian, then press secretary and speechwriter for then-Senator Walter Mondale.  </p>
<p>CLA named him an Alumnus of Notable Distinction.</p>
  
<p>Anderson posted his hospice journal:  <a href="http://www.caringbridge.org/visit/brianeanderson/journal">http://www.caringbridge.org/visit/brianeanderson/journal </a> </p>
<p><strong>Lisa Elbert, M.A. '05, M.A. TESL  '06,</strong> died of cancer in August 2009, at the age of 35. The author of <em>Wicoie Yutokcapi Wowapi: Verb Companion to Dakota Iapi</em>, she made significant contributions to the teaching of the Dakota language. </p>
<p>
<div style="width:160px; float:right; margin:0 0 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Caesar Farah" src="http://blog.lib.umn.edu/clareach/stories/farah.jpg" width="160" height="168"class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Caesar Farah</p></div>
<strong>Caesar Farah</strong>, 80, professor  emeritus, in history, died on November 26, 2009. He taught Arabic history and Middle Eastern and Islamic history, and chaired the department of South Asian and Middle Eastern studies. He authored, co-authored, or translated 15 books; one of them, <em>Islam</em>, has been published seven times since 1968. </p>
<p>
<div style="width:160px; float:left; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Norman Garmezy" src="http://blog.lib.umn.edu/clareach/stories/garmezy.jpg" width="160" height="160" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;"><strong>Norman Garmezy</strong></p></div><strong>Norman Garmezy</strong>, 91, professor emeritus, psychology, died of Alzheimer's disease on November 21, 2009, in Nashville. Garmezy was among the first to understand how individuals overcome adversity to do well in life, thus inspiring a new field of research on resilience in human development. <em>The New York Times</em> called him the "grandfather of resilience theory." Memorial gifts may be made to the Norman and Edith Garmezy Graduate Fellowship Fund #2443 at <a href="http://cla.umn.edu/giving/">cla.umn.edu/giving</a> (click Make a Gift). </p>

<p>
<div style="width:160px; float:left; margin:0 20px 20px 0;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Peter Graves" src="http://blog.lib.umn.edu/clareach/stories/PeterGraves.jpg" width="160" height="213" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Peter Graves</p></div>

<strong>Peter Graves</strong>, star of the long-playing TV series <em>Mission Impossible</em>, died of a heart attack March 14 at his Santa Monica home, four days short of his 84th birthday. </p>
<p>In an acting career that spanned half a century, Graves appeared in more than 70 films and TV shows--including the war film <em>Stalag 17</em>, noir-ish classic <em>The Night of the Hunter</em>, westerns and numerous science fiction films. Playing against type, he acted the bumbling pilot Capt. Clarence Oveur in <em>Airplane!</em> (and its sequel), which was named by the American Film Institute the 10th funniest American film. He received Golden Globe and Emmy awards for his signature role in Mission Impossible (his character, intelligence agent John Phelps, famously started each episode with "Your mission, should you decide to accept it..."), and a Primetime Emmy Award for hosting the TV documentary series <em>Biography</em>.  
</p>
<p>A Minneapolis native, Graves, the brother of actor James Arness, served two years in the U.S. Army Air Force during World War II, then, under the GI bill, enrolled at the University of Minnesota as a theater arts major. He remained a strong supporter of the University. </p>

<p><strong>Graham Hovey, B.A. '39</strong>, died on February 20, 2010, in the Luther Crest retirement community in Allentown, Pennsylvania. He was 94.</p>

 <p>A 1939 graduate in journalism and economics, he wrote for numerous news organizations, including the <em>Minneapolis Star</em>; <em>Minneapolis Tribune</em>, where he was the paper's first European correspondent; and <em>The New York Times </em>editorial board and Washington bureau, where he was the European correspondent. After retiring from the <em>Times</em> he became professor of communication and director of the Journalism Fellows program at the University of Michigan.  </p>

<p>As an undergraduate, Hovey was assistant city editor of the <em>Minnesota Daily</em>, and on returning to the University in 1947 for his master's in political science and history, he taught, and launched a weekly "Background of the News" program on KUOM (now Radio K). </p>

<p>During World War II Hovey covered the Minnesota and Iowa National Guardsman of the 34th Infantry Division who famously took Hill 609 from the Germans, the siege at Monte Cassino, the allied breakout from Anzio beachhead, and the liberation of Rome. He lived for a week with French underground forces and broke the story on the destruction of the tiny French village of Oradour-sur-Glane and the slaughter of its 642 men, women, and children by the Nazis. </p>

<p>He won the 1958 Overseas Press Club of America Award for Best American Press Interpretation of Foreign Affairs. The University gave him its Outstanding Achievement Award in 1985; in 1999 he was inducted into the <em>Minnesota Daily</em> Hall of Distinction. </p>

<p><strong>Arthur Kalleberg, B.A. '52, M.A. '57, and Ph.D. '60</strong>, died on October 3, 2009, in Columbia, Missouri at the age of 78. Arthur was a professor of political science for 30 years at the University of Missouri-Columbia, where he won awards for his teaching and research. He was the editor of <em>Dissent and Affirmation: Essays in Honor of Mulford Q. Sibley</em>.</p>

<p><strong>Merry Louise Brunson LaLonde, B.A. '61</strong>, died December 10, 2009, in Edina. She was 84. Born the fifth child of 10 in an abandoned Orient of Texas railroad depot, she grew up during the Great Depression in a ramshackle house in West Texas with no running water, plumbing or electricity, picking cotton bolls with her family. In 1961, married and with two children, she enrolled at the University of Minnesota, earning a bachelor's degree in English in 1961 and a master's in library science in 1964. In 1964 she became the first professional librarian at Control Data (Ceridian), later moving to Cray Research Corporation to be a research librarian. She retired in 1996. </p>

<p>
<div style="width:160px; float:left; margin:0 20px 20px 0px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Photo of Darcy Pohland" src="http://blog.lib.umn.edu/clareach/stories/pohland.jpg" width="160" height="121" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Darcy Pohland</p></div>

<strong>Darcy Pohland, B.A. '85</strong>, died unexpectedly in her sleep on March 5. She was 48. Pohland had been a news reporter at WCCO-TV in Minneapolis  for some 20 years, starting as an intern in the summer of 1983. That summer, diving into the shallow end of a swimming pool, she broke her neck, and was paralyzed from the chest down.  The disability, however, "was a nonissue for her in how she approached her job," said  WCCO general manager Susan Adams Loyd.  
</p>
<p>Pohland was a great fan of the Golden Gophers and supporter of the U; her family asked mourners to consider wearing maroon and gold to her memorial service. </p>

<p><strong>
<div style="width:150px; float:right; margin:0 0 20px 20px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Nicholas Shank" src="http://blog.lib.umn.edu/clareach/stories/shank.jpg" width="150" height="173" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Nick Shank</p></div>
Nicholas Shank, 60</strong>, died of cancer March 25, at Solvay Hospice House in Duluth. He was the administrator of the art department and later served for many years as the director of the Katherine E. Nash Gallery. An accomplished pianist and organist, Nick built a career in life-long service to the arts: teaching and directing theater productions at Duluth Cathedral High School and the College of St. Scholastica; launching an arts-based rehabilitation program in the Minnesota correctional system; working for the Minnesota Film Society; for the U's Art Department, writing grants; and then directing the Nash gallery. He was a strong supporter of local galleries and served on the board of the Twin Cities Fine Arts Association. His family suggests <a href="https://www.foundation.umn.edu/pls/dmsn/online_giving.frames_broker?owner=nash">memorials to the Nash Gallery.</a></p>

<p><strong>Brigadier General (Ret) David W. Win, B.A. '58</strong>, died from leukemia April 29, 2009, in Colorado Springs, at the age of 86. He had been the commander of the North American Air Defense Command Combat Operations Center, responsible for the operation and management of the underground command and control center for NORAD and the U.S. Air Force Aerospace Defense Command. He previously served as chief of staff at the headquarters of NORAD/ADCOM, the military organization in charge of air and sea defense of the United States and Canada. </p>

<p>Win was a much-decorated command pilot with more than 6,000 flying hours: he received the Distinguished Flying Cross for heroism, the Silver Star--the nation's third highest military award--for valor in the face of the enemy, the Distinguished Unit Citation, the Purple Heart, and others. He fought in World War II, Korea, and Vietnam. Shot down over North Vietnam, he was a prisoner of war from 1968 to 1973. </p>
  
<p>Win earned a bachelor's degree in journalism at the University of Minnesota, attended the National War College and completed graduate studies in international affairs at The George Washington University. </p>

<p>&gt;&gt;Send us your news! 
Go to <a href="http://cla.umn.edu/news/reach/alumniupdate.html">cla.umn.edu/alumni </a></p></body>
         <category>
            29623|29608
         </category>
         <pubDate>Tue, 01 Jun 2010 09:30:00 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Thank you to our Donors</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236623</link>
         <guid>236623</guid>
        <body><p>The donors listed have made a remarkable investment in CLA. Their support has fueled new discoveries, opened doors for talented and deserving students, built state-of-the art facilities for teaching and research, and provided critical momentum for many of CLA's vanguard programs and initiatives.</p>
<p>We are especially grateful to the thousands of alumni and friends of the college who made annual gifts to CLA in 2009. We regret that space limits our ability to list all donors. Every single gift contributes to our efforts to support talented students, promote excellence in faculty research and teaching, and build distinction in our academic programs. Thank you!</p>
<p>For information about gift opportunities in the College of Liberal Arts, please call us at 612-625-5031.</p>
<p>You may mail your gift to:<br />
	University of Minnesota Foundation<br />
	CM3854, P.O. Box 70870<br />
	St. Paul, MN 55170-3854</p>
<p>To make a gift or pledge online, please go to CLA's <a href="http://cla.umn.edu/giving">secure online giving page</a>.</p>
<p><em>* deceased</em></p>

<h3>Lifetime gifts or pledges $10,000,000+</h3>
<p>Hubbard Broadcasting, Inc. and The Hubbard Broadcasting Foundation</p>

<h3>Lifetime gifts or pledges $1,000,000 &#8211; $9,999,999</h3>
<p>	Nathan* and Theresa Berman<br />
	Harvey V. Berneking*<br />
	Elizabeth B.* and John Cowles, Sr.*<br />
	Sage and John Cowles, Jr.<br />
        Curtis L. Carlson Family Foundation<br/>
	Ruth and Bruce Dayton<br />
	Deluxe Corporation Foundation<br />
	Edelstein Family Foundation<br />
	N. Marbury Efimenco*<br />
	Beverly Wexler Fink and Richard M. Fink<br />
	Esther F. Freier*<br />
	Starke* and Virginia Hathaway*<br />
	Donald V. Hawkins*<br />
	Erwin A. and Miriam J. Kelen<br />
	Kelen Family Foundation<br />
	Terence E. Kilburn and Charles Nolte*<br />
	Myron and Anita Kunin<br />
	David M. and Janis Larson<br />
	Benjamin Evans Lippincott* and Gertrude Lawton Lippincott*<br />
	Ted Mann*<br />
	Don A.* and Edith I. Martindale<br />
	R. F. "Pinky" McNamara<br />
        Hella L. Mears and William F. Hueg, Jr.<br />
        Charles M. Nolte*<br />
	Arsham H. Ohanessian*<br />
	Helen F. and Otto A. Silha*<br />
        Myrtle L.* and Charles E. Stroud*<br />
	Leland "Lee" and Louise Sundet<br />
	Marvin and Elayne Wolfenson</p>

<h3>Lifetime gifts or pledges $250,000 &#8211; $999,999</h3>
<p>3M Company and 3M Foundation<br />
AOL Time Warner, Inc.
	Dominick J. Argento and Carolyn Bailey-Argento*<br />
	Fern L. and Bernard Badzin*<br />
	Alex Batinich<br />
	Lyle A. Berman<br />
        Bilinski Educational Foundation<br /> 
	Selmer Birkelo*<br />
        James I. Brown<br />
	Sidney L.* and Betty L. Brown*<br />
	John R. and Susan L.* Camp<br />
	China Times Cultural Foundation<br />
	Patrick Corrigan<br />
	Aina Swan Cutler*<br />
	Ronnaug Dahl*<br />
Carol E. and Charles M. Denny, Jr.<br />
	Dietrich W. Botstiber Foundation<br />
	Hannah Kellogg Dowell<br />
	Everett A.* and Ruth Dickson Drake*<br />
	Ruth Easton*<br />
	Freedom Forum<br />
	Frenzel Foundation*<br />
	Gwenith F. Gislason*<br />
	Harrison G. and Kathryn W. Gough<br />
	Government of Finland<br />
        Ellen D. Grace<br />
	Bert M. Gross and Susan Hill Gross<br />
	N. Bud* and Beverly N. Grossman<br />
	Marion D. Groth*<br />
	Herman F. Haeberle*<br />
	Fleurette Halpern*<br />
	Charlotte H. and Gordon H. Hansen<br />
	Lowell and Cay Shea Hellervik<br />
        Herbert Berridge Elliston Fund<br />
        Vivian H. Hewer<br />
	Harold L.* and Harriet Thwing Holden*<br />
        Leaetta M. Hough and Marvin D. Dunnette*<br />
	Jay and Rose Phillips Family Foundation<br />
	Cecill C. and Judge Earl R. Larson*<br />
	Ronald L. and Judith A. Libertus<br />
        Benjamin Evans Lippincott* and Gertrude Lawton Lippincott*<br />
	Robert B. and Mary A. Litterman<br />
	Phyllis B. MacBrair*<br />
	William W. and Nadine M. McGuire<br />
	The McKnight Foundation<br />
	Thomas B.* and Elizabeth K. Merner*<br />
	Doris B.* and Raymond O. Mithun*<br />
	Bruce D.* and Mildred D. Mudgett*<br />
	Eula* and Gil Northfield*<br />
	Jevne H.* and George T. Pennock*<br />
	Pew Charitable Trusts<br />
	Harold E.* and Louise A. Renquist*<br />
	Katherine Roth* and W. Gardner Roth*<br />
        Ruth Easton Fund of the Edelstein Family Foundation<br />
	Richard L. and Ellen R. Sandor<br />
	Showboat Fund<br />
	Werner Simon*<br />
	Star Tribune and Star Tribune Foundation<br />
	Raymond J. and Elvira Tarleton*<br />
	Ted and Roberta Mann Foundation and Blythe Brenden<br />
        Asher Waldfogel<br />
	William D. Wells<Br />
        Virginia J. Wimmer*<br />
	Kurt Winkelmann and Janine Gleason<br />
        David Michael* and Penny Rand Winton<br />
	Robert O. Young, Jr.*</p>

<h3>Lifetime gifts or pledges $100,000 &#8211; $249,999</h3>
<p>	American Latvian Association in the U.S.<br />
American-Israeli Cooperative Enterprise<br />
Frances Coakley Ames*<br />
Elmer L.* and Eleanor J.* Andersen<br />
Andreas Foundation<br />
James Ford Bell and the Bell Family<br />
Marvin and Betty Borman<br />
Paul Brainerd<br />
Caroline Brede*<br />
Gerard L. Cafesjian<br />
Joan Calof<br />
David P. Campbell<br />
Cargill and Cargill Foundation<br />
John S. and Margaret Chipman<br />
Margaret I. Conway*<br />
David C. and Vicki B. Cox<br />
Mathias Dahl*<br />
Dayton Hudson Corporation and Dayton Hudson Foundation<br />
Dicomed<br />
A. Richard Diebold, Jr.<br />
Doran Companies<br />
Robert W. and Mary Eichinger<br />
Herbert B. Elliston*<br />
Embassy of Cyprus<br />
Equity Services of Saint Paul, Inc.<br />
Estonian Archives in the U.S.<br />
William E. Faragher<br />
Judy Farmer<br />
Ted Farmer<br />
David R.* and Elizabeth P. Fesler<br />
David D. Floren<br />
The Ford Foundation<br />
John E. Free*<br />
Jeanne K. Freeman*<br />
Helen Waters Gates*<br />
General Mills and General Mills Foundation<br />
R. James and Teddy Gesell<br />
Margaret E. Gilbertson*<br />
Marion D. Groth*<br />
Guy Grove Family Foundation<br />
Jo-Ida C. Hansen<br />
Evelyn J. Hanson*<br />
Mark and Jacqueline Hegman<br />
Dona M. and Thomas P.* Hiltunen<br />
Jean McGough Holten<br />
John S. Holten*<br />
James A. Johnson and Maxine Isaacs<br />
Richard* and Freda M.* Jordan<br />
Kaemmer Fund of the HRK Foundation<br />
Michael H. and Julie A. Kaplan<br />
Samuel and Sylvia Kaplan<br />
Anoush Khoshkish<br />
James M.* and Audrey H. Kinney<br />
Ida F. Kramer*<br />
Joel R. and Laurie M. Kramer<br />
Carol E. Ladwig*<br />
Bruce A. Larson<br />
Mary Frances Lehnerts*<br />
Stephen E. and Sheila R. Lieberman<br />
Jean E. Cameron and Robert O. Linde<br />
Benjamin Y. H. and Helen C. Liu<br />
Merle W. Loppnow*<br />
Donald J. and Diana Lucker<br />
Natalie C. Lund*<br />
Sidney Lyons*<br />
Emily Maltz and Dale T. Schatzlein*<br />
Carol K. March<br />
Tom and Martha Martin<br />
Max Kade Foundation<br />
Robert H. Mc Clellan*<br />
Medtronic and Medtronic Foundation<br />
Mertz Gilmore Foundation<br />
Miller Khoshkish Foundation<br />
Marjorie E.* and Franklin W. Mortenson*<br />
James W. Nelson<br />
Marion E. Newman*<br />
Otto Bremer Foundation<br />
Robert and Joan* Owens<br />
Patrick and Aimee Butler Family Foundation<br />
Lawrence Perlman and Linda Peterson Perlman<br />
Daniel E. Peterson*<br />
Pew Charitable Trusts<br />
Public Interest Projects, Inc.<br />
Gloria J. Randahl*<br />
Phillip J. Ranheim*<br />
Gerald and Henrietta Rauenhorst<br />
Reader's Digest Foundation<br />
Regis Foundation<br />
Armand A. and Madeleine S.* Renaud<br />
Jane and Bernard H.* Ridder, Jr.<br />
Warren W. Roberts<br />
Katherine* and W. Gardner Roth*<br />
Robert P. Sands and Sally Glassberg Sands<br />
Stephen B. and Chacke Y. Scallen<br />
Judith McCartin Scheide and William Scheide<br />
Robert Schlafle*<br />
Thomas D. Schoonover and Ebba Wesener Schoonover<br />
Elaine Dahlgren Schuessler* and Roy A. Schuessler*<br />
R. Smith Schuneman and Patricia Ward Schuneman<br />
Kathryn M. Sederberg*<br />
Vincent Bancroft Shea*<br />
Hide Shohara*<br />
Morton and Artice Silverman<br />
Steven J. Snyder and Sherry L. Stern<br />
Sons of Italy Foundation<br />
Nancy and David J.* Speer<br />
Starkey Laboratories and Starkey Hearing Foundation<br />
Theofanis G. and Freda Stavrou<br />
Esta E. Stecher<br />
Walter Stremel*<br />
Sun Microsystems, Inc.<br />
Lowell T. and Marjorie E. Swenson<br />
Frank and Carol Trestman<br />
Emily Anne Tuttle<br />
Ukrainian National Association<br />
Rudolph J. Vecoli*<br />
Elma F. Walter*<br />
Warwick Foundation<br />
Gerald Vizenor and Laura Hall<br />
Elizabeth A. Warburton*<br />
Jean Worrall Ward<br />
WCCO AM/TV-WLTE FM<br />
Edward W. Weidner*<br />
Mark and Muriel Wexler</p>

<h3>Lifetime gifts or pledges $25,000 &#8211; $99,999</h3>
<p>A. G. Leventis Foundation<br />
AT&T Company and AT&T Foundation<br />
Adath Jeshurun Congregation<br />
Shaykh Kamal Adham*<br />
Advanced Bionics<br />
Joan Aldous<br />
Allianz Life Insurance Company of North America<br />
American Council of Learned Societies<br />
American Express Company and American Express Foundation<br />
American Psychological Assn.<br />
Americana Arts Foundation<br />
Katherine B. Andersen*<br />
Brian* and Kari Anderson<br />
Harold C. Anderson*<br />
Keith H.* and Martha S. Anderson<br />
Neil P. Anderson<br />
Ronald E. Anderson<br />
Dwayne O. Andreas<br />
Association of American Universities<br />
Austrian Federal Ministry of Science and Research<br />
Ayers Bagley and Marian-Ortolf Bagley<br />
Carol A. Balthazor<br />
Jacob J. and Marjorie L. Barnett<br />
Carol and George* Barquist<br />
Belford Foundation<br />
Bemis Company Foundation<br />
Judson* and Barbara* Bemis<br />
Robert D. and Pearl Lam Bergad<br />
Michael and Carol* Berman<br />
Eileen Bigelow*<br />
Carl E. Blair<br />
Kenneith G. Bomberg*<br />
Robert L. Borg*<br />
Frederick J. Bollum<br />
Lee A. Borah<br />
Margaret E. Borgman*<br />
Sharon L. and Carl A. Borine<br />
Boss Foundation<br />
Thomas J. and Pauline M. Bouchard<br />
Caroline Brede*<br />
Henry L. Brooks*<br />
Joseph Brown and Mary Easter<br />
Robert H. Bruininks and Susan A. Hagstrum<br />
John C. Bryant* and Marilyn Tickle Bryant<br />
Donald G. Burch*<br />
Russell W. Burris<br />
Judy R. Burton*<br />
The Bush Foundation<br />
Carolyn L. Williams and James N. Butcher<br />
Peter M. and Sandra K. Butler<br />
Carmen and Jim Campbell<br />
John P. Campbell<br />
Christopher G. Cardozo<br />
Carl and Eloise Pohlad Family Foundation<br />
Joanne C. Carlson<br />
Karl F. Carlson<br />
Stan W. Carlson*<br />
Lynn and Steve Carnes<br />
Edward J. and Arlene E. Carney<br />
Sol and Mitzi Center<br />
Century Council, Inc.<br />
Mythili V. and Varadarajan V. Chari<br />
David S. and Margot H. Chatterton<br />
Leeann Chin*<br />
Thomas Choi<br />
Charles H. Christensen<br />
Christian Services, Inc.<br />
City of St. Paul<br />
Shirley M. Clark<br />
Burt and Rusty Cohen<br />
Mary Sue Comfort<br />
Allison and Dan Connally<br />
Harold and Phyllis* Conrad<br />
Ellen R. Costello*<br />
Randy and Carol Cote<br />
C. Mayeron Cowles and C. F. Cowles<br />
Cowles Media Company<br />
Ella P. and Thomas M.* Crosby, Sr.<br />
Christine M. Cumming<br />
Mary C. Cunningham<br />
DAAD - German Academic Exchange Service<br />
Michael and Nancy Dardis<br />
Bruce K. Nelson and Sandra J. Davies-Nelson<br />
Joyce Ekman Davis and John G. Davis*<br />
Ken* and Barbara J. Davis<br />
Marjorie J. and Wendell J. DeBoer<br />
Mike Decker and Julie Ferguson Decker<br />
Shirley I. Decker<br />
Cy and Paula DeCosse<br />
Stefania B.* and Carl H.* Denbow<br />
Mary L. Devlin<br />
Michael A. Donner*<br />
Esther B. Donovan*<br />
Mary J. Dovolis*<br />
Gerald S. and Judy C. Duffy<br />
Florence G. Dworsky*<br />
Zola C. Dworsky*<br />
Eastern Enterprises<br />
Karla Beveridge Eastling<br />
Jeff H. Eckland<br />
Todd W. Eckland<br />
Elizabeth D. Edmonds*<br />
April H. Egan and Kevin J. Lawless<br />
Rondi C. Erickson and Guilford S. Lewis<br />
Fred and Patricia L. Erisman<br />
Ernst and Young LLP and Ernst and Young Foundation<br />
F. R. Bigelow Foundation<br />
Farfellow Foundation<br />
David L. and Shirley M. Ferguson<br />
Donald Ferguson*<br />
Mark K. Ferguson and Phyllis M. Young<br />
Merrill J. and Shauna Ferguson<br />
Gertrude Finch*<br />
Norma C. and John R. Finnegan, Sr.<br />
Joan C. Forester*<br />
Edward and Janet Foster<br />
Francis Maria Foundation for Justice and Peace<br />
Douglas A. and Emma Carter* Freeman<br />
John D. and Berna Jo French<br />
Eugene U. and Mary F. Frey<br />
Friends of the IHRC<br />
Carol M. and Benjamin F.* Fuller, Jr.<br />
Burt and Nan Galaway<br />
Jacqui and George* Gardner<br />
GE Co. and GE Fund<br />
Anne F. and Seymour Geisser*<br />
Meg and Wayne Gisslen<br />
GKL Management Consulting LLP<br />
Glen and Harold Bend Foundation<br />
Mary and Steven Goldstein<br />
Lloyd F.* and Mary J.* Gonyea<br />
David F. and Rosemary Good<br />
Robert L. and Katherine D. Goodale<br />
Doug and Jane Gorence<br />
Government of Cyprus<br />
Persis R. Gow<br />
Graco, Inc. and Graco Foundation<br />
William F.* and Patricia M.* Greer<br />
Greystone Foundation<br />
Sharon C. Grimes<br />
Shane T. and Suzanne R. Grivna<br />
Jonathan R. Gross<br />
Leo* and Lillian Gross*<br />
William Grossman<br />
Catherine B. Guisan and Stephen J. Dickinson<br />
Cleyonne Gustafson*<br />
H. R. K. Trust<br />
Bette Hammel<br />
Ronald N. and Carol A. Handberg<br />
Hanovers Manufacturers Trust<br />
Lars P. Hansen and Grace R. Tsiang<br />
Patricia* and Einar* Hardin<br />
Harlan Boss Foundation for the Arts<br />
Elizabeth T.* and John L.* Harnsberger<br />
Harold L. Korda Foundation<br />
Elizabeth S. Harris and Family of Dale B. Harris<br />
Sigmund M.* and Joye G.* Harris<br />
Nils and Patricia* Hasselmo<br />
Helen B. Hauser<br />
Leopold A. Hauser III<br />
The Hawley Family<br />
Patricia J. Heikenen*<br />
Samuel D. Heins<br />
Helen Harrington*<br />
Headwaters Foundation for Justice<br />
Hazel H.* and John* Helgeson<br />
William Henderson<br />
The Henry Luce Foundation, Inc.<br />
Allan A. Hietala<br />
A. William Hoglund*<br />
John L. Holland*<br />
The Holland Foundation<br />
Grace E. Holloway<br />
Honeywell and Honeywell Foundation<br />
Deborah L. Hopp<br />
Wendy Horn<br />
The Horst M. Rechelbacher Foundation<br />
Leonid Hurwicz* and Evelyn Jensen Hurwicz<br />
Marion B. Hutchinson*<br />
ITT Consumer Financial Corporation<br />
Warren E. and Mary E. Ibele<br />
Institute for Aegean Prehistory<br />
Jane Burkleo Fund of the Minneapolis Foundation<br />
Janice Gardner Foundation<br />
James J. Jenkins and Winifred Strange<br />
Anne and Eric Jensen<br />
Ardes Johnson<br />
Paul E. Joncas*<br />
Chester R. Jones*<br />
Jacqueline Nolte Jones<br />
Wendell J. and Elizabeth Josal<br />
Donald W. and Phyllis L. Kahn<br />
Max M. and Marjorie* Kampelman<br />
Odessa Katsila<br />
Clayton Kaufman<br />
Wilbur C.* and Kathryn E. Keefer<br />
Garrison E. Keillor<br />
William H. and Madoline D.* Kelty<br />
Dorothy Kincaid*<br />
Ruth Kincaid<br />
Joseph* and Jacqueline* Kinderwater<br />
Suzanne and Kip Knelman<br />
Knight Foundation<br />
Jim and Pam Knowles<br />
Nicholas and Anastasia Kolas<br />
Korn/Ferry International<br />
Samuel S. Kortum<br />
Peter J. and Linda R. Kreisman<br />
Mark R. Kriss<br />
Dorothy T. Kuether<br />
Frauncee L. Ladd<br />
Lam Research Foundation<br />
John and Nancy Lambros<br />
Trudy E. Lapic<br />
Rosalind L. Laskin<br />
Billie C. Lawton<br />
DJ Leary and Linda L. Wilson<br />
David S. and Julie Lee<br />
Kaarle H. Lehtinen*<br />
Mildred B. Leighton*<br />
Leonard Street and Deinard and Leonard Street and Deinard Foundation<br />
Leonard H. and W. Joyce Levitan<br />
Marilyn and Drew Lewis<br />
Liberace Foundation for Performing and Creative Arts<br />
David M. and Perrin B. Lilly<br />
Lynn Y. S. Lin<br />
Leonard E. Lindquist*<br />
Daniel T. and Helen E. Lindsay<br />
Serge E. Logan<br />
Lominger Limited, Inc.<br />
Longview Foundation<br />
Merle W. Loppnow*<br />
Maureen Lowe and Carl McGary<br />
Richard Luis and Juanita Bolland Luis<br />
Carla Lukermann<br />
Fred* and Barbara* Lukermann<br />
Kathryn Lukermann Plaisance<br />
Judy I. Lund and Neilan B. Lund*<br />
William O. Lund*<br />
Stephanie K. and Warren L. Lundsgaard<br />
Terry E. Shima and Margaret A. Lutz<br />
Joseph D. Lykken<br />
Matthew A. and Suzanne L. Lykken<br />
Warren and Nancy MacKenzie<br />
Dorothy B. Magnus*<br />
Phyllis Maizlish<br />
Lester A. Malkerson*<br />
Mardag Foundation<br />
Erwin and Doris G. Marquit<br />
Jacqueline G. McCauley<br />
Virginia G. McDavid<br />
James "Red"* and Edythe V.* McLeod<br />
Ellen Messer-Davidow<br />
Janice A. Meyer<br />
Midwest Communications, Inc. WCCO-TV<br />
Midwest Federal Savings and Loan<br />
Minnesota State Council on Economic Education<br />
Minneapolis Jewish Federation Community Foundation<br />
Arthur H. "Red"* and Helene B.* Motley<br />
Rolf and Ingrid Muehlenhaus<br />
Paul B. Mulhollem and Valerie K. Cravens<br />
Marilyn J. and Malcolm H.* Myers<br />
National Italian American Foundation, Inc.<br />
Jack and Cathy* Nelson<br />
Richard F. Noland*<br />
Eula* and Gil* Northfield<br />
Mary Ann and Louis P.* Novak<br />
Keith and Nancy Nuechterlein<br />
Michael O'Rourke<br />
Arsham H. Ohanessian*<br />
Roger* and Mary Anne Page<br />
Grace C. and Charles A.* Parsons, Sr.<br />
Pearson Clinical Assessment Division<br />
Personnel Decisions Research Institute<br />
Pfizer Pharma GmbH<br />
Phyllis and Irvin Maizlish Foundation<br />
Wilma G.* and Wayne R.* Pierce<br />
Laura D. Platt<br />
Dottie* and Harold J. Pond*<br />
Charles K. Porter<br />
Porter Creative Services, Inc.<br />
Edward C. and Jan Prescott<br />
PriceWaterhouseCoopers and PriceWaterhouseCoopers Foundation<br />
Ken* and Pat Puffer<br />
Virginia G. Puzak<br />
Ralph R. Kriesel Foundation<br />
Harvey B. Ratner* and Barbara Ratner<br />
George and Frances C.* Reid<br />
Republic of Latvia<br />
R. C. Lilly Foundation<br />
Marcel and Sheila Richter<br />
Norman F. Rickeman and Kathy Murphy<br />
Donald John Roberts<br />
Michelle E. Roberts<br />
Robert G. Robinson*<br />
Calvin J. and Caroline K. Roetzel<br />
Rosenthal Collins Group LLC<br />
Elizabeth E. Roth<br />
A. L. Rubinger<br />
Bruce P. Rubinger<br />
Ronald K. and Carol B. Rydell<br />
Robert W. and Janet F. Sabes<br />
Sabes Family Foundation<br />
Salus Mundi Foundation<br />
Parker D. and Isabella Sanders<br />
David B. Sanford and Frank D. Hirschbach*<br />
Santa Fe Institute<br />
David and Leena Santore<br />
Rusdu and Nurdan Saracoglu<br />
Donald C.* and Mary J.* Savelkoul<br />
Richard L. and Maryan S. Schall<br />
Jean Schlemmer<br />
The Nick Schoen Family<br />
The Schubert Club<br />
Hertha J. Schulze<br />
Jeff and Mary Scott<br />
John T. Scott*<br />
William F.* and Zoe W. Sealy<br />
Securian Foundation<br />
Miriam Segall<br />
Michael R. Sieben<br />
Kathryn A. Sikkink<br />
Carol M. and John M. Simpson<br />
Debra A. Sit and Peter H. Berge<br />
Richard H. and Mary Jo Skaggs<br />
Jonathan E. Smaby<br />
Maureen C. Smith<br />
Soka University of America<br />
Southways Foundation<br />
Charles E. Speaks and Family<br />
Janet D. Spector<br />
St. Paul Pioneer Press<br />
Matthew and Terri Stark<br />
Jane A. Starr<br />
Lucille* and Del Stelling<br />
Mary K. and Gary H. Stern<br />
Eldon L.* and Helen H.* Stevens<br />
Gretchen Stieler*<br />
Hannah C. Stocker*<br />
Winnifred Fabel Stockman*<br />
Svenska Institutet<br />
Craig and Janet Swan<br />
Charles B. Sweningsen<br />
Margaret J.* and Kenneth R. Talle<br />
The Target Corporation/Target Stores<br />
Joseph H. Tashjian and Sandra Kay Savik<br />
Ming Li Tchou<br />
Mildred C. Templin*<br />
Tennant Foundation<br />
Clarence L. Torp*<br />
Luther P. and Lou R. Towner<br />
Edward Trach<br />
Travelers Companies and Travelers Foundation<br />
Walter R. McCarthy and Clara M. Ueland<br />
Unico Foundation, Inc.<br />
Union Pacific Foundation<br />
Unisys Corporation<br />
Donald and Janet Voight<br />
WM Foundation<br />
Joyce L. and Daniel F. Wascoe, Jr.<br />
Irving and Marjorie Weiser<br />
Patrick J. Whitcomb and Patty A. Napier<br />
Tod and Linda White<br />
Delvina E. Wiik<br />
Lloyd A. Wilford*<br />
William Randolph Hearst Foundation<br />
Elsie P. Worch*<br />
Enza Zeller*<br />

<h3>Lifetime Gifts or Pledges $10,000-$24,999</h3>
<p>3 H Industries<br />
Aaron Copland Fund For Music<br />
Ronald F. Abler<br />
Harold R. Adams<br />
John S. Adams<br />
Russell B. Adams<br />
Kenneth J. and Janet E. Albrecht<br />
Douglas Allchin<br />
James R. and Elaine W. Allen<br />
American Broadcasting Co., Inc.<br />
Craig and Nancy Wilkie Anderson<br />
Mary A. Andres<br />
Ann and Gordon Getty Foundation<br />
Carolyn F. and Daniel J. Ansel<br />
Stephen D. Ansolabehere<br />
Lydia Artymiw and David Grayson<br />
Catherine B. and Frederick M. Asher<br />
Beverly M. and Stephen B. Atkinson<br />
Achilles C. Avraamides<br />
Moya A. and Alan Ball<br />
Jenny Victoria Baker*<br />
Barbro Osher Pro Suecia Foundation<br />
Robert L. and Linda M. Barrows<br />
Merritt L. and Marilyn O. Bartlett<br />
Baxter International Foundation<br />
Northrup* and Myrtle* Beach<br />
Paulina Beato<br />
Charles H. Bell*<br />
John W. and Inga H.* Benson<br />
Robert and Margaret Berdahl<br />
Linda Keillor Berg and David A. Berg<br />
Nicholas E. Berkholtz<br />
Frank and Toby Berman<br />
Caroline A. Blanshard*<br />
The John and Jane Borchert Family<br />
Rick A. Borchert<br />
Sharon L. and Carl A. Borine<br />
Michael A. and Sally Bosanko<br />
Lily T. Brovald<br />
Sheila A. Burke<br />
David R. and Sharon E. Burris-Brown<br />
Jon H. and Roxanne D. Butler<br />
Diane Camp and Paul Leutgeb<br />
Karlyn Kohrs Campbell<br />
Campbell Mithun<br />
Andrew M. and Miriam A. Canepa<br />
Howard C. Carlson<br />
Georgia L. Carmean*<br />
Mark Chatterton and Julia Halberg<br />
Chiang Ching-Kuo Foundation<br />
Allison H. Christensen* and Raymond L. Page*<br />
Hsiao-Lei Chu and Nan-Kuang Chen<br />
Heather M. and Matthew J. Clark<br />
Classical Assn. of the Middle West and South<br />
Conference on Jewish Material Claims Against Germany<br />
Parker M. Congdon*<br />
Gus* and Shirley* Cooper<br />
Crown Equipment Corp.<br />
Claudia Drake Curtis<br />
Czechoslovak Society of Arts and Sciences, Inc.<br />
Gertrude W.* and Sophus M.* Dahl<br />
S. M. Dahl*<br />
Lenore B. Danielson<br />
Julia W. and Kenneth* Dayton<br />
DDB Needham Worldwide, Inc.<br />
Beatrice Lofgren De Lue*<br />
Amos and Sandra S. Deinard<br />
Deutsche Bank Americas Foundation<br />
Lois E. DeWitt<br />
Hazel F. Dicken-Garcia<br />
Douglas A. Dolliff*<br />
Dee Gaeddert Dorsey and James E. Dorsey<br />
Anna L. Downs and Paul Cohen<br />
George Duncan and Sheryl Kelsey<br />
Dunnette Group LTD<br />
E.I. DuPont De Nemours and Company<br />
E. K. Strong Memorial Foundation<br />
Brian E. Engdahl and Raina E. Eberly<br />
Embassy of Italy<br />
George S. Emery and Lori S. Jennings-Emery<br />
Emma B. Howe Memorial Foundation<br />
Richard Engebretson<br />
Patricia Hill Engel<br />
Gail G. Engerholm<br />
Emogene Becker Evans<br />
Sara M. Evans<br />
Fannie Mae Foundation<br />
David L. and Susan K. Ferguson<br />
John K.* and Elsie Lampert* Fesler<br />
Kevin W. Finn and Michele E. Fraser<br />
Finnish American Social Club<br />
Robert C. Flink<br />
Florence Kanee Fund<br />
Florida International University Foundation, Inc.<br />
F. P. L. Group Foundation, Inc.<br />
Robert E. and Dorothy Flynn<br />
Abraham Franck<br />
Bonita and William Frels<br />
Thomas L. Friedman<br />
Henry E. Fuldner<br />
Andrew L. Galaway<br />
Aina Galejs<br />
Francis C. Gamelin<br />
Norman* and Edith* Garmezy<br />
William and Beth Geiger<br />
George or Lillith Burner Foundation<br />
George W. Patton and Mary Burnham Patton Foundation<br />
German-American Heritage Foundation, Inc.<br />
Heidi Gesell<br />
Helen J. and William R. Gladwin<br />
Marie K. and David L. Goblirsch<br />
Stanley M. and Luella G. Goldberg<br />
Gayatri and Zakkula Govindarajulu*<br />
Kenneth L. Graham*<br />
Greater Worcester Community Foundation<br />
Greek Ministry of Culture<br />
Lawrence and Ronya Greenberg<br />
Willard A. Greenleaf<br />
Jean M. and Edward M. Griffin<br />
Dalos W. Grobe<br />
Gustavus Adolphus College<br />
Guthrie Theater<br />
Helen M. Hacker<br />
Herman F. Haeberle*<br />
James J. Hahn<br />
Milton D. Hakel<br />
Patrice A. and Gerald P. Halbach<br />
Lili Hall Scarpa and Andrea Scarpa<br />
Kathleen A. Hansen<br />
Richard A. and Linda S. Hanson<br />
Harcourt Brace and Company<br />
Alfred and Ingrid Lenz Harrison<br />
George Hatzisavvas<br />
Casper H. and Mary Hegdal<br />
Claire K. Hekman<br />
Emily J.* and Walter W. Heller*<br />
Henry J. Kaiser Family Foundation<br />
Mary Kay Hicks<br />
Wallace G. and Deborah B. Hilke<br />
Michael and Judy Hopp<br />
Graham B. Hovey*<br />
John R. and Judith J. Howe<br />
Zenas W. and Susanne L. Hutcheson<br />
IBM Corporation<br />
International MultiFoods Charitable Foundation<br />
Barbara D. Jackson<br />
Charlotte W. Januschka<br />
Irene K. K. and J. Vernon Jensen<br />
Jerome Foundation<br />
Jacqueline Jodl and James Viceconte<br />
John and Mary R. Markle Foundation<br />
John Wiley and Sons<br />
Earl L. and Beverly R. Johnson<br />
Johnson and Johnson<br />
Paul E. Joncas*<br />
Marguerite G.* and Chester R. Jones*<br />
KARE 11<br />
KTCA/KTCI-Public TV<br />
Peter R. Kann<br />
Paul and Sarah Karon<br />
Karon Family Foundation, Inc.<br />
Diane Katsiaficas and Norman Gilbertson<br />
Thomas A. Keller III<br />
Michael and Helene Keran<br />
Eva C. Keuls<br />
Margaret A. Keyes<br />
Kidder Peabody Foundation*<br />
Judith M. Kirby<br />
Solveig M. and Victor H.* Kramer<br />
Steven Krikava and Linda Singer<br />
John and Nanciann Kruse<br />
KSTP AM/FM and TV<br />
Sharon K. Thompson Kuusisto<br />
Janice M. and Dr. Joseph J.* Kwiat<br />
Dorothy E. Lamberton<br />
Steven J. Lambros<br />
Thomas and Anne LaMotte<br />
Land O'Lakes Foundation<br />
Lawrence A. and Mary J. Laukka<br />
Fred and Catherine Lauritsen<br />
David and Randy Lebedoff<br />
Helga Leitner and Eric S. Sheppard<br />
Lerner Foundation<br />
Lilliput Foundation<br />
Diane M. and David M. Lilly<br />
Lincoln Financial Foundation<br />
Lincoln Park Zoological Society<br />
Russell C. Lindgren* and Anne Winslow Lindgren*<br />
Janice O. and John D. Lindstrom<br />
Howard and Roberta Liszt<br />
John Y. and Marjorie C. Loper<br />
Sidney Lyons*<br />
David J. Madson<br />
Mark and Charlie's Gay Lesbian Fund for Moral Values<br />
Marquit-Grieser Fund<br />
Martin Marietta Corporation Foundation<br />
Andreu Mas-Colell<br />
Lawrence J. and Andrea K. McGough<br />
McVay Foundation<br />
Robert and Wanda McCaa<br />
Mildred McClellan<br />
Aileen* and George McClintock<br />
Sheila J. McNally<br />
Mary Myers McVay<br />
Christopher M. Meadows and Barbara Reid<br />
Merrill Lynch and Co. Foundation, Inc.<br />
Ministry of Culture of the Hellenic Republic<br />
Shirley P. Moore<br />
Marion S. Moulton*<br />
Mary N. Mullaney*<br />
Joseph J. and Priscilla J. Nauer<br />
NCS Pearson, Inc.<br />
Nederlandse Taalunie<br />
Jon D. Nelson<br />
William C. Nelson*<br />
New Pioneers<br />
New York Times Co. Foundation, Inc.<br />
Alice Park Newman<br />
Charles N. Newstrom<br />
Katherine and Stuart Nielsen<br />
Earl and Judy Nolting<br />
Steven Ruggles and  Lisa Norling<br />
Northwest Airlines<br />
Wells Fargo and Company<br />
Monica B. Novak<br />
Linda Odegard<br />
Josep C. Oliu<br />
Rhoda C. and Gregory L. Olsen<br />
Craig N. and Elizabeth A. Ordal<br />
Coleen Pantalone<br />
Marcia Motley Patterson<br />
June D.* and Theodore C.* Paulson<br />
Marilyn K. H. and Steven W. Peltier<br />
Personnel Decisions International<br />
Elaine D. and Erland K. Persson<br />
Pharmaceutical Research/Manufacturers of America<br />
Morton B. and Pauline Phillips<br />
Photo Marketing Association International<br />
Ellen F. and John S. Pillsbury III<br />
Philip W. Pillsbury, Jr.<br />
Pillsbury Company and Pillsbury Company Foundation<br />
Polish American Congress<br />
Polish National Alliance<br />
Wayne E. and Virginia L. Potratz<br />
Pragmatic C. Software Corp.<br />
Prudential Financial, Inc. and the Prudential Foundation<br />
Psi Chi<br />
Sylvia A. Quast<br />
Qwest and Qwest Foundation<br />
Gwendoline L. Reid*<br />
Joanne Wright Reierson and Lars A. Reierson<br />
Harold E.* and Louise A.* Renquist<br />
M. and J. Rice<br />
Right Management Consultants<br />
Charles* and Evelyn Ritz*<br />
Harold and Ruth Roitenberg<br />
Florane* and Jerome Rosenstone*<br />
Falsum Russell*<br />
Ruth Schaefer Trust<br />
S. C. Johnson Fund<br />
Florence Saloutos*<br />
Donald C.* and Mary J.* Savelkoul<br />
Eileen A. Scallen<br />
Sage Ann D'Aquila Scheer<br />
William W. and Mary A. Seeger<br />
Stephen R. and Mary Jane Setterberg<br />
Myrna H. and E. Joe Shaw, Jr.<br />
Thomas J. Shroyer and Nan K. Sorensen<br />
Marjorie Sibley*<br />
John A. Simler<br />
Simon Fraser University<br />
Dennis A. Simonson and Pamela J. Alsbury<br />
Joseph A. Sirola<br />
Sit Investment Associates, Inc. and Sit Investment Associates Foundation<br />
George G. Sitaramiah*<br />
Charles K. and Susanne M. Smith<br />
SmithKline Beecham Corporation and SmithKline Beecham Foundation<br />
Norma B.* and James A.* Smutz<br />
Michael and Betty Anne Soffin<br />
Eugene A. and Joan E. Sommerfeld<br />
Frank J. Sorauf<br />
Margaret Spear<br />
Statue of Liberty Ellis Island Foundation, Inc.<br />
Victor N. Stein*<br />
Glenn and Mary Steinke<br />
Edwin O. Stene*<br />
James M. Sternberg<br />
Lorraine Gonyea Stewart<br />
Virginia and Frederick Stohr<br />
Patrick J. Strother and Patricia Henning<br />
Donald F. and Virginia H. Swanson<br />
Kristin G. Sweeney<br />
Paul A. and Lucienne J. Taylor<br />
TCF Corporation, Bank and Foundation<br />
Arlene A. Teraoka and James A. Parente, Jr.<br />
Thrivent Financial for Lutherans<br />
Robert J.* and Clarine M.* Tiffany<br />
Kenneth E. and Rachel Tilsen*<br />
Hamilton P. Traub*<br />
Jose Trujillo<br />
Mary C. Turpie*<br />
Twin Cities Opera Guild, Inc.<br />
U.S. Bancorp and U.S. Bancorp Foundation<br />
Robert A. Ulstrom<br />
UNICO National Twin Cities Metro Chapter<br />
Union Pacific Corp.<br />
United Fund For Finnish American Archives<br />
University of Minnesota Band Alumni Society<br />
UPS Foundation, Inc.<br />
US Bank<br />
Mildred J. Vacarella<br />
Michele Vaillancourt and Brent Wennberg<br />
Stephanie Cain Van D'Elden<br />
Veritas Software Global Corp.<br />
Ceil T. Victor*<br />
Neal F. Viemeister and Virginia M. Kirby<br />
Lori A. Vosejpka<br />
FlorenceMae Waldron<br />
David and Mary Ann Wark<br />
Jean Dain Waters<br />
Gerhard and Janet* Weiss<br />
Barbara and William Welke<br />
Wells Fargo Foundation<br />
Dare L.* and William F.* White<br />
Lawrence White<br />
Wendy J. Wildung<br />
Emily K. Wilson<br />
Donald L. Winkelmann<br />
John B. Wolf*<br />
Milton P. Woodard*<br />
World Population Fund<br />
Xcel Energy<br />
Yamaha Musical Products, Inc.<br />
Mary L. and Jack Yanchar<br />
E. W.* and Betty* Ziebarth<br />
Gloria B. and Robert E. Zink</p>
<h3>
Annual Donors to CLA Calendar Year 2010 $1,000+</h3>
<p>
3M Company and 3M Foundation<br />
AT&T Company and AT&T Foundation<br />
Accenture Foundation, Inc.<br />
Adath Jeshurun Congregation<br />
Advanced Bionics<br />
Americana Arts Foundation<br />
Ann and Gordon Getty Foundation<br />
Carolyn F. and Daniel J. Ansel<br />
Apollo Center<br />
Lydia Artymiw and David Grayson<br />
Catherine B. and Frederick M. Asher<br />
Beverly M. and Stephen B. Atkinson<br />
John H. and Bobbi Augustine<br />
Austrian Federal Ministry of Science and Research<br />
Cristina G. Banks<br />
Baxter International Foundation<br />
Bayhurst Foundation<br />
James Ford Bell and the Bell Family<br />
Robert and Margaret Berdahl<br />
Harvey V. Berneking*<br />
Bilinski Educational Foundation<br />
Lee A. Borah, Jr.<br />
Sharon L. and Carl A. Borine<br />
Marvin and Betty Borman<br />
Thomas J. and Pauline M. Bouchard<br />
Maria Minich and Daniel A. Brewer<br />
Brown Paper Tickets LLC<br />
Robert H. Bruininks and Susan A. Hagstrum<br />
Sheila A. Burke<br />
Russell W. Burris<br />
The Bush Foundation<br />
Jon H. and Roxanne D. Butler<br />
C. H. Robinson Worldwide<br />
John R. and Dr. Susan L.* Camp<br />
John P. Campbell<br />
David P. Campbell<br />
Edward J. and Arlene E. Carney<br />
Lynn Casey and Mike Thornton<br />
Sol and Mitzi Center<br />
Century Council, Inc.<br />
Gus and Ann Chafoulias<br />
Stephen L. Chew<br />
Child Protection International<br />
Hsiao-Lei Chu and Nan-Kuang Chen<br />
Gjergji and Claire M. Cici<br />
Heather M. and Matthew J. Clark<br />
Classical Assn. of the Middle West and South<br />
Parker M. Congdon<br />
Allison and Dan Connally<br />
Walter T. Connett*<br />
Randy and Carol Cote<br />
Christine M. Cumming<br />
Mary C. Cunningham<br />
S. M. Dahl*<br />
Bruce K. Nelson and Sandra J. Davies-Nelson<br />
Joyce Ekman Davis and John G. Davis*<br />
Ruth and Bruce Dayton<br />
Shirley I. Decker<br />
Cy and Paula DeCosse<br />
Carol E. and Charles M. Denny, Jr.<br />
Deutsche Bank Americas Foundation<br />
Mary L. Devlin<br />
Hazel F. Dicken-Garcia<br />
A. Richard Diebold, Jr.<br />
Dietrich W. Botstiber Foundation<br />
Michael A. Donner*<br />
Joe Dowling and Siobhan Cleary<br />
Rosa Minoka Hill<br />
Gerald S. and Judy C. Duffy<br />
Karla Beveridge Eastling<br />
Edelstein Family Foundation<br />
N. Marbury Efimenco*<br />
April H. Egan and Kevin J. Lawless<br />
Thomas C.* and Barbara L. Elliott*<br />
Harry A. and Rita M. Engelbrecht<br />
Equity Services of Saint Paul, Inc.<br />
Ernst and Young LLP and Ernst and Young Foundation<br />
Chuen-Mei and Liang-Shing Fan<br />
Judy Farmer<br />
Fast Horse, Inc.<br />
Karen E. Faster<br />
Kevin W. Finn and Michele E. Fraser<br />
Finnish American Social Club<br />
Florence Kanee Fund<br />
John E. Free*<br />
Bonita and William Frels<br />
John D. and Berna Jo French<br />
Friends of the IHRC<br />
Dee Gaeddert Dorsey and James E. Dorsey<br />
Burt and Nan Galaway<br />
Francis C. Gamelin<br />
Seymour Geisser*<br />
General Mills and General Mills Foundation<br />
R. James and Teddy Gesell<br />
Diane Katsiaficas and Norman Gilbertson<br />
Meg and Wayne Gisslen<br />
Mary and Steven Goldstein<br />
David F. and Rosemary Good<br />
Harrison G. and Kathryn W. Gough<br />
Greek Ministry of Culture<br />
Greystone Foundation<br />
Jean M. and Edward M. Griffin<br />
Sharon C. Grimes<br />
Dalos W. Grobe<br />
William Grossman<br />
Catherine B. Guisan and Stephen J. Dickinson<br />
Gus and Ann Chafoulias<br />
Patrice A. and Gerald P. Halbach<br />
Lili Hall Scarpa and Andrea Scarpa<br />
James L. and Dorothy L. Halverson<br />
Charlotte H. and Gordon H. Hansen<br />
Elizabeth T.* and John L.* Harnsberger<br />
Harry Walker Agency, Inc.<br />
Kathleen F. Heenan<br />
Samuel D. Heins<br />
Helen Harrington*<br />
William Henderson<br />
Herbert Berridge Elliston Fund<br />
Mark F. Hiemenz and Charles C. Rounds<br />
Allan A. Hietala<br />
Jean McGough Holten<br />
Deborah L. Hopp<br />
The Horst M. Rechelbacher Foundation<br />
Hubbard Broadcasting, Inc. and The Hubbard Broadcasting Foundation<br />
Warren E. and Mary E. Ibele<br />
Jane Addams Peace Association, Inc.<br />
Irene K. K. and J. Vernon Jensen<br />
Jacqueline Jodl and James Viceconte<br />
Kathryn A. Sikkink<br />
Clayton and Jean* Johnson<br />
Johnson and Johnson<br />
Jacqueline Nolte Jones<br />
Jock Jones<br />
Peter R. Kann<br />
Michael H. and Julie A. Kaplan<br />
Elliot S. and Eloise Kaplan<br />
Wilbur C.* and Kathryn E. Keefer<br />
Terence E. Kilburn<br />
Judith M. Kirby<br />
Suzanne and Kip Knelman<br />
Nicholas and Anastasia Kolas<br />
Jim and Mimi Krebbs<br />
Steven Krikava and Linda Singer<br />
John and Nanciann Kruse<br />
KSTP AM/FM and TV<br />
Dorothy T. Kuether<br />
Frauncee L. Ladd<br />
John and Nancy Lambros<br />
Steven J. Lambros<br />
Land O'Lakes Foundation<br />
Bruce A. Larson<br />
Fred and Catherine Lauritsen<br />
Michael C. and Lynda R. Le May<br />
Helga Leitner and Eric S. Sheppard<br />
Adam M. Lerner<br />
Lerner Foundation<br />
Cristine M. Levenduski<br />
Marilyn Lewis<br />
Ronald L. and Judith A. Libertus<br />
Stephen E. and Sheila R. Lieberman<br />
Travis A. Lien<br />
Lilliput Foundation<br />
Lincoln Financial Foundation<br />
Robert B. and Mary A. Litterman<br />
Benjamin Y. H. and Helen C. Liu<br />
Serge E. Logan<br />
Matthew A. and Suzanne L. Lykken<br />
Joseph D. Lykken<br />
Warren and Nancy MacKenzie<br />
Mark and Charlie's Gay Lesbian Fund for Moral Values<br />
Marquette University<br />
Erwin and Doris G. Marquit<br />
Marquit-Grieser Fund<br />
Max Kade Foundation<br />
Jacqueline G. McCauley<br />
Robert and Wanda McCaa<br />
William W. and Nadine M. McGuire<br />
Charles D. McKee<br />
Medtronic and Medtronic Foundation<br />
Ellen Messer-Davidow<br />
Michael J. Petersen<br />
Minnesota Historical Society<br />
Phyllis Moen<br />
Steven C. Morgan<br />
Marion S. Moulton*<br />
Music Finance Co.<br />
David E. and Judy L. Myers<br />
Alan F. and Dena W. Naylor<br />
NCS Pearson, Inc.<br />
Katherine and Stuart Nielsen<br />
Mary Ann and Louis P.* Novak<br />
Monica B. Novak<br />
Linda Odegard<br />
Olmstead-Heenan Family Fund<br />
Frederick L. Oswald<br />
Coleen Pantalone<br />
Grace C. and Charles A.* Parsons, Sr.<br />
Marilyn K. H. and Steven W. Peltier<br />
Lawrence Perlman and Linda Peterson Perlman<br />
Michael J. and Joan K. Peterson<br />
Philanthropic Collaborative, Inc.<br />
Jorg and Angela Pierach<br />
Wilma G.* and Wayne R.* Pierce<br />
Donaldson C. Pillsbury<br />
Ellen F. and John S. Pillsbury III<br />
Laura D. Platt<br />
PriceWaterhouseCoopers and PriceWaterhouseCoopers Foundation<br />
Public Interest Projects, Inc.<br />
Sylvia A. Quast<br />
George and Frances C.* Reid<br />
Susan M. Resnick<br />
Marcel and Sheila Richter<br />
Donald John Roberts<br />
Robins Kaplan Miller and Ciresi LLP Foundation<br />
Kimberly M. Roden and Jerald P. Moja<br />
Calvin J. Roetzel<br />
Michael C. Rogers and Kathleen Niki*<br />
Ruth Easton Fund of the Edelstein Family Foundation<br />
Ronald K. and Carol B. Rydell<br />
Suzanne and Rick Sanchez<br />
Richard L. and Ellen R. Sandor<br />
Robert P. Sands and Sally Glassberg Sands<br />
David and Leena Santore<br />
Richard L. and Maryan S. Schall<br />
The Nick Schoen Family<br />
Alexis A. Schuster<br />
Jeff and Mary Scott<br />
Securian Foundation<br />
William W. and Mary A. Seeger<br />
Miriam Segall<br />
Jennifer A. and William M. Semko<br />
Myrna H. and E. Joe Shaw, Jr.<br />
Thomas J. Shroyer and Nan K. Sorensen<br />
Greg and Jennet Silverman<br />
John A. Simler<br />
Mary C. Simler<br />
Carol M. and John M. Simpson<br />
Leo J. and Cheryl A. Sioris<br />
Margaret J. and Lee B. Skold<br />
Charles K. and Susanne M. Smith<br />
Southways Foundation<br />
Catherine T. Spaeth and Shaun P. McElhatton<br />
Margaret Spear<br />
Star Tribune and Star Tribune Foundation<br />
Starke* and Virginia Hathaway*<br />
Starkey Laboratories and Starkey Hearing Foundation<br />
Jane A. Starr<br />
Theofanis G. and Freda Stavrou<br />
Craig and Janet Swan<br />
Margaret J.* and Kenneth R. Talle<br />
Raymond J. and Elvira A.* <br />
Richard L. and Catherine R. Tate<br />
TCF Corporation, Bank and Foundation<br />
Ming Li Tchou<br />
Mildred C. Templin*<br />
Tennant Foundation<br />
Arlene A. Teraoka and James A. Parente, Jr.<br />
Ohio State University<br />
Kenneth E. and Rachel Tilsen*<br />
Judith M. Tilsen<br />
Barbara S. and David M. Tilsen<br />
Kimberly and Daniel J. Tilsen<br />
Mark Tilsen<br />
Jocelyn Tilsen<br />
James D. Tracy and Susanne K. Swan<br />
Traust Group, Inc.<br />
Truist<br />
Twin Cities Opera Guild, Inc.<br />
Walter R. McCarthy and Clara M. Ueland<br />
University of Iowa<br />
University of Wisconsin Foundation<br />
Unum Provident Corp. Foundation<br />
Michele Vaillancourt and Brent Wennberg<br />
Stephanie Cain Van D'Elden<br />
Virginia J. Wimmer*<br />
Visa International<br />
Lori A. Vosejpka<br />
Walter and Leona Schmitt Family Foundation<br />
Joyce L. and Daniel F. Wascoe, Jr.<br />
Wayne E. and Virginia L. Potratz<br />
Wells Fargo Foundation<br />
Mark O. West<br />
Mark and Muriel Wexler<br />
Michele M. Moylan and David Wheaton<br />
Patrick J. Whitcomb and Patty A. Napier<br />
Tod and Linda White<br />
Phyllis C. Wiener and Shayna Berkowitz<br />
Delvina E. Wiik<br />
Wendy J. Wildung<br />
William Randolph Hearst Foundation<br />
Women's Caucus for Art Twin Cities Chapter<br />
Elvin K. Wyly<br />
Mark K. Ferguson and Phyllis M. Young<br />
Suzanne and Walter Zierman<br />
</p>

<h3>
<p>Heritage Society Future Gifts to CLA</h3>
Mark L. and Sharlene Rivi Alch<br />
Joan Aldous<br />
James R. and Elaine W. Allen<br />
Harvey L. Anderson<br />
Keith H.* and Martha S. Anderson<br />
Neil P. Anderson<br />
Dominick J. Argento and Carolyn Bailey-Argento*<br />
Manouch and Lila M. "Peggy" Azad<br />
Ayers Bagley and Marian-Ortolf Bagley<br />
Beverly Balos and Mary Louise Fellows<br />
Carol and George* Barquist<br />
Robert Beck* and Corrie W. Ooms Beck<br />
Earl C. Benson<br />
Nicholas E. Berkholtz<br />
Gertrude L. Berndt<br />
Daryl Bible<br />
Thelma Boeder<br />
Lee A. Borah, Jr.<br />
Sally Bordwell*<br />
Richard A. and Nancy M. Borstad<br />
Cheryl Lynne Hubbard Brown<br />
Joan Calof<br />
Carmen and Jim Campbell<br />
James D. Catalano<br />
William J. M. Claggettv
Edward G. Clark, Jr.*<br />
Walter T. Connett*<br />
Harold and Phyllis* Conrad<br />
Roy D. Conradi<br />
Patrick Corrigan<br />
S. M. Dahl*<br />
Carolynne Darling in memory of Jean B. Darling<br />
Donna C. Davis<br />
Joyce Ekman Davis and John G. Davis*<br />
Marjorie J. and Wendell J. DeBoer<br />
Hannah Kellogg Dowell*<br />
Jean M. Ebbighausenv
N. Marbury Efimenco*<br />
Jean M. Ehret<br />
Joan A. Enerson and Kenneth M. Anderson<br />
Donald E. and Lydia K.* Engebretson<br />
Emogene Becker Evans<br />
William E. Faragher<br />
Judy Farmer<br />
Ted Farmer<br />
Harold D. and Mary Ann Feldman<br />
Norma C. and John R. Finnegan, Sr.<br />
Edward and Janet Foster<br />
Katie and Rick Fournier<br />
Alan P. and Yvonne G. Frailich<br />
William L. French<br />
Francis C. Gamelin<br />
Thomas A. and Erica M. Giorgi<br />
Helen J. and William R. Gladwin<br />
Mary and Steven Goldstein<br />
Natalie Ann De Lue Gonzalez<br />
Sheila M. Gothmann<br />
Andrea K. Goudie<br />
Persis R. Gow<br />
Norman E. and Helen Rachie Groth<br />
Cathy J. E. Gustafson<br />
Helen M. Hacker<br />
Gail and Stuart Hanson<br />
Susan M. Hanson<br />
Gladys Lorraine Hefty*<br />
Norma J. Hervey<br />
Lawrence J. and Carol J. Hill<br />
Dona M. and Thomas P.* Hiltunen<br />
Gordon and Louella Hirsch<br />
Lisa Vecoli and Marjean V. Hoeft<br />
Joan Vivian Hoffmann<br />
Grace E. Holloway<br />
Jean McGough Holten<br />
John S. Holten*<br />
Deborah L. Hopp<br />
Marc H. Hugunin and Alice M. Pepin<br />
Leonid Hurwicz* and Evelyn Jensen Hurwicz<br />
James J. Jenkins and Winifred Strange<br />
Clayton and Jean* Johnson<br />
Wendell J. and Elizabeth Josal<br />
Dennis R. Johnson and Mary K. Katynski-Johnson<br />
Clayton Kaufman<br />
Joyce M. and C. Christopher Kelly<br />
William H. and Madoline D.* Kelty<br />
Beverly J. Kespohl<br />
Terence E. Kilburn<br />
Stephanie L. Krusemark<br />
Steve and Sarah Kumagai<br />
James M. Kushner<br />
Sharon K. Thompson Kuusisto<br />
Frauncee L. Ladd<br />
Bruce A. Larson<br />
Rosalind L. Laskin<br />
Fred and Catherine Lauritsen<br />
Billie C. Lawton<br />
Michael C. and Lynda R. Le May<br />
Jerry Ledin<br />
Mary F. Lewis<br />
Ronald L. and Judith A. Libertus<br />
Benjamin Y. H. and Helen C. Liu<br />
Serge E. Logan<br />
John Y. and Marjorie C. Loper<br />
Stephanie K. and Warren L. Lundsgaard<br />
Kim Max Lyon<br />
Warren and Nancy MacKenzie<br />
David J. Madson<br />
Thomas S. and Kaylen K. Maple<br />
Carol K. March<br />
David and Marilyn Maxner<br />
Steven E. Mayer<br />
Jacqueline G. McCauley<br />
Stephen G. McGraw<br />
R. F. "Pinky" McNamara<br />
Valerie Meyer-DeJong and Mitchell T. DeJong<br />
Lola M. Miller<br />
Kathryn U. Moen<br />
Carol C. Moore<br />
Joseph P. Moritz<br />
Marion S. Moulton*<br />
Joseph J. and Priscilla J. Nauer<br />
Sandra K. Nelson<br />
Arnie and Judy Ness<br />
Charles M. Nolte*<br />
Earl and Judy Nolting<br />
Margaret and John* Nordin<br />
J. Douglas O'Brien, Jr.<br />
Patrick A. O'Dougherty<br />
Linda Odegard<br />
William T.* and Jeanne A. Ojala<br />
Amy L. Olson<br />
John A. and Diane J. Opsahl<br />
Roger* and Mary Anne Page<br />
Darwin Patnode<br />
June D.* and Theodore C.* Paulson<br />
Deanna Freer Peterson<br />
Carol L. Pine<br />
Robert H. Putnam<br />
Bruce and Sara Qualey<br />
Marjorie A. Ransom<br />
Harvey D. Rappaport<br />
Ruth Willard Redhead<br />
Armand A. and Madeleine S.* Renaud<br />
Katherine* and W. Gardner Roth*<br />
Robert P. Sands and Sally Glassberg Sands<br />
David B. Sanford and Frank D. Hirschbach*<br />
Eileen A. Scallen<br />
Richard L. and Maryan S. Schall<br />
Thomas D. Schoonover and Ebba Wesener Schoonover<br />
General Dennis and Pamela Schulstad<br />
Joseph E. Schwartzberg<br />
Terry E. Shima and Margaret A. Lutz<br />
Richard H. and Mary Jo Skaggs<br />
Charles K. and Susanne M. Smith<br />
Terrence L. Smith<br />
Norma B.* and James A.* Smutz<br />
Verlyn and Bette Soderstrom<br />
Paul and Rose Solstad<br />
Frank J. Sorauf<br />
Glenn and Mary Steinke<br />
Lorraine Gonyea Stewart<br />
Tom H. and Arlene M. Swain<br />
Raymond J. and Elvira A.* Tarleton<br />
Thomas L. Thompson*<br />
Stephanie Cain Van D'Elden<br />
Joy Winkie Viola<br />
Gerald Vizenor and Laura Hall<br />
Phillip A. Voight<br />
Donn L. Waage<br />
Jean Worrall Ward<br />
William D. Wells<br />
Sandra K. Walberg Westerman<br />
Patrick J. Whitcomb and Patty A. Napier<br />
Marian W. and O. M. Wilson*<br />
Marvin and Elayne Wolfenson<br />
Max S.* and Cora R. Wortman<br />
Tom and Liz Yuzer<br />
</p></body>
         <category>
            29608|29627
         </category>
         <pubDate>Tue, 01 Jun 2010 09:10:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Hicks.jpg" length="672651" type="image/jpeg" />
         <title>From  Mary Hicks</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=236626</link>
         <guid>236626</guid>
        <body><p><img alt="Hicks.jpg" src="http://blog.lib.umn.edu/clareach/stories/Hicks.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" />We're grateful that Garrison Keillor (English '69) was willing to spend an entire day talking to CLA students and translating what he heard into our cover story. What a bonanza of intellect, interests, and experiences they brought to the interviews!<br />
	<br />
Reading the story, you may find that some aspects of the student experience have changed, but others will remind you of your own--especially the desire to turn ones' own potential into a bright future.</p>

<p>One obvious change is of great concern: the cost of this great educational adventure. In 1960, CLA tuition was about $210 annually ($2,200 in today's dollars), and most students commuted to campus. Today, the typical cost for a Minnesota resident is $22,000, including tuition, room, and board. In earlier decades, students could work part-time and cover the lion's share of the bill. Today they would have to work 69 hours a week at minimum wage, year-round--an impossible scenario.</p>

<p>What kind of difference can a scholarship make? Here's what one grateful B.F.A. alumna said:</p>

<p>"With only one of my parents working, and my father laid off and searching constantly for work, many Federal Financial Aid options still weren't a possibility. We had 'just enough' not to qualify, even though I knew I'd be in big trouble without help. Scholarship support got me to the U, and freed me up to work less and focus more on my studies and training. And I left college with little to no debt (an incredible blessing for a girl who will forever be living--happily--on a 'starving artist's' budget!)."</p>

<p>Knowing that this student spoke for so many students whose families simply cannot afford rising tuition costs, I wondered: What about them? So I calculated how much money CLA would need to give awards (not full rides) to every student who meets our criteria of both merit and financial need.</p>

<p>The numbers are sobering. We would need $14 million in cash annually to award scholarships to every student with significant need.</p>

<p>In 2008, we awarded approximately $3.9 million in scholarship and fellowship support; in 2009, with your help, we increased that to $4.4 million--still far short of our students' needs.</p>

<p>I know these numbers are overwhelming, and I certainly can't reasonably expect a single donor, or even just a few donors, to fill the gap. But with more than 100,000 CLA alumni out there in the world, I know that collectively we can make a dent in the nearly $10 million in remaining annual student need.</p>

<p>As public support for the University continues to fall, private philanthropy will become increasingly critical to our future, to our students' future, and to Minnesota's economy and quality of life. Please help by making a gift, of any size that you can afford, to our CLA Annual Scholarship fund #8186, or call us about the possibility of endowing a named scholarship.</p>

<p>Mary Hicks, Director, Development &amp; Alumni Relations<br />
612-625-5031, <a href="mailto:hicks002@umn.edu">hicks002@umn.edu</a></p></body>
         <category>
            29608|29627
         </category>
         <pubDate>Tue, 01 Jun 2010 09:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/InMemorySpear.jpg" length="46072" type="image/jpeg" />
         <title>News from our alumni</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189776</link>
         <guid>189776</guid>
        <body><p><strong>Richard Sandor, Ph.D. &#39;67</strong>, recognized internationally as the father of carbon trading, received Ernst & Young&#39;s Entrepreneur of the Year Award in the Midwest region. </p>

<p><strong>Richard Koshalek, M.A. &#39;68</strong>, has been appointed director of the Hirschhorn Museum in Washington, D.C. </p>

<p><strong>Larry Johnson, B.A. &#39;70</strong>, won first prize in a contest celebrating active seniors, sponsored by Mid-America Events & Expos.  </p>

<p><strong>Constance Van Hoven, B.A. &#39;76</strong>, is publishing a children&#39;s picture book about winter and holiday activities, Twelve Days of Christmas in Minnesota, this October. </p>

<p><strong>Fernando Alvarez, Ph.D. &#39;94</strong>, was elected a Fellow of the Econometric Society.</p>

<p><strong>Paul Meierant, B.A. &#39;94</strong>, received the University of Minnesota Board of Regents Alumni Service Award. </p>

<p><strong>Fiona Quick, B.A. &#39;96</strong>, is a contributing writer for Minnesota Hockey Journal, and author of its "Quick Facts" column.</p>

<p><strong>Scott Muskin, M.F.A. &#39;98</strong>, was the inaugural winner of the Parthenon Prize for Fiction for his novel, The Annunciations of Hank Meyerson, Mama&#39;s Boy and Scholar.</p>

<p><strong>Robert Ngwu, B.A. &#39;99</strong>, President and CEO of Megasouk Group, has been elected President of the Black MBA Association, Twin Cities chapter. </p>

<p><strong>Saidah Arika Ekulona, M.F.A. &#39;96</strong>, played the lead role of Mama Nadi in the off-Broadway show Ruined, at the Manhattan Theatre Club. </p>

<p><strong>Polly Carl, Ph.D. &#39;00</strong>, is joining Chicago&#39;s Steppenwolf Theatre as director of artistic development. </p>

<p><strong>Carla Scholtes, B.A. &#39;02</strong>, is a program manager for Wells Fargo, designing classroom and online training programs.</p>

<p>The Playwrights&#39; Center in Minneapolis has awarded <strong>Kevin Kautzman, B.A. &#39;03</strong>, a 2009-10 Jerome Fellowship for his play Then Waves. The play is also a finalist in the Yale Drama Series, Great Plains Theatre Conference, and Id Theater&#39;s Seven Devils Playwrights Conference competitions.</p>

<p>The New York Times called <strong>Matt Amendt, B.F.A. &#39;04</strong>, "charismatic" and "skillful" in the title role of Henry V, a co-production of the Guthrie Theater and New York City-based The Acting Company. The cast included <strong>William Sturdivant, B.F.A. &#39;05</strong>, and <strong>Samuel Taylor, B.F.A. &#39;06</strong>, both in multiple roles. </p>

<p><strong>Santino Fontana, B.F.A. &#39;04</strong>, plays Tony and <strong>Joel Hatch M.F.A. &#39;83</strong>, plays George in Billy Elliot. The Broadway show&mdash;music by Elton John&mdash;won 10 Tony Awards, including Best Musical. </p>

<p><strong>Andrea Uselman-Brandt, B.A. &#39;04</strong>, has appeared in plays at the Guthrie and other Twin Cities theaters. She&#39;s also published Beyond Talent, a practical guide for individuals interested in starting and sustaining a career in the performance arts. </p>

<p><strong>Laura Krider, B.M. &#39;05</strong>, is a choral singer in the Twin Cities and works in administration at the University&#39;s School of Music. She was featured on Minnesota Public Radio&#39;s Art Hounds program this spring, talking about shape note singing.</p>

<p><strong>Jeff Hnilicka, B.A. &#39;04</strong>, is making waves in New York with FEAST (Funding Emerging Artists through Sustainable Tactics). It&#39;s a monthly public dinner he co-founded to "democratically fund new and emerging art makers" in the face of declining arts revenues. </p>

<p><strong>Natalie Volin, B.A. &#39;07</strong>, philosophy major, has postponed attending U of M Law School to serve as Senator Al Franken&#39;s legislative aide for judiciary affairs in his Washington, D.C., office.</p>

<p><strong>Melissa Critchley-Rodriguez, B.A. &#39;08</strong>, now a master&#39;s student at the University in complementary therapies and healing practices, received the Outstanding Civil Service Award and the Excellence and Community Building Award from the University&#39;s Institute on Community Integration.</p>

<h4>Minnesota Book Awards</h4>

<p><strong>Brian Malloy, M.F.A. &#39;06</strong>, won the 2009 Minnesota Book Award for Young People&#39;s Fiction with his novel <em>Twelve Long Months</em>. Finalists in other categories included <strong>Greg Breining, B.A. &#39;74</strong>, <em>A Hard-Water World: Ice Fishing and Why We Do It</em>, general nonfiction; <strong>Laura Flynn, M.F.A. &#39;06</strong>, <em>Swallow the Ocean</em>, memoir and creative nonfiction; University geography professors <strong>John Fraser Hart</strong> and <strong>Susy Svatek Ziegler</strong>, <em>Landscapes of Minnesota: A Geography</em>, Minnesota; <strong>Margaret Hasse, M.A. &#39;04</strong>, <em>Milk and Tides</em>, poetry; <strong>Alison McGhee, M.A. &#39;93</strong>, <em>Julia Gillian (and the Art of Knowing)</em>, young people&#39;s literature; <strong>David Lanegran, B.A. &#39;70</strong>, <em>Minnesota on the Map: A Historical Atlas</em>, Minnesota; <strong>Tim Nolan, B.A. &#39;78</strong>, <em>The Sound of It</em>, poetry; and <strong>Will Weaver, B.A. &#39;72</strong>, <em>Saturday Night Dirt: A Motor Novel</em>, young people&#39;s literature. </p>

<p><em>It&#39;s easy to share your news! Go to <a href="http://cla.umn.edu/updates/">http://cla.umn.edu/updates/</a></em></p>

<h4>In Memory</h4>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Allan Spear" src="http://blog.lib.umn.edu/clareach/stories/InMemorySpear.jpg" width="200" height="299" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span><strong>Allan Spear</strong>, professor in the Department of History from 1964 to 2000 and the country&#39;s first openly gay male state legislator, died in October 2008 at age 71 from complications following surgery.</p>

<p>Spear was president of the Minnesota State Senate, led the Judiciary Committee, and helped to craft and pass the 1993 Human Rights Act Amendment, which he called his "proudest legislative achievement." He co-founded the National Association of Gay & Lesbian Elected and Appointed Officials, and served on the board of the OutFront Minnesota Political Action Committee. In 2008, as part of Minnesota&#39;s 150th Anniversary, Spear was honored by the Minnesota History Center as one of the most influential forces in the history of the state&mdash;one of the "MN150."	</p>

<p>Memorial gifts may be made to the University&#39;s Schochet Center Distinguished Lecture Series: <a href="http://www.giving.umn.edu/spear">www.giving.umn.edu/spear</a>.</p>

<p><strong>Ernest Bormann</strong>, professor in the Department of Communication Studies, died of a heart attack last December.  Bormann originated the Symbolic Convergence Theory of human communication, in which the stories ("fantasies") that groups create develop shared meaning and social cohesion. Memorial gifts may be made to the Ernest Bormann Symbolic Convergence Theory Fellowship: <a href="http://www.comm.umn.edu/giving">www.comm.umn.edu/giving</a>.</p>

<p><strong>James Dickey</strong>, 69, died in November 2008 after struggling for a year and a half with prostate cancer. A professor of theoretical statistics, he had taught and conducted research at the University since 1986.</p>

<p><strong>Peter Firchow</strong>, 70, died October 18, 2008. In 1967 he joined the English Department where he taught British and comparative literature, often in the context of utopian dreams, until his retirement in 2007.  </p>

<p><strong>René Jara</strong> died November 19, 2008, after a serious illness. A professor in the Department of Spanish and Portuguese for 28 years, he was an expert in post-colonial studies and Hispanic literatures, and had a passion for poetry.  </p>

<p><strong>Leslie C. Johnson, B.A. &#39;64</strong>, died in January 2009 at the age of 66. She started the Mississippi Rag in 1973, chronicling the stories of jazz and ragtime musicians to a global audience for 35 years. With her passing, the traditional-jazz and ragtime communities lost their principal voice.  </p>

<p><strong>Roger Page</strong>, 91, former psychology professor and associate dean of CLA, died December 19, 2008, after a long illness. Memorial gifts may be made to the Roger Page Leadership Scholarship: <a href="http://cla.umn.edu/page">http://cla.umn.edu/page</a>.</p></body>
         <category>
            24757|24753
         </category>
         <pubDate>Sat, 05 Sep 2009 09:17:50 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/KushnerTony.jpg" length="34598" type="image/jpeg" />
         <title>Angels Author Tony Kushner Is Now &quot;Doctor&quot;</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189699</link>
         <guid>189699</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Student Allison Witham and Tony Kushner" src="http://blog.lib.umn.edu/clareach/stories/KushnerTony.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Student Allison Witham and Tony Kushner</p></div>

<p>One of the great figures of American theater and literature, playwright Tony Kushner, received a University of Minnesota Honorary Doctor of Humane Letters degree this spring. The degree is the highest honor conferred by the University.</p>

<p>He was nominated by faculty members from the English and American studies departments and the Center for Jewish Studies.</p>

<p>"Kushner's work is a call to struggle for justice, for responsibility, and for love," said Riv-Ellen Prell, former chair of the University's Department of American Studies and an affiliate faculty member in Jewish studies. "In his work devoted to the experiences of gay men and lesbians, Jews, outsiders, men and women of color, and those without power . . . Tony Kushner changed American theater and became one of the great voices of the citizen-artist of our century."</p>

<p>Dean Jim Parente called Kushner "a man who represents the soul of the liberal arts&mdash;or, we might say, the liberating arts," because he "holds a mirror to our human experience."</p>

<p>In 1993 Kushner received a Pulitzer Prize for his play, Angels in America. He was in the Twin Cities this spring for the world premiere of his work, The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, at the Guthrie Theater. </p>

<p>In its history, the University has awarded only 47 other honorary Doctor of Humane Letters degrees. Recipients include Frank Gehry, Dominick Argento, Yanni, Merce Cunningham, Thomas Friedman, Gwendolyn and Jacob Lawrence, James Rosenquist, Charles Schulz, Robert Penn Warren, and August Wilson.</p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Fri, 04 Sep 2009 15:15:48 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/tcf-2656.jpg" length="32728" type="image/jpeg" />
         <title>Events sponsored by College of Liberal Arts departments</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189830</link>
         <guid>189830</guid>
        <body><h4>Exhibits</h4>
<strong>Stories of the Somali Diaspora</strong><br />
Photographs by Abdi Roble<br />
Frederick R. Weisman Art Museum<br />
Through Sept. 27

<p><strong>Muslim Spain: Conquest, Expulsion, Legacy, 711-2009</strong><br />
Andersen Gallery<br />
Through Oct. 30</p>

<p><strong>Encounters: The Past Re-Configured</strong><br />
Paintings by Xu Guang and Li Shu <br />
Nash Gallery <br />
Sept. 8-Oct. 8 </p>

<p><strong>Celebrating 40 Years of African American Studies and American Indian Studies at the University of Minnesota </strong><br />
Andersen Gallery <br />
Oct. 7-Dec. 5; </p>

<p><strong><em>Here and Now</em></strong><br />
Faculty, student and alumni photography, curated by James Henkel <br />
Nash Gallery <br />
Oct. 13-Nov. 12 </p>

<p><strong>Talking Suitcases: A New Conversation</strong><br />
Suitcases filled with handmade objects that <br />
tell stories, curated by Joyce Lyon and <br />
Susan Armington <br />
Nash Gallery <br />
Nov. 17-Dec. 17 </p>

<p><strong>Almost Here: Migrations, Dislocations and Borders in art.</strong><br />
Nash Gallery <br />
Jan. 19-Feb. 18 </p>

<h4>The Ultimate Homecoming</h4>
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="TCF Stadium" src="http://blog.lib.umn.edu/clareach/stories/tcf-2656.jpg" width="200" height="131" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span><strong>2009 Homecoming Exhibition:</strong><br />
<em>Through the Years</em><br />
Larson Art Gallery, St. Paul Student Center<br />
Sept. 21-Oct. 11; Reception Friday, Oct. 2, 7-9 p.m.

<p><strong>TCF Bank Stadium Tours & University Open House</strong><br />
Sunday, Oct. 4, 1-4 p.m.</p>

<p><strong>Student Scholar Showcase</strong><br />
TCF Bank Stadium<br />
Wed., October 7, 1-4 p.m. </p>

<h4>Concerts</h4>
<strong>School of Music Convocation</strong><br />
Keynote by internationally acclaimed conductor Marin Alsop: "Education and 
the Arts: Musicians as Engaged Leaders." Alsop will be awarded the Doctor of Humane Letters.<br />
Ted Mann Concert Hall<br />
Tues., Oct. 6, 10 a.m.

<p><strong>University Symphony Orchestra</strong><br />
<em>Academic Festival Overture, Johannes Brahms; Symphony No. 1 (Titan)</em>, <br />
Gustav Mahler<br />
Mark Russell Smith, conductor<br />
Ted Mann Concert Hall<br />
Wed., Oct. 7, 7:30 p.m.</p>

<p><strong>Symphonic Band: Seasons of Change</strong><br />
Works by Dmitri Shostakovich and <br />
Jonathan Newman.<br />
Jerry Luckhardt, conductor<br />
Ted Mann Concert Hall<br />
Wed., Oct. 14, 7:30 p.m.</p>

<p><strong>Jazz Ensemble I</strong><br />
Ted Mann Concert Hall<br />
Thurs., Oct. 15, 7:30 p.m.</p>

<p><strong>Collage Concert</strong><br />
More than 300 students and faculty in a musical extravaganza. Works include Leonard Bernstein&#39;s "Make Our Garden Grow"<br />
Ted Mann Concert Hall<br />
Sat., Oct. 17, 7:30 p.m.</p>

<p><strong>University Singers</strong><br />
Symphony of Psalms, Igor Stravinsky <br />
Ted Mann Concert Hall<br />
Frii., Nov. 13, 7:30 p.m.</p>

<p><strong>Wind Ensemble: An American Wind Band Spectacular</strong><br />
Regional premieres of works by Steven Bryant, Carter Pann, and Joseph Turrin; "Symphonic Dances" from <em>West Side Story</em>, <br />
Leonard Bernstein <br />
Craig Kirchhoff, conductor<br />
Ted Mann Concert Hall<br />
Tues., Nov. 24, 7:30 p.m.</p>

<p><strong>Guest and Faculty Recital</strong><br />
<em>Mikka & Mikka "S,"</em> and <em>Dikthas</em>, Iannis Xenakis; <em>Traumwerk Book III, Del cuarto elemento</em>, James Dillon<br />
Irvine Arditti, violin and Noriko Kawai, piano<br />
Ted Mann Concert Hall<br />
Sun., Dec. 6; we still need the time for this</p>

<p><strong>University Symphony Orchestra</strong><br />
World premiere performance of Roger Zare&#39;s Aerodynamics for Orchestra (Winner of the 2009 Craig and Janet Swan Composer Prize); New Morning for the World, Joseph Schwantner; Symphony No. 3 (Eroica), <br />
Ludwig van Beethoven<br />
Mark Russell Smith, conductor<br />
Ted Mann Concert Hall<br />
Wed., Dec. 9, 7:30 p.m.</p>

<h4>Opera</h4>
<strong>Stravinsky in Paris!</strong><br />
<em>Le Renard, Mavra, and Le Rossignol</em>, Igor Stravinsky<br />
School of Music students conducting<br />
Ted Mann Concert Hall<br />
Thurs., Nov. 19-Sat., Nov. 21, 7:30 p.m.;<br />
Sun., Nov. 22, 1:30 p.m.<br />
Tickets: $20/$10 U of M students;<br /> 
2-for-1 U of M students, faculty, staff<br />
612-624-2345 or <a href="http://www.tickets.umn.edu">www.tickets.umn.edu</a>

<h4>Dance</h4>
<strong>Dance Revolutions</strong><br />
Rarig Center, Whiting Proscenium Theatre<br />
Fri., Dec. 11, 7:30 p.m.;<br />
Sat.,Dec. 12, 8 p.m.; <br />
Sunday, Dec. 13, 2 p.m.<br />
Tickets $7-17; <a href="http://www.theatre.umn.edu">www.theatre.umn.edu</a>, or 612-624-2345; $2 more at the door

<h4>Theater</h4>
<strong>Big Love</strong><br />
Rarig Center, Proscenium Theatre<br />
Includes adult scenes and brief nudity<br />
Oct. 16-24<br />
Tickets $7-17; 612-624-2345 or <a href="http://www.theatre.umn.edu">www.theatre.umn.edu</a>

<p><em>For a complete listing of news and events visit us online at: <br />
<a href="http://cla.umn.edu/news/events.php">http://cla.umn.edu/news/events.php</a></em></p>

<p>Admission to all events free except as noted</p></body>
         <category>
            24753|24762
         </category>
         <pubDate>Fri, 04 Sep 2009 13:13:07 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Achievements of CLA faculty and staff</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189782</link>
         <guid>189782</guid>
        <body><p><strong>James Dillon</strong>, music, was honored with a film about his work, Traumwerk [Dreamwork], Book I for Violin Duo; the film won the 2008 Annual German Record Critics&#39; Award for film and sound production.</p>

<p><strong>John Freeman</strong>, political science, was named a Fellow of the American Academy of Arts & Sciences. He also won the Gosnell Prize for Excellence in Political Methodology.</p>

<p><strong>Barbara Frey</strong>, Human Rights Program, received the 2008 Don and Arvonne Fraser Award from the Advocates for Human Rights.</p>

<p><strong>Michael Goldman</strong>, sociology, global studies, received the 2008 Best Book Prize from the Political Economy of the World-System Section of the American Sociological Association.</p>

<p><strong>Jo-Ida Hansen</strong>, psychology, received the Society of Vocational Psychology&#39;s Lifetime Achievement Award. She is only the fourth recipient of the award&mdash;the society&#39;s highest honor&mdash;in 57 years.</p>

<p><strong>Bill Iacono</strong>, psychology, received the National Institute of Health MERIT (Method to Extend Research in Time) award, and a Distinguished Scientist Award from the Society for a Science of Clinical Psychology.</p>

<p><strong>Ellen Kennedy</strong>, Center for Holocaust and Genocide Studies, received the Anne Frank Center USA Outstanding Citizen Award. </p>

<p><strong>Tim Kehoe</strong>, economics, was named Doctor Honoris Causa by the Universidade de Vigo, Spain.</p>

<p><strong>Nita Krevans</strong>, classical and Near Eastern studies, won the 2009 award for teaching excellence from the Classical Association of the Midwest and South.  </p>

<p><strong>J. Bruce Overmier</strong>, psychology, received the American Psychological Foundation&#39;s Arthur W. Staats Award/Lecture for Unifying Psychology.   </p>

<p><strong>Andrew Oxenham</strong>, psychology, won the 2009 National Academy of Sciences Troland Research Award. </p>

<p><strong>Carla Rahn Phillips</strong>, history, was named a Knight of Spain&#39;s Order of Isabella the Catholic, in recognition of her research and teaching on Spain and its overseas connections. </p>

<p><strong>T. Mychael Rambo</strong>, theatre arts and dance, was awarded a Regional Emmy® Award in the Community/Public Service Campaign category by the National Television Academy&#39;s Upper Midwest Chapter.</p>

<p><strong>José-Víctor Ríos-Rull</strong>, economics, was elected a Fellow of the Econometric Society.</p>

<p><strong>Kay Reyerson</strong>, history, was elected a Fellow of the Medieval Academy of America. </p>

<p><strong>Michael Sommers</strong>, theater arts and dance, and collaborative arts, won a Bush Foundation Enduring Vision Award.</p>

<p><strong>Gary Schwitzer</strong>, journalism, won a Syracuse University Mirror Award, a Knight-Batten Award for Innovations in Journalism, and an e-Healthcare Leadership Award.</p>

<h4>University Awards</h4>

<p><strong>Rose Brewer</strong>, African American and African Studies, was awarded the Ada Comstock Distinguished Women Scholar award/lecture. </p>

<p>Named McKnight Land-Grant  Professors this year were: <strong>Giancarlo Casale</strong>, history; <strong>Alan C. Love</strong>, philosophy; <strong>Kieran McNulty</strong>, anthropology.</p>

<p><strong>Helga Leitner</strong>, geography and  global studies, and <strong>Josephine Lee</strong>, English and Asian American studies, received the University of Minnesota Alumni Association Graduate-Professional Teaching Award.</p>

<p><strong>Judith A. Martin</strong>, geography, received the President&#39;s Award for Outstanding Service.</p>

<p><strong>Ellen Sunshine</strong>, Martin Luther King, Jr. Program, received the John Tate Award for Excellence in Undergraduate Advising.</p>

<p>President&#39;s Faculty Multicultural Research Awards went to <strong>Ananya Chatterjea</strong>, theater arts and dance; <strong>Kale Fajardo</strong>, American and Asian American Studies; <strong>Enid Logan</strong>,  sociology; <strong>Sarah-Jane (Saje) Mathieu</strong>, history; <strong>Yuichiro Onishi</strong>, African American and African studies; <strong>Teresa Swartz</strong>, sociology.</p>

<p><strong>Lisa Sass Zaragoza</strong>, Chicano studies, won the Office of Public Engagement&#39;s Outstanding Community Service Award. </p>

<h4>CLA Awards</h4>

<p><strong>John Freeman</strong>, political science, is the 2009 Dean&#39;s Medalist. </p>

<p><strong>Sonja Kuftinec</strong>, theatre arts and dance, and <strong>C. Kenneth Waters</strong>, philosophy, were named Scholars of the College. </p>

<p><strong>Charlene Hayes</strong>, global studies, received the CLA Outstanding Service Award. </p></body>
         <category>
            24760|24753
         </category>
         <pubDate>Fri, 04 Sep 2009 10:43:11 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/GraduationDebtHicks.jpg" length="57938" type="image/jpeg" />
         <title>Graduation: with smarts, grit...and a load of debt?</title>
         <description><p><em>by Mary Hicks</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189749</link>
         <guid>189749</guid>
        <body><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Mary Hicks" src="http://blog.lib.umn.edu/clareach/stories/GraduationDebtHicks.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>Even in hard times, there&#39;s much to be grateful for. Last May, yet another batch of talented CLA graduates crossed perhaps the most important stage of their lives&mdash;in Northrop Auditorium.</p>

<p>The world they ventured into requires smarts and grit, not to mention a mother lode of CLA ingenuity and know-how. And one of the more daunting challenges that many will face is a hefty load of debt. We think their CLA education is worth millions. But it&#39;s no secret that even those who land the job of their dreams could be hobbled by significant debt well into the next decade.</p>

<p>Fortunately, some will go into the world with a smaller debt load, thanks to the generosity of our donors. In 2008-09, CLA awarded nearly 1,000 scholarships and fellowships totaling more than $4 million. That&#39;s an impressive number. But with roughly 16,500 undergraduate and graduate students in the college, the bucket is still barely six percent full.</p>

<p>It certainly won&#39;t come as news to you that our students and their families are facing some of the hardest times in decades, and so is our college. And yet, as President Obama noted this spring in his speech on education, a college education is more necessary than ever. </p>

<p>I can certainly understand if you say that now is not the time for us to be asking you for support. After all, the dismal economy has hurt everyone. But there&#39;s also never been a better time to give. The need is critical. And the cumulative impact of not giving could be catastrophic for our students, not to mention for our college.</p>

<p>We understand that a President&#39;s Club gift ($25,000 or more) is beyond the capacity of many of our donors, and may be a stretch even for those who have given at that level in past years. But we&#39;ve taken very seriously President Bruininks&#39;s call for new ideas and creative solutions in these times. And as we&#39;ve brainstormed, we&#39;ve found that sometimes the best new ideas are revivals of old ones. </p>

<p>So we&#39;ve renewed a successful giving program called the Legacy Scholarship program. Here&#39;s how it works: We ask donors to make an annual gift of $3,000, which will be awarded directly to a student who meets the selection criteria&mdash;financial need and merit. Why $3,000? That amount is based on research showing that $3,000 is roughly the breaking point for many students; it can make the critical difference between enrolling or not, between staying in school or dropping out. If it&#39;s the latter, just think of the loss of human potential&mdash;and at what cost to Minnesota!</p>

<p>Today&#39;s CLA students are tomorrow&#39;s creative problem solvers and trailblazers in every field. If you invest in our students, I promise that you won&#39;t be disappointed. If you want to know more, go to <a href="http://cla.umn.edu/">cla.umn.edu</a> or contact me at <a href="mailto:hicks002@umn.edu">hicks002@umn.edu</a> or 612-625-5541.</p>

<p><em>To contribute to the Legacy Scholarship: <a href="http://cla.umn.edu/legacy/">cla.umn.edu/legacy/</a></em></p></body>
         <category>
            9702|24753
         </category>
         <pubDate>Fri, 04 Sep 2009 09:06:54 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/CoverPorcelainBoats.jpg" length="35546" type="image/jpeg" />
         <title>The Art of Life on the Mississippi</title>
         <description><p>An MFA student helps Twin Cities teens draw new meaning from life by the river.<br />
<em>by Mary Pattock</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189748</link>
         <guid>189748</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="porcelain boats" src="http://blog.lib.umn.edu/clareach/stories/CoverPorcelainBoats.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Story boats ready to launch.<br />
Photo by Laura Corcoran Mahnke.</p></div>
<blockquote><p>"So, in two seconds, away we went, a-sliding down the river, and it did seem so good to be free again and all by ourselves on the big river and nobody to bother us."</p>
<p>&mdash<em>Adventures of Huckleberry Finn</em>, Mark Twain</p></blockquote>

<p>It was probably inevitable that Huck Finn, the 13-year-old hero of the Great American Novel, sought freedom and a new life on the Mississippi. After all, it was and still is the country&#39;s mainstem river, connecting it North and South, dividing it East and West, and providing major geographical and historical coordinates&mdash;not to mention fruitful metaphors for writers and ordinary folks alike. </p>

<p style="clear:both;">Teenagers today are no less eager than Huckleberry Finn was to find meaning in their lives. But today&#39;s world, unlike Huck&#39;s, can be such that those who live on the Great River may not be very aware of it. In fact, as Anna Metcalfe, artist and environmentalist, found out, some may never have even seen the Mississippi, much less been invited to consider what meaning it may have for their lives.</p>

<p>So it was that in the final year of her master&#39;s of fine arts program, Metcalfe designed a way to connect a group of young people to the river, through art.</p>

<p>She worked with nearly 50 teenagers who had summer jobs either with the "Green Team," a group sponsored by the Minneapolis Park and Recreation Board, the Minnesota Watershed Management Organization and the National Park Service; or with The Conservation Corps and the Garden Corps, hosted by St. Paul&#39;s Community Design Center. </p>

<p>During the summer she met with the young people, offering them new ways to understand the river. They learned about watersheds, rain gardens, and pesticides, and studied maps showing how the urban river had changed through history. They made connections between their summer jobs and the health of the river. They considered the river&#39;s vital role in their lives, and how it connects them to the millions of people throughout the midsection of the country who also depend on it for survival. </p>

<p>Finally, she invited them to draw and write their own stories about the river; she silk-screened these images onto porcelain clay boats she had molded, which she then fired.</p>

<p>Now there were 50 story boats, each one articulate. One told about its maker&#39;s first time on a boat. Another traced a map of  the Upper Mississippi, yet another drew the plants growing in the Conservation Corps&#39; organic garden.</p>

<blockquote>Metcalfe designed a way to connect a group of young people to the river, through art. And just as it did for Huck, their encounter with the river left them with a story&mdash;a story about where they&#39;d been, a story that had new value and meaning because someone was listening.</blockquote>

<p>And one pictured a refugee family&#39;s perilous escape across Thailand&#39;s Mekong river on one side, and their crossing of the Mississippi, in a new land, on the other. "That story was rich and powerful," says Metcalfe. "It brought it all together&mdash;the young woman&#39;s family, its history, what she is doing in conservation now." </p>

<p>Early one morning at Father Hennepin Park, where the river gorge cuts through downtown Minneapolis, Metcalfe and the students met to ceremonially tell the stories and launch the boats into the water. The Saint Paul group held a similar ceremony at Lake Phalen. They were gestures that made explicit the teens&#39; relationship with the river, and signified their role in building a community of citizens concerned about the river. </p>

<p>"The project gave the students a chance to talk about the same issues they were dealing with in their jobs, but within the context of art," Metcalfe says. "They were excited to see their drawings turn into objects."</p>

<p>Like Huck Finn&#39;s raft, the boats eventually came out of the water. They were exhibited at  Homewood Studios, a North Minneapolis space for local artists and their community, where the teens again told their stories, and visitors added their own stories and drawings to the river tales. </p>

<p>And just as it did for Huck, their encounter with the river left them with a story&mdash;a story about where they&#39;d been, a story that had new value and meaning because someone was listening.</p></body>
         <category>
            10071|24753
         </category>
         <pubDate>Fri, 04 Sep 2009 08:41:40 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/BeyondBorders.jpg" length="55050" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/BeyondBordersDavidheiser.jpg" length="15909" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/BeyondBordersGabaccia.jpg" length="33025" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/BeyondBordersRoble.jpg" length="25315" type="image/jpeg" />
         <title>Beyond Borders</title>
         <description><p>Great migrations are continuously changing our world. To get a handle on a topic this vast, CLA scholars must cross borders of a different kind.<br />
<em>by Joe Kimball</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189727</link>
         <guid>189727</guid>
        <body><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Beyond Borders" src="http://blog.lib.umn.edu/clareach/stories/BeyondBorders.jpg" width="200" height="264" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>One by one, the poets took the stage to tell their stories&mdash;personal stories of immigration, of leaving home to find a better life. Some were uplifting, others were bleak tales of racism, hatred, and frustration.</p>

<p>It was a Friday evening in early spring, yet dozens of students and community members packed a room at Elmer L. Andersen Library.</p>

<p>And they were really listening.</p>

<p>Some were students in a course on immigration; one said the gritty and realistic accounts were almost more than she could bear. But that is the kind of reaction that professors anticipated. They wanted to extend students&#39; learning experience beyond the policies and politics of immigration, so students could hear the voices of people who have come here from Africa or Mexico and have thrived&mdash;or who were frustrated, even angry. </p>

<p>What better way to supplement the classroom setting?</p>

<p>Weeks later, students were still raving about the event, which was sponsored by several University departments and The Loft Literary Center.</p>

<p>Expanded learning opportunities like this  one, as well as a photography exhibit on the Somali diaspora (on display at the Weisman Art Museum through September 27), are among the many fruits of an interdisciplinary initiative at the College of Liberal Arts called Global REM&mdash;Global Race, Ethnicity, Migration. </p>

<p>Global REM brings together interested faculty members from all aspects of the humanities, social sciences, and the arts. Research contributions come from all across the University: public health, public policy, law, education and human development, family social science, and medicine. The program is administered through the Institute for Global Studies and the Immigration History Research Center.</p>

<p>Notice the term in the title is migration&mdash;rather than the more common, United States-centric immigration. It frames these broad issues in a way that helps faculty, students&mdash;and the broader community&mdash;to see that we are living in an age of global migration, and that to really understand it we have to navigate far beyond traditional concepts and academic borders.</p>

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Donna Gabaccia" src="http://blog.lib.umn.edu/clareach/stories/BeyondBordersGabaccia.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Donna Gabaccia, director of the Immigration History Research Center and co-director of Global REM. Photo by Everett Ayoubzadeh.</p></div>

<p>In fact, the co-director of Global REM, Donna Gabaccia, a history professor who also directs the Immigration History Research Center, says the initiative&#39;s wide-ranging mission involves research, community engagement, and teaching components. It encourages broad, thematic thinking, and transcends the typical curriculum. </p>

<p>The program&#39;s research mission is aimed at a highly specialized audience. It can take the form of a lunchtime seminar in a brown-bag setting where graduate students and faculty talk about their research, or a sponsored research collaboration, perhaps with other universities. </p>

<p>And the poetry reading is one example of how the program engages people in the community in the work of the University. Another example  is Gabaccia&#39;s next project: looking at how young immigrants and refugees use Facebook, Twitter, and other social networks to communicate and discuss their lives in Minnesota. Members of the immigrant community "are interested in research related to their homelands and often want to know more about visiting scholars from their countries," she says.</p>

<h4>A Growing Trend</h4>

<p>At a place as large and diverse as the University it can be a challenge to connect like-minded people. But initiatives like Global REM that cross disciplinary lines increasingly attract faculty and student interest. </p>

<p>A classic example is American studies&mdash;created by University historians and literary scholars more than 60 years ago when they banded together to create one of the nation&#39;s first such programs. Today the department, still a national leader, includes faculty from more than a dozen disciplines, from sociology to gender studies, geography to political science to art history. </p>

<p>Besides Global REM and American studies, CLA&#39;s robust interdisciplinary roster includes, among others, Chicano, American Indian, Asian American, and African American and African studies, cultural studies and comparative literature, collaborative arts, and gender, women and sexuality studies. In addition, many traditional disciplinary departments have faculty with interdisciplinary interests. Thomas Wolfe, an associate professor of history, says   interdisciplinary&mdas;hor transdisciplinary&mdash;programs have gained importance in recent years to respond to an increasingly complex world. </p>

<p>"The academic disciplines look to each other, more and more, for perspectives, and theories and methodologies, as we work to understand society, politics, and cultures," he says. </p>

<p>"There was a time when the disciplines tended to be &#39;silo-ized,&#39; or compartmentalized, but now we read more broadly. And the trend has been accelerated with globalization. It&#39;s hard to say that culture is understandable without politics, or that politics are understandable without society."</p>

<p>Wolfe also believes that students, like faculty, increasingly are seeking opportunities to interact with scholars from other departments but with interests in the same themes and ideas.</p>

<blockquote><p>"There was a time when the disciplines tended to be &#39;silo-ized,&#39; or compartmentalized, but now we read more broadly. And the trend has been accelerated with globalization. It&#39;s hard to say that culture is understandable without politics, or that politics are understandable without society."</p>
<p style="float:right;">&mdash;Thomas Wolfe, associate professor of history</p></blockquote>

<h4 style="clear:both;">Building community</h4>

<p style="clear:both;">Klaas van der Sanden, a program coordinator at the Institute for Global Studies, says Global REM is a product of the ongoing effort to create intellectual communities around broad themes.</p>

<p>In the past, faculty and graduate students with shared interests but different departments might not have found many opportunities for collaboration or discussion. But Global REM, like other CLA interdisciplinary programs, has created a community of interest for those who want to explore outside the commonly accepted boundaries.</p>

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Evelyn Davidheiser" src="http://blog.lib.umn.edu/clareach/stories/BeyondBordersDavidheiser.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Evelyn Davidheiser, director of the Institute for Global Studies and co-director of Global REM. Photo by Kelly MacWilliams.</p></div>

<p>Shaden M. Tageldin&#39;s work is a case in point. An assistant professor in the Department of Cultural Studies and Comparative Literature, she is interested in the migrations, not of people, but of ideas. </p>

<p>Last spring she gave a lecture about how liberal Egyptian intellectuals in the early 20th century tried to prove that Egypt was really part of Europe and should "take its place in the family of nations, not in the ranks of the colonized."</p>

<p>"Broaching a topic like this one&mdash;with its unconventional contexts of race and ethnicity and off-beat interpretation of &#39;migration&#39;&mdash;would be nearly impossible in a program that operates on the typical U.S.- or Euro-centric paradigm of migration and diaspora studies," she says. Global REM allowed her to extend an invitation to scholars everywhere to rethink race, ethnicity, and migration.</p>

<p>Another recent lecture concerned government openness to immigration, with Crystal Myslajek, a graduate fellow in the Institute for Global Studies, collaborating with a faculty member outside of CLA, Professor Kathy Fennelly of the Hubert H. Humphrey Institute of Public Affairs.</p>

<p>Says van der Sanden: "If our goal was to create an intellectual community that brings faculty members together who don&#39;t always know each other, in the perspective of a common interest, then I think it&#39;s going very well.  </p>

<p>"Where else would you find a professor interested in salsa dancing collaborating with a professor in American studies with an expertise in blacks in France, putting together a poetry program?"</p>

<h4>A Coordinating Octopus</h4>

<p>Developed with grant money from the United States Department of Education, Global REM is not a separate center, but a resource to bring faculty together around common research and develop coordinated curriculum, using existing administrative resources. </p>

<p>Its website lists more than 100 faculty, students, and staff members who have participated in seminars or expressed an interest in staying informed on upcoming topics. Their departments run the gamut of University interests.</p>

<p>As a result of the program, there has been more team teaching and co-teaching, and class scheduling that is more sensitive to student needs. </p>

<p>Evelyn Davidheiser, the program&#39;s other co-director, views it as an initiative that makes connections throughout the college, building intellectual strengths, and pulling faculty together around themes that run through major issues of our day. In the coming school year, according to Gabaccia, the Global REM research seminar will focus on gender, refugees, plural societies, and memory.</p>

<p>And van der Sanden compares it to an octopus&mdash;"maybe an octopus without a head, creating connections and synergies within a broad interest."</p>

<h4>Resources for High School Teachers</h4>

<p>Outreach is another large component of Global REM, emphasizing K-12 teachers. "Race and migration are big topics in the schools, especially teaching them from a global perspective," says Molly McCoy, outreach coordinator at the Institute for Global Studies. </p>

<p>Last spring she presented teaching modules designed for advanced- placement high school classes in history and social sciences to teachers attending the Minnesota Council for Social Studies conference.</p>

<p>The aim of the modules, prepared by graduate students, is to internationalize the study of race, ethnicity, and migration.</p>

<p>Teachers can learn more about resources and classes at the website: <a href="http://globalrem.umn.edu/teachingmodules">http://globalrem.umn.edu/teachingmodules</a>. Videos of  Global REM seminars&mdash;with closed captions&mdash;are available at: <br /><a href="http://www.globalrem.umn.edu">http://www.globalrem.umn.edu/seminarLunchesArchive.php.</a></p>

<h4>Poetry for the classes</h4>

<p>Back at the immigration poetry performance, students really heard the messages of hope and struggle, says Thien-bao Thuc Phi of The Loft Literary Center, who helped organize the program. </p>

<p>They learned something about art, too. "Students came up to the artists afterward, wanting to learn more," he says. "They appreciated what the artists were saying. Some said they didn&#39;t really get poetry before, and wanted to explore it more."</p>

<p>You could describe the event as an effective, interdisciplinary learning experience: a poetry reading, with dimensions of sociology, psychology, political science, and history mixed in. </p>

<p>But the sum of the parts made it even more powerful. In that room, in those moments, the wholeness of human experience came together, and was shared by artists and audience. And that you might describe as transcendent.</p>

<hr />

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Somali diaspora" src="http://blog.lib.umn.edu/clareach/stories/BeyondBordersRoble.jpg" width="200" height="135" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Photo by Abdi Roble.</p></div>

<p>A close-up look at the Somali diaspora&mdash;where fleeing residents from that wartorn African country have sought refuge in other lands, including Minneapolis&mdash;is another major Global REM initiative.</p>

<p>A year-long series of events, including coursework and lectures, has been built around the work of Abdi Roble and Doug Rutledge, whose book <strong>"The Somali Diaspora: A Journey Away"</strong> <a href="http://reach.cla.umn.edu/somalidiaspora">http://reach.cla.umn.edu/somalidiaspora</a> follows Abdisalem, his wife Ijabo, and their three daughters as they traveled from a Kenyan refugee camp to a new home in the United States. Through photographs and essays, the book looks at the family&#39;s wrenching upheaval&mdash;from learning English and finding work, to living an American lifestyle while maintaining their Islamic faith and cultural identity. </p>

<p>The project continues with an exhibit of Roble&#39;s photographs at the Frederick R. Weisman Art Museum on campus. </p>

<p><strong>June 20 - September 13</strong><br />
More information online at: <br />
<a href="http://reach.cla.umn.edu/roble/">reach.cla.umn.edu/roble</a></p></body>
         <category>
            10071|24753
         </category>
         <pubDate>Fri, 04 Sep 2009 08:00:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ConnectingMyersLarge.jpg" length="19943" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/ConnectingMyersSmall.jpg" length="33467" type="image/jpeg" />
         <title>Connecting Common Chords</title>
         <description><p>His passion is partnership. David Myers, the School of Music&#39;s new director, wants to "connect education with the rich world of music as it exists in real life."<br />
<em>by Mary Ann Feldman</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189729</link>
         <guid>189729</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Myers" src="http://blog.lib.umn.edu/clareach/stories/ConnectingMyersLarge.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">David Myers, professor and
Director of the School of Music. Photo by Kelly MacWilliams.</p></div>

<p>Introducing David Myers, Director of the School of Music</p>

<p>His passion is partnership: orchestras, schools, and communities, all collaborating as music educators. (He literally wrote the book on it&mdash;a seminal study funded by the National Endowment for the Arts.) And if David Myers&#39;s vision is populated by a wide cast of characters, it has an equally broad setting: world, rock and popular music, jazz, ethnic and classical. Cla&#39;s new School of Music director wants to "connect education with the rich world of music as it exists in real life." Distinguished music educator Mary Ann Feldman explores how Myers&#39;s vision might translate to reality, especially for classical music.</p>

<p>From his Ferguson Hall office David Myers commands a view of the Mississippi as broad as his vision for music in the 21st century. Fortunately for Minnesota, he was willing to leave the gentle climate of Georgia for the University&#39;s sometimes wind-whipped campus on the Mississippi&mdash;at the core of the Twin Cities thriving arts scene&mdash;to head the School of Music. </p>

<p>A thin, friendly man, Myers brings to this scene a compelling vision of new and stronger connections between the University and the abundant institutions that have earned Minnesota its identity as "State of the Arts." No surprise that Minnesota, richly endowed with choral and orchestral traditions, would be a draw, as was the opportunity to stage performances at the University&#39;s acoustically vibrant Ted Mann Concert Hall, a glamorous public space crowning a spectacular urban setting. </p>

<p>Arriving at the start of the 2008-09 academic year, he brought from his professorship at Georgia State University, and collaborations with organizations such as the Atlanta Symphony Orchestra, strong ideas about music education rooted in the relationships of music with society and with other art forms. </p>

<p>Myers&#39;s impressive accomplishments include founding Atlanta&#39;s Center for Educational Partnerships and its innovative "Sound Learning" enterprise, linking it with Georgia State University, the Atlanta Symphony Orchestra, community musicians, and inner-city schools. Spurred by the National Endowment for the Arts, his efforts resulted in a seminal publication examining the arts in today&#39;s challenging environment: Beyond Tradition: Partnerships Among Orchestras, Schools, and Communities. </p>

<p>"One of the reasons I&#39;m glad to be here is that this artistic community provides real-world connections and experience for our students, the musicians of tomorrow," says Myers. "When I moved into higher education, I felt strongly that students preparing for a career needed a broader view of their place in society. How were they going to function in their communities?</p>

<blockquote><p>"This artistic community provides real-world connections and experience for our students, the musicians of tomorrow."</p>

<p style="float:right;">&mdash;David Myers</p></blockquote>
<p style="clear:both;">I did everything I could to connect my students to the vitality that people in the real world, musicians or not, find in a musical life as performer, teacher, or listener."</p>

<p>That is a rubric he has observed from the earliest days of his career. "Long ago, when I first taught public school music, one of the first things I did was to write grants that brought professional musicians into the school. I knew that as a music teacher I myself could not give the classroom a sense of what musical life is in the real world&mdash;the richness, excitement, and value of it all. I even had a composer-in-residence in the middle school where I taught in Pennsylvania. Students not only heard the composer&#39;s words but also music he wrote for and with them. They encountered the creative process." </p>

<p>Time was, a University of Minnesota musical education benefited from a major on-campus creative process: residency of the renowned Minnesota Orchestra, known as the Minneapolis Symphony Orchestra during its 44 seasons at Northrop Auditorium (1930-1974). Generations of students had easy access to musical bonanzas: not only access to high-ranking teachers, but also rehearsals under master conductors like Eugene Ormandy and Antal Dorati, free tickets for Friday-night dates, and the coveted role of concert hall usher. </p>

<p>Today Myers is working to enlarge the University&#39;s  musical circle to embrace Minnesota&#39;s super-charged music environment. He has lost no time in pursuing partnerships with students and people with musical lives&mdash;performers, educators, administrators&mdash;at the University and throughout Minnesota. In under six months, with few silent nights at Ted Mann Concert Hall, he has made meaningful connections with stellar arts and educational institutions, including such expert audience-developers as the Schubert Club, Saint Paul Chamber Orchestra, and numerous other professional and community orchestras. Meanwhile, he is the American consultant on a new degree that may be dubbed "Master of Music for New Audiences and Innovative Practice," an idea pioneered by five European conservatories including London&#39;s Guildhall School of Music and Drama.</p>

<p>"Today&#39;s students," he observes, "come to campus with a wealth of musical interests far beyond what I had when I entered music school. They&#39;re not only interested in classical music, but world music&mdash;all that is outside the classical sphere, including rock, jazz, and ethnic music. Here is a rich foundation for our schools to build on as we prepare them&mdash;in most cases&mdash;to be fine classical musicians, our primary calling."</p>

<p>That means student recruitment requires not only a stellar performance faculty, but also experts from musicology and ethnomusicology, theory and composition, music therapy and more&mdash;diverse fields that give students a sense of the vital education available to them in a music school, and illumine possibilities awaiting them beside a place in a performance ensemble.</p>

<h4>Classical Crisis</h4>
He faces challenges, of course, especially in a time of economic downturn, and certainly at the core of musical instruction, in the realm of classical music, where instruction takes place one-on-one, and on costly instruments. 

<p>The American concert hall audience has not grown appreciably since the pervasive rock beat of the 1950s established one-two-one-two as the throb of a global society. Moreover, the myriad attractions of cyberspace have emerged as mighty competitors for leisure time, hitting hard at an art form hailed as the language of human emotions, transcending words.  Studies by the National Endowment for the Arts indicate that the percentage of concert attendance has not increased over the past two decades&mdash;partly because of intense competition for audiences. In this high-tech world of round-the-clock distraction and entertainment, classical music is at risk of continued marginalization. </p>

<p>Is there a crisis? Myers thinks that may be too strong a word. "There are literally hundreds of thousands of people leading active and vital musical lives. What I&#39;m not so sure about is how we in the classical realm are connecting with audiences and inviting them to find meaning in the exploration of classical music. America&#39;s symphony orchestras have been doing wonderful things to engage the public, often beyond the music itself. Across the board, the arts are more conscious of audience needs."</p>

<p>In fact, in a study Myers conducted a few years ago, participants stressed their desire to understand how music works. He believes that in order to persuade a large science-and-business-oriented population that the arts play a crucial part in society, we must all become advocates, with musicians demystifying the arts from the stage as well as in the classroom. Connection is<br />
the key.</p>

<p>"Fortunately, the arts have become entrepreneurial&mdash;in fact, we&#39;re fascinated with the word &#39;entrepreneurship,&#39;" Myers says. "All musicians need this spirit in order to share their art with the public and get their feedback. How do people like to become engaged in our art form, what intrigues them? There is much to learn."</p>

<p>And much to teach: "Every musician&mdash;whatever his or her job&mdash;has to be a teacher, not only of an instrument but of the audience."</p>

<p>Spurring new ideas and forging connections in the name of a public university&#39;s commitment to education and the State&#39;s quality of life&mdash;these are goals that challenge the indomitable spirit of an idealistic spokesman for music, David Myers.</p>

<hr />

<h4>David Myers</h4>
<strong>Education</strong>
<ul><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Myers" src="http://blog.lib.umn.edu/clareach/stories/ConnectingMyersSmall.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /><p style="clear:both; font-size:10px;">Photo by Kelly MacWilliams</p></span></div>
<li>Ph.D. from University of Michigan</li>
<li>M.M. from Eastman School of Music</li>
<li>B.S. from Lebanon Valley College, Pennsylvania</li>
</ul>

<p><strong>Previous Position</strong><br />
<ul><li>Professor and associate director of the Georgia State University School of Music</li><br />
</ul></p>

<p><strong>Professional Highlights</strong><br />
<ul><li>Accomplished organist</li><li>Founded the Center for Educational Partnerships in Atlanta</li><li>Conducted the research for the seminal report, Beyond Tradition: Partnerships Among Orchestras, Schools, and Communities,  a project of the National Endowment for the Arts</li></ul></p>

<blockquote><p>"David Myers understands the human longing to speak and to hear music, and is committed to transcending whatever barriers prevent it from flowing freely through every part of the community."</p>
<p style="float:right;">&mdash;James A. Parente, Jr.
Dean, College of Liberal Arts</p></blockquote>

<blockquote style="clear:both;"><p>"David Myers&#39;s leadership has tremendous potential for putting pieces together in this remarkable community. We&#39;ll all be better citizens if we figure out how to collaborate in the arts ecology of Minnesota."</p>
<p style="float:right;">&mdash;Steven Rosenstone
University Vice President for Scholarly and Cultural Affairs</p></blockquote></body>
         <category>
            10071|24753
         </category>
         <pubDate>Thu, 03 Sep 2009 17:16:24 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/EnvtJusticeDavidPellow.jpg" length="48656" type="image/jpeg" />
         <title>Environmental Justice Expert David Pellow Holds New Martindale Endowed Chair</title>
         <description><p><em>By Greg Breining</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189723</link>
         <guid>189723</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Pellow" src="http://blog.lib.umn.edu/clareach/stories/EnvtJusticeDavidPellow.jpg" width="200" height="265" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Professor David Pellow. Photo by
Kelly MacWilliams.</p></div>

<p>Talking with Department of Sociology chair Chris Uggen, you get the impression that last year&#39;s hunt for a new sociology professor was a bit of a feeding frenzy. Competition for candidates was ferocious&mdash;not only from other public universities, but also from well-funded private schools, "the Yales of the world," Uggen says. "There&#39;s intense market pressure in the social sciences right now."</p>

<p>Fortunately, the department was able to offer a powerful inducement&mdash;an endowed chair funded by Edith Martindale, the widow of long-time faculty member Don Martindale. </p>

<p>"The Martindale chair really provides that margin of excellence we need to maintain our position in the discipline," Uggen says. "In this case we were able to recruit a real rising star and make it especially attractive for him to come to Minnesota."</p>

<p>That recruit was David Pellow, a young sociologist from the University of California-San Diego who has written extensively on environmental justice. The hire of that emerging talent, Uggen says, has strengthened the department, adding to its reputation for cutting-edge, real-world research, and enhancing teaching. </p>

<p>"This is someone who is right now advancing the field of environmental justice studies by leaps and bounds," says Uggen.</p>

<h4>Honoring a Renaissance Scholar</h4>

<p>The story of the endowed chair&mdash;the department&#39;s first&mdash;began in February 2008, with the gift from Edith Martindale, then 92, of $2 million. Mrs. Martindale shies from the limelight but makes her aim clear&mdash;to support a faculty position to further the legacy of her husband, a mainstay of the sociology department for 35 years.</p>

<p>Don Martindale arrived at the University in 1948 as an assistant professor, and became a leading spokesman for social behaviorism. He wrote about social theory, social stratification, and the sociology of culture, knowledge, and art. An enthusiastic theorist, Martindale was by all accounts also a captivating speaker and lecturer.</p>

<p>"He was a bit of a renaissance scholar," says Uggen. "It&#39;s certainly rare for somebody today to have the range that Don Martindale had."</p>

<p>Perhaps Martindale&#39;s greatest legacy was his students. He advised 78 Ph.D. and more than 200 master&#39;s graduates during his career&mdash;one of the highest totals of any professor in University history. He and Edith often invited students to their Shoreview home overlooking Lake Owasso.</p>

<p>Martindale retired in 1983. He died two years later of a heart attack.</p>

<h4>Environmental Justice to Improve the World</h4>

<p>"In my view, part of Don&#39;s intellectual legacy is in those students. He taught many generations," Uggen says. "I would like to think he would very much like the direction the department has taken in the last decade. Our alumni have been getting excellent jobs in world-class universities. We&#39;ve nurtured the graduate program, which I know he would have appreciated. Also the intellectual diversity on the faculty has just blossomed and bloomed."<br />
 <br />
Pellow&#39;s field of expertise, environmental justice, concerns the downside of many environmental issues that fall disproportionately on poor people, communities of color, and poverty-stricken nations, who increasingly protest becoming dumping grounds for the wealthy. </p>

<p>Pellow&#39;s work, Uggen says, reflects the department&#39;s attitude toward research&mdash;"the sort of work that makes a real difference in the world."</p>

<p>That&#39;s how Pellow sees it, too. "What really keeps me going is being able to connect what&#39;s going on in my research to what&#39;s going on in the classroom, to what&#39;s going on off campus," he says. Sociology is "not only understanding and explaining social institutions in the world around us, but also ultimately improving and changing the world."</p>

<p>His books include Garbage Wars: The Struggle for Environmental Justice in Chicago, a study of how and why the city&#39;s landfills and toxic waste dumps were sited most often in low-income communities and communities of color; and his most recent work, Resisting Global Toxics: Transnational Movements for Environmental Justice, which examines how income disparities force hazardous waste and unsustainable industries on poor nations.</p>

<p>Pellow and faculty member Lisa Sun-Hee Park are currently conducting research for a book on immigration and labor conflicts in glitzy Aspen and the rest of Colorado&#39;s Roaring Fork Valley. "What surprises a lot of people is how strong the effect of race continues to be," he says. In many cities, "Southeast Asians and Latin Americans are really bearing the brunt of many of these siting decisions." </p>

<p>He plans to soon begin research on how the effects of global climate change are likely to be distributed among communities and nations rich and poor. </p>

<p>Pellow expects these issues to become even more critical, and says the support of an endowment will be of tremendous value to his work. "I&#39;m able to hire research assistants. That in turn professionalizes and trains the research staff and helps them in their careers. It provides me with a lot I wouldn&#39;t have had. I&#39;m really grateful."</p>

<p><em>Watch David Pellow&#39;s Martindale lecture at <a href="http://reach.cla.umn.edu/pellow">http://reach.cla.umn.edu/pellow</a></em></p></body>
         <category>
            24761|24753
         </category>
         <pubDate>Thu, 03 Sep 2009 16:33:01 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/BuildingFutureStudentsBlur.jpg" length="30297" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/BuildingaFutureforCLA.jpg" length="39194" type="image/jpeg" />
         <title>Building a Future for CLA</title>
         <description><p>CLA&#39;s new dean, James A. Parente, Jr., talks about how the college will thrive in the 21st century. <br />
<em>interview by Mary Pattock</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189720</link>
         <guid>189720</guid>
        <body><p>Jim Parente, CLA&#39;s new dean, talks about what the college needs to thrive in the 21st century: research, internationalization, and exceptional undergraduate education.</p>

<p><strong>Not long ago the New York Times ran a story about the liberal arts, wondering if they are a luxury in this economy. What do you think?</strong><br />
<div style="width:200px; float:right; margin:0 15px 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Jim Parente" src="http://blog.lib.umn.edu/clareach/stories/BuildingaFutureforCLA.jpg" width="200" height="300" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">James A. Parente, Jr. Dean of<br />
the College of Liberal Arts. Photo by Kelly MacWilliams.</p></div></p>

<p>Actually, they are more viable than ever. First of all, alumni tell me that what they really like about their liberal arts employees is that they are very trainable, can do lots of different things. As old jobs disappear in the age of technology and students prepare for jobs that haven&#39;t yet been created or even imagined, versatility will be a life-long career advantage for the liberal arts graduate.</p>

<p>On a deeper level, the liberal arts help prepare us for life's most important decisions: What do I want? What am I seeking? Do I imagine my life to be simply one of self-preservation and self-interest, or do I have other aspirations? The liberal arts help us understand our choices ranging from what I want my children to learn in school, to whom I want leading the country, to what my societal responsibilities are.</p>

<p>This year I met with undergraduate students about every three to four weeks&mdash;a good cross-section including those guys in the back of the room who don&#39;t say anything during class. I wanted them to tell me what&#39;s going on, and what they think this is all about. One thing I heard is that sometimes parents, who are very worried about their children, say, "Oh my gosh, you&#39;re going to major in philosophy. You&#39;ve got to be kidding. What are you going to do with that?"&mdash;without thinking that philosophy might actually be a superb foundation for many professional schools, certainly for any additional schooling. </p>

<p>So, say you do major in philosophy. If you have been savvy about remaining connected to the world while you are studying this subject&mdash;which you find really cool&mdash;you put it together with something you&#39;re interested in, say, an internship in a business or nonprofit. And you come out prepared for quite an interesting career. </p>

<p><strong>President Bruininks&#39;s goal is for the University to rank among the top three public research universities. How does CLA contribute to that direction?</strong><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Students" src="http://blog.lib.umn.edu/clareach/stories/BuildingFutureStudentsBlur.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>Substantially. In CLA we have psychologists trying to figure out how the brain processes language. We have a research team working on how adolescents respond to anti-drug ads. By the way, that team includes a CLA undergraduate&mdash;we are increasingly opening research experiences to undergrads. And just recently two CLA researchers made national headlines&mdash;Gary Schwitzer with his findings on the decline of health journalism, and Kieran McNulty with his breakthrough on the "hobbit" fossils of Indonesia. This is all highly significant work. </p>

<p>If I were to compare CLA research with research in the hard sciences, I&#39;d say that rather than looking at the biology of the basic cell, we ask questions, for example, about the ethics of science, about why specific medical protocols are used, about what exactly is health and what is disease. Liberal arts research goes to the essence of humanity itself&mdash;who we are as human beings, questions about our societies, political systems, religious beliefs, languages, and philosophical principles.</p>

<p><strong>You&#39;ve been the DEAN of CLA for almost A year. How do you think It should  change?</strong><br />
CLA is by far the University&#39;s largest college, with about 16,000 graduate and undergraduate students, roughly 45 percent of the University&#39;s total enrollment. So the more distinguished our programs are, the stronger the entire University becomes. I want our strong departments to remain strong, and those on the cusp to move to a higher level. </p>

<p>Great faculty and students are drawn to us when they know we are top-tier, and when they know about the signature programs that make us unique. For example, if you are in psychology, you know Minnesota is outstanding in that field. If you are in humanities you know there is a really exciting group of people involved in a creative approach to the study of Asia, or in developing a unique position on the study of Islam. </p>

<p>In addition to strengthening our signature programs, we are having discussions about integrating language instruction more intimately with upper-level classes across the college in order to internationalize the curriculum.</p>

<p><strong>What do you mean&mdash;"internationalize the curriculum"?</strong><br />
Say a student is majoring in history, and she has also studied Spanish. How can we help her break out of an English-only environment so she can conduct research and work in history in Spanish at her actual academic level? With an internationalized curriculum we could offer that student a course in, say, Latin American history, which would be conducted entirely in the Spanish language. </p>

<p><strong>Some colleges offer "core courses" that show students how the liberal arts are connected.</strong><br />
Yes, we have been talking about this since I was named dean, and a CLA task force is now looking at how we can constitute the curriculum to help students more fully understand what a broad liberal arts education is, and why it is so valuable.</p>

<p>The better we can answer those questions, the more likely it is that students will approach their studies holistically, rather than as specific fields that promise more hope for employment&mdash;which is very understandable given the cost of higher education and the reason most kids go to college in the first place. I think when students come to CLA thinking, "I&#39;m going to major in this because it is something I can get a job in," they shortchange themselves and perhaps close off opportunities to learn about other areas that might be more exciting to them.</p>

<p>These four years that students spend at the University are important; rarely in your life do you have an opportunity to study as diverse an array of fields as you do here, to open your mind to new experiences and academic fields you didn&#39;t even know existed.</p>

<p><strong>The U has a great arts program&mdash;what is its future?</strong><br />
CLA has two great advantages in the arts. One is we have outstanding, internationally recognized artists on our faculty, and the other is we are located in the extraordinarily vibrant arts community of the Twin Cities. </p>

<p>A lot of the arts excitement on campus now comes from innovative thinking about how studio arts and performance arts can collaborate, in partnerships both on campus and in the community. One of our great success stories is the bachelor of fine arts program we offer with the Guthrie Theater. David Myers, our new director of the School of Music, is a national leader in college-community partnerships, and he has a lot of ideas on how we can to reach more deeply into the community.</p>

<p><strong>Other changes you would like to see?</strong><br />
So far I&#39;ve talked about strengthening academic programs. But that&#39;s not by any means the entire story. There is also the actual student experience. As the largest liberal arts college in Minnesota we want to provide our students the most beneficial, enriching, and academically challenging undergraduate experience possible.  </p>

<p>We also have an obligation to make the University a national and international player in terms of cultural diversity and the diversity of our students. They need to learn how to understand and benefit from many perspectives. Currently, the number of international applications is up significantly. We need national diversity as well, and we think our signature programs will help draw undergraduates from across the country. </p>

<p><strong>E-Education is a major trend.</strong><br />
Yes, it already represents almost 10 percent of all U of M course offerings. Both faculty and students are highly interested in new media and are using it in all sorts of exciting new ways, and we have a group of faculty and staff studying how to do that. </p>

<p>People associate e-education with serving people who are distant from the campus or who need flexibility, and it certainly does that.  But our faculty are very innovative and are integrating new technologies into their on-campus courses as well. For example, they use technology to present material in formats that accommodate various learning styles, or let students proceed at their own pace. And technology is a connection to the vast resources available online, including contact in real time with experts in various disciplines, or with research partners who may even be in other countries. </p>

<p>E-education also lets us offer courses at specialized or more advanced levels. For example, if a college wanted to offer a course in a less commonly taught language that would not be practical for a single college to teach, one institution could host it and students from two, three, four other institutions could be virtually present by technology.</p>

<p><strong>Doesn&#39;t computer learning have its limits?</strong><br />
Every teaching method has its advantages and its limitations. So yes, sometimes there is no substitute for in-person classroom interactions, where there is strong face-to-face human connection. A lot of the learning that goes on in universities happens outside the classroom, with experiences that provide peer support and reinforce classroom learning. </p>

<p>Also, there is the cost factor. Some people think online courses are big money-savers, but they are actually quite expensive. We have to buy, maintain, and constantly upgrade software and hardware. We have to design courses for online presentation, put them online, hire support people, train faculty and staff, and so on. </p>

<p><strong>Some people might be interested in what a liberal arts dean reads in his free time.</strong><br />
This year I&#39;ve read several Scandinavian detective novels. Last year I read works about early 20th-century European history starting with Geert Mak&#39;s memoir, In Europe: Travels Through the Twentieth Century. I kept thinking about the event of 9/11 that brought to the foreground issues that had not been resolved in the late teens and early 1920s. Those wounds are wide open again, and the West&#39;s inability to bring responsible, sensitive, and deep knowledge to the Middle East in the early 20th century is what we are repeating in the 21st. </p>

<p>It reminds me of what you get with a liberal arts education. The time we take to find out about other people&mdash;what is important to them, their history, language, society&mdash;helps us deal with very difficult situations&mdash;both personal and global.</p>

<p>I try to read some of the latest work in fields represented by our departments and books on higher education in the United States. I also try to keep up with the exciting work our faculty sends me that they have authored themselves.</p>

<p><strong>Big picture, what is the biggest challenge for the liberal arts?</strong><br />
The basic one is the need to communicate to students, families, alumni, high school counselors and others a clear sense of how vital the liberal arts are to our society. Without them the world would be bereft of knowledge, imagination and beauty. We&#39;d lack understanding of the past, and of the increasingly complex society we live in today.  The liberal arts stimulate our imagination, so we can have dreams for the future. They lay the foundation for higher levels of learning, careers in law, education, health care, public service, business, the arts and more. They help us make sense of our world and give our lives meaning.</p></body>
         <category>
            10071|24753
         </category>
         <pubDate>Thu, 03 Sep 2009 16:17:02 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Can Immigration History Help Contain Swine Flu?</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189700</link>
         <guid>189700</guid>
        <body><p>Researchers at CLA&#39;s Immigration History Research Center (IHRC) are opening a window onto the pandemic flu of 1918 and how it was transmitted within a specific ethnic community. Their findings may well hold clues to containing the spread of H1N1 (swine) flu.</p>

<p>Using Ukranian Fraternal Association documents ranging from correspondence to insurance policies, the researchers are creating a database that will reveal social patterns associated with the spread of the flu. Health scientists will study the data to see what patterns could be modified in the interest of containing diseases like swine flu.</p>

<p>The documents had been inaccessible to most researchers because they were written almost entirely in Ukranian. IHRC researchers are translating and digitizing records from 1918 to 1920 as part of the Ukranian American Health, Mortality and Demography Project, which is funded by the University&#39;s Minnesota Population Center.  </p>

<p>Why records from a fraternal organization? Haven Hawley, IHRC acting director, says such groups were often the only institutional providers of assistance for new immigrants. Among other things, they tracked mortality and health, villages of origin, changes in family size, and type of occupation.</p>

<p>The IHRC is seeking a grant to expand the project back to 1911 and across the 20th century.</p>

<p><em>Read more at <a href="http://reach.cla.umn.edu/flu">http://reach.cla.umn.edu/flu</a></em></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Thu, 03 Sep 2009 15:23:15 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/TeenSpeed.jpg" length="39862" type="image/jpeg" />
         <title>Teens speed-dating languages</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189703</link>
         <guid>189703</guid>
        <body><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Teen speed-dating languages" src="http://blog.lib.umn.edu/clareach/stories/TeenSpeed.jpg" width="200" height="139" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></span>CLA&mdash;home to around 40 language programs&mdash;hosted nearly 2,000 students from 25 Minnesota high schools during World Languages Day on May 19. It was a fast-paced affair. Students attended three 40-minute classes in or about one of 24 different languages: Arabic, ASL, Chinese, Danish, Dutch, ESL, French, German, Greek, Hebrew, Hindi, Hmong, Italian, Japanese, Korean, Latin, Norwegian, Ojibwe, Persian, Portuguese, Russian, Spanish, Swahili, and Turkish. </p>

<p>Already studying second languages in their high schools, students came from communities as close as Minneapolis and as far away as Pillager to explore language opportunities at the University.</p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Wed, 02 Sep 2009 15:26:55 -0600</pubDate>
      </item>
      
      <item>
	
         <title>&quot;Critical language&quot; students get State Department support</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189704</link>
         <guid>189704</guid>
        <body><p>Eleven CLA students are spending the summer overseas as part of a federal government effort to dramatically increase the number of Americans who are proficient in what it deems "critical languages." Eight of the 11 languages are taught in CLA: Arabic, Chinese, Hindi, Korean, Persian, Russian, Turkish, and Urdu.  </p>

<p>The Department of State&#39;s Critical Language Scholarships for Intensive Summer Institutes Program, launched in 2006, sends students to participate in intensive language and cultural study institutes in countries where the targeted languages are spoken.</p>

<p>Recipients are expected to continue their language study beyond the scholarship period and apply their critical language skills in their careers&mdash;which, in the case of the U of M winners, range from neuroscience to linguistics, anthropology to public affairs.</p>

<p><em>See the full list of awardees, their majors, and the languages they are studying at: <a href="http://cla.umn.edu/teachResearch/students.php">http://cla.umn.edu/teachResearch/students.php</a></em></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Tue, 01 Sep 2009 15:33:44 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/LordoftheFossils.jpg" length="29955" type="image/jpeg" />
         <title>Lord of the Fossils Makes it a Hobbit</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189705</link>
         <guid>189705</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Kieran McNulty" src="http://blog.lib.umn.edu/clareach/stories/LordoftheFossils.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span>
<p style="clear:both; font-size:10px;">Professor Kieran McNulty and his
colleague established that Homo floresiensis was distinct from
Homo sapiens. Only three feet tall, Homo floresiensis had a brain
about one-third of the size of a human&#39;s, but could make stone
tools. Photo by Kelly MacWilliams.</p></div>

<p>Maybe J.R.R. Tolkien was on to something. Fossilized skeletons found in Indonesia in 2003 that resemble his famous "hobbits" turn out to be the remains of a hitherto unknown species in humanity&#39;s evolutionary chain that lived at the same time as our very own ancestors.</p>

<p>That is the finding of anthropology assistant professor Kieran McNulty&mdash;named this year a McKnight Land-Grant Professor&mdash;and his colleague Karen Baab of Stony Brook University in New York, published online in the Journal of Human Evolution. The researchers used cutting-edge 3D modeling methods to compare the cranial features of the 18,000-year-old Homo floresiensis with those of a simulated fossil human of similar size to determine conclusively if the species was distinct from modern humans&mdash;and it was.<br />
 <br />
[Homo floresiensis] is "the most exciting discovery in perhaps the last 50 years," says McNulty. "The specimens have skulls that resemble something that died a million years earlier, and other body parts are reminiscent of our three-million-year-old human ancestors, yet they lived until very recently&mdash;contemporaries with modern humans."<br />
 <br />
One theory is that the species underwent a process of size reduction after branching off from Homo erectus, one of modern-day humanity&#39;s ancestors, an even more primitive species.<br />
 <br />
<em>Learn more about the "hobbit fossils" at: <a href="http://reach.cla.umn.edu/hobbit">http://reach.cla.umn.edu/hobbit</a></em></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Mon, 31 Aug 2009 15:38:36 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/LearningMoreThanShe.jpg" length="32937" type="image/jpeg" />
         <title>Learning more than she thought possible</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189706</link>
         <guid>189706</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Ellie Lijewski" src="http://blog.lib.umn.edu/clareach/stories/LearningMoreThanShe.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">A J-School freshman, Ellie
Lijewski joined professors in a research project: (left to right
behind her), Professor Ron Faber, Assistant Professor Marco Yzer,
Professor Bruce Cuthbert, and Associate Professor Angus MacDonald.
Photo by Rodrigo Zamith.</p></div>

<p>Ellie Lijewski is researching the effect of anti-drug advertising on teenagers.</p>

<p>She wasn&#39;t a professor or a Ph.D. student, but a freshman in the School of Journalism.</p>

<p>Last year Ellie Lijewski and 44 other students received CLA Freshman Research Awards that enabled them to work on research projects with faculty and graduate students. CLA hand-matches students and their mentors to create the best possible partnerships.<br />
 <br />
Lijewski&#39;s team includes professors and grad students from advertising, psychology, and marketing. "We have been measuring the perceived and actual effectiveness of anti-drug ads," she explained. "We are also trying to explain the effects of weak ads versus strong ads and why anti-drug ads sometimes are ineffective or even counter-effective." The study is funded by the National Institute on Drug Abuse.<br />
 <br />
How valuable is the experience? Says Lijewski, "I&#39;m learning how to work with people who don&#39;t even necessarily speak the same academic language, how to solve problems, and how to go about designing and testing unprecedented topics and procedures, all on a deadline. I&#39;ve discovered that it takes a huge amount of effort to set up studies and recruit volunteers. The most important thing to me, however, is that I am getting this experience so early in my academic career . . . . The relationships and networks I am forging through this experience are priceless. I&#39;m learning more than I thought possible, and it&#39;s more rewarding than I ever thought it could be."</p>

<p><em>Find out more about Ellie Lijewski&#39;s research at <a href="http://reach.cla.umn.edu/lijewski">http://reach.cla.umn.edu/lijewski</a></em></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Sun, 30 Aug 2009 15:43:28 -0600</pubDate>
      </item>
      
      <item>
	
         <title><![CDATA[First in the Nation&mdash;Again]]></title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189707</link>
         <guid>189707</guid>
        <body><p>The nation&#39;s first American Indian studies department hosted the nation&#39;s first Native American and Indigenous Studies Association (NAISA) conference this May.</p>

<p>To honor the 40th anniversary of the University of Minnesota&#39;s Department of American Indian Studies, NAISA invited more than 600 scholars from the Americas and as far away as Taiwan, Australia, Czech Republic, Israel, and Norway to its first conference, in Minneapolis.</p>

<p>Before 1969, studies of Native Americans were scattershot and held mostly in anthropology departments. With the creation of the University&#39;s department, there was finally a place dedicated to the study of native languages&mdash;in this case, Minnesota&#39;s Dakota and Ojibwe&mdash;as well as Indian culture, history, education, and other topics.</p>

<p>Since then, American Indian studies have exploded across the United States and Canada; there are now almost 120 programs and departments in the United States and Canada, not counting the 32 tribal colleges.</p>

<p>The May conference was a milestone. "It used to be that while we would read each other&#39;s research, we never came together. Finally, we will be working less in isolation and instead sharing our commonalities and similar professional challenges," said Jean O&#39;Brien, an associate professor and former chair of the Department of American Indian Studies and member of the White Earth Band of Ojibwe.</p>

<p><em>To learn more about the conference, go to <a href="http://reach.cla.umn.edu/naisa">http://reach.cla.umn.edu/naisa</a></em></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Sat, 29 Aug 2009 15:46:14 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ClintEastwoodandMe.jpg" length="43546" type="image/jpeg" />
         <title>Clint Eastwood and Me</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189710</link>
         <guid>189710</guid>
        <body><p>If you&#39;ve seen the movie Gran Torino, you&#39;ve seen Bee Vang. He&#39;s the 17-year-old who co-starred with Clint Eastwood in the hit film about reform and redemption across cultures and generations.</p>

<p>A senior this fall at Armstrong High School in Plymouth, Minnesota, Vang nevertheless attends the University full-time through Minnesota&#39;s Post Secondary Enrollment Option (PSEO) program, which allows high school juniors or seniors to earn college credit, tuition-free, while in high school.  </p>

<p>Although Gran Torino is set in Michigan, it was inspired by the Hmong community in inner-ring Minneapolis suburbs. Vang, who is Hmong, lives in one of those suburbs&mdash;Robbinsdale. He won out over some 2,000 competitors for the role of Thao, whom the Eastwood character, Walt Kowalski, tries to reform, and who ultimately helps Kowalski along the path of his own redemption.   </p>

<p>Vang says the acting experience is much harder than he thought it would be . . . and life-changing. It made him more self-aware, his voice and actions stronger and more confident. "Being an actor helped me be sensitive to every detail of my actions. We do so many things unconsciously. For example, you don&#39;t realize that if you breathe in when you wave your hand, it shows a different emotion than if you breathe out."</p>

<div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Bee Vang, Clint Eastwood, and other actors on the set of Gran Torino" src="http://blog.lib.umn.edu/clareach/stories/ClintEastwoodandMe.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Bee Vang, fourth from left with
Clint Eastwood behind him, and other actors on the set of <em>Gran
Torino</em>. Photo courtesy of Bee Vang.</p></div>

<p>It also broadened his thinking about the future. "I was definitely heading into the science field, but [being in the movie] helped me rekindle my love for the arts." </p>

<p>He&#39;s already earned 30 college credits through PSEO, and will return to the University this fall as a high-school senior. Last spring he took a PSEO class in fundamentals of performance, and he plans to study film this fall, in addition to anthropology, karate, and journalism. </p>

<p>"PSEO is an amazing program," he says, that lets him "get education beyond high school during high school. It helped me find myself quicker. It is helping me find out what I am passionate about. I&#39;m glad to be here, to live in Minnesota." </p>

<p>And what&#39;s the scoop on Clint Eastwood? "He was a sweetheart," says Vang. "He is charming, down-to-earth, humble. It makes me so happy that he chose Hmong to play Hmong instead of just any Asians. We got to portray ourselves."</p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Fri, 28 Aug 2009 15:50:07 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/DavidNobleRetires.jpg" length="33273" type="image/jpeg" />
         <title>David Noble retires</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189712</link>
         <guid>189712</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="David Noble" src="http://blog.lib.umn.edu/clareach/stories/DavidNobleRetires.jpg" width="200" height="133" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">American Studies faculty honored
David Noble with an American Indian "Chief Joseph" blanket. Photo
by Kelly MacWilliams.</p></div>

<p>He co-authored the first multicultural history of the United States. He taught brilliantly, memorably. Supervised 100-plus doctoral dissertations. Influenced the development of American studies at the University and nationwide. Reshaped scholarship in American and cultural history, literature, women&#39;s studies, race theory. Wrote nine books, retired, is writing his tenth book.</p>

<p>Did you catch that he retired? Professor David Noble did retire this spring, legendary and lauded, after more than 50 years of scholarship and teaching. But his work continues, as he focuses full bore on a new book, which some of his colleagues are predicting will be his most important. Its working title: "Is the Global Marketplace the Last New World? Economists, Literary Critics and Ecologists Debate the End of History." </p>

<p>Celebrating the retirement were students, colleagues, family, and friends at an event that was variously happy, serious, funny, and poignant, and featured a panel of former students.</p>

<p>Dean Jim Parente spoke to Noble&#39;s career as a scholar and educator: "He could chair the American studies department or impersonate Richard Nixon, write books or pack an auditorium. He could attack a problem with full academic rigor, or&mdash;as former student Nan Enstad, now at Wisconsin-Madison, says, &#39;create a warmer space to form a community of scholars.&#39; David, you have made a difference here in more ways than we can count or imagine."</p>

<p><em>Read more about David Noble: <a href="http://reach.cla.umn.edu/noble">http://reach.cla.umn.edu/noble</a></em></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Thu, 27 Aug 2009 15:52:05 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/HumanRightProgram.jpg" length="45761" type="image/jpeg" />
         <title>Human Rights Program Helps Hmong Families Find Peace</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189714</link>
         <guid>189714</guid>
        <body><div style="width:200px; float:right; margin:0 0 0 15px;"><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Hmong Refugees" src="http://blog.lib.umn.edu/clareach/stories/HumanRightProgram.jpg" width="200" height="150" class="mt-image-right" style="float: right; margin: 0 0 5px 0;" /></span><p style="clear:both; font-size:10px;">Hmong refugees remaining in
Thailand sent images of the desecration of loved ones&#39; graves to
family and friends in the Twin Cities.</p></div>

<p>Wat Tham Krabok is a Buddhist monastery located in the rolling plains of central Thailand, about two hours north of Bangkok. In 1992 it became a refuge for some 15,000 Hmong people who had supported the United States during the Vietnam War and would no longer be safe under communist rule in their native Laos. Many who lived at the monastery eventually relocated in the Twin Cities&mdash;home to the largest urban Hmong population in the nation.<br />
 <br />
<p>Three years ago, word began to spread that more than 900 Hmong graves located on monastery grounds had been desecrated. Refugees remaining in Thailand sent videotape to Twin Cities friends and family showing in graphic detail the remains of loved ones being dismembered, boiled, thrown into open graves, and burned. Two bodies were reported displayed in a mini shrine at a shopping mall&mdash;for good luck. The reason given by the Thai government for the disinterment had to do with water quality.</p><br />
 <br />
<p>The desecrations were more than horrifying. In the Hmong religion, the spirit of a deceased person who is not properly buried will wander for eternity, never reaching its ancestors, never reincarnating in the world of the living, interrupting the cycle of life.</p><br />
 <br />
<p>Members of the community approached the University for help, and CLA&#39;s Human Rights Program, which is part of the Institute for Global Studies, responded. Program director Professor Barbara Frey organized a town hall meeting at which the 20 students in her human rights internship class and two Hmong graduate students collected statements from 159 aggrieved families. Taking the position that families have a human right to honor their dead, they forwarded the statements with a formal complaint to the United Nations High Commissioner for Human Rights.</p><br />
 <br />
<p>In December, James Anaya, U.N. Special Rapporteur on Human Rights and Indigenous Issues, held a public hearing at Coffman Union on the Minneapolis campus. Several hundred people attended; the testimony was moving. Anaya described the accounts as "assault to culture, assault to a people." In addition to reporting his findings and his recommendations to the U.N. Human Rights Council, he committed working to resolve cultural differences that led to this violation and ensure that it will not happen again.</p><br />
 <br />
<p>Frey says that the Human Rights Program, on behalf of the Hmong families, is seeking a three-part resolution from the Thai government: a declaration that the rights of an indigenous community have been violated, the opportunity to reclaim the bodies, and reparations for expenses related to either reclaiming the body or paying for ceremonies to put family spirits at peace.</p><br />
 <br />
<p>Grave desecration is not a problem unique to Hmong people. It has also been experienced by the Bahá&#39;í in Iran, Jews worldwide, and Native Americans in the U.S.</p><br />
 <br />
<p><em>Watch a video and read more: <br/ ><a href="http://reach.cla.umn.edu/hmonggraves">http://reach.cla.umn.edu/hmonggraves</a></em></p></p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Wed, 26 Aug 2009 15:56:32 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Students Win Top Awards</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189716</link>
         <guid>189716</guid>
        <body><p>Congratulations to CLA students who won prestigious national and international scholarships in 2009.<br />
	<br />
<strong>Dustin Chacón</strong>, linguistics, was one of 18 students nationwide to receive a Beinecke scholarship for graduate studies in the arts, humanities, or liberal arts. </p>

<p>Of the 14 U of M students to win Fulbright grants, 11 were from CLA. The grants support a year of study, research, teaching, or creative work in another country. Graduate students are: <strong>Ryan Chelese Alaniz</strong>, sociology, who will go to Honduras; <strong>Clelia Anna Mannino</strong>, psychology, Italy; <strong>Ashley McKim Olstad</strong>, Germanic studies, Germany; <strong>Drew Anthony Thompson</strong>, history, Mozambique. Undergraduates are <strong>Alia El Bakri</strong>, political science, Jordan; <strong>Daniel Groth</strong>, English, South Korea; <strong>Carmen Price</strong>, English and German studies, Germany; <strong>Zachary Saathoff</strong>, violin performance, Austria; <strong>Jenna Rose Smith</strong>, English and cinema & media culture, South Korea; <strong>Jillian Stein</strong>, Spanish studies and speech-language-hearing sciences, Spain; <strong>Antoni Tang</strong>, marketing and African American and African studies, Venezuela; <strong>Anh Tran</strong>, neuroscience and psychology, United Kingdom.</p>

<p><strong>Anh Tran</strong> was also one of 20 students nationwide to be named to the All-USA College Academic Team by USA Today, in recognition of excellence in scholarship and reach beyond the classroom to benefit society.  <strong>Ashley Nord</strong>, physics, astrophysics, and global studies, won a Rhodes scholarship for two years of post-graduate study at Oxford University. <strong>Philip Brodeen</strong>, sociology and American studies, won a Udall Native American Congressional Internship for 10 weeks in the Washington office of South Dakota Representative Stephanie Herseth Sandlin, focusing on tribal public policy.</p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Tue, 25 Aug 2009 16:01:15 -0600</pubDate>
      </item>
      
      <item>
	
         <title>J-School Celebrates Great Journalism in Minnesota</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=189718</link>
         <guid>189718</guid>
        <body><p>The quality of news reporting may be in jeopardy, but the School of Journalism continues to carry the banner for excellence with its annual Frank Premack Public Affairs Journalism Awards.</p>

<p>One of the state's most coveted journalism honors, it celebrates Minnesota newspapers that are doing public affairs journalism in their community or region.</p>

<p>This year's winners were:<br />
<ul><li><em>MinnPost.com</em>, the Coleman-Franken Recount<br />
by Jay Weiner</li><li><em>The Bemidji Pioneer</em>, "Help for Cattle Farms"<br />
by Brad Swenson</li><li><em>St. Paul Pioneer Press</em>, "The Death of Subject 13"<br />
by Jeremy Olson and Paul Tosto</li><li><em>Rochester Post-Bulletin</em>, "Mystery Illness"<br />
by Jeff Hansel</li><li><em>Star Tribune</em>, "Resolution Needed in AG Controversy"<br />
by Jill Burcum</li><li><em>Morrison County Record</em>, "Every county resident should be saddened by Tuesday's events"<br />
by Tom West</li></ul></p>

<p>The competition was started to honor Frank Premack, a reporter and editor at the Minneapolis Tribune, who died in 1975.</p></body>
         <category>
            10069|24753
         </category>
         <pubDate>Mon, 24 Aug 2009 16:09:38 -0600</pubDate>
      </item>
      
      <item>
	
         <title>The Deinard Chair: a gift of community</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166486</link>
         <guid>166486</guid>
        <body><p>From Erwin Kelen&#39;s office on the 49th floor of the IDS Center in downtown Minneapolis, the city stretches out across landmarks, rivers, and just to the east, the University of Minnesota campus. </p>

<p>For Kelen, the city and the campus are inseparable. Here he has had a successful career as a businessman and venture investor. And here is where he earned a graduate degree after coming to the University as a refugee from Hungary.</p>

<p>“I had no papers to prove I had a degree," he says, though indeed he had graduated from the Technical University of Budapest. “The University accepted me, telling me that we&#39;d just see if I could do the work."</p>

<p>The graduate degree Kelen earned at the U laid the foundation for his successful career—and he never forgot that. Wanting to give something back a few years ago, he settled on the idea of endowing a professorship. </p>

<p>In the meantime, the College of Liberal Arts had hoped for a long time to fund a position in modern Jewish history.</p>

<p>&#39;We have had colleagues who have sometimes taught courses in this area, but we have never before had a scholar on the faculty who was trained in Jewish history and whose entire research, writing, teaching, and public outreach has been about Jewish history," says Eric Weitz, history department chair. “ So this is a very exciting new departure for the department and for CLA."</p>

<p>Kelen was not only enthusiastic about the possibility, but he also knew that others would be as well. In fact, if this chair is about anything, it is about the power of committed people coming together for a cause in which they believe. By the fall of 2007, the contributions of a number of donors had created the Deinard Chair in Modern Jewish History, housed in and initiated by the Center for Jewish Studies.</p>

<p>Why “the Deinard Chair"? Amos Deinard, a founder of the Leonard, Street, and Deinard law firm was also a philanthropist, a lifelong activist on behalf of the oppressed—and Erwin Kelen&#39;s father-in-law. It seemed only fitting to name the chair after him.</p>

<p>This fall, Daniel Schroeter, a scholar recruited from the Univeristy of California-Irvine, arrived on campus to fill the position.</p>

<p>“Daniel Schroeter is an ideal scholar and teacher for us because his work intersects with so many other initiatives and programs in CLA," Weitz says. “His research has been<br />
primarily on the Jews of Morocco, so he connects with our burgeoning courses and programs on the Middle East. He will be part of the Mediterranean Initiative, especially the new program in Islamic Societies and Cultures. And as someone whose work concentrates on North Africa, he also intersects with our renowned program in African History.</p>

<p>“In short, he is someone with distinguished accomplishments in his area of specialization, but whose work and interests branch out far beyond that. E-mails and letters have poured into us from scholars around the world­—in Morocco, Israel, France, Britain, Canada, and the U.S. —congratulating us on making a superb hire."</p>

<p>And for that superb hire, credit goes to those who made it possible in the first place. Other donors to the chair were Richard and Beverly Fink; Lyle Berman; Steve and Sheila Lieberman; Lawrence and Linda Perlman Foundation; and Frank and Carol Trestman.</p></body>
         <category>
            10072|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 12:48:54 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Speaking of Language</title>
         <description><p>If culture is the prism through which we view  the world, language is our attempt to order that world and give it meaning. At the U of M, nearly 40 language options provide a wealth of cultural opportunity. <br />
<em>by Judy Woodward</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166444</link>
         <guid>166444</guid>
        <body><p>It&#39;s your first visit to the home of your new Iranian acquaintance and you can&#39;t wait to try some of that terrific rose-water-infused cuisine you&#39;ve heard about. Politely, your host offers you something to eat. You&#39;ve been studying your Persian dictionary for just this moment, and you&#39;re ready. “Wow, thanks", you say in Farsi, smiling broadly in the interests of international understanding. “I&#39;m starving!"</p>

<p>Congratulations. You&#39;ve just revealed yourself to be a social barbarian, completely unversed in the elaborate rituals of taarof, the Persian social code that governs virtually every aspect of behavior in the highly nuanced world of Iranian hospitality.  </p>

<p>“A different language is not just another vocabulary; it&#39;s a different vision of life," says Mahmoud Sadrai, instructor of Persian and linguistics. As a teacher of Persian, Sadrai believes that his job is to teach the culture as well as the vocabulary. </p>

<p>Persian is just one of the nearly 40 languages taught at the University of Minnesota.  Every one of them holds the promise of introducing a new world and a fresh perspective on life, but only if the learner understands one critical point: When it comes to learning a language, your grasp of grammar may be impressive, your vocabulary large, and your accent native-like, but, if you don&#39;t understand cultural practices like taarof, you haven&#39;t learned the subject. </p>

<p>Sadrai defines taarof as an elaborate “system of politeness strategies." He explains the social misstep involved in accepting food too quickly. “In Persian culture, you are obligated to offer food," he says, but it&#39;s also rude to  accept too quickly. “You can&#39;t accept until the third offer," he says.  A brash American might note inwardly at that point that the food is getting cold, but he would be missing the point. Sadrai says, “Even though you know your position [in the social hierarchy] you must go through the ritual of self-effacement. Part of taarof is saving face, and allowing others to save face."  </p>

<p>An all-encompassing system that covers every social encounter, taarof explains why, for example, it might take an hour to bid your Iranian host a polite farewell. Noting that taarof helps define and enforce social hierarchies, Sadrai says, “It&#39;s a way of giving deference, but the politeness need not be sincere." </p>

<h4>Widening the lens</h4>

<p>There are all kinds of reasons to learn a language, says Elaine Tarone, director of the University&#39;s Center for Advanced Research on Language Acquisition (CARLA). Studies show, for example, that children in language immersion programs have greater cognitive flexibility and are more creative. </p>

<p>She also believes, though, that as Americans, we simply shortchange ourselves if we cling to our monolingual culture. “We have a limited view of being human if we see things through only one cultural lens," says Tarone, a Distinguished University Teaching Professor of Second Language Studies. “We Americans value freedom, yet we [risk] locking ourselves into one way of seeing the world."</p>

<p>Beyond mastering grammar and vocabulary, real communication depends on learning what she calls the “pragmatics" of a language. “As you become more proficient in a language, the knowledge of the culture becomes more important," Tarone says. “In fact, the two are so interrelated that you can&#39;t assess proficiency without talking about what [students] know about culture." </p>

<p>Say, for example, you need to apologize for a minor social blunder. To do that, a student has to understand not just words and sentence structure, but also the cultural nuances and the social standing of those who may have been offended. “You have to suit the language of apology to the degree of offense . . . [and] to use the language at that advanced level, you need to know the culture," she says. </p>

<p>But acquiring a level of proficiency that ensures cultural as well as linguistic competence is no easy matter.  Tarone points out that there are times when a student&#39;s native culture can consciously or unconsciously sabotage the learning process. Take the delicate matter of what Western society defines as plagiarism. American students are raised to be individualists, accustomed from their earliest school days to reformulate and synthesize assigned reading “in their own words." </p>

<p>Not so for students from some Asian cultures, says Tarone. “They may come from a culture where the learning model is to memorize from the experts," she explains. “They say, ‘I am not worthy to change this expert&#39;s words.&#39;" For these students, putting something in their own words is not the sign of healthy engagement with the subject matter, but the mark of a presumptuous usurpation of scholarly authority. </p>

<p>Such difficulties are not confined to Asian students striving to master English. Tomoko Hoogenboom, who was a lecturer and lead teacher in the U&#39;s Japanese Program in Asian Languages and Literatures last year, knows her American students have extra difficulty mastering the elaborate forms of keigo, the Japanese system of honorifics used to establish formal social relationships. “In Japanese culture," she says, “there are so many ways of politeness. You need to find out where you belong." </p>

<p>Every public encounter in Japanese involves establishing oneself as a member of an in-group or an out-group, says Hoogenboom, and using specific language prescribed for each role. She explains that so apparently simple an exchange as entering an office and asking to speak to the boss can involve an exhausting linguistic calculus for those not comfortable in the intricacies of keigo. </p>

<p>The person who enters the office makes it clear that he or she is a member of the “out-group" by referring to the boss with special honorific forms. The staffer to whom the question is addressed must underscore his or her own “in-group" status by referring to the boss in what Hoogenboom calls “extra-modest" language. </p>

<p>Add to this ritual the fact that there are separate language forms reserved for men and women, and it&#39;s no wonder that Hoogenboom has her teaching work cut out for her. To help her students, she says, “We create role-playing situations. Each student gets a status card." When the cards are reshuffled and the student gets a new one, “[he or she] needs to change the style of speaking." Hoogenboom says, “Most of my students are fascinated by the differences from American culture." </p>

<p>But that doesn&#39;t mean they find them easy to understand. Tarone and her colleague Noriko Ishihara have written about the discomfort that some American students feel when they are expected to use keigo to superiors. “It&#39;s difficult for Americans to do this," Tarone says, citing an American student who remarked that he couldn&#39;t use honorifics until the recipient “had earned his respect."</p>

<p>Such a student may master the grammar and vocabulary of Japanese, but hasn&#39;t really learned to communicate in the language. Says Hoogenboom, “A student who wants to be included in Japanese society needs to acquire that skill. If a person says, ‘I won&#39;t use those honorifics,&#39; other Japanese won&#39;t feel comfortable with him."</p>

<p>Cultural discomfort can also result when Arabic and American social codes conflict, says Hisham Khalek, director of the Arabic Instruction Program in the Department of African-American and African Studies. Khalek, who has just published a new Arabic curriculum, Exploring Arabic, notes that Arabic attitudes toward social discourse go back to nomadic Bedouin life. “A visitor to the tribe was received for three days before he was asked his purpose," he says. By conducting general conversation with the stranger, tribesmen could assess character and behavior before the purpose of the visit was raised. </p>

<p>According to Khalek, that leisurely approach still prevails in Arabic business circles, to the frequent incomprehension of straight-to-the-point Americans: “If you have only an hour for lunch with an Arab businessman, the first 45 minutes will have nothing to do with business."</p>

<p>Some scholars contend that language not only provides the vehicle through which we engage the world but also actually shapes the thoughts we are able to express, either completely or absolutely. That idea, known to linguists as the Sapir-Whorf hypothesis, gives rise to some fascinating speculations. Can an English speaker appreciate the finer points of hierarchical courtesy, limited as we are by a language that has only one way to say “you"? Is a bean- counter&#39;s perspective possible for speakers of the Brazilian Indian language Pirahã, which counts “one, two, many"?  In other words, does language drive culture, or is it the other way around? What is the essential relationship between language and culture? </p>

<p>“At core," Sadrai says, “we develop language to comprehend our experiences and to deal with the world. We experience the world through our senses but we give it meaning through language."</p>

<h4>Artifact vs. Organic</h4>

<p>A scholar who takes a somewhat different view is associate professor of English David Treuer, a McKnight Land-Grant professor, novelist, and translator of texts from his native Ojibwe. </p>

<p>“I&#39;m leery of facile descriptions of how cultures work," Treuer says. “Languages are perfectly capable of expressing what they need to." He&#39;s conscious of the tenuous existence of Indian languages like Ojibwe, which is losing native speakers as the inevitable passage of time combines with the powerful lure of American popular culture. </p>

<p>“I work against the idea of seeing Ojibwe as an ancient language," says Treuer. “That shoves it into a museum intellectually. I think of it as vibrant, important, and capable of communicating everything. [But] Ojibwe is in danger of dying out. When people talk about culture in regard to a dying language [they&#39;re saying] ‘Language is a diorama that shows us how life was.&#39;"</p>

<p>He believes that to emphasize Ojibwe&#39;s linguistic singularities after the model of Sapir-Whorf is to condemn it to the fate of a self-consciously “ancient" tongue, automatically disqualified from expressing the complexities and concerns of modern life. And that&#39;s a crucial concern, because maintaining the vitality of the Ojibwe language is critical to the entire culture, Treuer says. </p>

<p>“There are lots of things in a culture," he says. “Kinship, ceremony, and history, but language is the most important. In the Ojibwe context, it links and connects all those other things together. Language provides a sense of solidarity."  </p>

<p>Still, Treuer finds himself mildly impatient with the whole notion of capturing the essence of a culture in any neat formulation. </p>

<p>“As a novelist, I&#39;m much more interested in nuance than in general meaning," he says. As a translator, he believes his job is to “communicate the particularities of a certain text or speech . . . . Translation from Ojibwe is not a matter of translating cultural essence. Cultures are anti-essential. A text is fixed. It stops moving. Cultures are complicated, varied—and always in flux."     </p>

<p><strong>CLA and its languages</strong><br />
So just how broad-based are the languages offered under the CLA umbrella? Here&#39;s an overview. All figures are for the academic year 2007–08, unless otherwise specified, and do not include English language offerings.<br />
<ul><li>Number of languages offered at the University of Minnesota: 36 plus American Sign Language</li><li>Number of language courses offered by CLA: Approximately 400 </li><li>Most popular language taught: Spanish </li><li>Less commonly studied hidden gems among languages offered: Ojibway, Persian, Icelandic, and Swahili </li><li>Number of languages taught at the U of M that have no or few living native speakers: <br />
7, Classical Greek and Latin, Old Norse, Coptic, Akkadian, Sumerian and Sanskrit</li><li>Number of students who took a language course last year: 9,738</li> <li>Percentage of all bachelor&#39;s degrees awarded by the U that are in languages and literatures: 3.8%</li><li>Number of students enrolled in an English-as-a-second-language course last year: 172</li> <li>Number of CLA students who study abroad: 827 (2004–­2005 academic year)</li><li>Number of foreign languages in which the CLA Language Center offers satellite television programming: <br />
10, including Survivor in French, aerobics in Arabic, and Bollywood films in Hindi </li>  </ul>	  <br />
</p></body>
         <category>
            10071|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 10:33:43 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Glittery Digitry</title>
         <description><p>Ahhh, the good old days.<br />
<em>by Mary Shafer</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166439</link>
         <guid>166439</guid>
        <body><h4>Possibly you remember. </h4>

<p>Squeaky chalk-on-blackboard. Dry-as-dust textbook. Thumb-sized professor way down there behind the podium. </p>

<h4>Now fast-forward to 21st century CLA.</h4>
 
There&#39;s still a place for the lecture, tobe sure, but for today&#39;s students, evenPowerPoint presentations can seem positively outdated. Teaching and learning­­—not to mention research and outreach—have become wired, interactive, electronic, immediate, and, most would say, a lot more fun.  

<p>Take a look at some of the more innovative—and spectacular!—uses of technology around CLA.</p>

<h4>You think art is static? </h4>

<p>Something only for the gallery wall?Fasten your seatbelt.  Art on Wheels is a hands-on class in which students create video works with mobile projection units that include a specially designed bicycle, generator, laptop, powerful projector, and control interface. Students project their work onto urban buildings—or even trees and streets. The program is under the direction of assistant professor of art Ali Momeni. </p>

<h4>The Eyes Have It: Sometimes you just can&#39;t get close enough</h4>

<p>And if you want to <strong>measure eye movement</strong>, well, you have to get really, really close. To do that, researchers in fields like psychology and cognitive linguistics are using a device called an eye tracker. Set up in CLA&#39;s Social and Behavioral Sciences Laboratory in Blegen Hall, the eye tracker measures and records eye movements correlated with displays on a computer screen. The research applications are practically infinite—the tracker can measure everything from driver fatigue to <br />
reading rates in people with vision-field loss. </p>

<h4>Multiple choice in the 21st century</h4>

<p>Some students use “clickers" in the classroom these days. It works like this: The professor asks students to respondto a question. They do, using handheld devices. A computer tallies the results and, at the teacher&#39;s signal, a histogram (bar graph) displays the results on a projection screen in front of the room. Because each student&#39;s selection is anonymous and no one has to raise a hand, the clicker bypasses peer pressure.Known technically as “student response systems" (SRs), clickers are battery-operated and handheld—more or less like small TV remotes, except that the buttons are used to submit answers, rather than change channels.  </p>

<p>The Blegen Hall closets that once stored maps are empty. No need for flat maps when goggles and a 3Dprojection system take you on virtual field trips: the GeoWall. Used mostly in geography and geology classes, it employs two projectors and polarized glasses to allow everyone to view at the same time. If it&#39;s not feasible to take an entire class on a field trip, for example, the GeoWall becomes the alternative. Geography assistant professor Susy Ziegler and two of her colleagues, senior cartographer Mark Lindberg and graduate student Dan Sward, have also used the GeoWall in the community <br />
with students and older adults.</p>

<p>So the best way to learn a language is to immerse yourself in the culture in which the language is spoken. How to do that in the classroom? Visit Croquelandia, a virtual Spanish world. Students must ask for help, apologize, and shop at the market, for example, interacting with several Croquelandia characters in the process. Each interaction requires students to choose from options that are grammatically correct but pragmatically different. That means they have to learn the culture as well as the language. Funded in part by a Technology-Enhanced Learning (TEL) grant, the project has been led by Julie Sykes, a Ph.D. candidate in Spanish and Portuguese</p>

<p>You can be a tourist yourself by checking out Sykes&#39;s blog and linking to the trailer <a href="http://www.jmsykes.net/2007/11/croquelandia-trailer.html ">http://www.jmsykes.net/2007/11/croquelandia-trailer.html</a><br />
</p></body>
         <category>
            10071|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 10:24:29 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/leo.jpg" length="37504" type="image/jpeg" />
         <title>Leo&#39;s Legacy</title>
         <description><p><strong>Mechanism Design</strong><br />
Decades ago, the late U of M economist Leo Hurwicz developed an abstract theory called "mechanism design." Just months before his death in June, he was honored with a Nobel Prize for the theory, which now shapes solutions to some of the world&#39;s most mind-boggling problems. But what on earth is it?  <br />
<em>By Douglas Clement</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166436</link>
         <guid>166436</guid>
        <body><p><img alt="leo.jpg" src="http://blog.lib.umn.edu/clareach/stories/leo.jpg" width="215" height="598" style="float: right; margin: 0 0 10px 10px;"/>On December 10, 2007, the Nobel Prize committee assembled in Stockholm to present the 2007 award for economics to three American scholars. Two of them took the stage to accept their gold medallions. The third, University of Minnesota professor emeritus Leo Hurwicz, remained in Minneapolis. </p>

<p>It wasn&#39;t a protest, by any means, simply a recognition that international travel, especially for a worldly 90-year-old, is sometimes more burden than adventure. (And really - Sweden in December?) Staying home was also symbolic of the work for which Hurwicz was being recognized: Rules aren&#39;t immutable; changing them can result in better outcomes. The trick, mastered by Hurwicz, is in knowing how to change them. </p>

<p>So, also on December 10, Jonas Hafstrom, the Swedish ambassador to the United States, arrived at the Ted Mann Concert Hall at the University of Minnesota and presented the Nobel Prize in Economic Sciences to Leonid Hurwicz&mdash;who was surrounded by more friends and family than could ever have flown to Sweden. </p>

<p>A better outcome, by design.</p>

<h4>Abstract but Applied</h4>

<p>"Mechanism design" is the formal name of Hurwicz&#39;s theory. It is a field he invented a half-century ago and developed over subsequent decades. Today, mechanism design is as fundamental to modern economic thought as quantum theory is to physics, and in its mathematical density perhaps as difficult to understand.</p>

<p>But while the theory is complex and abstract, it is also intensely pragmatic, and finds light now in a wide range of applications&mdash;from the creation of better voting procedures, to improved provision of credit to farmers in Thailand, to carbon emissions markets that may help curb global warming. Thanks to mechanism design, medical schools design procedures to find residency matches, donated kidneys find their way to the best recipients, and electricity producers better supply their markets. </p>

<p>It&#39;s all due to theorems devised years ago in a small office in Heller Hall on the University&#39;s West Bank solely because Leo Hurwicz asked the question: "Why should we take existing institutions for granted?"</p>

<blockquote>"The success of emissions trading is further proof that the private sector brings forth enormous creativity in solving social problems if we introduce a profit motive and a price signal." &mdash;Richard Sandor, U of M alumnus, founder of Chicago Climate Exchange</blockquote>

<h4>Easy as pie</h4>

<p>"Mechanism design" is the idea that social, political and economic institutions (mechanisms) can be shaped (designed) to yield superior results. </p>

<p>"Whether one considers auctions, elections or the taxes we pay, our lives are governed by mechanisms which make collective decisions while attempting to take account of individual preferences,"wrote the Nobel Prize committee in explaining the economics behind the award. "Mechanism design can be described as the art of producing institutions that align individual incentives with overall social goals."</p>

<p>Consider this familiar example: Two people agree they want to divide a pie equitably. How can they achieve that "social" goal? By the rules of the optimal mechanism, known to us all since childhood:</p>

<ul><li>One person divides the pie into two slices.</li><li>The other chooses the first slice.</li></ul>

<p>Because the second person, out of self-interest, will likely choose the larger of the two slices, the first person has an incentive to cut the pie perfectly in half. The rules don&#39;t rely on either person being honest or altruistic. Rather, they harness the self-interest of each individual in such a way that the best possible outcome is achieved. </p>

<p>Rules for dividing a pie might seem child&#39;s play, but changing the variables quickly increases complexity. Increase the number of people or pies, make one person the pie&#39;s owner, introduce money or differing preferences or types of pie, and the rules&mdash;and the math&mdash;become much more difficult. </p>

<p>But what about the "invisible hand," Adam Smith&#39;s famous metaphor? A student of introductory economics learns that perfectly competitive markets harness the self-interest of individuals to achieve the best possible allocation of scarce resources. Doesn&#39;t that cut through the confusion? </p>

<p>Not quite, the Nobel committee observed. Although these ideal competitive markets do a remarkable job of satisfying people&#39;s preferences with maximum efficiency, "in practice," the committee said, "conditions are usually not ideal. Competition is not completely free, consumers are not perfectly informed ... [and people] may use their private information to further their own interests."</p>

<p>This is where Hurwicz offered Smith a helping hand, designing mechanisms for situations that are less than ideal. </p>

<h4>"People are not angels"</h4>

<p>When Hurwicz began research on mechanism design, he ignored the issue of whether people would obediently follow the rules he designed. "Whenever I was asked to present some of my work," he told an interviewer, "I would start by saying &#39;Of course, the incentive problem is very important, but I will assume that people are angels ....&#39; At some point I decided that since I know people are not angels, perhaps I should not completely ignore the incentive aspect." And that, really, was his breakthrough. Rather than rely on co­ercion or unrealistic assumptions about human behavior, he would insist that mechanisms be "incentive-compatible," he said, "a system of rules designed in such a way that people would have an incentive to obey these rules."</p>

<p>"What Leo brought to the table was the insistence that any mechanism must be incentive-compatible," says V.V. Chari, professor of economics at the U of M. "That is, we cannot rely on individuals to act in some social interest. Instead we must expect them to act in their private interests. And given that, any mechanism must provide people with the incentives to take the right action at the right time. Leo developed that language and brought it to the forefront of economics."</p>

<h4>Global warming</h4>

<p>Perhaps the most global of all applications of Hurwicz&#39;s theory is climate change, the object of a mechanism designed by University economics alumnus Richard Sandor (Ph.D., 1967). </p>

<p>In a 1995 alumni profile, Sandor highlighted courses with Leo Hurwicz as among the most valuable he took as he worked toward his doctorate in economics, saying they provided "a rock-solid foundation" for his future work. That future included a professorship at University of California, Berkeley, and years as chief economist at the Chicago Board of Trade. </p>

<p>But today, Sandor is best known for creating markets for trading carbon emissions credits, a direct application of mechanism design. The social goal: Curb global warming by limiting the quantity of carbon released to the atmosphere. The mechanism: the Chicago Climate Exchange (CCX), a privately run exchange founded by Sandor in 2003. </p>

<p>CCX is like a Craigslist for carbon dioxide. Its paying members&mdash;corporations and government bodies&mdash;commit to voluntary emissions targets, and if they manage to beat their target&mdash;producing cars or cement or electricity without emitting as much carbon as expected&mdash;they can sell those carbon credits to members that have exceeded their target. </p>

<p>The United States has yet to enact mandatory carbon caps, but European governments have already done so, and firms like Ford Motor Co. have joined CCX because they see it as in their self-interest to anticipate federal or state carbon regulations. As Sandor testified to the U.S. Senate several years ago, "The success of emissions trading is further proof that the private sector brings forth enormous creativity in solving social problems if we introduce a profit motive and a price signal."</p>

<h4>Private information</h4>

<p>The Hurwicz theory also finds clear application in the government auctions that have flourished in recent years to sell public resources as tangible as timber and amorphous as radio frequencies.</p>

<p>When Hurwicz decided to deal with the fact that people aren&#39;t angels, he meant, in part, that we don&#39;t always speak the truth: We might not work as hard as we tell our bosses we will, we might tell a used car dealer that we can&#39;t spend more than $5,000 when our actual budget is twice that. This "private information"problem has been especially problematic when governments sell public resources because private buyers may understate the value they place on timber, for example, to get it at a bargain price. </p>

<p>Mechanism design theory has allowed economists to design better systems for selling public resources through auctions. "In the last 12 years or so, there has been a big push to move beyond theoretical mechanism design and bring it to bear in real markets," notes Peter Cramton, an economist at the University of Maryland. "The shift is to what I would term &#39;market design,&#39; where economists play a big role in the design of actual market mechanisms. Applications include timber auctions, spectrum auctions. The electricity market is another big area." </p>

<p>"An auction is a particular mechanism and mechanism design has us thinking about what the incentives are for participation and bidding strategy and so on," Cramton says. "A big aspect of it is addressing the informational issues and trying to establish rules so there is better information conveyed in the bidders&#39; bids."</p>

<h4>Voting mechanisms</h4>

<p>It might be crass to suggest that elections are the ultimate government auction, but mechanism design is also finding direct application in improving voting procedures. </p>

<p>"Often we have problems like finding a voting system that will have certain properties, and the techniques we use to figure out the answer to those problems are mechanism design," observes David Epstein, professor of political science at Columbia University. "The same theory used in economics to figure out a good auction mechanism is used in politics because voting is a type of mechanism. As we say, it&#39;s a way of allocating or producing results and you get different results depending on how people value the object in question. Here it&#39;s an election, not a spectrum to be auctioned off, but the idea is the same."</p>

<p>Epstein has studied how legislatures and courts can design political maps so that voters can achieve specified goals. "Do you want a political map to promote &#39;substantive representation&#39; or &#39;descriptive representation&#39;? That is, do you want to focus on the type of people that get elected or the type of outcomes that a legislature produces?"</p>

<p>Political scientists like Epstein help policymakers figure out what kinds of redistricting will further legislative goals. "In fact, the Supreme Court has a lot to do with that in the voting rights area," he notes. "They&#39;re going to lay down basic principles of redistricting and given those principles, the different states will implement them."</p>

<p>Of course, mechanism design isn&#39;t confined to U.S. voting systems. Roger Myerson, one of Hurwicz&#39;s Nobel co-recipients, has done recent work on how to structure voting that will promote democracy in Iraq. "Democracy doesn&#39;t come by edict," he told The New York Times last year, "but by institutions and mechanisms that ensure politicians must compete for the trust of the voters."</p>

<p>Epstein himself has applied mechanism design in international contexts, consulting with the World Bank. "These projects are on democratization and corruption, one of the oldest mechanism-design problems there is," he observes. "How do you design a government that is strong enough to make laws and enforce them, yet isn&#39;t so strong that it overruns individual freedom? You see applications of mechanism design all over in political economy."</p>

<h4>From kidneys to credit</h4>

<p>Indeed, once you start looking, mechanism design seems ubiquitous. The process of matching medical school students to hospital residencies used to be one of ultimate pressure and potential disasters. It&#39;s still stressful, but techniques derived from mechanism-design theory have rationalized the process considerably, achieving optimal matches between new doctors and the hospitals that need them. The same is true for kidney donations, where finding the right recipients for a particular organ donation has long been open to delay and mismatch. Here, too, mechanism design has smoothed the process by establishing rules of the game that are incentive-compatible and oriented toward optimal solutions. </p>

<p>The arcane formulas and abstract theory that constitute mechanism design even find relevance in the daily life of farmers in rural India and Thailand, where University of Chicago economist Robert Townsend conducts his research. For nearly two decades, Townsend (U of M Ph.D. 1975), has studied the work patterns, production methods and credit markets of Indian and Thai farmers and found that mechanism design theory is an incredibly fruitful way of understanding those economies.</p>

<p>In the Indian villages that Townsend studied, for example, small groups of farmers would cooperatively rent farm acreage from a landowner. Through careful data gathering and analysis, Townsend better understood how these farming arrangements actually worked. Would some farmers work less than others, pretending to be sick? If so, how would other farmers share the harvest? How was weather- risk shared between farmers and the landowner? </p>

<p>"We wanted to know if they shared risk within the village reasonably well or if dealing with incentives caused them to deviate from an optimal allocation," says Townsend. </p>

<p>He&#39;s studied similar situations in Thailand, as part of a 10-year research project to understand how microcredit&mdash;small loans given to farmers with varying arrangements for repayment&mdash;can be better structured.</p>

<p>"By writing down these explicit models in the tradition of mechanism design," notes Townsend, "you can back out implications for observables." That is, you can see how incentives and rules of the game resulted in observed outcomes. Then you can grasp what­ever problems are amenable to solution. "If it&#39;s an information problem, then potentially the [lender] might want to do a bit more monitoring to get more information about the borrower&#39;s actions. Or if it&#39;s a commitment problem [where borrowers don&#39;t repay loans], then the [lender] ought to think about more stringent penalties imposed on borrowers."</p>

<p>In both India and Thailand, Townsend&#39;s exhaustive research has applied the theory of mechanism design at the most basic level. "We&#39;ve been gathering an enormous amount of data and found that these principles apply throughout," he says. "It&#39;s all been geared toward first, understanding how things actually work, and second, thinking about possible remedies."</p>

<h4>Catching up</h4>

<p>Had the contributions of Leo Hurwicz been recognized earlier, before he turned 90, he might have traveled to Stockholm for the award ceremony. But no one would suggest that the Minneapolis celebration was a lesser affair. By staying at home, he shared his honor with the people who surrounded him during the years spent creating and refining this seminal theory.</p>

<p>One of them, his son Maxim, shared these words at the gathering: "When Leo first started talking about mechanism design ... there was no immediate, concrete application for his theories. But these days we don&#39;t have to look far to see what Leo was imagining and trying to explain a half century ago ...."</p>

<p>It has just taken a few decades for the world to catch up.</p></body>
         <category>
            10071|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 10:04:47 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Dear Mr. President</title>
         <description><p>If you had five minutes alone with president-elect Barack Obama, what would you tell him? Our experts have their say.<br />
<em>by Danny Lachance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166423</link>
         <guid>166423</guid>
        <body><h4>“Make visas available for blue-collar workers.  put undocumented, foreign-born workers on a path to legal residence."</h4>

<p>We often use terms like “amnesty" and “illegal immigrant" as neutral descriptors of policies and people. But to Donna Gabaccia, professor of history and director of the University&#39;s Immigration History Research Center, they reflect an approach to immigration that has been quick to criminalize those who cross borders seeking work and slow to recognize how our own policies have incited those border crossings.</p>

<p>“The problem is not that criminal people are waiting to sneak across the border," she says of the nation&#39;s estimated 10 million undocumented immigrants, “but that the immigration policy is out of sync with the needs of our economy." Gabaccia notes that restrictions we&#39;ve placed in recent decades on immigrants from places like Canada and Mexico did not always exist, but they now make “illegal"those who would have been easily admitted just a generation ago. What&#39;s more, they were put into place at the same time we loosened the flow of commerce across the Mexican and Canadian borders with free trade agreements. </p>

<p> “We have ever-rising movements of goods across borders, but we try to stop the flow of people who ordinarily accompany commerce," Gabaccia says. That&#39;s problematic, she says: Liberal trade policies contribute to changes in the labor market that compel workers to cross borders and become “illegal."</p>

<p>To address this problem, Gabaccia thinks the president should work with Congress to make a variable number of visas available to blue-collar workers and give currently undocumented workers the opportunity to attain visas. But would that unfairly punish those who pursue lawful entry to the U.S.?  “It&#39;s not a question of waiting in line," she says. Most undocumented workers are blue-collar, for whom “there are almost no visas in the first place, only a few thousand a year. So our policies are creating illegality."</p>

<p>And the consequences of “illegality" are significant, she says. Although anti-immigration voices see a threat to our national identity in granting residence to undocumented workers or expanding the number of visas for blue-collar workers, the alternative poses an even greater threat to who we are. “A democratic nation wants as high a percentage of its residents as possible engaged in the political process,"she says. When more than 10 million people living among us have neither the privileges nor the duties of citizenship, we become less democratic.</p>

<p>“The problem is not ‘illegal immigrants,&#39;" Gabaccia says, “but illegality itself."</p>

<h4>“Don&#39;t close off trade."</h4>

<p>In response to a troubled economy, we heard campaign-season calls to renegotiate the North American Free Trade Agreement (NAFTA), the 1993 treaty lowering the costs of trade among the United States, Mexico, and Canada. It&#39;s a popular idea in states like Michigan, Ohio, and Pennsylvania, which lost high-paying manufacturing jobs after NAFTA was implemented. Renewing trade barriers may save or revive those jobs, some have suggested, by removing the incentives for companies to manufacture their goods in Mexico.</p>

<p>But renegotiating NAFTA would be a mistake, says Tim Kehoe, a Distinguished McKnight Professor of Economics and adviser to the Federal Reserve Bank of Minneapolis. The loss of manufacturing jobs is not caused primarily by the migration of manufacturing to Mexico, he says, noting “the amount of goods we&#39;re producing in the U.S. is going up all the time. And if we measure how fast production—real output— is rising, we see it&#39;s rising just as fast or faster in manufacturing as in any other sector."</p>

<p> So what&#39;s happened to those well-paying manufacturing jobs?  Technology, says Kehoe, has taken over work once done by humans, and gets the job done faster. “To produce more and more goods we need fewer and fewer people," he explains. That trend will continue regardless of agreements with other countries.</p>

<p>Dismantling or renegotiating NAFTA, then, is akin to Don Quixote attacking the windmills he mistook for threatening giants. What&#39;s needed instead, says Kehoe, is a concerted effort by the next president to help our vulnerable populations respond to an economic climate that now requires a college education for entry into the middle class. With college enrollment increasing, many young people are adjusting to the change. But he&#39;s worried about those who didn&#39;t pursue higher education in the 1960s and 1970s because, even with just a high school education, they were assured good manufacturing jobs. What about them?</p>

<p>“There are retraining and education programs we can put into place. There are tax policies and subsidy policies we can use to help out those older workers," Kehoe says. “The fact that we&#39;re concerned about older workers who have skills that aren&#39;t being valued by the market—that&#39;s a good reason to develop public policy. But trying to somehow reverse technology or close ourselves off to trade with other countries because we think trade is the cause of these changes in employment patterns—that&#39;s a big mistake."</p>

<h4>“Don&#39;t blame specific individuals or institutions for large-scale problems."</h4>

<p>We should stop blaming individuals or institutions for problems and instead look at issues systemically, says English and cultural studies professor Ellen Messer-Davidow. Too often, she says, we direct our anger at individual players rather than at the rules of the games they play. </p>

<p>Take the affordability crisis in higher education. Since 1980, economic trends and pro-business policies have dramatically increased university expenditures on goods like energy, health care, and library materials. On the income side, universities have struggled with stagnating or declining support from federal, state, and private sources. </p>

<p>Those same trends and policies have affected students&#39; ability to pay. In recent years, Congress has shifted federal funding into student loans and subsidies for the loan industry and done nothing to remedy the declining purchasing power of Pell grants, the government&#39;s largest scholarship program. In 1975 the maximum grant covered 84 percent of the total cost of attending a public university. In 2001 it covered 39 percent of tuition only.  </p>

<blockquote>“Today we see the heartbreaking results," Messer-Davidow says. “As families struggle with declining wages and soaring prices, students are defaulting on loans and graduates are saddled with a lifetime of debt."</blockquote> 

<p>Although the evidence points to our economic policies as the culprit for the affordability crisis, it can be hard to understand how that works. “People can easily grasp anecdotes about families that can&#39;t afford college because the state universities have raised their tuition," Messer-Davidow explains. But it&#39;s much harder, she adds, to understand how both colleges and families are trapped by large-scale economic trends and public policies.</p>

<p>Messer-Davidow believes her research on higher education suggests the next president needs to think more systematically about problems that are, well, systemic. “I would set up problem-solving teams that include experts from the academic, business, and government sectors as well as representative ordinary Americans," she says. “Their mandate would be to review data, analyze a constellation of problems, formulate solutions, and then consider the scenarios that would unroll from implementing each. Then I would invite affected constituencies to assess the feasibility, costs, and consequences of the proposed solutions."</p>

<p>But she&#39;s quick to note that any solution will take time. “Since the problems facing the nation were decades in the making, our leaders should expect that solutions may well take as much time and should resist the pressure to seek quick and easy fixes," she says. “There aren&#39;t any."</p>

<h4>“Formulate a foreign policy that recognizes the uniqueness of Iran."</h4>

<p>Iran&#39;s nuclear power program worries many Americans who believe  the country may become a threat to global security, and the specter of Iran-as-the-next-Iraq looms heavily in national discussions. But CLA professor of history Iraj Bashiri says those discussions neglect a crucial point: Iranians are Indo-European in their ethnic origin. They share their earliest cultural ties with the West not the Middle East.  </p>

<p>Before Iran was annexed to the Arab world in the seventh century, Bashiri says, Iranians were Zoroastrian, members of a religious tradition that encouraged philosophical contemplation. Iranian philosophers became deeply engaged with Aristotle and Plato—so much so, he says, that “Iran became a bridge for the transfer of Greek knowledge to the Western world. Philosophers like Avicenna, al-Biruni, and al-Razi, who wrote in Arabic and were influenced by Greek philosophy, <br />
were Iranian."</p>

<p>After the Islamic world rejected philosophy in the 13th century, Iran retained its philosophical tradition and enhanced it tremendously in the 16th with the contributions of philosophers Mir Damad and Mullah Sadra. It has flourished in the years since the 1979 Iranian revolution, as Iranians have moved to reclaim a national identity that had been suppressed by Western domination.  </p>

<p>Iran&#39;s Western roots are obscured by its stature today as a major Middle Eastern power, but Bashiri thinks those roots are significant in understanding contemporary Iran. The philosophical thought that underlies Iran&#39;s present thinking, and that has moved Iran rapidly to its present position in the Middle East, has promoted the drive for scientific progress—a drive Bashiri sees in its recent efforts to develop nuclear power. “Thirty years ago, Iranians did not have any manufacturing capability. Today they send rockets  into the atmosphere."  It&#39;s the type of progress, he believes, that cannot be halted by bombing a few installations.</p>

<p>Nor should it be. Rather than interpret Iran&#39;s scientific gains as evidence of bad intentions, we might see its progress as a sign that Iranians may be reclaiming the common ground they once shared with the West. </p>

<p>Bashiri sees Iranians turning, more and more, to reason and science as a way to address their problems. They face, after all, the same energy problems that we do. “Iran&#39;s philosophical distinctiveness may make it more receptive to diplomatic negotiation about its use of nuclear power than we currently think possible," he says. </p>

<p>Of course, limits on Iran&#39;s compatibility with the West will still exist so long as it remains an Islamic theocracy. But Bashiri is confident change is in the air. “Iran is on the threshold of an Enlightenment," he says. “Reason is playing a major part in the decision-making of the Iranians as a people, as opposed to a government. The seeds are there. It&#39;s up to our next president to recognize them and to cultivate, rather than curtail, their growth."<br />
</p></body>
         <category>
            10071|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 09:19:20 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Itsy-Bitsies &amp; Spiders</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166422</link>
         <guid>166422</guid>
        <body><p>If spiders make you bug-eyed, it may be because you&#39;re hardwired to notice the little arachnids. </p>

<p>In fact, according to a report published this spring, although we may not be born afraid of spiders, we do seem to have inherited a sort of “brain template"that makes us sit up and take notice the very first time we see one—even if we&#39;re just learning to sit up.</p>

<p>Jamie Derringer, who graduated from the U in May with a master&#39;s degree in psychology, and a colleague are the first to show that infants may have such a mental template, one that seems to have evolved over centuries as a way to alert us that there&#39;s a threat in our midst. </p>

<p>Derringer and David Rakison—an associate professor of psychology at Carnegie Mellon University, where Derringer earned her undergraduate degree—based their conclusions on their study of five-month-old infants. </p>

<p>They showed the babies computer images that were shaped like spiders, noting how long the image held the tots&#39; attention. The researchers found that the babies stared longer at shapes that closely resembled a spider than they did at shapes that did not. And they showed no evidence of having a brain template for a nonthreatening organism.</p>

<p>“Spiders hold infants&#39; attention much more than do flowers," says Derringer, noting that, although they clearly notice the spiders, the babies aren&#39;t scared of them. “They learn that,"she says. “What we see is that they seem to have a built-in mechanism that recognizes what might be a threat."</p>

<p>This study builds on earlier work conducted by a variety of researchers pointing to an innate ability of primates and other animals to respond to predators. </p>

<p>The brain template predisposing babies to respond to spiders may be activated by the age of five months. That is when infants are about to start to crawl, explore—and possibly encounter spiders, says Derringer, who is now pursuing a doctorate at Washington University in St. Louis and continuing to collaborate with Minnesota researchers.</p>

<p>Such built-in predator awareness serves a couple of purposes, say the researchers. First, it facilitates learning early in life so that fear responses can be rapidly associated with the stimulus in question when specific behavior is observed. Second, in childhood and beyond it allows for rapid identification of a potential threat. This automatic ‘‘attention-grabbing&#39;&#39; characteristic of fear-relevant stimuli could engender quicker reaction to threatening situations.</p></body>
         <category>
            10069|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 09:16:13 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/schwitzer_Gary.jpg" length="8826" type="image/jpeg" />
         <title>Dissecting Health News</title>
         <description><p>Can you trust the news media to tell you what you need to know about your health? Not so much, says Gary Schwitzer, an associate professor of journalism and mass communication who reviewed 500 health news stories that ran in 50 major U.S. media outlets over 22 months. </p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166421</link>
         <guid>166421</guid>
        <body><p><img alt="schwitzer_Gary.jpg" src="http://blog.lib.umn.edu/clareach/stories/schwitzer_Gary.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;" />Schwitzer and his colleagues found that news stories about treatments, tests, products, and procedures often omit information about costs, benefits and harms, other treatment options, and potential conflicts of interest. The results, says Schwitzer, can be unnecessary fear-mongering and consumer demand for unproven therapies. </p>

<p>One common fault is citing only relative risk (the risk comparison  between two different groups) as opposed to absolute risk (actual probability). For example, ABC&#39;s "Good Morning America" reported that breast cancer patients with relatively low blood levels of vitamin D were 94 percent more likely to have their cancer spread and 73 percent more likely to die than those with high levels of vitamin D. But nothing was said about an individual&#39;s overall chances that a cancer would spread or cause death.</p>

<p>As for cost, Schwitzer says, "It&#39;s unforgivable that more than 75 percent of health journalism articles ... failed to address cost."		</p>

<p>Although he says that we&#39;re also getting some of the best health journalism ever, "the valleys between the peaks may undo a lot of the good by driving consumers to demand unproven therapies."</p>

<p>Schwitzer&#39;s work was published in the online journal PLoS Medicine in May. He publishes a Web site reviewing medical information at <a href="http://HealthNewsReview.org">HealthNewsReview.org</a>.</p>

<p><em>PHOTO: Kelly MacWILLIAMS</em></p></body>
         <category>
            10069|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 09:10:46 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Faculty</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166420</link>
         <guid>166420</guid>
        <body><h4>Great teachers</h4>
Three CLA faculty are among those receiving distinguished teaching awards for the 2007–08 academic year. Timothy Johnson, associate professor of political science, received the Morse-Alumni Award for Outstanding Contributions to Undergraduate Education. Cesare Casarino, associate professor of cultural studies and comparative literature, and John Freeman, professor of political science, received the Award for Outstanding Contributions to Graduate and Professional Education. 

<h4>Best of the Best</h4>
Congratulations to CLA&#39;s three new Regents Professors: Steven Ruggles, history; Eric Sheppard, geography; and Madelon Sprengnether, English. The Regents Professorship is the University&#39;s highest faculty honor.

<h4>And the award goes to</h4> 
Hisham Bizri, who was a winner of the 112th annual Rome Prize from the American Academy in Rome. Bizri, assistant professor in cultural studies and comparative literature and a filmmaker, received the award in the visual arts category for developing The Last Day of Summer from a screenplay he wrote. The prize is considered the most sought-after award in visual arts and music in the U.S. 

<h4>Guggenheims</h4> 
Kathryn Sikkink, professor of political science, was named a 2008 Guggenheim Fellow for her work on the origins and effects of human rights trials in the world. Also receiving a Guggenheim was sociology professor Robin Stryker, who was honored for her work in government regulation of equal-employment opportunity. This fall, Stryker joins the faculty at the University of Arizona.

<h4>Distinguished women</h4>
Ruth Karras, history, was one of two professors to receive the U&#39;s Distinguished Women Scholars Award this year. The award is sponsored by the Office of the Dean of the Graduate School and the Office for University Women (OUW). </body>
         <category>
            9698|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 08:59:42 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/coolcourses.jpg" length="13161" type="image/jpeg" />
         <title>Cool Courses</title>
         <description><p>From acting to urban studies--and everything in between--CLA&#39;s dazzling menu of course offerings gives students a chance to sample or specialize in nearly any field. Here&#39;s a look at some new courses, intriguing seminars, and an exciting new major offered this fall.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166419</link>
         <guid>166419</guid>
        <body><p><img alt="coolcourses.jpg" src="http://blog.lib.umn.edu/clareach/stories/coolcourses.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;"/><h4>A new major: Religious Studies</h4><br />
CLA has offered a religious studies major for more than a decade. The focus, however, has been on biblical and ancient Mediterranean religions. The new major, offered for the first time this fall, is a more comprehensive interdisciplinary study of religion across traditions and time. "Given the reality of the post-9/11 world and the turmoil that a lack of understanding and dialogue among religious groups has brought in various war-torn parts of the globe, understanding different religious perspectives has become an obligation for responsible world citizenship," says Cal Roetzel, co-chair of the Religious Studies Working Group and professor of classical and Near Eastern studies. Roetzel also holds the Sundet Chair in New Testament and Christian Studies. Providing courses in a broad range of traditions as well as the Christian/Jewish tradition can better serve our increasingly diverse students, says Roetzel. "We hope to eventually have options for the academic study of shamanistic religions like those practiced by some Hmong students and their families," he says.     </p>

<p><strong>AFRO 3910: Digital Storytelling in and with Communities of Color</strong><br />
We tell stories to preserve memory, build identity, construct meaning, and make connections with others and the world. In this brand-new course, professor Walt Jacobs and graduate instructor Rachel Raimist look at how communities of color use storytelling to write history, learn, entertain, organize, and heal. Through writing, video, photography, sound, and artwork, students are developing digital stories about Twin Cities communities of color.   </p>

<p><strong>ENGL 3741: Literacy and American Cultural Diversity</strong><br />
This is one of several service-learning courses that gives students direct experience working at a community organization. Neither internship nor volunteering, service learning is a kind of independent immersion in the workforce, with the opportunity to share insights and experiences with classmates. In this class, students serve as literacy workers for two hours a week outside of class and coursework.</p>

<h4>Cool freshman seminars</h4>
These small seminars are taught in the fall and spring by tenured or tenure-track professors in topics of their own choosing. Here&#39;s a sampling of CLA seminars offered this fall:  

<p><strong>HUM 1905: Utopias and Anti-Utopias: Can the real world become the ideal world?</strong><br />
Students explore the ideal society and humanity&#39;s potential for good and evil as envisioned by philosophers, writers, and cultural critics, from ancient to modern. The course is taught by assistant professor of humanities George Kliger. </p>

<p><strong>LING 1901: Here Today, Gone Tomorrow: Language, endanger­ment, death, and revitalization</strong> <br />
We&#39;re told that more than 90 percent of the thousands of languages that have existed through history will become extinct within this century. What does that mean? What&#39;s lost when a language is no longer spoken? Freshmen explore these themes with linguistics professor Nancy Stenson. </p>

<p><strong>Pol 1903: Exploring Constitutional Meaning: From founders to MySpace</strong> <br />
Constitutional principles have influenced some of the most controversial issues in American politics, including slavery, equal citizenship, racial discrimination, free speech, and religious expression in schools. Students are examining landmark Supreme Court cases as well as reformers who have challenged the Constitution, such as leaders of anti-slavery societies and women&#39;s suffrage groups. </p>

<p><a href="http://www.ofyp.umn.edu/fystudents/freshsem">More freshman seminars</a></p>

<h4>Honors seminars for freshmen and sophomores</h4>
The University Honors Program is highly competitive. Here are two of the honors courses offered by CLA faculty. 

<p><strong>HSem 2051H: The Rules of the Game: Exploring U.S. campaigns and elections</strong> <br />
Students monitored the U.S. presidential and some congressional campaigns to assess how political theory and practice converged in 2008. They discussed how political scientists study and understand electoral politics, and also were encouraged to volunteer for a campaign of their choice. Assistant professor Kathryn Pearson is the instructor.</p>

<p><strong>HSem 2053H: Psychology of the Paranormal</strong><br />
Most Americans hold one or more supernatural, paranormal, or pseudo­scientific beliefs like mind reading, fortune telling, psychokinesis, out-of-body experiences, and alien abduction. In this course, students evaluate the evidence for a variety of these claims, using critical and analytical methods. The course is taught by psychology professor Charles R. (Randy) Fletcher.</p>

<p><em>PHOTO: Kelly O&#39;BRIEN</em></p></body>
         <category>
            10069|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 08:34:54 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/parente.jpg" length="6957" type="image/jpeg" />
         <title>New CLA Dean Jim Parente</title>
         <description><p>“Visionary leader and strategic thinker"</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166416</link>
         <guid>166416</guid>
        <body><p><img alt="parente.jpg" src="http://blog.lib.umn.edu/clareach/stories/parente.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;" />In October James A. Parente, Jr., was named dean of the College of Liberal Arts by Provost Thomas Sullivan, having served for more than a year as interim dean of the University&#39;s largest college. He received Board of Regents approval in November.  </p>

<p>“Parente will be an outstanding and visionary leader and strategic thinker who will promote excellence across the entire college," Sullivan said in making the announcement. “Those who know his exceptional academic work know that it spans multiple time periods, disciplines and languages, and know also the enormous respect he has for the social sciences, humanities and arts."</p>

<p>A member of the University&#39;s faculty since 1993, Parente received strong support from faculty, students, staff, and alumni. </p>

<p>“With Jim, CLA has a Dean who is extremely thoughtful and has great ideas for where the college can go," said Susan Craddock,  Chair of the CLA Council of Chairs. “His obvious integrity and openness lend themselves to good working relations across multiple sectors of CLA and beyond, something that only improves the strength of CLA as a whole."</p>

<p>Bethany Khan, CLA Student Board member and former board president, said, “He is quite the well-rounded gentleman. He&#39;s really comfortable in his role as someone that we go to for advice, for help. When we bring him concerns and complaints, he&#39;s very knowledgeable."</p>

<p>Parente is former chair of the Department of German, Scandinavian and Dutch and former associate dean for faculty and research. He served on the faculty at Princeton University and the University of Illinois at Chicago. He earned his Ph.D. and M.A. in German languages and literatures from Yale University. </p>

<p>His awards include the National Endowment for the Humanities Fellowship for Independent Study and Research and a visiting appointment to the Institute for Advanced Study at Princeton University. He is a discipline representative to the Renaissance Society of America and external evaluator for the National Endowment for the Humanities, a dozen scholarly journals and department and academic programs at UCLA, Harvard, Cornell and the University of Pennsylvania.</p>

<p>"As dean of this academically diverse and important college," Provost Sullivan said, “he will be committed to the values of deep, broad thinking and teaching, and he will ensure that CLA flourishes as an intellectual community."</p>

<p><em>PHOTO: Everett AYOUBZADEH</em></p></body>
         <category>
            10069|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 08:27:24 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Borgida.jpg" length="9163" type="image/jpeg" />
         <title>Voting: The Body&#39;s Politics</title>
         <description><p>When it comes to voting, the laws of attraction aren&#39;t as rational as we think.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166415</link>
         <guid>166415</guid>
        <body><p><img alt="Borgida.jpg" src="http://blog.lib.umn.edu/clareach/stories/Borgida.jpg" width="200" height="141" style="float: right; margin: 0 0 5px 5px;"/>In his new book, The Political Psychology of Democratic Citizenship, psychology professor Eugene Borgida and his co-editors, political science colleagues John Sullivan and Christopher Federico, review research about how we vote and why we can be so passionate about our political positions. </p>

<p>"Our understanding of political behavior has been dominated by a rational-choice model where people are engaged in deliberative thought and calculation," says Borgida. "But when we are asked why we evaluate a candidate the way we do, it&#39;s not as if we zoom into the prefrontal cortex, grab the real reason, and cite that reason. What we are more likely to do is tap into a pool of culturally accepted explanations and spout them, even though our preferences are being driven by other factors."</p>

<p>Those factors--emotions, values, and cultural understandings--all tag along with reason to the voting booth, says Borgida. They may even overshadow it. For one thing, our inclinations toward partisanship reside in the parts of the brain linked to emotions. </p>

<p>"Insofar as those structures control our feelings and fears, they may shed some light on the passion we have for partisan politics because they&#39;re coming from the same source as our emotions," Borgida says.</p>

<p>Then there are the powerful forces underlying our biases. In spite of what we say, studies show that our decisions are affected by almost unconscious responses to a candidate&#39;s skin color or gender.</p>

<p>"We may not think we harbor general antipathies toward women or African Americans," Borgida says. "Yet, when they are running for the most powerful political office in the land, this hidden bias affects our perceptions of them, and our willingness to support them."</p>

<p>It may be possible to correct such hidden bias, Borgida says, but "it&#39;s not easy. Some of these ways of thinking are deeply ingrained."</p>

<p>Then there&#39;s ideology. For most of us, absorbing political information is like dining in a restaurant. We don&#39;t begin from scratch to form our positions on issues and candidates. Instead, we choose from menus that "chefs"--candidates, journalists, professional activists, and academics--have defined as the ideas that go into political choices and determined what it means to be liberal, conservative, or middle-of-the-road. </p>

<p>Clear-cut ideology makes it easier to sort through the cacophony of political voices. In those cases, people don&#39;t have to sort issue-by-issue because their ideology gives them a network of interrelated positions on a wide range of choices. </p>

<p>"It means that I have answers at my disposal to many different questions," says Federico, who also directs the University&#39;s Center for the Study of Political Psychology. "It&#39;s not just one question like &#39;Should we raise taxes?&#39; or 'Should abortion be legal?&#39;"</p>

<p>Of course, there are true independents, well-informed voters who do prefer to evaluate candidates issue by issue. In any case, though, Federico finds that people with a strong need to evaluate make more effective use of their knowledge. </p>

<p>"Having knowledge isn&#39;t enough to make people politically or  ideologically engaged," he says. "They also have to approach the world with what you might call an evaluative eye. They have to care enough about the world to know what they like and what they dislike."</p>

<h4>Many other psychological factors accompany voters to the polls.</h4>

<p>One of the most powerful is the most simple: order of names on a ballot. The polling place can make a difference too; chances for a school-funding referendum improve if a school is the polling place. A candidate&#39;s face can frighten or reassure a voter because our minds make blink-like judgments in reaction to facial features.</p>

<p>We still should believe in the value of gearing up our brains for rational and deliberative evaluation of the candidates and issues. Nevertheless, it seems that a parallel--arguably, more powerful--process also takes place deep inside us at the same time. Adapted from an article by Sharon Schmickle</p>

<p><em>Photograph by Kelly MacWilliams</em></p></body>
         <category>
            10069|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 08:20:25 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/parente_dean.jpg" length="2957" type="image/jpeg" />
         <title>On fulfilling the promise of the liberal arts</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=166412</link>
         <guid>166412</guid>
        <body><p><img alt="parente_dean.jpg" src="http://blog.lib.umn.edu/clareach/stories/parente_dean.jpg" width="112" height="112" style="float: right; margin: 0 0 5px 5px;"/>As the world becomes increasingly technologically advanced and globally interdependent, we need the liberal arts more than ever before. They are the foundation of all academic learning. </p>

<p>We need the disciplinary knowledge of the liberal arts, their interdisciplinary connections and discoveries, and their insights. A world without the liberal arts risks being a world without values, without beauty, imagination, or pleasure--a world bereft of history, language, the arts, and any understanding of the complex social, economic, and political networks in which we live our lives, both professionally and personally. The liberal arts inspire; they enunciate the social, intellectual and aesthetic ideals we expect technology to serve. They are the intellectual treasures we human beings cherish and share around the globe.</p>

<p>This College of Liberal Arts is the achievement of more than a century of distinguished scholarship and creativity; I am proud and honored to be its new dean. In large measure, the reputation of the University rests on CLA - its largest college - and on the distinctive way in which we reach our highest ambitions. </p>

<p>My goal is to foster a unity that enables the college to remain creatively agile and astonishingly productive, and to shape an exemplary academic collective. I envision the college as<br />  <br />
... a place where students benefit from an extraordinary college experience, learn from each other, receive professional and disciplinary training for their postgraduate careers, and assume responsibility for continued intellectual growth; <br /><br />
... a place where researchers and artists have the resources to achieve their most creative ideas, and learn and collaborate with each other within and across disciplines, in both a local and a global context;<br /><br />
... a place where faculty, students, and staff are so diverse that everyone embraces diversity as the foundation for academic excellence without question or hesitation; <br /><br />
... a place where the external community and alumni regard the college as a vibrant partner for continued collaboration in research and teaching. </p>

<p>All institutions of higher learning are facing external fiscal challenges as the first decade of the 21st century ends. Challenging times provide opportunities to reexamine and refocus our educational and research mission. I am confident that, regardless of external challenges, we have the talent, creativity, and commitment to accomplish our aspirations. Of course, we will need our friends in Minnesota and around the world to support our efforts, as they have so faithfully for over a century.</p>

<p>Together we can fulfill the promise of the liberal arts: to prepare the next generation to see clearly in a changing and uncertain world, to be original and independent thinkers, and to bring intellectual leadership to bear in a humane democracy.</p>

<p>Thank you for your continued support, and best wishes for a happy New Year!</p>

<p>James A. Parente, Jr.<br />
Dean<br />
Professor of German, Scandinavian and Dutch</p>

<p><em>PHOTO: Kelly MacWILLIAMS</em></p></body>
         <category>
            10071|22148
         </category>
         <pubDate>Fri, 13 Feb 2009 07:59:36 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Bizri.jpg" length="9582" type="image/jpeg" />
         <title>Poetics of Cinema</title>
         <description><p><img alt="Portrait: Hisham Bizri. " src="http://blog.lib.umn.edu/clareach/stories/Bizri.jpg" width="165" height="165" /><br />
Filmmaker Hisham Bizri turns everyday life into visual poetry with an emotional pulse. In April it was announced that he won the 2008-2009 Rome Prize. <a href="http://cla.umn.edu/discoveries/arts.php?entry=138943"><strong>Learn more</strong></a></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=138943</link>
         <guid>138943</guid>
        <body><p><em>By Linda Shapiro<br />
Photo by Richard Anderson</em><br />
<strong>Filmmaker and faculty member Hisham Bizri turns everyday life into visual poetry with an emotional pulse</strong></p>

<p><img alt="Portrait: Hisham Bizri" src="http://blog.lib.umn.edu/clareach/stories/Bizri.jpg" width="165" height="165" /><em>Hisham Bizri believes films are living organisms that can give people hope and comfort.</em></p>

<p>When Hisham Bizri talks about filmmaking, he becomes a poet, a scientist, and a Utopian philosopher by turns. Bizri&#39;s work has been shaped by his experiences growing up in a country in turmoil and by his belief that films are living organisms with the potential to "create possible worlds" that give people hope and comfort.</p>

<p>A native of Sidon, Lebanon, Bizri grew up watching European art cinema and classic American westerns while civil war raged around him. He has lived in the United States for over 20 years, making films that reflect his personal experience of mediating between his Arab/Muslim upbringing and his Anglo/American culture. "I make references in my films to things that have been informed by my Lebanese origins and Lebanese history, but also by my exposure to the West. The works of Bach, Joyce, and Proust&mdash;all these shaped my mind," says Bizri, an assistant professor of film.</p>

<p>"People in my country and everywhere are unaware of the tragic and the magic in everyday life. I&#39;m fascinated by the human spirit that can create such wonderful things in art and at the same time destroy so much. How can the sublime and the ridiculous coexist?"</p>

<h4>Visual poetry</h4>

<p>While his films have been shown in Beirut and internationally, Bizri wonders how well he&#39;s been able to communicate to his countrymen. "It&#39;s difficult for them to get into my mind, and it&#39;s a dilemma for me. I&#39;m not sure what difference I&#39;m making," says Bizri, who has seen Lebanon radically altered over the past couple of decades. "I have a very difficult presence there now. Lebanese culture is in decay. Education and media have become commercialized. We&#39;ve lost our sense of poetry."</p>

<p>In 2007, Bizri won a prestigious Guggenheim Fellowship, awarded for "exceptional capacity for productive scholarship or exceptional creative ability in the arts." This year he was awarded the distinguished 2008-09 Rome Prize by the American Academy in Rome. Together these fellowships will enable this internationally acclaimed filmmaker to work on two films that have been brewing for some time. Song for the Deaf Ear will be a meditation on war and violence in Lebanon created from material Bizri has shot over the past few years, and from film archives. Cairo Psalm, loosely inspired by James Joyce&#39;s novel Ulysses, will explore the theme of spiritual exile by following the lives of characters who have been dispossessed of their native country, culture, and religion.</p>

<blockquote>"I&#39;m fascinated by the human spirit that can create such wonderful things in art and at the same time destroy so much. How can the sublime and the ridiculous coexist?"</blockquote>

<p>"There&#39;s always a tension between abstraction and representation in my films," says Bizri. "I want this film to reflect the sense of anxiety, melancholy, and despair that people are currently feeling in Egypt."</p>

<p>The process of creating his films&mdash;which he describes as "visual poems"&mdash;involves a complex balance of technical skill and visceral intuition. "There is so much that the eye can see but doesn&#39;t; I try in my films to make that visible," says Bizri. "But because the camera can record anything, you must be vigilant about creating something while you&#39;re recording. Otherwise it becomes boring, like most contemporary cinema&mdash;the same old stories."</p>

<p>While the skill of looking through a camera with clarity of intent must be carefully honed, the filmmaker&#39;s passion also needs plenty of room to maneuver, he suggests: "Film becomes universal when you make the viewers feel the emotional impulse of the scene they are watching. Creating the right rhythm is the most important thing in art. It&#39;s the rhythm that carries the emotional potential and shows you the soul of the filmmaker."</p>

<p>Bizri brings to his classes not only his brilliance as an artist but also a dedication to students that makes him "one of the University&#39;s great treasures," says department chair John Archer.</p>

<p>"Lots of students are anxious, depressed. They are desperate to communicate and don&#39;t know how to do it," says Bizri. "Film is a way to know the world of emotions, soul, spirit, and the unconscious. If you come at filmmaking from the angle of passion, you can make students see that in beauty they can discover a kind of peace they won&#39;t find in the increasing commercialization of cultures around the world."</p>

<p>Republished from <em>Intersections</em>, a publication of the Department of Cultural Studies and Comparative Literature.</p></body>
         <category>
            17725|18304
         </category>
         <pubDate>Tue, 19 Aug 2008 11:51:57 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/fajardo.jpg" length="16861" type="image/jpeg" />
         <title>Trading Spaces</title>
         <description><p>Kale Fajardo finds that despite the idea that we live in a small world, the connections that space and technology facilitate can also reinforce cultural identification.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=134214</link>
         <guid>134214</guid>
        <body><div class="claBlogReachImg"><img alt="Kale Fajardo" src="http://blog.lib.umn.edu/clareach/stories/fajardo.jpg" />
</div>

<p>Space will likely always be an extension of our beliefs and values, a record of pasts that we yearn for—or regret. But in an age of globalization, some have suggested that physical space is losing its influence over our economies and our national identities.</p>

<p>We live, or so we&#39;re told, in a global village, where physical location, distance, and borders have been rendered irrelevant by supersonic jets and fiber optic cables.</p>

<p>But even before September 11th recharged our awareness of fault lines, anthropologist Kale Fajardo wasn&#39;t convinced that globalization always turned the borders between countries into leaking membranes.</p>

<p>The reason? Not all things global are fast, digital, or homogenizing, Fajardo says. More than 90 percent of the world&#39;s trade happens via ships that take two to three weeks to cross oceans. Forgotten by pundits, global shipping has important and often overlooked effects on the identities of those who work on ships and in ports.</p>

<p>Fajardo should know. This assistant professor in the Department of American Studies has spent ten years researching Filipino involvement in global shipping. Last summer, Fajardo spent two weeks doing followup research aboard a container ship traveling from the port of Oakland to the port of Hong Kong, via the Northern Pacific Rim, with stops in Tokyo, Osaka, and Kiaoshung.</p>

<p>Those ships and the sea they traverse are “in between" spaces, Fajardo says, where crew members are quite isolated for weeks at a time from the worlds they help to connect. And they are staffed by crews who hail from around the globe: Fajardo&#39;s ship last summer included crew members from Kiribati, Germany, and the Philippines.</p>

<p>Contrary to the conventional wisdom that globalization blurs identities, Fajardo found the opposite effect on board the cargo ship: the contained space strengthened, rather than diluted, the national identities of the ship&#39;s crew members.</p>

<p>Take, for instance, the ship&#39;s Filipino members. Within Asia and globally, Filipinos have been feminized as a people, notes Fajardo. Working in over 200 countries, they have been subjected to a global reputation that is often racist and mysogynistic: “Many Filipinos, particularly, women, work as overseas contract workers," Fajardo says. “Because of power imbalances, images and narratives of the Filipino subject have emerged, saying that she&#39;s a victimized woman, particularly because she might work as a maid, nanny, or prostitute, or because she immigrated as a ‘mail order bride.&#39;"</p>

<p>Seafaring has become a way for Filipino men to resist global stereotypes. “Seafaring provides a kind of alibi or opportunity for saying, ‘We&#39;re not the victim. We can be seen in this more manly, heroic way,&#39;" Fajardo explains.</p>

<p>The same spaces and technology that facilitate connections can also reinforce just how culturally different and distinctive we remain. And that&#39;s a side of globalization that we don&#39;t see when we&#39;re reading about the latest McDonalds to open in Moscow.</p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Mon, 07 Jul 2008 13:11:25 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ziegler.jpg" length="16228" type="image/jpeg" />
         <title>The Giving Trees</title>
         <description><p><img alt="ziegler.jpg" src="http://blog.lib.umn.edu/clareach/stories/ziegler.jpg" width="200" height="133" style="float: left; margin-right: 8px; margin-left: 0;"/><p>By reading the details of a landscape, physical geographer Suzy Ziegler helps Minnesota make sound decisions about preserving and maximizing the quality of undeveloped land. <a href="?entry=133999"><strong>Learn more</strong></a></p></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=133999</link>
         <guid>133999</guid>
        <body><p><img alt="ziegler.jpg" src="http://blog.lib.umn.edu/clareach/stories/ziegler.jpg" width="200" height="133" style="float: left; margin-right: 8px;"/>For physical geographers like Susy Ziegler, there&#39;s no such thing as being unable to see the forest for the trees. Indeed, it&#39;s only by immersing yourself in those details, Ziegler says&mdash;in lake sediments, pollen, charcoal, macrofossils, tree rings&mdash;that you can really understand what an environment was, is, and can be.</p>

<p>If you know how to read them, she says, those details will tell you stories about a landscape&#39;s past: tales of blazing fires and the regeneration that followed, of decades of gradual climate change and its lasting effects.</p>

<p>These are stories we need to hear, says Ziegler, an assistant professor at the University of Minnesota. "Understanding vegetation response to past climate and disturbance regimes helps predict the impact of environmental change on future vegetation patterns. If we can understand the past, we can manage land, forest, and water resources better; we can understand the influence people have had on vegetation and better think about what kind of environment we want&mdash;and what we want our protected land to look like."</p>

<p>Take, for instance, the region in southeastern Minnesota where the Zumbro River and Weaver Dunes abut the Upper Mississippi River Valley&mdash;a complex landscape made up of wetlands, tributaries to the Mississippi River, terraces, and upland sand dunes. Rare, threatened, and endangered species make their homes there. And sundry groups of people have vested interests in the region and its future for agriculture, recreation, conservation, water management, transportation, and utilities.</p>

<p>With the help of a grant from the U&#39;s Center for Urban and Regional Affairs Faculty Interactive Research Program, Ziegler is examining the physical characteristics and dynamics of this Minnesota landscape. She&#39;s finding out about its past and learning how humans have already affected the area. Based on her findings, Ziegler and her research assistant, Mary Williams, will propose changes in land-use planning and policy that best support the landscape&#39;s role as wildlife corridor, hunting and fishing ground, food source, and wastewater treatment area.</p>

<p>In conducting her research, Ziegler is carrying on the department&#39;s tradition of studying the connection between vegetation and its larger environment&mdash;factors such as climate, landforms, soils, nutrient cycles, and historical events.</p>

<p>Other physical geographers in the department are engaged in similar work. Kurt Kipfmueller conducts research on climate change in Itasca State Park and the Boundary Waters Canoe Area Wilderness and its effect on patterns of vegetation there. Bryan Shuman studies the effects of fire and climate change on the vegetation history of the Big Woods of southern Minnesota. Kathy Klink examines variations in wind speeds over space and through time in Minnesota.</p>

<p>Together, these scholars are constructing the knowledge that Minnesota residents need to make sound decisions about how to preserve and maximize the quality of open space and undeveloped land in the state.</p>

<p>Sharing their findings with Minnesota students in the classroom, Ziegler says, is an important part of that process. In a course called Biogeography of the Global Garden, Ziegler teaches students to understand in historical perspective the relationship of plants and animals with their larger habitat, including climate, soils, landforms, glaciers, and long-term environmental change.</p>

<p>"It&#39;s a challenging and fun class to teach," Ziegler says. "We take an evolutionary perspective, looking at change over a range of time scales from millions of years to seasonal cycles. We discuss current events such as the spread of bird flu and the SARS epidemic from a geographic perspective. And we cover a range of topics to help students become better informed global citizens who think about how their choices affect the environment."</p>

<p>Ultimately, Ziegler hopes, the course will prepare a generation to think intelligently and responsibly about how to use untapped land. That&#39;s an ambitious goal, but the class is a good beginning&mdash;more than 500 students, global citizens all, enroll annually in the course.</p>

<p>"We hope the class will inspire students to be excited about geography, explore the world around them, and embark on projects that will help them understand science and make the world better," Ziegler says. "That&#39;s what geography education is all about."</p>

<p>Republished from Minnesota Geographer, spring 2007, a publication by the College of Liberal Arts.</p></body>
         <category>
            17732|17725
         </category>
         <pubDate>Thu, 03 Jul 2008 10:16:16 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/youngHuie1.jpg" length="12586" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/youngHuie2.jpg" length="4487" type="image/jpeg" />
         <title>Taking Pictures, Making Change</title>
         <description><p>CLA alumnus and photographer Wing Young Huie captures America&#39;s cultural complexities through his camera&#39;s lens.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=133378</link>
         <guid>133378</guid>
        <body><p>Internationally recognized photographer Wing Young Huie (&#39;79, journalism) doesn&#39;t consider himself an activist. But that hasn&#39;t prevented his work from having a profound social impact—hence his receipt of the 2006 Hubert Humphrey Public Leadership Award, an honor shared by such notable public figures as Madeleine Albright and Walter Mondale.</p>

<div class="claBlogReachImg">
<img src="http://blog.lib.umn.edu/clareach/stories/youngHuie1.jpg" alt="Wing Young Huie photo"><p>This photo is part of the acclaimed project Lake Street  USA, which recorded life along a 6-mile stretch of road running through several Minneapolis neighborhoods and commercial districts.</p>
</div>

<p>Huie&#39;s work offers an authentic, artful look into the cultural complexities facing diverse populations in the United States. For his most recent project, 9 Months in America: An Ethnocentric Tour, Huie and his wife traveled through 39 states photographing Asian-American culture and other “hyphenated" cultures to reveal the sometimes surprising ways they&#39;ve woven their lives and identities into the American fabric. The images include a meditating Falun Gong protestor, an Asian-American beauty queen, and the founders of the Asian Worldwide Elvis Fan Club.</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/youngHuie2.jpg" style="float: left;">Although his work has brought into view many issues facing diverse U.S. populations, Huie insists that at first, “My allegiance was to photography rather than to any social issue. My goal was to translate what I saw into the language of this miraculous, two-dimensional piece of paper."</p>

<p>Years later, he says, “after having photographed thousands of differing points of view, representing citizens of Lake Street, and other rural, suburban and urban communities of my home state Minnesota, as well 39 other American states, I have come to understand that there is a larger purpose to what I do."</p>

<p>> Visit Huie&#39;s Web site at www.wingyounghuie.com.</p></body>
         <category>
            17598
         </category>
         <pubDate>Fri, 27 Jun 2008 08:52:52 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/lipGloss.jpg" length="8104" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/schwitzer.jpg" length="5750" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/sikkink.jpg" length="6308" type="image/jpeg" />
         <title>Awards</title>
         <description><p>CLA faculty make their marks on CLA, Minnesota, and the world.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132506</link>
         <guid>132506</guid>
        <body><p>Kathy Roberts Forde (journalism and mass communication) won the Association for Education in Journalism and Mass Communication&#39;s 2006 Nafziger-White Dissertation Award.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/lipGloss.jpg" alt="Lip Gloss"><p>"Lip Gloss" by Dona Schwartz</p></div>
Dona Schwartz (journalism and mass communication) won the 2006 Griffin Award for “Lip Gloss," her entry in The Griffin Museum of Photography&#39;s 12th Annual Juried show.

<p>Brian Southwell (journalism and mass communication) was awarded the Arthur “Red" and Helene B. Motley Exemplary Teaching Award for 2005-06.</p>

<p>Adjunct instructor Matt Kucharski (journalism and mass communication) was named one of “Forty Under 40" by Minneapolis/ St. Paul Business Journal for 2006.</p>

<p>The book Feast of Love, by Charles Baxter (English), will be adapted by writer/director Robert Benton into a screenplay to be produced by the Coen Brothers.</p>

<p>Lou Bellamy (theatre and dance) was named the 2006 McKnight Distinguished Artist.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/sikkink.jpg" alt="Kathryn Sikking"><p>Kathryn Sikking<br>Photo by Patrick O&#39;Leary</p></div>

<p>Kathryn Sikkink (political science) was named Regents Professor, the highest faculty honor conferred by the University.</p>

<p>Ray Gonzalez (English) received the 8th Annual International Latino Book Award for The Religion of Hands: Prose Poems and Flash Fictions.</p>

<p>Sociology professor Penny Edgell&#39;s book Religion and Family in a Changing Society won an American Sociological Association Book Award.</p>

<p>Doug Hartmann (sociology) and Joe Gerteis (sociology) received the 2006 Distinguished Contribution to Scholarship Award from the American Sociological Association for “Dealing with Diversity: Mapping Multiculturalism in Sociological Terms."</p>

<p>Matthew Bribitzer-Stull (music) won second place in two national events at the North American Bridge Championships in Chicago.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/schwitzer.jpg" alt="Gary Schwitzer"><p>Gary Schwitzer<br>Photo by Geoffrey Kroll</p></div>

<p>Gary Schwitzer (journalism and mass communication) received a Knight-Batten Award for Innovations in Journalism for the site HealthNewsReview.org.</p>

<p>Nora Paul (journalism and mass communication) received the Joseph F. Kwapil Memorial Award from the News Division of the Special Libraries Association (SLA).</p>

<p>Kathryn Pearson (political science) received the Carl Albert Award for the best dissertation in legislative studies from the American Political Science Association.</p>

<p>John L. Sullivan (political science) won the American Political Science Association&#39;s Philip E. Converse Best Book Award for Political Tolerance and American Democracy.</p>

<p>Deborah Keenan (English, visiting) was named the Edelstein-Keller Minnesota Writer of Distinction for 2006-2007.</p>

<p>Ben Munson (speech-language-hearing sciences) and David Treuer (English) were named McKnight Presidential Fellows.</p></body>
         <category>
            17600
         </category>
         <pubDate>Wed, 25 Jun 2008 10:10:13 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/fink.jpg" length="62410" type="image/jpeg" />
         <title>When Life Has Been Good To You</title>
         <description><p>Beverley and Richard Fink never thought twice about sharing their good fortune with the U.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132505</link>
         <guid>132505</guid>
        <body><p>By Mary Shafer</p>

<p>When Beverly and Richard Fink visited the University campus this September, they looked on as students carrying huge, unwieldy boxes checked into dorms with the help of nervous, fretful parents. They toured the renovated Coffman Union, and marveled at the new pedestrian bridges that span Washington Avenue. In short, they took in the sights that make alumni a little nostalgic for their college days.</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/fink.jpg" alt="Richard and Beverly Fink"><p>Richard and Beverly Fink<br>Photo by Leo Kim</p>
</div>

<p>To top off their campus visit, the Finks met with Paul Sackett, the renowned professor of industrial/organizational psychology who had just been appointed to a new College of Liberal Arts endowed chair—the Beverly and Richard Fink Professorship in Liberal Arts.</p>

<p>The Finks&#39; decision to create the endowment seemed a natural convergence of their passions: They champion education, they&#39;re passionate about the arts, and they lead the charge when it comes to community involvement. The unexpected delight, they say, is that the first professor to hold this chair is not only a distinguished scholar but also someone whose research interests dovetail with the values Richard (Dick) Fink brought to his own professional career.</p>

<p>“[Sackett] studies the issues that were critical to my company—cultural blending, measures of success, testing to determine people&#39;s effectiveness. I was very pleased he was chosen. Dick says.</p>

<p>And if anyone knows business, it&#39;s Richard Fink. A 1952 U graduate and Rhodes scholar, he went on to graduate work at Harvard and then began his professional career in academia as a political science lecturer at the University of Wisconsin. Soon, though, he joined the textile business his grandfather had begun. It wasn&#39;t what you&#39;d call a glamorous beginning; he worked up a sweat pressing shirts in the laundry room and later progressed to delivery driver. In 1969, when G&K Services went public, he assumed the leadership—and over the next 40 years, the company grew to become a national leader in its industry.</p>

<p>Beverly is the educator and artist in the family, a self-described “18-year college dropout? who earned an associate degree from the U in 1952 before she left to raise four children. When she dropped back in, Beverly not only finished her bachelor&#39;s degree but also earned a master&#39;s in education for gifted children.</p>

<p>The demands of student life meant that her children had to endure the transition from “home-baked cookies to Oreos," Beverly says. But her “older student" status had its advantages. “I wasn&#39;t afraid to ask the cutest boy in biology class for help," she chuckles. Later, she taught for 12 years in Wayzata Public Schools.</p>

<p>Although their careers have been in education and business respectively, it is the arts that have been the Finks&#39; steady passion. In their home—where paintings and pots by granddaughters and nieces are displayed beside works of well-known artists—their interests have coalesced into a shared dedication to philanthropy.</p>

<p>The two talk with fervor about liberal arts as the necessary foundation for a solid education, and about the University&#39;s centrality to Minnesota&#39;s culture and economy. “There&#39;s a dynamic at the University that you don&#39;t find anywhere else in Minnesota," Beverly says. “Students are exposed to so many different kinds of people and instruction."</p>

<p>“There isn&#39;t a single institution that has as great an impact on the state as does the University," Dick adds. “It has such a big role to play in the region, and needs to be kept strong.</p>

<p>“The University should have enough resources that it is not completely subject to the vagaries of the budget process, especially if we want the U to be really prominent, to have a really stellar faculty."</p>

<p>Clearly, the Finks do want that for the U—and sharing their good fortune just seemed like a logical step. “When you live in a community all your life and life has been good," Beverly says simply, “you have a responsibility to give something back."</p></body>
         <category>
            17601
         </category>
         <pubDate>Wed, 25 Jun 2008 10:05:08 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/sieben.jpg" length="45336" type="image/jpeg" />
         <title>A Friendly Gesture</title>
         <description><p>Michael Sieben honors a friendship that started in Middlebrook Hall by making a gift.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132504</link>
         <guid>132504</guid>
        <body><p>By Mary Shafer</p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/sieben.jpg" alt="Michael Sieben"><p>Michael Sieben<br>Photo by Richard Anderson</p></div>

<p>Among the degrees and documents that cover Michael Sieben&#39;s law office wall is a dated black-and-white photograph of a drugstore. It&#39;s a type of place you don&#39;t see much anymore—a spot where you could pick up your prescription and then amble over to the soda fountain for a cherry Coke or chocolate shake.</p>

<p>In eighth grade, Sieben worked as a soda jerk in that drugstore, which belonged to his grandfather and his great grandfather before him. While Sieben didn&#39;t continue the family&#39;s pharmaceutical tradition (“Wrong side of the brain," he jokes), the photograph&#39;s presence does speak to his deep commitment to his roots and an awareness of the privileges he inherited. “I don&#39;t take it for granted," he says.</p>

<p>Over the years, the 60-year-old civil litigation attorney, former state legislator, and University Law School graduate has made a number of gifts to the U, gestures rooted in a sense of obligation to give back to the institution where his grandmother, father, and two brothers also received degrees.</p>

<p>But there&#39;s one that seems to stand out. Sieben&#39;s most recent gift—to create the John S. Wright Award for CLA students majoring in African American and African Studies—was inspired by a deep personal connection.</p>

<p>Sieben grew up in Hastings, where he continues to practice law as a partner in Sieben Polk LaVerdiere & Dusich and where his family name is so prominent it&#39;s featured on street signs. John Wright has an equally successful career, but in the quite different world of academia, as an associate professor of African American and African Studies at the U. He grew up, by contrast, in the far less privileged world of north Minneapolis.</p>

<p>The connection between Sieben and Wright is a friendship dating back to their initial meeting as next-door neighbors in Middlebrook Hall. Over the years, the friendship has deepened, thanks in part to common interests—in chess, for one—and some fond memories, including a memorable camping trip out West.</p>

<p>To Sieben, the gift was a natural way to honor his friend. “He was such a great student," Sieben says, “very, very bright, an unusual, extraordinary person. I respect him greatly. I wanted to honor him and help make the campus a better place, particularly for minority students."</p>

<p>The fact that the gift will go to liberal arts students is also important to Sieben, whose own undergraduate degree from St. Cloud State University was in social studies.</p>

<p>“The College of Liberal Arts is so extraordinary," he says. “It prepares young people for life. I think that employers are increasingly</p>

<p>looking for people with broad education and deep skills. Our country&#39;s future belongs to those who are highly educated, and a good bachelor&#39;s education is where you start. You&#39;ve got to get your fundamentals down and that&#39;s what CLA does. It prepares you."</p>

<p>At the same time, Sieben believes that private philanthropy is more important than ever to the University.</p>

<p>“We in Minnesota have strong public education from kindergarten through post-secondary," he says. “But the state is not supporting it as it has in the past. This gift is my small way of saying we need to do more to support public education"—to step in to fill the breach.</p>

<p>“In a broad sense, the U has been a huge engine for economic development that people take for granted. It&#39;s such an extraordinary place and we must recognize that. I feel strongly that those of us who have been blessed with education and experience should give back. We must make sure the country has good education available for everyone."</p></body>
         <category>
            17601
         </category>
         <pubDate>Wed, 25 Jun 2008 09:52:32 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/hiel.jpg" length="8794" type="image/jpeg" />
         <title>Tranquility Under Fire: Life In a War Zone</title>
         <description><p>Alumna Betsy Hiel&#39;s report from an Israeli city under attack.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132502</link>
         <guid>132502</guid>
        <body><p>By Betsy Hiel</p>

<div class="claBlogReachImg">
<img src="http://blog.lib.umn.edu/clareach/stories/hiel.jpg" alt="Betsy Hiel">
<p>Betsy Hiel (&#39;91) never studied journalism. But that hasn&#39;t kept her from garnering some of the highest accolades in the industry, including the Pew Fellowship in International Journalism. Actually, Hiel got her degree in Middle Eastern studies, which she later built on with a master&#39;s degree in Arab Studies from Georgetown University and further studies at American University in Cairo and Hebrew University in Jerusalem.</p>

<p>Over the past decade, Hiel has reported from Iraq, Algeria, Tunisia, Lebanon, Yemen, Syria, Jordan, Kuwait, Turkey, Israel, and the Palestinian territories—and that&#39;s just in the Middle East. She has been a foreign correspondent for the Pittsburgh Tribune-Review for six years.</p>

<p>Heil wrote the following dispatch from Metula, Israel, during the recent Israeli-Lebanon conflict, as the city came under fire from Hezbollah. </p>
</div>

<p>“I have a panoramic ‘Katyusha view,&#39; Allen Dallas says. Dallas, 39, a South African Jew, immigrated here in March to escape the high crime rate of his old homeland.</p>

<p>“Metula, you fall in love with it as soon as you see it," he says, waiting tables at the Alaska Inn. “When the snow melts, everything is blossoming and green. It&#39;s a very tranquil place—well, it was a tranquil place."</p>

<p>The tourists are gone, as are two-thirds of the 1,500 residents, driven away by Hezbollah&#39;s Katyusha rockets. Journalists from around the world, covering the war, fill half the Alaska&#39;s 70 rooms; its owner, Reuven Weinberg, is the son of Holocaust survivors who came to Israel in 1948 and bought the hotel in 1964.</p>

<p>In 1970, when Weinberg was 17, he was wounded in an attack by Palestinian guerrillas. “From (Yasser) Arafat&#39;s group in Lebanon," he clarifies. “Then, he made the trouble. And now this guy (Hezbollah leader Hassan Nasrallah) makes the trouble. And when he will die, another guy will make the trouble."</p>

<p>Weinberg, 53, sounds utterly cheerful explaining the dismal prospects of the life-and-death struggle outside his hotel.</p>

<p>That is part of the contradiction found so frequently in this region: Many northern Israelis recount good friendships with Lebanese as readily as they do the border skirmishes, rocket attacks and occasional wars, all dating back decades.</p>

<p>All night long until dawn Tuesday, Hezbollah mortars and Israeli artillery dueled, shaking the Alaska Inn&#39;s windows and walls. Air sirens wailed and a loudspeaker ordered everyone into bomb shelters.</p>

<p>The Israelis are still launching airstrikes, too—to support their ground forces, they explain, despite a declared 48-hour stand-down after a misdirected strike killed about 56 Lebanese—and jet fighters regularly shriek overhead.</p>

<p>As night fell, young Israeli soldiers prepared to assault Hezbollah guerrillas—checking weapons and packs, painting each other&#39;s faces black and gray under dim street lights. Some joked and smoked cigarettes; others made last-minute phone calls to loved ones. Many expressed grim determination over what was to come.</p>

<p>A commander walked among the troops, reminding them of their missions, of how to avoid friendly fire and take care of wounded comrades.</p>

<p>The night seemed so still—until the soldiers move across the border into Lebanon, and the tanks, artillery, mortars and rockets erupt again.</p>

<p>Excerpted with the kind permission of the Pittsburgh Tribune-Review. For the full article—and more of Betsy Hiel&#39;s dispatches from the Middle East—go to http://www.pittsburghlive.com/x/pittsburghtrib/news/middleeast reports/s_464378.html.</p></body>
         <category>
            17599
         </category>
         <pubDate>Wed, 25 Jun 2008 09:46:12 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/brainerd.jpg" length="28095" type="image/jpeg" />
         <title>Giving Back to the Land</title>
         <description><p>Alumnus Paul Brainerd founded the Brainerd Foundation to protect the natural environment of the Northwest.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132501</link>
         <guid>132501</guid>
        <body><p>By Laine Bergeson</p>

<p>With a master&#39;s degree from CLA&#39;s School of Journalism and Mass Communication and a B.A. in business from the University of Oregon, Paul Brainerd (&#39;75) began his career in hopes of making a contribution to the world of publishing. As it turned out, he did much more than that. Thanks to Brainerd&#39;s entrepreneurial spirit, visionary thinking, and (let&#39;s not forget) world-class liberal arts education, he would do no less than revolutionize the publishing world, from Kabetogama to Kansas City to the Kremlin.   </p>

<div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/brainerd.jpg"><p>Paul and Debbi Brainerd<br>Photo by Stuart Issett</p></div>Take Brainerd&#39;s impact on Russian history, for example. “I have a poster hanging in my office of Boris Yeltsin during the August 1991 coup attempt," says Brainerd, proudly. “In his hands, he&#39;s holding a declaration in defiance of the coup. That document was made using the software we created."

<p>Brainerd is humbly describing PageMaker, the groundbreaking software program he designed that brought basic publishing capabilities to the masses. With its unveiling in 1985, PageMaker became the prime mover of desktop publishing—a phenomenon that turned the publishing world from an oligarchy, reserved for the few who could afford expensive publishing technology, to a democracy, where anyone with a few hundred bucks and a personal computer could transform an amateur idea into a world-class publication.</p>

<p>It is fitting, then, that as Russia began to develop its own democracy and conservative communist hardliners engineered the shutdown of all the national presses, pro-reform nationals like Yeltsin fought back by using PageMaker to design and disseminate their party&#39;s declaration of defiance. Brainerd&#39;s entrepreneurship helped change the course of Russian history.</p>

<p>Brainerd&#39;s remarkable story makes aspiring inventors wonder: What is it that catapults one person&#39;s idea to a realm beyond the ken of others? What transforms a vision from groundbreaking to truly revolutionary? Passion, for one, says Brainerd. “Passion is paramount to success," he muses. “It is critical to have a heartfelt connection with your work. If you don&#39;t have that, there is no reason to be doing it."</p>

<p>Another driving force is the willingness to take calculated risks. “I&#39;ve taken risks throughout my career," says the 59-year old Seattle resident, who dropped all his other pursuits to start Aldus Corporation and unveil PageMaker. “Risk taking can be very exciting. You get to explore new things." But not just any risk will do; Brainerd stresses that each of his projects has pivoted not just on gut feeling, but also on thorough analysis and research—for which his liberal arts education richly prepared him, he says.</p>

<p>“Education taught me how to do research and present it," says Brainerd. “It was a building block. It provided me with the confidence and knowledge to do what I did as an entrepreneur." </p>

<p>Brainerd defines success as “making a difference in other people&#39;s lives." In the first part of his career, he achieved this by making communication tools accessible to organizations with limited resources, such as churches and non-profits (and, of course, the democracy advocates in the former Soviet Union). By 1994, though, Brainerd was ready to strive for success in other areas, and he sold Aldus to Adobe. The financial freedom that followed the sale allowed Brainerd to devote himself full-time to another lifelong passion: environmental conservation.  Having spent his childhood in the forests of southern Oregon, Brainerd was determined to help preserve the natural beauty of the region.</p>

<p>“I&#39;ve always had a close connection to the outdoors," says Brainerd, who founded The Brainerd Foundation, an organization focused on protecting the environmental quality of the Northwest and building citizen support for conservation efforts. The foundation makes grants, leverages funding, and encourages the involvement of other philanthropists—another cause close to Brainerd&#39;s heart. He founded the non-profit Social Venture Partners to catalyze philanthropic activity among his peers. </p>

<p>“SVP helps the next generation of people who want to give back," says Brainerd. And not just in dollars. The organization surpasses the norm (as do most groups with Brainerd at the helm)—encouraging participants not just to lend financial support but also to become involved with the causes they support. As Brainerd proudly attests, 65 percent of participants are actively involved.</p>

<p>In 1997, Brainerd and his wife, Debbi, found yet another way to give back to the community. With the purchase of 225 acres of land on Bainbridge Island, they founded IslandWood, a lifelong environmental learning center for children and families. Already, the center has distinguished itself as one of the most innovative environmental learning centers in the country.</p>

<p>Asked what he plans to add to his already chock-full schedule, the activist, philanthropist, and entrepreneur responds that, for now, he&#39;s focused on making all the current ventures “continue and excel." As for what isn&#39;t in his immediate future, Brainerd chuckles, “We are so busy—my wife made me promise: no new non-profits!" Perhaps for the time being, he&#39;ll have to be content with all the good he has already contributed to the world.</p></body>
         <category>
            17599
         </category>
         <pubDate>Wed, 25 Jun 2008 09:42:14 -0600</pubDate>
      </item>
      
      <item>
	
         <title>On the Spot: Democracy</title>
         <description><p>CLA students reflect on what&#39;s great and not so great about democracy.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132477</link>
         <guid>132477</guid>
        <body><p><img src="http://blog.lib.umn.edu/clareach/stories/dikarevaCircle.jpg“ alt="Anya Dikareva" style="float: left;">For a good democracy to function, there must be a proper representation of the population&#39;s voice. Having a voice basically includes voting, knowing what you&#39;re voting for, and getting that vote counted. If there is an impediment to any of those steps, the control starts to tip into the hands of the few and it is no longer a democracy."<br />
—Anya Dikareva (psychology and art &#39;09)</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/glennCircle.jpg“ alt="Eddie Glenn" style="float: left;">The problem is not that people don&#39;t believe in democracy, rather that they don&#39;t believe in themselves. In other words, living in a democratic society does grant us some power to make a difference, but it doesn&#39;t matter until people learn to look within themselves for the power and reasons to take action."<br />
—Eddie Glenn (African American studies &#39;08 )<br />
 <br />
<img src="http://blog.lib.umn.edu/clareach/stories/bourqueCircle.jpg“ alt="James Bourque" style="float: left;">“To most people, the meaning of democracy is the ability to have meaningful and substantive control over their lives in the public arena, but when the modes of production and distribution are in the hands of private corporations, citizens really have limited or no impact."<br />
—James Bourque (political science &#39;08)</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/colemanCircle.jpg“ alt="Joni Coleman" style="float: left;">“The problem with democracy is that political candidates get so caught up in winning they don&#39;t care about what&#39;s best for the country."<br />
—Joni Coleman (child psychology &#39;08)</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/stegemanCircle.jpg“ alt="Christopher V. Stegeman" style="float: left;">“Having a government elected by the people means the responsibility is on the people. So, when we try to place blame on a certain political entity, we have to grasp the truth that the problem is—or should be—the mistake of the people."<br />
—Christopher V. Stegeman (anthropology &#39;08)</p></body>
         <category>
            17598
         </category>
         <pubDate>Tue, 24 Jun 2008 16:50:47 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/citizen.gif" length="19413" type="image/gif" />
         <title>Professors Ponder: What It Means to be a U.S. Citizen</title>
         <description><p>CLA faculty weigh in on citizenship in the 21st century.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132474</link>
         <guid>132474</guid>
        <body><div class="claBlogReachImg">
<img src="http://blog.lib.umn.edu/clareach/stories/citizen.gif" alt="U.S. Citizen"><p>Scott Menchin</p>
</div>

<p>Observers across the political divide lament a lack of public participation in the American political process, most obvious in our perpetually low voter turnout.</p>

<p>At the same time, new technologies have opened up realms of civic engagement our forebears couldn&#39;t have imagined. Whether blogging for a cause, communing through MySpace, or signing on to a mass e-mail, the 21st century citizen can be active in a growing number of ways.</p>

<p>It raises the question: Is citizenship in the 21st century the same as it&#39;s always been? What does it mean to be a U.S. citizen today? Beyond voting, what are a good citizen&#39;s duties?</p>

<p>We had reporter Tim Brady comb the minds of CLA faculty who are studying civic responsibility in their three separate disciplines. Here&#39;s what they had to say:</p>

<h2>Ronald Greene, Communication Studies</h2>

<p>Ronald Greene believes that issues of civic responsibility should be viewed through a wide-angle lens.</p>

<p>“It&#39;s important to puncture the myth that if we just make better citizens, the world will be a better place. That assumes the responsibility for civic improvement rests solely with the individual." Green believes the institutions and structures of democracy are just as important.</p>

<p>It&#39;s important to create arenas where citizens feel comfortable in debate, he explains. “It&#39;s hard work getting together to solve civic problems. People are nervous communicating their political leanings in a public forum. Their feelings might be hurt; they may be proven wrong about an idea; they may be inclined to sublimate their expression by being ‘Minnesota nice.&#39; But, says Greene, “Democracy works from the local level up."</p>

<h2>Wendy Rahn, Political Science</h2>

<p>Wendy Rahn argues that globalization itself is causing a decline in civic-mindedness around the world.</p>

<p>“The modern nation-state has less importance in the lives of individual citizens in a ‘globalized&#39; world," she says. And that causes problems—“not just for commitments to conventional democratic virtues, such as being informed or voting in national elections," but also in terms of participation in “global citizenship."</p>

<p>In a recent study, Rahn examined groups of 14-year olds in 28 nations around the world. She discovered that the more “globalized" the subjects were, the less likely they were to be civically involved in their own nations. Yet, she found no evidence of greater involvement in newer, more globally oriented forms of civic-mindedness, such as concern for the environment.</p>

<h2>Thomas Augst, English</h2>

<p>Thomas Augst says the United States is simply still working out the kinks in its civic structure. Our democracy is a work-in-progress, he says, and current issues of civic engagement should be viewed in the context of their origins.</p>

<p>For instance, he explains, “The classical statesman-citizen figures of the founding era were working within much more limited parameters than we are today." Not only was the young country a fraction of its current size, but at the time, full citizenship was exclusive to white men of a certain economic status. Presumably, political dialogue isn&#39;t as difficult when citizens are so alike.</p>

<p> “One of the great challenges of civic engagement is finding a way to extend the classical ideals of democracy to a large and diverse populace," says Augst. And that, he adds, is one of the roles of higher education.</p></body>
         <category>
            17598
         </category>
         <pubDate>Tue, 24 Jun 2008 16:26:07 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/mitchell.jpg" length="13397" type="image/jpeg" />
         <title>The Glamour of Global Service</title>
         <description><p>Rebecca Mitchell is honored by <em>Glamour</em> magazine as one of its top 10 college women for 2006.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132472</link>
         <guid>132472</guid>
        <body><div class="claBlogReachImg">

<p><img src="http://blog.lib.umn.edu/clareach/stories/mitchell.jpg" alt="Rebecca Mitchell"><p>Rebecca Mitchell</p></p>

</div>

<p>Adapted from a story by Rick Moore, University Relations. Until recently, Rebecca Mitchell had received minimal media attention—despite her receipt of the prestigious 2006 Harry S. Truman Scholarship (certainly no small potatoes). But Mitchell&#39;s most recent brush with fame has her worn out—from the multiple interviews and photo shoots that came with it.</p>

<p>The media arrived when Glamour magazine named Mitchell one of its top 10 college women in the nation for 2006. The honor recognizes campus and community involvement, excellence in the students&#39; field of study, leadership experience, and unique, inspiring goals.</p>

<p>An honors student in biology, society, and the environment, Mitchell plans to pursue a combined doctorate and master&#39;s degree in public health. She&#39;s been on the parliamentary debate team for the last three years, worked as a research assistant at the U&#39;s Stem Cell Institute in embryonic stem cell research, and worked with the Medical School&#39;s Positive Youth Development Program.</p>

<p>Perhaps the most pivotal experience for Mitchell came during the summer of 2005, when she traveled to Kenya to do volunteer work, with dual placements at an orphanage and a local hospital. At the hospital, she worked at an STI (sexually transmitted infection) clinic, where many women who had been monogamous discovered they had contracted HIV from their husbands.</p>

<p>Moved by the women&#39;s plight, Mitchell set her sights on a career in public health with a focus on women&#39;s reproductive health. And, partly out of her dissatisfaction with the volunteer agency that arranged her placements in Kenya, she decided to make things easier for future volunteers. So she founded the Student Project Africa Network (SPAN), a nonprofit organization that she runs with four other students serving on a volunteer executive board.</p>

<p>Of course then there&#39;s the Glamour-ous life,  three jam-packed September days in New York City, where Mitchell and her co-honorees spent time with top female professionals and were “wined and dined." The experience “celebrated the multifaceted woman," Mitchell says. “It was great."</p>

<p>The three-day whirlwind also gave Mitchell newfound respect for Glamour magazine. “It&#39;s a woman&#39;s struggle to not be put in a box," she says, adding that the magazine is dedicated to empowering  women and recognizing their achievements.</p>

<p>Update: In February 2007, Mitchell was named one of USA Today&#39;s All-USA College Academic First Team. The group was selected from almost 600 students nominated by their schools. </p></body>
         <category>
            17598
         </category>
         <pubDate>Tue, 24 Jun 2008 16:20:05 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/deanRosenstone.jpg" length="12125" type="image/jpeg" />
         <title>A New CLA For a New Minnesota</title>
         <description><p>CLA&#39;s role in the University&#39;s quest to be among the best.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132469</link>
         <guid>132469</guid>
        <body><div class="claBlogReachImg">

<p><img src="http://blog.lib.umn.edu/clareach/stories/deanRosenstone.jpg" alt="Dean Rosenstone"><p>Dean Rosenstone</p></p>

</div>

<p>Imagine a world in which Alzheimer&#39;s and schizophrenia are distant memories, war is unthinkable, and legislators routinely shake hands across the aisle—and world leaders across oceans and national borders. Imagine that people around the globe have plenty of clean water to drink, nourishing food to eat, and decent and affordable housing.</p>

<p>Imagine that every child and every adult has access to high-quality health care and that every young person has a fair shot at a college education.</p>

<p>Imagine all of this, and more. This is the world we aspire to and are striving to create at the University of Minnesota.</p>

<h2>University Transformation</h2>

<p>By any measure, the University of Minnesota is already a global leader in education and research that could put such a world within reach. But to be international leaders, we must prevail among formidable peers in a competitive higher education environment.</p>

<p>Through its ongoing transformation process, the University has set its sights high: to be counted among the world&#39;s top universities. That means not only being the best, but also doing the best. It means delivering quality in everything we do.</p>

<p>CLA&#39;s role is pivotal. The University can reach its goal only if every CLA academic program is among the best.</p>

<p>This isn&#39;t just the dean speaking. The report of the University-wide task force on the College of Liberal Arts says, “We unequivocally affirm the central importance of the liberal arts and a liberal education to the University of Minnesota, the state, and the nation. The report goes on to say, “For many Minnesotans, CLA is the face of the University. And it urges that the University “take advantage of CLA&#39;s unique disciplinary specialties and connections with the Twin Cities and global communities to foster powerful new avenues for research, teaching and communication.</p>

<p>This is a powerful mandate, and a powerful vote of confidence in our college.</p>

<h2>Giant Steps</h2>

<p>As we redefine and revitalize the University for this century, we are renewing our search for answers to the Big Questions that drive the human quest for learning. What kind of world do we want to live in? What kinds of discoveries and understanding will get us to where we want to go?</p>

<p>What do we know, what do we need to know, and what kinds of scientific and scholarly investigation need to be supported and sustained?</p>

<p>How, at the intersection of scientific and humanistic inquiry and cultural values, do we work together to solve problems and deliver the best possible outcomes? What kinds of technologies, investments, research paths, and public policies can move us forward?</p>

<p>How do we best share groundbreaking discoveries with our students and communities? How do we reach out to ensure that talented students from all walks of life can take advantage of what we have to offer?</p>

<p>These are huge questions, and they drive all that we do.</p>

<h2>Change Grounded in Core Values</h2>

<p>In CLA, there&#39;s no such thing as business as usual. Even our alumni magazine is striking out in new directions and sporting a new name—one that we believe captures what we&#39;re about in this college.</p>

<p>We call Reach our “new" magazine. But like the college whose stories it delivers to you, it will continue to focus, as CLA Today always has, on groundbreaking discoveries by our spectacular faculty and on the lives and contributions of our remarkable students, alumni, donors, and friends. It has a new look, but it is still dedicated to maintaining the highest editorial standards and to strengthening our valuable relationships with our alumni and friends.</p>

<p>This year, you&#39;ll see many new faces in CLA—extraordinary new faculty whose provenance includes the world&#39;s great universities, and talented new students from all walks of life, from all 50 states, and from cultures and nations throughout the world. You&#39;ll see new programs taking shape—including the writing initiative that is featured in this issue. You&#39;ll see new classrooms, new technologies, new collaborations, and new avenues of research.</p>

<p>This fall, we enrolled the best academically prepared and most diverse freshman class ever in our history, bringing access and opportunity off the pages of planning documents and into the lives of our students. Those students will explore the riches of a global and interdisciplinary curriculum that addresses the critical issues of our time in new and exciting ways and prepares them for a century whose directions and challenges we can only imagine.</p>

<p>And yet, however much we change, we remain committed to the core values that have positioned CLA at the heart of the University—dedication to sustaining the utmost excellence and integrity in research and teaching, and to sustaining deep respect for and engagement with students and communities across cultural, geographic, and disciplinary boundaries.</p>

<p>It&#39;s a new CLA, but it still belongs to you—our alumni and friends. As our future unfolds and we travel in new directions, I invite you to join us.</p>

<p>—Steven J. Rosenstone, Dean and McKnight Presidential Leadership Chair</p></body>
         <category>
            17597
         </category>
         <pubDate>Tue, 24 Jun 2008 16:09:11 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/globalEducation.gif" length="12931" type="image/gif" />
         <title>Recipe for a Global Education</title>
         <description><p>What does it take to prepare students for today&#39;s globalized world?</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132467</link>
         <guid>132467</guid>
        <body><p>In our “globalized" world, it&#39;s no longer a novelty to know a second language—or to be up to speed on international events. It&#39;s practically a necessity. Here in CLA, we believe global perspectives are fundamental to a liberal arts education. That&#39;s why we&#39;re so thrilled when students like Amelia Shindelar (&#39;06), a double major in global studies and anthropology and president of the United Nations Student Association, snap up every opportunity to become more globally aware and engaged.</p>

<div class="claBlogReachImg" style="float: none;">

<p><img src="http://blog.lib.umn.edu/clareach/stories/globalEducation.gif"><p>Scott Menchin</p></p>

</div>

<p>CLA&#39;s cupboards are lavishly stocked with gourmet ingredients for a global education. As for how to put it all together, we asked Amelia for her advice. She graciously shared her recipe.</p>

<ul>
              <li>1 insatiable appetite </li>
              <li>2 years living in Europe</li>
              <li>5 semesters of Arabic</li>
              <li>2 semesters of Italian </li>
              <li>2.5 years as a member of the United Nations Student Association</li>
              <li>1 month in Tunisia</li>
              <li>1 semester interning at Minnesota Advocates for Human Rights</li>
              <li>19 family members who love to travel</li>
              <li>2 passports (one expired)</li>
              <li>426 books (an educated guess) </li>
              <li>1 major in anthropology</li>
              <li>1 major in global studies </li>
              <li>1.5 hrs. per day of Minnesota Public Radio</li>
              <li>A generous sampling of foreign films </li>
              <li>1 semester interning in the U&#39;s Human Rights Program </li>
              <li>At least 10 courses with an international perspective</li>
              <li>3 years as alumni coordinator for the Minneapolis chapter of AFS intercultural exchange programs</li>
              <li>Plenty of patience and compassion </li>
              <li>One large sense of humor </li>
              <li>Passion, to taste</li>
            </ul>

<p>Toss all ingredients in one very large mixing bowl and agitate daily.</p>

<p>Chef&#39;s note: All of these things, and many that I cannot remember, have shaped me into the person I am, and a person I am proud to be. I am not suggesting that you go out and do the same things I&#39;ve done; this is just what has worked for me. If you are more interested in China than the Middle East, go there instead. But whatever you do, don&#39;t leave out extensive language training. Languages not only give you the ability to communicate with people, they give you a different way to look at the world.</p>

<p>Amelia Shindelar will join the Peace Corps in February 2007.</p></body>
         <category>
            17595
         </category>
         <pubDate>Tue, 24 Jun 2008 16:02:16 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/writing.gif" length="10292" type="image/gif" />
         <title>Put It In Writing</title>
         <description><p>The masterminds of the U&#39;s Undergraduate Writing Initiative are bringing a new kind of relevance to writing instruction - even in our fast-paced text-message world.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132466</link>
         <guid>132466</guid>
        <body><div class="claBlogReachImg">

<p><img src="http://blog.lib.umn.edu/clareach/stories/writing.gif"><p>Scott Menchin</p></p>

</div>

<p>A conversation with two of the masterminds of The Undergraduate Writing Initiative, with a department coming soon to CLA</p>

<p>“If you can&#39;t get your point across, then there&#39;s no point in having a point," says Anton Nikolov, a student in political science and history. We think he&#39;s on to something.</p>

<p>Hear that clicking sound? It&#39;s people at keyboards trying to get their points across—in reports and memos, newsletters, patients&#39; charts, legal briefs, e-mails; to their bosses and colleagues, customers and constituencies. In a world of visual communication, “strong writing skills" remain near the top of every list of job qualifications.</p>

<p>So how is the University of Minnesota addressing the need for proficient writers in a wide variety of fields? With an innovative writing initiative, to be housed beginning fall 2007 in a new CLA department. The department will bring together faculty and resources from across the U—from the Center for Writing, the Department of Rhetoric, the Department of English, and the former General College.</p>

<p>The initiative is expected to make the U a national leader in the study and teaching of writing. Its more immediate purpose is to provide top-of-the-line writing instruction to all students, in every major, across the entire University.</p>

<p>As for what the writing initiative will look like on the ground, we&#39;ve asked a few key players to give us the scoop. Here&#39;s what Kirsten Jamsen, director of the Center for Writing, and Laura Gurak, who will chair the new department in its first year, had to say.</p>

<p>Reach: So, what&#39;s the significance of the new writing initiative?</p>

<p>KJ: It&#39;s the affirmation—the assertion—that writing is essential to undergraduate education at the University of Minnesota. Writing is not something you “master" in one class and then move on. It&#39;s fundamental to the learning you do, no matter what discipline you study, and no matter what level. That&#39;s what makes this so exciting.</p>

<p>LG: It will bring all of the talents, research, skills, and outstanding teaching from around the U under one umbrella—into the same boat, in a way. We won&#39;t have one program for St. Paul students, one for CLA, one here, one there. We&#39;re bringing it all together. Writing instruction and practice will be an integral and ongoing part of every undergraduate student&#39;s education.</p>

<p>Reach: So, how is this approach different from “Writing Across the Curriculum," or other methods of writing instruction?</p>

<p>LG: The system that was new in the mid-80s—and really took over in the 90s—was kind of a checkbox system; you count up how many of your courses fulfill the writing requirement, and now you&#39;re done. What we learned during the task force was that students were saying, “I did more writing in course X, which doesn&#39;t have a ‘writing designator,&#39; than I did in course Y, which did." We decided there should be a way to look across the curriculum and say, “How can writing be woven throughout?"</p>

<p>Reach: So writing instruction will be integrated into courses from the arts to business, engineering, agriculture, and health sciences?</p>

<p>LG: Yes. It&#39;s organized like a writing textbook. The first half is the generic principles and the second half is the forms and genres—the kinds of more specialized writing you&#39;ll do in different situations and disciplines, like when you go to work for Target or a hospital or state government. So we&#39;ll have both—strong freshman composition courses along with the across-the-disciplines part, for students wearing lots of different hats, learning to write for history, science, business, economics, medicine, the arts.</p>

<p>Reach: How do you develop a writing curriculum that can be used in such a broad range of disciplines?</p>

<p>KJ: The fundamental principles and the teaching methologies cut across disciplinary lines. And we&#39;ll have lots of training for faculty, the content people. The big questions to ask about our students when they graduate are: Are they fluent as writers? Do they know how to brainstorm, to draft, to revise, to edit, and to polish? The other question involves the interpreting of rhetorical situations—so a nursing student, for instance, can say, “I&#39;m writing something to be read by patients, so it&#39;s going to be a lot different than what I write for doctors or wrote for my ethics class." I teach students how to “read" the environment and the audience, and adapt their communications to the rhetorical situation and to different media as well. These strategies for fluency can be used by students in all disciplines.</p>

<p>Reach: So basically, you&#39;re teaching them to be versatile writers.</p>

<p>KJ: Yes, we&#39;re teaching not just “good writing," but how to communicate in writing with real readers. Of course I want my students to walk out of here and write grammatically correct sentences and well-organized paragraphs. I also want them to be able to synthesize what they think and know into writing that really communicates. I want them to feel in control of their ability to communicate in just about any situation.</p></body>
         <category>
            17595
         </category>
         <pubDate>Tue, 24 Jun 2008 15:59:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/mapStudents.jpg" length="42573" type="image/jpeg" />
         <title>Putting Access on the MAP</title>
         <description><p>The “face" of CLA is changing, thanks to initiatives such as the McGuire Academic Program, which supports high-achieving students from low-income backgrounds.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132465</link>
         <guid>132465</guid>
        <body><p>By Andi McDaniel</p>

<p>Deep in the bowels of Johnston Hall, you&#39;ll find a light on at 8:30 a.m. sharp. That&#39;s when freshmen in the new McGuire Academic Program (MAP) begin to stream in to room B-29 each morning to share breakfast toast, lounge on worn blue thrift-store couches, and check in with each other and their peer mentors about how their first year at the U is going.</p>

<div class="claBlogReachImg" style="float: none; margin: 0; padding: 0; width: 350px;">
<img src="http://blog.lib.umn.edu/clareach/stories/mapStudents.jpg" alt="MAP Students"><p>MAP students chase after clues during "The Amazing Race, <em>Edge</em>-style"<br>Photo by Everett Ayoubzadeh</p>
</div>
<div id="accessSuccess">
<strong>Access to Success</strong>

<p>While CLA strives to make academic success a reality for a broader swath of young people, the questions remain: What exactly is “success" in the first place? Is it even measurable? CLA faculty from a variety of disciplines are studying the ways our society tests success, particularly in education——and drawing fascinating conclusions about how well our measures measure up.</p>

<p>As the age of “No Child Left Behind" makes standardized tests ever more central to the public education experience, it&#39;s crucial that we keep tabs on how well the tests are doing the job. Political science professor Scott Abernathy has taken on this challenge in his new book No Child Left Behind and the Public Schools, in which he explores the challenges and pitfalls of measuring education from the top down——and looks at what it would take for the No Child legislation to live up to its promises and ensure that our kids are getting a “good" education.</p>

<p>Meanwhile, Nathan Kuncel (psychology) is trying to find out whether success is in your future. Kuncel&#39;s research focuses on the various predictors of academic and workplace success. By studying how well certain tests—such as the Graduate Record Examination (GRE) and the Miller Analogies Test (MAT)—predict student achievement both in school and beyond, Kuncel has been able to debunk that old myth about how “school smarts" don&#39;t apply in the real world. As it turns out, the skills required for success in school aren&#39;t so different from the skills that matter in everyday life.</p>

<p>Paul Sackett, the Beverly and Richard Fink Distinguished Professor of Psychology and recipient of the American Psychology Association&#39;s Distinguished Scientific Contributions Award, is known internationally for his research on “employee selection systems"—one of those crucial hurdles that could stand between you and the job of your dreams. Sackett&#39;s work has helped assure that ability testing—whether in an educational or a work environment—improves selection for high performance as well as for ethnic, racial, and gender diversity.<br />
</div></p>

<p>MAP just launched this fall, but already, MAP students have made themselves at home in this underground enclave, using the space and the resources it provides to tackle their first year head on. The 134 students in the program are enrolled in all seven freshman-admitting colleges across the campus, but CLA is “advising central."<br />
MAP just launched this fall, but already, MAP students have made themselves at home in this underground enclave, using the space and the resources it provides to tackle their first year head on. The 134 students in the program are enrolled in all seven freshman-admitting colleges across the campus, but CLA is “advising central."</p>

<p>The high level of involvement pleases program coordinator Manisha Nordine. MAP&#39;s goal, she explains, is to help high-achieving students from low-income backgrounds—many of whom are first-generation college students—reach their full potential at the U. That means orienting them to aspects of college life that other students take for granted, from day one to graduation.</p>

<p>“What that translates to is connecting them to resources, providing them with advisers, and providing opportunities for meaningful relationships with their peers, in the form of peer mentors," she says.</p>

<p>Brianna Deal, one of MAP&#39;s seven peer mentors, says her own freshman year was a “whirlwind," and she sees great benefit to orienting students early on. “It&#39;s just so valuable to have somebody reach out to you and say, ‘Here&#39;s what we have to offer, here&#39;s how I can help you. I want to get to know you better and help you deal.&#39;</p>

<p>The “McGuire Edge" gives students a jump start. Over six days, students get to know their peer mentors, each other, and the campus. One of the more popular activities this fall was “The Amazing Race, Edge-style," a campus-wide scavenger hunt that helps teams of students learn their way around.</p>

<h3>Carrying the Baton</h3>

<p>y providing support to students from low-income backgrounds throughout their college careers, MAP functions as a sort of next step for programs such as LearningWorks and Admission Possible, which serve middle- and high-school students. In fact, to qualify for MAP, students must be alumni of one of those programs, or be “McGuire scholars," students who have been selected for scholarships funded by the McGuire Foundation.</p>

<p>MAP is one of several new University/K-12 outreach initiatives that CLA is leading—all reflecting the college&#39;s staunch commitment to access. The purpose of increasing access is not just to level the higher education playing field for Minnesota&#39;s young people but also to better reflect and serve Minnesota&#39;s rapidly changing population.</p>

<p>“We&#39;re constantly embracing new immigrant populations," says Nordine. “Students represent these new communities and multicultural identities as well as traditional communities." Such diversity “prepares all students to be citizens not only of Minnesota and the U.S.—but also of the world," says Deal.</p>

<p>The ripples will spread as students take their education with them into communities and workplaces throughout Minnesota and beyond—bringing about lasting social change.  “The revolution is going to occur," says Nordine, “as these students enter the workforce. It&#39;s in their respective jobs—in their relationships with majority populations in their jobs—that the change is going to happen. That&#39;s when race and class bias are going to lose their grip—because diversity will be part of people&#39;s everyday experiences."</p>

<p>Of course, if MAP didn&#39;t inspire students, all this talk about access would be just that—talk. But already, there are clear signs that the program&#39;s goals resonate powerfully with student needs. Asked how he knows their efforts are paying off, peer mentor Mike Clark says he just sees it in their faces.</p>

<p>“They don&#39;t have to come in here, but they do," Clark says, referring to MAP headquarters. “They could easily be going out to a coffee shop or restaurant with their friends, but no—they come in here. Because they want to be with this community." Nordine grins, “We have students waiting in the morning to come in, and the place is still buzzing at the end of the day."</p>

<p>As the University forges ahead to implement the recommendations of the various task forces that have been charged with strengthening the U, it&#39;s worth noting that the McGuire Academic Program advances several of those recommendations—namely, those related to outreach, access, and diversity. “The health of the McGuire Program," says Manisha, “reflects the health of the rest of the University." Judging from the crowded couches in MAP&#39;s Johnston headquarters, the University is in good health indeed.</p></body>
         <category>
            17595
         </category>
         <pubDate>Tue, 24 Jun 2008 15:36:51 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Part Four: The Theory Trap</title>
         <description><p>Scientists are fond of fundamental theories, the sets of principles that purport to explain everything that they observe in their respective fields. Theories, we&#39;ve been led to believe, drive the production of scientific knowledge: they provide crucial frameworks for designing experiments and interpreting results.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132462</link>
         <guid>132462</guid>
        <body><p>Most of us are at least broadly familiar, by now, with the theory underlying genetics: DNA encodes genetic “information" that determines the processes of growth and development in organisms. Unbeknownst to us, philosophers have been poking holes in that theory for years, and developing alternative theories to explain the clear link that scientists have observed between DNA and the development of organisms.</p>

<p>C. Kenneth Waters, associate professor of philosophy, is intrigued by the debate—but he&#39;s more interested in the very role that theory plays in science. For all of the importance placed on theories, they don&#39;t necessarily dictate or reflect accurately what goes on in the laboratory. Instead of trying to replace one theory with another, he says, philosophers might more productively look at what scientists are actually doing in their laboratories. And what they do, in effect, is “tinker," observe, and draw conclusions. Theory is largely tangential to this process of acquiring new scientific knowledge.</p>

<p>By altering or removing a gene and observing what happens to the process of memory formation in mice, for example, scientists gain knowledge about mechanisms involving memory-related brain cells. And theoretical assumptions about genes as the ultimate source of biological development are irrelevant to what they observe.</p>

<p>In the end, genetic theory is a kind of interesting distraction, with little bearing on what experiments have taught us about how development occurs at the molecular level. Indeed, says Waters, rather than guiding research or helping us make sense of experimental results, it mostly performs an important public relations function beyond the immediate environs of the laboratory. “To think that we have these fundamental truths and that we&#39;re working off of them creates a lot of excitement," he explains. “It helps bring new scientists to the field, and it helps bring funding to the field.</p>

<p>“The process of gaining scientific knowledge works not so much because scientists are applying a fundamental theory. It&#39;s because they have research strategies that are extremely effective in the laboratory." And those strategies, combined with close and astute observation, are what yield good scientific results.</p>

<p>To be sure, the lessons scientists learn from their experiments about the role of DNA in cellular development may in fact be consistent with and seem to confirm a widely held theory. But that&#39;s not the point or purpose of scientific investigation. Indeed, too heavy a reliance on theory could even get in the way, skewing the interpretation of results.</p>

<p>For all practical purposes, then, it doesn&#39;t matter whether a theory is right or wrong. It is simply immaterial. In Waters&#39; view, it&#39;s not by weighing the relative merits of competing theories but by standing in laboratories and listening to scientists hash out the details of experiments that philosophers will make discoveries about the nature of scientific knowledge.</p>

<p>The Scientific Mystique: <a href="?entry=132456">Intro</a> | <a href="?entry=132457">Part One</a> | <a href="?entry=132458">Part Two</a> | <a href="?entry=132460">Part Three</a> | <a href="?entry=132462">Part Four</a></p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 15:33:52 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/manson.jpg" length="15112" type="image/jpeg" />
         <title>Part Three: Science - It&#39;s Only Human</title>
         <description><p>While scholars like Karen-Sue Taussig and Rachel Schurman are examining how culture affects the way we relate to science, Steven Manson and C. Kenneth Waters are studying another part of the equation—how our relationship to science affects actual scientific results.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132460</link>
         <guid>132460</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/manson.jpg" alt="Steven Manson"><p>Steven Manson<br>Photo by Kelly Macwilliams</p></div>

<p>For years, McKnight Land Grant Professor of Geography Steven Manson says, many of the models that scientists have used to predict how humans will act have discounted the role that cultural values play in human behavior.</p>

<p>Rational choice theory, on which such models are based, assumes a certain universality to human decision making. Whether Kenyan or Canadian, we are all, according to rational choice theory, rational actors: Given a complete picture of a situation, we will act logically within it. And we make choices that bring us closer to what we value: money, power, health, and happiness.</p>

<p>But as many scholars in the field of science studies have shown, when push comes to shove, we are, well, only human. When we are the mice in the maze, we don&#39;t necessarily make cold calculations based on narrow self interest. Cultural values, traditions, and habits all get in the way of our acting “rationally." Indeed, these influences can help us make better decisions—or sometimes not.</p>

<p>Over the last 40 years, explains Manson, many have come to doubt the validity of rational choice theory because it doesn&#39;t account for social and cultural factors. “A lot of our decision-making isn&#39;t centered on ‘us,&#39; says Manson. “It&#39;s centered on ‘us&#39; within a larger context."</p>

<p>Sometimes, that larger cultural context influences us when we least expect it. “We can have an almost encyclopedic knowledge of everything from safety ratings to fuel efficiency when we&#39;re buying a car," Manson says. “But when people are asked about the cars they buy, they tend to say that they buy Hondas because their parents buy Hondas." As social creatures who exist in the context of culture and family, “we can always question, reconfigure, or reject this social context," he adds, but we cannot fully escape it.</p>

<p>Rational choice theory is an elegant and powerful way of answering many questions, Manson grants, but we also need alternative approaches. That&#39;s why he&#39;s developing “computational intelligence modeling," a model of analyzing human decision making that, he says, attempts to “capture some of the social dynamics and personal biases that influence human behavior instead of just ignoring them."</p>

<p>Recently, Manson used computational intelligence to help officials in the Southern Yucatan build accurate land use simulations. Using anthropological accounts of local Mexican culture that were formerly dismissed by scientists as too qualitative, Manson&#39;s programs produced land use scenarios more attuned to the vagaries of the local culture—and therefore more likely to become reality.</p>

<p>The Scientific Mystique: <a href="?entry=132456">Intro</a> | <a href="?entry=132457">Part One</a> | <a href="?entry=132458">Part Two</a> | <a href="?entry=132460">Part Three</a> | <a href="?entry=132462">Part Four</a></p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 15:25:47 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/taussig.jpg" length="18087" type="image/jpeg" />
         <title>Part Two: The Politics of DNA</title>
         <description><p>Karen-Sue Taussig&#39;s research has taken her into an uneasy realm of scientific smoke and mirrors. It is only when cultural influences on science are exposed, she says—when the great and powerful Oz is revealed to be, in the end, a man behind a curtain—that we can begin to understand the American love affair with genetic research.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132458</link>
         <guid>132458</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/taussig.jpg" alt="Karen-Sue Taussig"><p>Karen-Sue Taussig<br>Photo by Leo Kim</p></div>

<p>Taussig, a medical anthropologist, finds cultural values and power relationships at every turn in her examination of the human genome project, the multi-million dollar research project that has yielded revolutionary new insights into the genetic code of human beings.</p>

<p>Taussig recalls the project&#39;s earliest stages, when Nobel prize-winning molecular biologist Walter Gilbert was traveling around the country trying to generate support from the public. “He would pull out a CD-ROM and announce, ‘This is you&#39;—suggesting that a human genome could be encoded onto a single electronic device. Gilbert&#39;s dramatic demonstration appealed to certain cultural assumptions he shared with his audiences, including the assumption that life is reducible to molecular biological terms.</p>

<p>Genetic research projects like the human genome project thrive, Taussig says, in an individualist culture that values self-discovery, self-actualization, and immortality. By reducing everything from eye color to intellectual aptitude to the level of alterable genes, genetic researchers appear to promise to make controllable that which once seemed out of our reach. “The idea that we are free to choose our biology feels empowering," Taussig notes.</p>

<p>These values and expectations are so ubiquitous, she says, that it&#39;s easy to miss how profoundly they affect our thinking about what counts as science and what kinds of projects we choose to fund.</p>

<p>They also leave us vulnerable.</p>

<p>“People are sold a bill of goods," Taussig says. “Scientists claim that there will be these dramatic interventions into human health." But reality doesn&#39;t always match up. “Every single gene therapy trial has failed utterly," she notes.</p>

<p>Taussig doesn&#39;t oppose the genome project and the genetic research it has spawned. “Intellectually, it is incredibly interesting science," rife with the potential to advance human health, she says.</p>

<p>But she can&#39;t help but point out that support for such flashy science sometimes means forgoing less glamorous, but more reliable, scientific strategies for improving the lives of those who need it most.</p>

<p>“If we really wanted to improve the health of Americans, we&#39;d have more early childhood health interventions, universal healthcare, nutritional programs, those kinds of things," she says. “And if we wanted to improve the health of the world, we&#39;d have universal vaccination, mosquito netting for malaria prevention, simple things that are inexpensive but take political will."</p>

<p>Just as Schurman hopes her work will help move scientists toward greater self-reflection, Taussig wants to encourage citizens to reflect more about the forces that shape our perspective about what science is, and can do—and what it isn&#39;t, and can&#39;t do. </p>

<p>We have such a faith in science in the United States," she says. “I want people to realize that there is a politics to science."</p>

<p>The Scientific Mystique: <a href="?entry=132456">Intro</a> | <a href="?entry=132457">Part One</a> | <a href="?entry=132458">Part Two</a> | <a href="?entry=132460">Part Three</a> | <a href="?entry=132462">Part Four</a></p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 15:18:16 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/schurman.jpg" length="21005" type="image/jpeg" />
         <title>Part One: The Cultural Lives of Scientists</title>
         <description><p>“Pesky environmental crazies?" For fifteen years, Rachel Schurman says, that was how many in the biotechnology industry referred behind closed doors to activists who opposed the use of emerging technologies to modify the genes of organisms like plants and fish.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132457</link>
         <guid>132457</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/schurman.jpg" alt="Rachel Schurman"><p>Rachel Schurman<br>Photo by Karl Krohn</p>
</div>

<p>That label may seem harsh, but Schurman, a sociologist studying the “culture" of science, isn&#39;t surprised by it.</p>

<p>“Biotechnology workers—particularly the scientists—have a sense of themselves as apolitical and activists as political, which has made it easy for them to dismiss activists as ‘crazies,&#39; she explains.</p>

<p>But while they may not realize it, scientists are embedded in culture too, Schurman says. “Their ways of thinking and responding to the work they are doing are as much shaped by the norms of scientific culture as the activists&#39; views are shaped by their own norms."</p>

<p>In their very first science courses, Schurman notes, scientists begin to internalize a conception of science as a pure, objective, value-free enterprise beholden to nothing but the truth. It&#39;s not difficult to see why, Schurman says: science courses rarely include sustained inquiry into the economic demands, cultural desires, and historical contingencies that make science more than just a pristine quest for knowledge. Instead, students are immersed in the nitty-gritty tasks of designing experiments, collecting data, and conducting analyses.</p>

<p>Not surprisingly, that trend continues once they&#39;ve earned their degrees and start working in laboratories full time. “They are thinking about the particular scientific problem they are working on, the scientific puzzle of the day," says Schurman.</p>

<p>Over time, the boundary between doing science and thinking about its repercussions in the world has become rigorously patrolled. “In the professional world of science," Shurman explains, “it is heretical to ask questions about the possible social, political, and economic effects of technologies such as genetic engineering and the ethical concerns they may generate."</p>

<p>Schurman is quick to note that many scientists do think about the values that infuse their work. They worry about new technologies and their applications, and some even advocate for broader, more democratic discussion of the applications of scientific knowledge. The 100,000-member Union of Concerned Scientists, formed at M.I.T. in 1969, for instance, speaks out regularly about misuses of science and technology in society.</p>

<p>Still, those scientists who do want to think and write about values and politics risk ostracism from the larger scientific community, Schurman says, if they go too far in their criticism, publish in non-scientific journals, or, worse yet, move into public policy work full time. “Those who interact with the public are seen as tainted by political and cultural forces," she explains.</p>

<p>Schurman hopes that her work will prompt increased attention among scientists to ethical concerns. Acknowledgment of their susceptibility to social and cultural influences, she says, is a crucial prelude to ethical thinking—and even, it can be said, to good science.</p>

<p>“Because we live in a social world, it makes no sense to think of new knowledge and technology as coming into a neutral environment. Political, economic, and social relationships, as well as cultural norms, forged out of history, shape every new technology and every scientific development."</p>

<p>The Scientific Mystique: <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132456">Intro</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132457">Part One</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132458">Part Two</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132460">Part Three</a> | <a href="http://dev.cla.umn.edu/webteam/cla/news/reach/archive/fall06.php?entry=132462">Part Four</a></p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 15:12:57 -0600</pubDate>
      </item>
      
      <item>
	
         <title>The Scientific Mystique</title>
         <description><p>What do scientists think about while they&#39;re hunched over microscopes for hours on end? Hear from four scholars examining the growing field of “science studies":</p>

<ul><li><a href="fall06subFeatures.php?entry=132457">Part 1: The Cultural Lives of Scientists</a></li><li><a href="fall06subFeatures.php?entry=132458">Part 2: The Politics of DNA</a></li><li><a href="fall06subFeatures.php?entry=132460">Part 3: Science-It&#39;s Only Human</li><li><a href="fall06subFeatures.php?entry=132462">Part 4: The Theory Trap</a></li></ul></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132456</link>
         <guid>132456</guid>
        <body><p>By Danny LaChance</p>

<p>Scientists are a motley bunch. But one thing they all seem to share is a tendency to cringe when they come across the stock image of the scientist in a white lab coat, pipette in hand, hunched over rows of test tubes, unaffected by personal relationships, ethical quagmires, or funding crises.</p>

<p>Such images perpetuate a myth about science—that its natural habitat is a sleek, sterile laboratory, beyond the messy realm of everyday life. In truth, the division between the laboratory and the real world is much more transparent. Scientists are just like the rest of us: they vote, fall in love, pay bills, and fret about jobs and relationships.</p>

<p>Despite the image of science as a separate arena from culture, politics, and social and economic pressures, such forces infiltrate the laboratory all the same. In an effort to better understand this interaction, a number of CLA faculty are examining how human factors—our values, beliefs, and assumptions—affect scientific outcomes.</p>

<p>Their work, part of the growing field of “science studies," is changing how we think about science and scientists. Read on to learn how four of our own are dismantling the scientific mystique—and what they&#39;re putting in its place.</p></body>
         <category>
            17595
         </category>
         <pubDate>Tue, 24 Jun 2008 15:09:46 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/collins.jpg" length="22935" type="image/jpeg" />
         <title>Research on the Front Lines</title>
         <description><p>No one knows better than Kathleen Collins that research isn&#39;t all about poring over books, Web sites, and microfiche. Sometimes it means traversing dangerous terrain and putting everything on the line.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132454</link>
         <guid>132454</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/collins.jpg" alt="Kathleen Collins"><p>Kathleen Collins<br>Photo by Cameron Wittig</p>
</div>

<p>Collins, assistant professor of political science, is an expert on Central Asian clan politics. She gained her expertise gathering data from the field—at some personal risk.</p>

<p>In regions where Islamic culture is especially conservative, Collins several times found herself grabbed by disapproving men in public bazaars when she was walking alone—despite adopting conservative dress and often a headscarf. Even in more secular areas, foreigners are a target of ordinary crime, she says. In northern Kyrgyzstan, she was mugged. “They knocked me down to steal my purse, coat, gloves, and passport belt," she says. “I was black and blue for a month."</p>

<p>Such is the lot of the Western female researcher in the Islamic former Soviet states of Uzbekistan, Kyrgyzstan, Tajikistan, and Kazakhstan, as well as Azerbaijan, in the Caucasus. “It&#39;s extraordinarily hard research to do," Collins says. “Mostly, people are very kind to me. But just practical things—traveling alone, taking a bus or a cab, the way you dress—all of those things become real security issues."</p>

<p>Collins persists because the region is so poorly understood. “There has been little empirical research on the question of Islam and Islamic mobilization," she says. “Think tanks and journalists often make unfounded arguments which are taken seriously by policy makers."</p>

<p>While doing research for her recent book, Clan Politics and the Transformation of Regimes in Central Asia, Collins began noticing a post-Soviet, Islamic resurgence in the region. Her current project examines that trend, which she says stems partly from disillusionment about the United States&#39; failure to support nascent pro-democracy movements in the area. Last year, for instance, Azerbaijan held an election that most observers believe was fixed. Yet despite pledges of support by the American ambassador, the U.S. State Department did not publicly criticize the electoral fraud or back opposition protests.</p>

<p>For most of the last decade, Central Asians did not generally consider Islam and democracy antithetical, Collins says. “In the early 1990s, the idea of democratization was much stronger than any sort of religious resurgence," she explains. But as U.S. democratization efforts failed, people&#39;s high hopes for democracy and a better life were dashed. “In part, I am finding that the increasing attraction—especially among youth—to Islamist ideas is driven by this disillusionment with democracy and the West," says Collins.</p>

<p>By focusing so intensely on the Middle East, the United States has neglected Muslim Central Asia, Collins believes—and does so at its own peril. “Think about where these trends might take us over the long term. What is this region going to look like?" she says. “Where are these corrupt, authoritarian governments going? What will happen when these weak states fall apart?"</p>

<p>“Hopefully, we won&#39;t see a dramatic rise in anti-American Islamism, as in Pakistan, or state collapse, civil war, and the creation of another Afghanistan or Somalia in this region. But that is not out of the range of possibility."</p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 15:05:48 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/kahl.jpg" length="11906" type="image/jpeg" />
         <title>Closeup On Intervention</title>
         <description><p>Like most scholars, Colin Kahl is something of a bookworm, often content to be buried in academic journals, history books, and the latest edition of The State of the World. But when it comes to researching current affairs, Kahl believes there&#39;s no substitute for gathering subject matter firsthand. That&#39;s why he went to Iraq last June.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132450</link>
         <guid>132450</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/kahl.jpg" alt="Colin Kahl"><p>Colin Kahl<br>Photo by Cameron Wittig</p>
</div>

<p>As part of his more general interest in “failed states," Kahl has followed the Iraq war with a scholar&#39;s trademark rigor. While he has previously focused on stresses and disruptions that weaken states from the inside—environmental destruction, demographic pressures, and resource scarcity, for instance—in this case he&#39;s interested in disturbances from outside, such as intervention by “strong states" such as the United States.</p>

<p>“You can think of the first project as kind of examining the causes of state failure," says Kahl, an assistant professor of political science. “I then became interested in interventions into failed states, and that led me to U.S. conduct in interventions."</p>

<p>From January 2005 to August 2006, Kahl was a Council on Foreign Relations Fellow placed at the Department of Defense to gain on-the-ground experience related to his research. He spent time at three military pre-deployment training centers, observing U.S. units as they prepared for service in Iraq and Afghanistan. He also attended classes and conducted interviews at the Army&#39;s Judge Advocate General&#39;s School in Charlottesville, Va., and pored over extensive unclassified Pentagon documents and after-action reports from returning combat units.</p>

<p>In July, Kahl headed to Iraq for four days, to conduct interviews in Baghdad&#39;s fortified Green Zone and at Camp Victory, the U.S. military headquarters at the former Baghdad airport. It was an intense and unnerving experience, he recalls. “We got shelled every day I was there."</p>

<p>One result of Kahl&#39;s experience is a 20-page article recently published in Foreign Affairs magazine. In it, he argues that despite well-publicized military abuses like the alleged massacre of civilians in Haditha, the American military has done a better job of avoiding civilian casualties than many critics assert.</p>

<p>Kahl knows he is courting controversy. “People on the left are going to see my article as too apologetic for the military, and people on the right are going to think that it&#39;s too critical," he says. Indeed, the American record in Iraq is not unblemished, Kahl acknowledges, but he contends that most units have behaved within the confines of the laws of war, at least in their treatment of civilians.</p>

<p>“Relative to U.S. conduct in other wars in the 20th century and the conduct of wars historically by all powers, the United States has done a fairly exemplary job in living up to its commitments under international law not to target civilians," he says.</p>

<p>Kahl is now reporting on another aspect of the Americans&#39; Geneva Convention compliance— how well the United States is meeting its obligation to provide for basic security and public services in Iraq. So far, it looks as though the verdict might be less positive.</p>

<p>“In many ways, the United States has not lived up to its obligation to provide for a secure and stable Iraq. The current strategy is not working," Kahl argues, noting in particular the absence of sufficient resources (including reconstruction dollars).</p>

<p>“To succeed, the U.S. has to fundamentally alter its strategy. That includes opening negotiations with all relevant parties, with the aim of setting firm conditions for continued U.S. presence; and supporting steps toward national reconciliation."</p>

<p>This is quintessential Kahl—a kind of up-front, unsparing appraisal that Kahl contends is impossible if academics are unwilling to examine military culture close up.</p>

<p>“I doubt that people who don&#39;t have those first-hand experiences can really understand," he says.</p>

<p>“I think the academy is not well served by people estranged from the military because they feel so uncomfortable with it. If you critique it from a distance, you&#39;re missing a lot of the story."</p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 14:58:01 -0600</pubDate>
      </item>
      
      <item>
	
         <title>A Question of Rhetoric</title>
         <description><p>As endless wars go, the “war on terror? would appear to be Exhibit A. As the war in Iraq continues unabated, how do we talk about it and react? And how does democracy fare as war rhetoric heats up and restrictions on civil liberties are imposed in the name of national security? These are questions that Ron Krebs is exploring in his study of 21st century war.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132449</link>
         <guid>132449</guid>
        <body><p>Krebs, an assistant professor of political science who recently received the prestigious McKnight Land Grant Professorship, has always been interested in how democratic institutions evolve and function, especially under duress. His current research is a natural successor to his earlier work on the role of military service in advancing full citizenship rights for minorities.</p>

<p>The common thread is how movements and events are framed rhetorically. “In my recent book [Fighting for Rights: Military Service and the Politics of Citizenship], I argue that one of the ways military service shapes citizenship is by making available to minority groups a certain kind of rhetoric—"We&#39;ve sacrificed for our nation and consequently we deserve appropriate rewards," says Krebs. “That got me thinking about political rhetoric during wartime."</p>

<p>For his current project, Krebs&#39; working hypothesis is that the ultimate effects of war turn less on objective realities than on the way events are rhetorically framed. “The framing of war is inherently a political maneuver, and I want to understand more about the dynamics under which that occurs," he says.</p>

<p>Another, more surprising, hypothesis is that in contrast to unconventional or limited warfare, total war is generally less disruptive to liberal democracies. That&#39;s because total war is readily understood to be a deviation from the norm, an unpleasant but limited interruption of business as usual. When such wars occur, “damage to civil liberties rarely persists long beyond the war itself," says Krebs.</p>

<p>Limited interstate wars as well as counterterrorist campaigns, especially those that drag on with no apparent end in sight, tend to “redefine expectations," Krebs thinks, making it more difficult, at war&#39;s end, to restore the prewar democratic status quo. Citizens become accustomed to rewritten rules, and restrictive measures that initially emerged out of crisis (say, 9/11) become accepted as routine.</p>

<p>The immediate trade-offs between security and civil liberties in the “war on terror" are worrisome, says Krebs, but the long-term impact is of even greater concern. Without an identifiable front or battlefield, and with fewer major high-profile battles than daily skirmishes, wartime comes to seem almost indistinguishable from peacetime. Meanwhile, crisis rhetoric keeps the war on the front page and the public skittish, and civil liberties are gradually eroded in the name of national security.</p>

<p>Over the long haul, Krebs asks, “Do people renormalize to new civil liberties base lines? Do they accept wartime measures as ‘the new normal&#39;? Or is there a backlash against wartime over-stepping, with greater long-run protection for democratic contestation?" The answer, he suggests, is that it depends—on such factors as the kind of war fought (total, limited, unconventional, or imperial), on the type of democratic regime (presidential or parliamentary), and on the nature of the wartime restrictions (formal or informal, transparent or hidden).</p>

<p>The answers have enormous implications for the health of democracy in times of stress, says Krebs. “What is of greatest concern to me is the silencing of opposition. The language of crisis makes it difficult to have a sustained national conversation."</p>

<p>For democracy to survive, Krebs cautions, we must maintain “an appropriate balance between security and liberty in an anxious age."</p>

<p>Tim Brady also contributed to this story.</p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 14:55:04 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/hironaka.jpg" length="10639" type="image/jpeg" />
         <title>Neverending Wars</title>
         <description><p>As a student in the mid-1980s, Ann Hironaka was like a lot of her peers. A nuclear showdown between superpowers still seemed possible, and there were ongoing conflicts in Angola, El Salvador, Lebanon ... seemingly too many places to count. Hironaka and her fellow activists took aim at these wars, trying to stop them. But, says Hironaka, "The solutions that people were proposing were not very convincing to me. My dissatisfaction with the activism was that the answers were just too simple."</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132444</link>
         <guid>132444</guid>
        <body><div class="claBlogReachImg"><img src="http://blog.lib.umn.edu/clareach/stories/hironaka.jpg" alt="Ann Hironaka"><p>Ann Hironaka<br>Photo by Cameron Wittig</p></div>

<p>Hironaka thus turned from activism to academia, earning her Ph.D. at Stanford in 1998. Today, she is studying modern civil wars as an associate professor of sociology at the University.</p>

<p>Before 1945, Hironaka notes, civil conflicts were contained, decisive events lasting just a few years. Not anymore. Today, they are enduring struggles&mdash;roughly three times longer than earlier conflicts&mdash;fueled by animosities that often reignite even before the ink dries on the peace treaties.</p>

<p>But why? That little-considered question is Hironaka&#39;s focus. In her book <em>Neverending Wars</em> (2005), she posits several explanations. One, ironically, is the liberation of colonies that marked the end of the colonial era after World War II. As the great powers abandoned their colonies to self-rule, they left behind power vacuums&mdash;newly sovereign states with recognized national borders but little in the way of functioning institutions or centralized authority.</p>

<p>Whereas European and American bureaucracies had evolved over decades and centuries, new Third World nations were forced to adopt new systems of governance almost overnight. The result was a bevy of extremely fragile, disorganized states with unstable power structures.</p>

<p>"In a sense," Hironaka writes, "the international system has locked the problems of states into specific territorial arrangements, and perversely created conditions that encourage lengthy civil wars in recently independent states."</p>

<p>Another problem, a legacy of the Cold War, is outside intervention. "Civil wars tend to be lengthened when there is intervention, especially when there is intervention on both sides," Hironaka says.</p>

<p>During the Cold War, the United States and Soviet Union routinely intervened in regional civil wars in weak states, providing money, arms, and military bases, and also training soldiers and sending in troops. Today, interventions by strong states are practically the norm. And so, increasingly, are interventions by non-state players, such as organizations like Hezbollah in Lebanon, and al-Qaeda in Iraq.</p>

<p>Intervention is little studied, except in legalistic terms, says Hironaka. Debates focus on whether a U.S. intervention is constitutional, for example. But that&#39;s not the issue, she says. "To me, what really matters is the huge amount of resources that the United States is putting into the various conflicts around the world&mdash;and other countries, too, not just the United States. These conflicts wouldn&#39;t be able to last as long without external resources."</p>

<p>Hironaka&#39;s work to date has been about understanding root causes. Down the road, she hopes to move into more solution-based work aimed at U.S. policymakers. "If we knew why states fight these wars, and continue to fight them, we could talk about what is reasonable," she says. But the issues are far from black and white, she cautions.</p>

<p>Indeed, protracted civil wars may not be the worst of the world&#39;s evils. Civil wars often begin as insurgencies against oppressive regimes. Interventions to end them could squash pro-democracy and human rights movements and fortify dictatorships. "Do we want that?" Hironaka asks. "If we&#39;re not willing to ask such questions, then we really can&#39;t have this discussion."</p></body>
         <category>
            17594|18392
         </category>
         <pubDate>Tue, 24 Jun 2008 14:26:59 -0600</pubDate>
      </item>
      
      <item>
	
         <title>4 Takes on War</title>
         <description><p>Four CLA scholars are searching for answers for the reasons why we wage war. They&#39;re studying the causes, consequences, and lessons of wars in Central Asia, Iraq, and beyond.</p>

<ul>
 <li><a href="fall06subFeatures.php?entry=132444">Neverending Wars</a></li>
 <li><a href="fall06subFeatures.php?entry=132449">A Question of Rhetoric</a></li>
 <li><a href="fall06subFeatures.php?entry=132450">Closeup on Intervention</li>
 <li><a href="fall06subFeatures.php?entry=132454">Research on the Front Lines</a></li>
</ul></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=132431</link>
         <guid>132431</guid>
        <body><p><em>By Kevin Featherly</em></p>

<div class="blogEntrySubNav"><p>&gt; <a href="?entry=132444">Ann Hironaka</a> contemplates the root causes of neverending wars/</p>
<p>&gt; <a href="?entry=132449">Ron Krebs</a> considers the trade-offs that are made during war-time and what impact these have when the war is over.</p>
<p>&gt; <a href="?entry=132450">Colin Kahl</a> spent time in Iraq and in the Department of Defense to get a measure of how the U.S. is meeting its wartime obligations.</p>
<p>&gt; <a href="?entry=132454">Kathleen Collins</a> persists in her Central Asian clan politics research--despite some personal risk.</p>
</div>
		  
<p><span>Reach</span> interviewed four top young university scholars, each of whom seeks to understand and to educate us about war in the new millennium. One is studying why modern civil conflicts last so long--in a word, are "neverending." Another is studying the effects on American democracy of a prolonged "war on terror" and the erosion of civil liberties. A third has put her safety on the line to probe deep into the clan culture of an area of the world--Central Asia--that may rapidly become a new seat of radical Islam. The fourth is working, both through interviews and with boots on the ground, to understand the broader military and security implications of the Iraq War.</p>
<p>Each of these scholars--sociologist Ann Hironaka and political scientists Ron Krebs, Kathleen Collins, and Colin Kahl--has a fresh and vital take on modern conflict.</p></body>
         <category>
            17595
         </category>
         <pubDate>Tue, 24 Jun 2008 14:01:45 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Kolas-thumb.jpg" length="20123" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Kolas.jpg" length="21140" type="image/jpeg" />
         <title>Odyssey</title>
         <description><p>With a commitment to modern Greek studies, Nicholas Kolas honors his heritage—and an old friend.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=122059</link>
         <guid>122059</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Kolas-thumb.jpg"><img alt="Photo of Nicholas Kolas" src="http://blog.lib.umn.edu/clareach/stories/Kolas.jpg" /></a><br />
When Theo Stavrou was a new University faculty member in 1961, teaching his first class in the history of the modern Middle East, he couldn&#39;t help but notice the student in the second row. “He kept smiling during the whole class," Stavrou recalls.</p>

<p>After class, the young man introduced himself as Nicholas Kolas. Like the professor, Kolas had been born and raised in Greece, and the two struck up a conversation. Nearly five decades later, their conversations—now ensconced in a firm and loyal friendship—continue. 	</p>

<p>Both men went on to sterling careers. Stavrou remains on the University faculty as a renowned professor of modern Greek and Russian history. Kolas graduated with a degree in political science in 1962, then became a successful business entrepreneur in southern Minnesota. Among the bedrocks of their friendship has been an abiding love for and commitment to the study of modern Greece. Now, they hope to see that commitment embodied in a fellowship that Kolas helped launch last fall. Its aim will be to attract top-notch graduate students in modern Greek studies—and it will be named for Theo Stavrou.</p>

<p>For Kolas, the fellowship continues a lifetime of investment in keeping his culture alive. Listen to him talk about his native Greece and you can practically feel the Mediterranean sun spilling onto his stories. There he is, the youngest of 12 children growing up on the family farm near the ancient port city of Patras. He&#39;s the one his father teasingly calls “Benjamin," after the twelfth son of the biblical Jacob. </p>

<p>And there is his mother, determined to keep the farm running and the family together after her husband is killed by a bull when Nicholas is only 3. She is determined, too, that her youngest will be educated, even though she herself is unschooled—at a time when only 10 percent of Greek children finish high school at all. “It was ‘education, education, education," Kolas says of her fondly. </p>

<p>It was 1955 when Kolas left Greece, arriving in New York where an immigration agent unwittingly shortened the family name, Klokithas, to “Kolos," which could be translated roughly—and generously—as “windbag."  He eventually changed it to Kolas and went on to live the quintessential American success story. After living with a sister in Austin, Minnesota, where he went to high school to learn English <br />
and mopped floors to earn his way, he became the first member of his family to graduate from college. </p>

<p>Combining his Greek roots with entrepreneurial savvy, Kolas graduated from his first job as a supermarket trainee—“the only thing I could get"—to eventually own a chain of stores in Austin and Rochester. He recalls how he came to name the liquor store that was part of the chain. It was 1969, and the news was all about the first manned mission to the moon when the name came to him. “Apollo!" he laughs, slapping his forehead as one imagines he might have done at the time. “That&#39;s it! Named for an American moon landing AND a Greek god!"</p>

<p>“Mr. Kolas is a supreme example of a young man who worked extremely hard, and beat almost anything that came his way to improve himself professionally and socially," Savrou says of his friend. <br />
“I admire his loyalty, and his willingness to always respond when there is a need, whether it&#39;s in education or working with other civic associations. </p>

<p>“He is very much interested in seeing that these traditions to which I have dedicated all my academic life—mainly the teaching of Greek language and modern Greek literature and culture—continue. We have trained some outstanding students who are now teaching in leading American colleges and universities; our library in the field is arguably one of the best in the country. The fellowship—part of a three-phase initiative to endow modern Greek studies at the University—will help continue this tradition." </p>

<p>For both of these men, the story is about overcoming the obstacles on the journey, so it is hardly a surprise that each says he has been inspired by the poem “Ithaca," by the Greek poet Constantine Cavafis. </p>

<p>“Always keep Ithaca on your mind.<br />
To arrive there is your ultimate goal.<br />
But do not hurry the voyage at all.<br />
It is better to let it last for many years;<br />
and to anchor at the island when you are old,<br />
rich with all you have gained on the way..." </p></body>
         <category>
            9702|17098
         </category>
         <pubDate>Wed, 09 Apr 2008 11:05:52 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/internet_face-off-thumb.jpg" length="1453" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/internet_face-off.jpg" length="3710" type="image/jpeg" />
         <title>The Internet: Face-off with Academia</title>
         <description><p>CLA faculty members talk about issues regarding student online research, the Wiki-ization of knowledge, and the role of academia as a gatekeeper for knowledge.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=122052</link>
         <guid>122052</guid>
        <body><p><em>By Linda Shapiro</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/internet_face-off.jpg"><img alt="Illustration of man with a laptop with the word, &#39;search&#39; on his forehead. A thought-bubble is over his head in which he is picturing himself jumping over drawers of files." src="http://blog.lib.umn.edu/clareach/stories/internet_face-off-thumb.jpg" width="86" height="82" /></a><br />
The internet is not only an information superhighway, but also a haphazard ecosystem in which infinite varieties of information ricochet around like supercharged particles, provoking a revolution in how we think about the nature of knowledge, how it is acquired, who creates it, and where its authority comes from. <br />
	<br />
In such an era, how do professors deal with issues around student online research, such as plagiarism <br />
and source verification? Has the collaborative nature of sites like Wikipedia—the encyclopedia where anyone can edit or contribute to an entry—democratized knowledge?  Or has it merely facilitated a reductive Wiki-ization of learning that leads students away from libraries and toward suspect online data bases? And has access to sources outside of the professor&#39;s control encouraged profound changes in the way academia is viewed as an authoritative gatekeeper for knowledge?  </p>

<p>We asked CLA faculty members from a broad spectrum of disciplines about how this exploding internet world has affected their teaching. Here&#39;s what they had to say.</p>

<hr>
<strong>—Shayla Thiel Stern, assistant professor, School of Journalism and Mass Communication</strong>

<p>“A blessing and a curse"<br />
Online tools definitely are a blessing and a curse. Even though Google is one of my favorite inventions of all time, I curse it every time I grade a sub-par essay in which it&#39;s clear the student found the information in Google&#39;s top three results rather than in the fabulous databases available through the University Libraries&#39; Web site. I&#39;ve had good luck laying down my ground rules for research at the beginning of the semester, and one of those rules is: No citation of Wikipedia as a source. It turns into a great teaching moment because we can then discuss exactly how Wikipedia works, and students can see that while it&#39;s a great invention, it might not be the best source for college-level research. It&#39;s still a useful tool for them as kind of a first-stop for basic background information, but they must be taught to view it with a critical lens.</p>

<p>I think the idea of democratized knowledge might be an overly utopian view of what is happening online. Many people—usually based on their race, class and geographic location—are still not included in this information gathering and sharing in the first place. But in the sense that many people use the Internet to gather and share information and build knowledge and community from it, I think the <br />
professor has to become more of an interpreter and a guide for students. </p>

<hr>
<strong>—Eugene Borgida, professor of psychology</strong>

<p>Online resources are just that…another resource,  and so I am not freaked out that students are using them. I assume that they often know how reliable or slanted these resources are, and I will question them if necessary. But I do the same thing with “offline" resources as well. I have never tried to regulate or offer policy positions on online searches in my courses. My assignments do not really lend themselves to that, though I am sure students do what I do and seek out articles online. Whether students find term paper sites is another matter. I am always on the lookout for this possibility. One way I check on this matter is by assigning some thought essay assignments in my classes so I get a sense for a person&#39;s writing style.</p>

<hr>
<strong>—Michelle M. Wright, associate professor, English</strong>

<p>I haven&#39;t had any truly egregious uses of online sources in any of my classes, but I do explain to the students that almost anyone can write something and have it posted or published. Therefore, all information, whether located online or in a book or scholarly journal, needs to have its claims verified. <br />
I also explain that “citation loops" are not uncommon: the first author/ webmaster/blogger <br />
references someone else who in turn references someone else...who in turn references the first guy!" </p>

<p>I dislike the terms “gatekeeper" and “guide" because they remind me of the oppressive ways in which so much knowledge is “oligarchic" in nature, and dissenting views are simply ridiculed and denied access to certain presses and forums. So the Web can be a good balance to that. I think that balance is improved with students themselves questioning accepted wisdoms. One of the challenges and pleasures of teaching is having to explain and defend one&#39;s own truths as an active scholar, researcher, and teacher.</p>

<hr>
<strong>—Tim Johnson, assistant professor, political science</strong>

<p>There are clear perils and pitfalls to the wiki-ization of learning. First, anyone can add information to sites such as Wikipedia. Students who use such sites for research may not be getting information and data that has been vetted by quality control mechanisms such as peer review. Given that there is no control (most of the time) over what goes on wikis, students may not get the best information, and they may actually get completely wrong information. Second, wikis make students lazy. It is much easier for them to go to a Website that appears to have all the information they need than to go to library sites that will send them to scholarly materials.</p>

<p>Our job as professors is to instill in the students the work ethic to learn about and complete the research process. Our job in terms of knowledge is to guarantee that students obtain the best, most accurate information and data available. We need to teach them the difference between good and bad sources, and to help them understand from where they should be drawing information. </p>

<hr>
<strong>—Teri Lynn Caraway, assistant professor, political science</strong>

<p>One pitfall of online research is plagiarism. It&#39;s so easy to cut and paste content directly from Web pages into papers. And when the best sources for papers are unavailable online, students may be unwilling to take the time to physically retrieve sources from the library. On the other hand, students have easier access to journal articles, and that reduces the cost of coursepacks and facilitates research. Also, they have easy access to primary sources produced by the government, non-governmental organizations, and corporations, as well as to valuable electronic archives.</p>

<p>Knowledge hasn&#39;t really been democratized, there&#39;s just more of it out there. Our job as professors is to help students to develop the tools that they need to evaluate sources critically. And most professors require students to consult peer-reviewed sources in their papers—at least I do.</p>

<hr>
<strong>—JB Shank, associate professor, history</strong>

<p>The Internet is here to stay so perhaps the better question is what this medium means for the practice of research and learning. The Internet places a new importance on individual skills of critical discernment and judgment. Ironically for the technophiles, I think these challenges actually present a new argument for traditional liberal arts education. I see no more powerful way to equip oneself to deal with the chaos of the digital mediascape than through the old traditions of critical reading, thinking, and writing.</p>

<p>The traditional authority of the professor as a possessor of expert knowledge is certainly evaporating quickly, as is the authority of disciplinary, scholarly knowledge as a separate and superior form of knowing. Yet universities still have crucial roles to play in empowering individuals to use and comprehend the mediascape that we are inhabiting. Professors may have already lost their status as purveyors of truth and gatekeepers of access to it, but they could become instead powerful agents of empowerment in this newly decentered environment by refocusing their energies toward critical engagement with knowledge formation itself. But this means letting go of the authority of the university as an enclave of true knowledge in a sea of mere information, and seeing knowledge more and more as a product of the interactions within the mediascape that include universities—but not as sovereign monopolies of truth.  </p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Wed, 09 Apr 2008 10:37:58 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/GoldmanMichael.jpg" length="14657" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/RothmanAlex.jpg" length="12457" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/SheppardEric.jpg" length="19156" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/WelkeBarb.jpg" length="18074" type="image/jpeg" />
         <title>The Borders of Freedom</title>
         <description><p>In a world of disappearing and permeable borders, are we really more free? Is the "globalized" world flat or just a slippery slope? A sociologist, a human geographer, a historian, and a political scientist weigh in.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=122045</link>
         <guid>122045</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><img alt="GoldmanMichael.jpg" src="http://blog.lib.umn.edu/clareach/stories/GoldmanMichael.jpg" /><br />
On the street near where Michael Goldman lived in Bangalore, India, the shops are nestled next to each other like links in a chain. There&#39;s the banana market next to the hair shop, then the tailor&#39;s place, then the little store that sells televisions. On a given afternoon, you can find an entrepreneurial family in front of these shops making its own living, earning a few rupees by playing music or performing on a makeshift tightrope.</p>

<p>Bangalore is a city of seven million, and if you look at it from the long-distance view of World Bank reports, it is a city on the move, a resounding global-world success story. And that view would be <br />
accurate. Sort of. </p>

<p>“It&#39;s a half-truth," says Goldman, a professor of sociology who lived in Bangalore last year and has written about the economic inequities generated by World Bank projects. “The World Bank is lending millions to agencies to turn Bangalore into a world class city. The idea is that this fights poverty as the entrepreneurial spirit catches on."</p>

<p>In Goldman&#39;s view, however, one of the ripples generated by World Bank loans has been the displacement of neighborhoods like this one, where an entrepreneur is not a technocrat with start-up capital, but rather a son who has lived here since birth and is now carrying on his family&#39;s tradition in banana-market retail. When information technology consultants move in and revitalize the neighborhood to the benefit of their particular corporation, these old friends and neighbors, who are connected neither educationally nor digitally to the globe&#39;s movers and shakers, must go, well, somewhere else. </p>

<p>“If you could just view the world of Indian innovation, then you would see a flat world," says Goldman. “But that is an elite little sliver of the world, a sliver that has always been flat."</p>

<p><strong>The Global Village: Redux</strong><br />
The idea of a “global village"—a term coined by Marshal McLuhan—has its roots in the work of Friedrich von Hayek, the 20th-century economist and political philosopher who laid the foundation for what came to be known as “neoliberalism." Hayek believed that the inter­national market would naturally balance itself if goods, services, and resources were allowed to move freely among nations as companies sought to maximize productivity and efficiency. To that end, he believed, countries needed to remove barriers such as tariffs and restrictions on capital flow and investment.  </p>

<p><img alt="SheppardEric.jpg" src="http://blog.lib.umn.edu/clareach/stories/SheppardEric.jpg" />“Globalization really took off in the &#39;80s," says Eric Sheppard, a geography professor who has studied neoliberalism. “This was the switch point to the view that we should allow markets, ideas, and labor to move freely on an international scale. The model of globalization was open markets and open borders. It was predicted to be a rising tide that would lift all boats." </p>

<p>The tide rose further and more quickly as the century turned. With it came the potential for international computer collapse generated by the digital calendar rollover dubbed Y2K, and the appeal of consultants who could forestall the dreaded meltdown.</p>

<p>“Countries imagined a crisis," Goldman says. “We didn&#39;t know if there would be one, but we thought there might be, and Indian entrepreneurs went to Silicon Valley and said, ‘You charge $30 an hour for IT consultants; we&#39;ll charge $15 an hour to go in and fix the problem for Y2K and we&#39;ll keep $13 and pay $2 to our engineers.&#39; It was a substantial savings to Silicon Valley. And it was then that companies began bypassing the American market to hire Indians to do the job."</p>

<p>It was a free-market capitalist&#39;s dream. People could move around as freely and cheaply as did goods and information, and it helped make the corporation, rather than the nation state, the driver of commerce. But it didn&#39;t do much to eliminate economic gaps within countries.</p>

<p>“This idea of a totally free, boundary-less market is really a set of ideas about openness, driven by an imaginary view of how the world should be," says Sheppard. But, he says, “that is only one perspective. This is mine: To the extent that globalization has reduced state independence, you&#39;ve allowed capitalism to create inequalities."</p>

<p><strong>Haves and have-nots</strong><br />
As the corporate tide has risen, large populations remain caught on the bottom, displaced by or unable to participate in this free world. While we now take for granted that boundaries of all kinds are dissolving—geographic, economic, cultural, informational—it seems that this view is at best superficial, according to several University scholars—including Sheppard and Goldman—who study the issue.<br />
 <br />
<img alt="RothmanAlex.jpg" src="http://blog.lib.umn.edu/clareach/stories/RothmanAlex.jpg" />If anything, the barriers that separate places like the small Bangalore neighborhood from the enclaves of gleaming high-tech companies in other parts of the same city have become denser.</p>

<p>Statistically, says Goldman, the deep divide looks like this: Since 1990, the differential between the top fifth and the bottom fifth of the income ladder has increased exponentially. In Bangalore, for example, the differential between the wealthiest fifth and the poorest fifth of the population was 5:1 in 1990; today, it&#39;s 20:1. </p>

<p>“That&#39;s dramatically different," he says. “Societies don&#39;t go through this without some kind of crisis. The irony is that the wealth is generated, but it is allowed to sit in just one sector of society. There is no public responsibility. Producing for the global economy has tremendous costs. For every condo complex you build, you displace a neighborhood. Wealth produces wealth, but it&#39;s not an innocent process. It <br />
displaces people and has the opposite effect."</p>

<p>“The actual data tell us that," agrees Sheppard. “Since the 1970s, economic inequalities have increased, not only, say, between Africa and the West, but within and between nations as well. So there&#39;s a real sense that this is not working. Even those who have imagined a boundary-less world are willing to countenance boundaries because they see it&#39;s not working. In my view, it hasn&#39;t worked because the whole model is built on the theory that markets can work if we allow free competition. That&#39;s not a persuasive theory."</p>

<p><strong>Creating boundaries</strong><br />
Ironically, it has sometimes been government itself—which is more or less in the business of creating regulations—that has in fact contributed to the problem by removing them, says Goldman. </p>

<p>“Technology firms thrive because governments put money into them, give them land, and charge few taxes," says Goldman. “Governments actually create the conditions in which these firms can thrive. The mantra in India was ‘Roll back the state!&#39; What really happened was the state rolled out the red carpet.</p>

<p>“You simply can&#39;t ever have a completely unleashed economy," he adds. “It&#39;s never existed. Here are these corporations demanding world-class facilities like a monorail and an airport and putting very <br />
little back into the city. Government has lost the authority to rein in these corporations. So the world could be flattened if civil society could say to the corporations, ‘Now you have to pay back somehow."</p>

<p>Governments may not be likely to do that, but Goldman&#39;s analysis suggests that our “boundary-less" world is a reality only for some, particularly for corporations whose vast reach extends far beyond their homeland headquarters. So it&#39;s fair to say that permeable boundaries haven&#39;t provided much freedom to those who are stuck on the lower rungs of the economic ladder. In fact, it may be that permeable boundaries don&#39;t provide much freedom at all, that in fact, we may be more likely to fear than to embrace the free flow of people and capital, at least when certain walls come down. </p>

<p> “There are boundaries drawn on a map, and there are others that leave no geographical imprint," says Sheppard. “There is a fundamental conflict between the idea of the global village and the threats that people see or imagine. So although people promote the idea, we have real discomfort about, say, undocumented immigrants or actually living next door to an African/Muslim. We open the door, but only a crack."</p>

<p><strong>Choosing safety</strong><br />
It is no longer a surprise to hear that free trade has contributed to an enormous economic divide between those who buy the goods and those who make them, or that the economic playing field is anything but level. What might be more surprising are the product safety implications of the global free market.</p>

<p>“The place where the world is flat is at the corporate level," says Barbara Welke, professor of history and law, who has studied commerce and consumer safety. “Corporations have the mobility and a huge investment in the notion of a flat world."</p>

<p><img alt="WelkeBarb.jpg" src="http://blog.lib.umn.edu/clareach/stories/WelkeBarb.jpg" />While activists have protested globalization&#39;s cost to those who make our low-cost goods, perhaps nothing has stirred consumer consciousness quite like recent revelations that Chinese imports included toys with lead paint, chemical-laced toothpaste, and poisonous pet food. Everyone took the reports seriously: U.S. manufacturers recalled millions of products, and China itself went so far as to <br />
execute the former head of its food and drug administration for dereliction of duty. </p>

<p>Suddenly, the freedom to buy inexpensive imported products ran headlong into the expectation that these products would also be safe. To ensure that, we need more, not fewer controls. </p>

<p>“The whole notion of our wanting products that meet certain standards is a constraint on the market," says Sheppard. “It seems appropriate to set standards, but every time you do that, it&#39;s a barrier to trade."</p>

<p>“The contradictions are all around us," Welke adds. “People are terrified of lead paint, but the outcry is rooted in something deeper. You don&#39;t, for example, have the same kind of outcry about lead paint in buildings in poor U.S. neighborhoods as you have about toys coming from China."</p>

<p>This precarious balance between freedom and risk changes over time as well. Safety itself is an expectation that has developed over time, Welke says, until we have come to think of it as a right.</p>

<p>“Safety began being advertised as a value in products as early as the late nineteenth century," she says, “with safety lamps for burning kerosene and safety-pins and safety bikes in the early twentieth <br />
century. Later on in the century, the government passed legislation regulating safety standards for food and drugs, highway traffic, and clean air and water.</p>

<p>“But legislation is worthless without enforcement, and we&#39;ve been on a downhill path in that regard since the Republican ascendancy of the 1980s and the message that government should get off our backs."</p>

<p>There&#39;s something else at work here, as well, and it has to do with Sheppard&#39;s suggestion that we sometimes erect barriers in our imaginations to replace the old ones that have been torn down.</p>

<p>“More stories suggest that some of these hazards are the result of failure on the part of American companies," he says. “Nevertheless, we blame the Chinese. This is a great example of our conflict between wanting freedom from boundaries and our desire to impose them. We say, ‘Let&#39;s engage in unrestricted trade with China.&#39; Then, China explodes and one reason for that is its exports to us. We see China as a coming place, and at one level, we&#39;re scared. ‘Oops,&#39; we say, ‘we thought we&#39;d still retain our prominence."</p>

<p><strong>Border patrol</strong><br />
It may make good sense to create borders and restrictions in a globalized world. Some of the barriers we erect, though—real or imaginary—may in fact be based less on sound judgment than on the disquieting anxiety of the times. </p>

<p>In the last decade, immigration has become one of the country&#39;s most contentious issues, pervading the presidential campaign and generating strong voter anger on both sides. It&#39;s an issue that has come to the fore periodically in the country&#39;s history, in a way that underscores the confluence of factors that makes it so prominent now, says David Samuels, a political science professor who has studied these issues extensively.</p>

<p>“In my view, this is really a debate generated by fear," he says. “People who are afraid—for their jobs, whatever—coalesce around issues aimed at immigrants. When you add fear of terrorism to the mix, you&#39;ve got a situation where politicians connect terrorism to the failure to patrol borders. Anti-terrorism groups make the case that [9/11 leader] Muhammad Atta was illegal. People play off the possibility of terrorist attack. So we have to clamp down on migrants in general. We want to build walls and put guards there."</p>

<p>Meanwhile, says Samuels, NAFTA and economic globalization have created conditions in which the flow of both goods and people is easier. “Increased immigration is correlated with increased flow of goods, legal and illegal," he adds, “and controlling the flow of people contradicts our stated policy intentions of increasing the flow of goods and services. We do not know how to deal with that policy contradiction." </p>

<p>Clearly, there are legitimate arguments for regulating the flow of immigrants. Once again, though, we run headlong into the challenge of balancing freedom with risk. How much freedom are we willing to curtail to secure our safety? </p>

<p>“Israel is successful at keeping people out, sort of," says Samuels. “Do we want to be like Israel? And how much do we want to affect our economy? The US economy is a job magnet and would collapse if we sent everyone home. We need people on the low end of the wage scale. Whatever the solution, you and I would not have lettuce to eat without immigrants."</p>

<p>In the end, the contradictions between freedom and risk remain, as do the contradictions between the concept of a global village and the reality that many people are not citizens of that village. No matter what we say, we do seem to want our walls. </p>

<p>“The flat world myth assumes on the one hand that all flows are good, while on the other hand it fears certain flows, such as poor immigrants or China&#39;s advance, or Islam&#39;s spread," says Goldman. “So there is an implicit acknowledgement that the world really isn&#39;t flat. We need to collectively decide how to regulate, manage, and craft economies, borders, and social relations with certain overt goals in mind—like ensuring people&#39;s access to sustainable livelihoods, health care, safe products and foods, and fair rules—rather than follow one ideological frame, such as unleashed markets, that refuses to acknowledge the social inequalities and injustices that flow from it.</p>

<p>“Or put simply, how do we globalize justice and fairness in the workings of the economy?"</p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Wed, 09 Apr 2008 10:07:26 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/BahnerAdam-thumb.jpg" length="46505" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/BahnerAdam.jpg" length="69215" type="image/jpeg" />
         <title>Rain Man</title>
         <description><p>To find material for his dissertation on art and politics, graduate student Adam Bahner can simply look in the mirror.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121858</link>
         <guid>121858</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/BahnerAdam.jpg"><img alt="Photo of Adam Bahner with umbrella" src="http://blog.lib.umn.edu/clareach/stories/BahnerAdam-thumb.jpg" width="86" height="132" /></a><br />
Adam Bahner loves to throw a question back at the reporters from across the world who have interviewed him in recent months. </p>

<p>From Australia to Omaha, they call him to learn more about the guy whose music videos on <a href="http://www.youtube.com/user/tayzonday">YouTube </a>have transformed him from an American Studies Ph.D. student at the University of Minnesota into one of the most listened-to songwriters in the world. And they always seem to begin their interviews by asking him, “What inspires you to sing?"</p>

<p>His reply: “What inspires you to be silent?"</p>

<p>It&#39;s a response that makes sense when you know that Bahner is a fourth-year doctoral student about to begin work on a dissertation examining the relationship between art and social and political change. He&#39;s convinced that art can make waves in a society, but he also thinks a lot of obstacles prevent it from doing so. One of them is people&#39;s failure to see themselves as artists. </p>

<p>“I think it&#39;s natural to sing," he says. “People sing in the car. Most people sing in the shower. Most people sing to themselves when no one else is watching. Silence is not normal. Silence is problematic."</p>

<p>Bahner found his own silence deafening. So with the help of amateur recording equipment in a corner of his Dinkytown apartment, he catapulted himself to fame last summer by filming himself performing original songs and uploading the finished products to the Internet under the stage name Tay Zonday. By last October, his song “Chocolate Rain"—a haunting five-minute loop of thinly veiled political commentary on the state of race relations in the United States—had been viewed more than 10 million times on YouTube, elicited nearly 100,000 comments from viewers, and been the subject of hundreds of parodies and tributes.</p>

<p>Before long, Bahner was making guest appearances on Jimmy Kimmel Live! and appearing on the cover of the Los Angeles Times&#39; Sunday arts section. He was flown to Chicago to perform in the Optimus block party. Google invited him to perform at its annual Zeitgeist Party at the “Googleplex" in California. John Mayer covered “Chocolate Rain" on VH1&#39;s Best Week Ever. And in October, Bahner gave his first concert as an opener for the band Girl Talk at First Avenue in Minneapolis, the nightclub that has been the stomping ground of artists like Prince in their early years—and a stage many musicians don&#39;t see until they&#39;ve paid their dues at much smaller venues.</p>

<p>Much of this attention has resulted from Bahner&#39;s failure to fit into boxes. He comes from a racially mixed background, and his deep bass voice seems an unlikely counterpoint to his baby face. “I&#39;m this voice-body mismatch," he explains. “I have this gender aesthetic that people might identify as boyish at best. If I was speaking like [teen heartthrob] Aaron Carter, nobody would think twice about my appearance."</p>

<p>But Bahner&#39;s physical anomalies and ambiguities are only part of the story. “Chocolate Rain" seemed to strike a chord with those who are dissatisfied with how our national dialogues about racism focus on the racist speech of figures like Don Imus and Michael Richards. In his lyrics, Bahner points to the way race relations inform our everyday lives in less dramatic but equally powerful ways—a person&#39;s move to the other side of the street when she or he encounters a black man; the higher insurance rates that homeowners pay in predominantly black neighborhoods; the knee-jerk backlash black people encounter when they blame inequality on racial bias.  </p>

<p>Part of the response, Bahner says, may come from the way his voice-body mismatch and racial indeterminacy unsettle our understandings about the categories we take for granted, like race and gender. His own characteristics make the content of “Chocolate Rain" all the more powerful and political.<br />
 <br />
By giving us access to perspectives and people who undermine, rather than affirm, our ways of seeing the world, YouTube “undermines the power of naming and branding," Bahner says.  The resulting <br />
disorientation can create backlash—and, indeed, Bahner has received racist, homophobic, and downright cruel responses to his music. But disorientation, he says, can also be a catalyst for political change.</p>

<p>“The question used to be ‘the ballot or the bullet," he says, invoking Malcolm X&#39;s philosophy for empowering black people. “Now it&#39;s more like the ballot or the beatbox, the ballot or the open mic, the <br />
ballot or the play." He pauses, to catch his breath. And then he laughs.</p>

<p>“It&#39;s the ballot or YouTube."<br />
</p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Tue, 08 Apr 2008 12:17:51 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Bauer_Sukhum-thumb.jpg" length="51996" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Bauer_Sukhum.jpg" length="75467" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Nafisa-thumb.jpg" length="13844" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Nafisa.jpg" length="613842" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Zakariy-thumb.jpg" length="12755" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Zakariy.jpg" length="520035" type="image/jpeg" />
         <title>It&#39;s Beautiful</title>
         <description><p>CLA grad Jeff Bauer is helping to change lives through art.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121856</link>
         <guid>121856</guid>
        <body><p><em>By Mary Shafer</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Bauer_Sukhum.jpg"><img alt="Photo of Jeff Bauer (left) and  Pamela Sukhum (right)" src="http://blog.lib.umn.edu/clareach/stories/Bauer_Sukhum-thumb.jpg" width="115" height="76" /></a><br />
<em>I have imagined this journey for months, and now I am a physical body hurtling through the sky over the arid plains of Chad. Back in Minneapolis, the other me is picking up Thai take-out for dinner, stopping by the bank, and driving home at this very moment. He is thinking about what he will watch on television tonight. He is trying to settle his mind down after a busy day at work so he can close his eyes and sleep. But I am not he. I am here and my eyes are wide open. </em>—From the journal of Jeff Bauer, En route to the Republic of Chad, 2006</p>

<hr>

<p>It&#39;s a cold morning in November and the radiators haven&#39;t kicked in yet in Jeff Bauer&#39;s Loring Park office. No matter. Heat fairly jumps from the huge, vibrant, richly textured purple, green, and yellow paintings here and on the walls that lead to the artist&#39;s studio down the hall. The studio itself bursts with more works by Pam Sukhum, Bauer&#39;s partner here at <a href="http://ivfoundation.org">Infinite Vision Foundation</a>, where Bauer is founder and president. </p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Zakariy.jpg"><img alt="Artwork by a child from a refugee camp showing a village under attack by men in blue uniforms with guns. The guns have red spray coming out of the barrels. One person lies on the ground. Another person has a rope around his neck that is being held by one of the men in blue. There are words on the drawing that tell the artist&#39;s name in English. There is other writing in Arabic." src="http://blog.lib.umn.edu/clareach/stories/Zakariy-thumb.jpg" width="175" height="230" /></a></p>

<p>Sukhum&#39;s art is glorious, but she is not the only one whose works are on display. Nestled among her bold paintings are smaller colored-pencil sketches, whose artists have names like Ali and Deffa and Omar. These artists are children, and they have drawn warplanes raining missiles and soldiers aiming guns at people the children have known as friends or neighbors—or parents.</p>

<p>The drawings take your breath away. And that, says Bauer, is the point.</p>

<p>Jeff Bauer, Gaga refugee camp, 2006:<em><br />
Ali asks me a lot of questions: about America, about my job, about my brother, about girls, about art. It is through these questions that we become friends. Yet, in all of our conversations, he never asks me about my parents. Here in Gaga camp, I know what this usually means. There is an entire history hidden in the silence of Gaga&#39;s questions that need not be asked because the answers are already understood. But I have to ask—maybe selfishly I need <br />
to know. I regret the words before I even <br />
speak them:  <br />
“Ali, are your parents here with you?"<br />
His eyes drop to the floor and the smile <br />
disappears from his face.  <br />
“No parents."<br />
This is all he will ever say about it, <br />
and all I will ever ask.</em></p>

<hr>

<p>Hundreds of thousands of refugees from Sudan and the Central African Republic have fled into eastern Chad since 2003. The refugee camps where they now live might be the last places you would expect art to thrive. But Bauer and Sukhum believe that art can not only thrive in these camps, but actually transform and help heal decimated lives. Indeed, they have witnessed that very thing. </p>

<p>At first glance, Bauer and Sukhum look like unlikely business partners. Bauer, with his 1997 B.A. in political science from the University and a master&#39;s degree in public policy from the Humphrey Institute, has the project ability. He has raised funds, designed projects, and done grassroots work for causes as diverse as urban agriculture and political campaigns. And he started the Infinite Vision Foundation in the first place to house a project that would build a school in Viet Nam.</p>

<p>Sukhum, a Carleton College graduate who detoured from her biology degree to pursue her passion for art, has long believed that art can be transformative. After the two met at an Infinite Vision fundraiser, they put their heads—and their strengths—together.</p>

<p>“It started as an idea," says Bauer, “that we could go somewhere where kids are affected by war—not to make a political statement or to take a stand, but to bring back to people the reality of what&#39;s going on."</p>

<p>They called it the Beautiful Project and launched it in early 2006 under the Infinite Vision umbrella. By fall of that year, with the support of the United Nations High Commissioner for Refugees (UNHCR)—the UN&#39;s refugee agency—they were on their way to the Gaga refugee camp in Chad to teach art to kids who had never even owned colored pencils. </p>

<p>Jeff Bauer, Gaga refugee camp, 2006:<em><br />
Pam steps to the front of the class while the students wait silently. “Today&#39;s activity has two parts," she explains. “For the first part, I want you to draw something that makes you scared or sad—maybe something you have seen or experienced—anything. If this part is hard for you, don&#39;t worry. The second part will be better. You can start now."<br />
[The teacher] Mustapha translates Pam&#39;s words, and asks the students if they understand, to which they give their customary response:<br />
“Yes, teacher, we understand."<br />
But no one moves. No one speaks or moves to pick up a pencil.  <br />
… A hand goes up at the back of the class. Asaid, one of the older boys, hesitantly stands up to ask his question.<br />
“They want to know is it okay if we draw about Sudan."<br />
“Of course it is. You can draw anything you want."<br />
“Thank you, teacher."<br />
The classroom instantly bursts to life as the students clamor for pencils and shout back and forth to each other. Pam looks over with a disbelieving smile and throws her hands in the air. An outside observer encountering the scene might think we had just announced a sledding trip in the middle of Africa from <br />
all of the energy bouncing between the walls. But, in fact, what they would be encountering is the euphoria of release, the relief of all at once sharing, and therefore unburdening oneself from, something that been trapped inside.</p>

<p>The pictures they draw are devastating, searing recreations of their exodus from Sudan—janjaweed militias slaughtering villages full of men, women, and children, setting huts ablaze with entire families inside, their horses galloping through deep puddles of thick red blood. Up above, Antonov warplanes rain down bombs on the fleeing villagers, leaving charred black craters filled with corpses and limbs. Their renditions are painstakingly executed, illustrating the exact locations of wounds, and even the intricate details of the Kalishnikov machine guns carried by the janjaweed soldiers...<br />
 “How was the first part?" Pam is back at the front of the class, “Was it difficult?"<br />
“Yes, teacher. It was difficult." </em></p>

<hr>

<p>Devastation is not the only thing they will draw throughout the next few days. Sukhum will encourage them to take the pictures they have drawn and transform them into something that makes them happy. Eventually, flowers and vines full of leaves and fruit sprout from the burning villages. Animals appear. Children hold hands. At the end of the six days, there is a graduation ceremony—and each student receives a box of colored pencils.</p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Nafisa.jpg"><img alt="Artwork of refugee child showing black airplanes flying over yellow tents with large multicolored flowers drawn to the right of the planes and tents." src="http://blog.lib.umn.edu/clareach/stories/Nafisa-thumb.jpg" width="235" height="187" /></a></p>

<p>Impressed by their work, the UNHCR invited Bauer and Sukhum to expand the project to additional camps, and in March, the children&#39;s work was exhibited at Art Expo New York. Last fall, Bauer and Sukhum went to Camp Gondjie in southern Chad to work the same kind of miracles.  </p>

<p>“These kids have been through every imaginable horror," says Bauer. “Their art is transformational for all of us. Just saying ‘this should stop&#39; is only half the battle. When I&#39;m with the children, I&#39;m not thinking about what I&#39;m for or against, but just being part of a beautiful thing. To me, this has more potential to affect people&#39;s lives than if I gave a bunch of speeches about right and wrong. This is less like a crusade and more like fully living my life."</p>

<p><em>- by Mary Shafer</em></p></body>
         <category>
            10072|17098
         </category>
         <pubDate>Tue, 08 Apr 2008 12:01:51 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/OnishiYuichiro1-thumb.jpg" length="2861" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/OnishiYuichiro1.jpg" length="9501" type="image/jpeg" />
         <title>Ring Shouter</title>
         <description><p>Yuichiro Onishi is changing the way we think about race.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121854</link>
         <guid>121854</guid>
        <body><p><em>By Danny LaChance</em></p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/OnishiYuichiro1.jpg"><img alt="Photo of Yuichiro Onishi" src="http://blog.lib.umn.edu/clareach/stories/OnishiYuichiro1-thumb.jpg" width="86" height="121" /></a></p>

<p>A warehouse job wasn&#39;t at all what Yuichiro Onishi envisioned for himself years ago when he decided to move back to Japan shortly after his graduation from Macalester College. As a 12-year-old, he had left Japan when he moved with his parents to the United States. His plan as a 22-year-old was to return and rediscover his native land. With a B.A. from a good U.S. college and fluency in Japanese, he figured, he could find a professional entry-level position of some sort and experience Japan as a young urban professional. </p>

<p>But when the plane landed and the dust settled, such jobs were nowhere to be found. Instead, Onishi found work in a Kawasaki warehouse slapping price tags onto fabrics. The days were long and the work monotonous. Today, though, Onishi says he&#39;s grateful for that blue-collar Japanese work experience because that&#39;s what pushed him to pursue a career as a scholar of African American studies. Now a faculty member in African American & African studies and Asian American studies, Onishi recalls how his coworkers would make disparaging remarks about Southeast Asians living in Japan. “They&#39;d say that these workers had dirty, hard, and painful lives, and ‘we are not like them," Onishi recalls. Those remarks struck him as something more than just nationalism. They were, he wanted to say, racist—an expression of white supremacy.</p>

<p>To  people who think of race as biologically based and Southeast Asians as sharing a common racial denominator with the Japanese, such a suggestion might seem ludicrous. How could Japanese disgust at Filipinos be called racist? Xenophobic, maybe. But racist?</p>

<p>But as an undergraduate, Onishi had learned that race was far more complicated than simple biological classification. Path breaking work by scholars like former University of Minnesota professor David Roediger has shown that our biological lineage has sometimes borne very little relation to how others perceive us racially. Reading Roediger&#39;s book The Wages of Whiteness between shifts at the warehouse, Onishi was learning that in the 19th century, Irish immigrants were initially not considered white by Anglo Saxons who had been living in North America for generations. They had to prove their status as white—often at the expense of black people. “These European immigrant workers became white at the expense of blacks," Onishi explains. “They would distance themselves from blacks by saying, ‘We&#39;re not like that. We&#39;re not like slaves; we&#39;re wage workers."</p>

<p>It&#39;s a pattern that historians have documented in numerous instances. Historically, Onishi says, “race has less to do with color than with politics and power." Those in power have often manufactured and assigned racial categories to people, often illogically, in order to dominate them socially, politically, and economically.</p>

<p>Convinced that what he had witnessed in his coworkers was tied up in this global history of race, Onishi wondered how the Japanese had been perceived racially on the world stage. How did people of color in the United States think about the racial identity of the Japanese people? To find some answers, Onishi enrolled in the Ph.D. program in history at Minnesota, where he studied the relationship between African Americans and Japanese people during the period between World War I and World War II. He began to detect an important, shared sense of racial solidarity between the Japanese and African Americans.</p>

<p>When it comes to race, Onishi says, Japan occupies a unique and contradictory position in the world. Its history of dominating other Asian peoples and countries parallels European and U.S. histories of imperialism, colonialism, and racialization in Africa, Asia, and the Americas, he notes. In a sense, Japan had a white polity and transformed those it dominated—Koreans, Filipinos, Chinese—into nonwhite peoples. </p>

<p>But what most fascinated Onishi were those instances when Japanese and African Americans recognized their commonalities. After World War I, Japan demanded that President Woodrow Wilson&#39;s Fourteen Points plan include a racial equality clause. That failed effort sparked the imaginations of black intellectuals and leaders in the United States, who had come to see their struggle as global, not just national. By pointing to the amendment&#39;s failure as an instance of U.S. racism on the global stage, black leaders were able to imagine possibilities of cross-national alignment with other people of color.</p>

<p>Indeed, when black intellectual and leader W.E.B. Du Bois toured Japan in the winter of 1936, he came across a series of woodblocks depicting the arrival, by sea, of Commodore Matthew Perry, the United States&#39; first envoy in the 1850s. But instead of noting, as most historians would, the coming modernization of Japan, Du Bois saw something different.</p>

<p>“He noted that black sailors accompanied these expeditions. For him, that event wasn&#39;t the beginning of modern Japan, but the beginning of the coming unity between Asia and Africa," Onishi contends. </p>

<p>Those feelings of solidarity didn&#39;t just flow in one direction. During the U.S. occupation of Japan following World War II, blacks and whites living in the city of Kobe had to live in segregated camps. “Japanese people witnessed a Jim Crow military even as they were being taught, by the occupation authority-led education system, about the universality of American democracy," Onishi explains. Japanese intellectuals, meanwhile, were reading about the troubled history of race in the United States—in the translated writings of W.E.B. Du Bois and Richard Wright. In 1954, a group of them came together to form Kokujin Kenkyu no Kai, or Association of Negro Studies—an organization that still exists 53 years later. </p>

<p><strong>Dancing across racial divides</strong><br />
By uncovering the lost history of racial solidarity that transcended oceans, nations, and actual skin color, Onishi hopes to help his students see that race isn&#39;t a fixed category. Because we&#39;ve created race as a construct, we can reshape it in ways that unify rather than divide people. And the classroom, Onishi says, is where that change can begin. </p>

<p>Several centuries ago, American slaves from different parts of Africa created a racial identity for themselves despite their myriad languages, religions, and ethnicities. They found common ground in the Ring Shout, says Onishi—a dance that occurred in various forms across the African continent&#39;s vast cultural divides. “They performed the Ring Shout in the New World, and it became a language through which they forged racial solidarity. They became African and black," Onishi explains. </p>

<p>Onishi sees his classroom as a Ring Shout for the 21st century, a place where students can dance with one another through their words and ideas. It&#39;s a dance, he hopes, that just might forge among them a new racial identity, one rooted in shared values and objectives rather than differences of color or national origin. </p>

<p>To the mainstream eye, this notion of students with beige, brown, and black skin sharing a racial identity may seem be impossible—pie-in-the-sky, even. But not to Onishi. “The study of race is in many ways hopeful for me," he says, thinking about the utopian potential of the classroom. “Because it&#39;s a social construct, we can change it. We can reconstruct it."</p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Tue, 08 Apr 2008 11:49:16 -0600</pubDate>
      </item>
      
      <item>
	
         <title>CLA faculty make their marks on CLA, Minnesota, and the world.</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121850</link>
         <guid>121850</guid>
        <body><p><strong>Leonid Hurwicz</strong> (Regents Professor Emeritus, economics) won the 2007 Nobel Prize in Economics, sharing the prize with economists Eric Maskin, Institute for Advanced Study, Princeton; and Roger Myerson, U of Chicago. Building on Hurwicz&#39;s early groundwork, the three developed "mechanism design theory," which helps explain situations in which markets work and others in which they don&#39;t. Hurwicz received his law degree in Poland in 1938; he joined the U faculty in 1951.</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/ascheil">Andrew Scheil</a></strong> (English) and <strong><a href="https://apps.cla.umn.edu/directory/profiles/kouts003">Wilma Koutstaal</a></strong> (psychology) were named McKnight Presidential Fellows&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/isaac001">Allen Isaacman</a> </strong>(Regents Professor of History, cofounder of the MacArthur Interdisciplinary Program on Global Change, Sustainability and Justice) received the U&#39;s 2007 Award for Global Engagement&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/swan">Craig Swan</a></strong> (emeritus, economics, and vice provost for undergraduate education) was named an honorary member of the U&#39;s Academy of Distinguished Teachers&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/rabin001">Paula Rabinowitz</a></strong> (English) is the 2008 CLA Dean&#39;s Medalist&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/chari002">V.V. Chari</a></strong> (economics), <strong><a href="https://apps.cla.umn.edu/directory/profiles/nagar">Richa Nagar</a></strong> (gender, women, & sexuality studies), and <strong><a href="https://apps.cla.umn.edu/directory/profiles/potra001">Wayne Potratz</a></strong> (art) were named 2008 Scholars of the College&hellip;</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/kvavik">Robert Kvavik</a></strong> (political science and associate vice president for planning) was appointed Knight First Class of the Royal Norwegian Order of Merit for his promotion of research and university collaboration between the United States and Norway.</p></body>
         <category>
            9698|17098
         </category>
         <pubDate>Tue, 08 Apr 2008 11:32:52 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/StewartJustin.jpg" length="19423" type="image/jpeg" />
         <title>Building Makes Him Happy</title>
         <description><p>Graduate student Justin Stewart turns everyday things into award-winning sculpture. <br />
By Pauline Oo</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121842</link>
         <guid>121842</guid>
        <body><p><img alt="StewartJustin.jpg" src="http://blog.lib.umn.edu/clareach/stories/StewartJustin.jpg" width="216" height="216" style="float: right; padding: 0 10px 10px 10px;"/></p>

<p>When R. Justin Stewart looks at a map, he sees more than a way to get from Point A to Point B. For example, a transit map that shows a bus route can also reveal where people without cars might live. Or a bridge, built to connect one place to another, has an underbelly that can serve as shelter.</p>

<p>Stewart&#39;s eye for detail and ability to notice what the rest of us may miss or take for granted is apparent in most, if not all, of his complex and often whimsical mixed-media installations and wall sculptures. Last fall, Stewart received an award for Outstanding Student Achievement in Contemporary Sculpture from the International Sculpture Center, a nonprofit organization founded in 1960 to advance the understanding of sculpture and its contribution to society. He is one of the 21 recipients selected from a pool of 339 college students from five countries—and the first University of Minnesota winner.</p>

<p>“I&#39;ve never been nominated for anything like this before," says Stewart, an M.F.A. candidate in the U&#39;s sculpture program whose name was among two submitted by University assistant professor of art Andrea Stanislav. “I wasn&#39;t holding my breath because it&#39;s such a big international award. It&#39;s a gigantic honor."</p>

<p>His winning piece—a 15 feet-by-8 feet creation called Connected, made mostly out of things you can pick up at a hardware store—is part of the Grounds For Sculpture exhibition in Hamilton, New Jersey.  A culmination of three years of work, <em>Connected</em> “represents an approach to thinking about networks, systems, and structures," Stewart says, “of how these entities affect each other and the world … they are connected to and how the new environment they end up in can alter their forms."</p>

<p>The piece also explores the idea of “taking common materials and transforming them into something … more beautiful than any one of them by themselves," says Stewart.</p>

<p>“I am interested in people asking, ‘What is that? It looks familiar, but I&#39;m not sure what it is.&#39; And [after seeing my work], they notice, say, the pipe outside the building that looks like something I used inside .... A good piece of art prods you to think."</p>

<p>Stewart was no child prodigy growing up in Waukesha, Wisconsin. Instead, the lively artist candidly admits not valuing art until his sophomore year in high school.</p>

<p>“My football coach was the ceramics teacher," says Stewart. “I thought, ‘It&#39;s ceramics; how hard could that be?&#39; But I really fell in love with making things, and then from there, I went on to art school. Art school completely transformed my way of thought. It blew open my world."</p>

<p>Today, Stewart works six days a week as an artist, in addition to being a fulltime art student, teaching assistant, and faculty research assistant at the University. He is currently working on three projects related to the Minneapolis-St. Paul bus system. He graduates from the University in May, and then it&#39;s off to New York with his fiancée.</p>

<p>“Sure, it&#39;s hard to break in there," he says, “but it&#39;s hard everywhere. My goal isn&#39;t at all to make it big. That&#39;ll be great if it happens, but my goal is to continue pushing myself to do things that I&#39;m interested in. </p>

<p><em>- by Pauline Oo</em></p></body>
         <category>
            10069|17098
         </category>
         <pubDate>Tue, 08 Apr 2008 11:26:51 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ArtSounds.jpg" length="25724" type="image/jpeg" />
         <title>Musical Sights</title>
         <description><p>A picture may be worth a thousand words.  But for students in CLA music classes, they are also worth a thousand notes.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121713</link>
         <guid>121713</guid>
        <body><p><em>By Danny LaChance</em></p>

<p><img alt="Photo of a man holding an MP3 player toward the camera while standing in one of the Weisman Museum&#39;s galleries. Three paintings can be seen behind him." src="http://blog.lib.umn.edu/clareach/stories/ArtSounds.jpg" style="float: right; padding: 0 10px 10px 10px;"/><br />
</a><br />
For some, iPods are a sign of detachment, a symbol of how we&#39;re increasingly cutting ourselves off from one another in public spaces.	</p>

<p>But when Colleen Sheehy, the Weisman Art Museum&#39;s program director, sees museum visitors wearing iPods, she smiles rather than cringes. For her, those white ear buds are proof of a novel form of engagement.</p>

<p>The iPods, she explains, contain the winning music compositions from the Museum&#39;s ArtSounds contest, an annual competition that she launched with School of Music faculty member Doug Geers two years ago. CLA music faculty encourage students in their courses to craft original music compositions in response to art works in the museum&#39;s permanent collection. Winning compositions are then recorded, uploaded to museum-owned iPods, and lent out to patrons, who then can take in a painting&#39;s visual call while listening to a student&#39;s musical response. </p>

<p>Sheehy is excited about the music&#39;s potential to encourage museum goers to give pieces a second—and third, and fourth—look. “There&#39;s a famous maxim in museum work: visitors only look at a piece of art for five seconds," Sheehy says. But if patrons are looking at artist Wesley Kimler&#39;s painting “Hunter/Prey" while listening to the four-and-a-half minute percussion solo it inspired University undergraduate Joe Millea to create, they may give the piece more attention than it would otherwise get.</p>

<p>“I have walked by that painting and looked at it briefly hundreds of times," Sheehy says. “And it wasn&#39;t until I was in the gallery and he was playing his piece that I really looked at it. He really made me aware of its conflicting elements." It also, she notes, helps communicate to patrons that you don&#39;t need a Ph.D. in art history to interpret art—and that interpretation can take many forms other than the authoritative commentaries often posted on placards next to sculptures and paintings. </p>

<p>Music students, of course, are thrilled to have their work made available to the general public. But they also gain important skills. Beginning students learn to think about how music interacts with physical, visual, and emotional sensations. “The core idea is that we want them to translate a physical art object and the psychological, emotional experience they have looking at that object into a musical response," says Geers. “It&#39;s engaging their brains in a significantly different way" than writing an analytical essay on a symphony or painting might, he adds.</p>

<p>Advanced music students, meanwhile, are challenged to grow artistically. One of last year&#39;s winners, Josh Clausen, who earned his M.A. last spring from the School of Music, says that he was accustomed to beginning compositions with concepts, emotions, or even fictional characters in mind. This, he says, was different. “It&#39;s a concrete object. It&#39;s a different platform for discourse, a somewhat more articulate one," he explains. Since graduation, Clausen has been drawn increasingly toward this newer platform, creating compositions in conjunction with images and video. </p>

<p>Ultimately, Sheehy says, programs like ArtSounds serve as an important reminder that the museum remains rooted in an educational institution, with particular ties to the College of Liberal Arts. They communicate the ethos that museums aren&#39;t just for Picassos of the past. They&#39;re also for Mozarts of the future. They represent the kind of thinking that drives collaborative arts projects in the University&#39;s West Bank Arts Quarter—indeed, that brings artists and scholars of all stripes together across CLA.</p>

<p>“We want visitors from off campus to see that art isn&#39;t just about these works in our collection, but that the University is dedicated to students learning and developing their talents," Sheehy says—right in front of our eyes. </p></body>
         <category>
            10069|17098
         </category>
         <pubDate>Mon, 07 Apr 2008 16:53:53 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/MeierAnn-thumb.jpg" length="43493" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/MeierAnn.jpg" length="56612" type="image/jpeg" />
         <title>Teens, Sex and Mental Health</title>
         <description><p>Sociologist Ann Meier looks at the affects of sex on teens&#39; mental health. <em>Adapted from a story by Rick Moore, University Relations</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121712</link>
         <guid>121712</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/MeierAnn.jpg"><img alt="Phtoto of Ann Meier" src="http://blog.lib.umn.edu/clareach/stories/MeierAnn-thumb.jpg" width="115" height="85" /></a><br />
There may be many legitimate reasons for parents to counsel their teenagers against having sex, but claiming that their mental health will suffer doesn&#39;t seem to be one of them, says Ann Meier, an assistant professor of sociology. </p>

<p>In fact, most teens who have early sex do not become depressed or lose self-esteem as a result, says Meier, who studied more than 8,500 seventh- through twelfth-graders over an 18-month period. In her study, Meier found that those who do suffer negative mental health consequences—about 15 percent of her respondents—tended to be the youngest (girls who had sex before age 15 and boys who had sex before age 14) and those whose relationships were not emotionally close and ended after the sex. </p>

<p>“Being female or younger than the average age at first-time sex among your peers increases the chance of depression, as does a lack of commitment or intimacy within the relationship and what happens to the relationship after first-time sex," says Meier. “For girls in uncommitted relationships, ending a relationship with sex [involved] has more of an impact on mental health than ending that same relationship if it did not involve sex."</p>

<p>Even though the majority of teens engaging in early sex do not suffer mental health consequences, “Some do," Meier says, “and when half of all teens are having sex, that can lead to a large number in the population [having negative consequences]."</p>

<p>The study could have ramifications as the federal government and states continue to define the role and efficacy of abstinence education in schools. Language contained in the 1996 welfare reform act mandates that schools receiving federal funding for sex education adopt an abstinence curriculum, which teaches, as one of eight guiding points, that sexual activity outside of marriage “is likely to have harmful physical and psychological effects," Meier says. Meier&#39;s research suggests that the correlation between teen sex and harmful psychological effects may be less strong than those words imply.</p>

<p>Meier cautions that the study does <em>not </em>suggest that first-time sex among teens has positive effects; and she hopes the study will help policy makers focus help on those most vulnerable rather than promoting a one-size-fits-all approach. She also cautions that her study measured symptoms in the teens on a depression scale, but was not meant to diagnose clinical depression Her study, “Adolescent First Sex and Subsequent Mental Health," was published in the May 2007 issue of <em>American Journal of Sociology</em>.</p></body>
         <category>
            10069|17098
         </category>
         <pubDate>Mon, 07 Apr 2008 16:48:48 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Hezlett_Kuncel-thumb.jpg" length="49960" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Hezlett_Kuncel.jpg" length="71478" type="image/jpeg" />
         <title>Test Results</title>
         <description><p>Graduate school entrance exam results don&#39;t create inequalities; they reflect them.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121711</link>
         <guid>121711</guid>
        <body><p><em>By Danny LaChance</em></p>

<p>Clear your desk, sharpen your #2 pencil, and choose the BEST answer. The results of graduate school entrance exams…</p>

<p>(a)	effectively predict grades earned in graduate school.<br />
(b)	often predict the likelihood of success in graduate school better than undergraduate grades do.<br />
(c)	effectively predict markers of success other than grades, like the chances of passing a professional licensing exam or publishing research that is cited by other researchers. <br />
(d)	all of the above.</p>

<p><a href="http://blog.lib.umn.edu/clareach/stories/Hezlett_Kuncel.jpg"><img alt="Photo of Sarah Hezlett (left) and Nathan Kuncel (right)" src="http://blog.lib.umn.edu/clareach/stories/Hezlett_Kuncel-thumb.jpg" width="115" height="87" /></a>It&#39;s (d), says assistant professor of psychology Nathan Kuncel. In collaboration with Sarah Hezlett, senior research scientist at Personnel Decisions Research Institutes, Kuncel analyzed the data provided by over 3,000 studies of standardized tests used by the admissions committees of graduate programs—everything from the GRE to the LSAT to the GMAT. In what is one of the largest meta-analyses ever undertaken, synthesizing data collected from nearly a million students over multiple decades, the two found that good scores on these exams correlated with success—in many forms—in graduate school and beyond. </p>

<p>Their findings, published in <em>Science</em> last February, come after nearly 80 years of debate about whether standardized tests are biased against women and minorities, whose scores in some areas lag behind those of their male and white counterparts. Breaking down the data, Kuncel and Hezlett determined that the tests are as accurate at predicting success for minorities and women as they are for test-takers as a whole.  </p>

<p>“The tests aren&#39;t at fault. It would be great, actually, if it was as simple as bad tests," Kuncel says, for then the skills gap indicated by the tests could be dismissed as a distortion of reality rather than a symptom of it. </p>

<p>Instead, entrance exams seem to reflect inequalities created long before students begin filling in bubbles. “The problem seems to be more societal, more ingrained. These tests are quantifying basic content, <br />
verbal, and quantitative skills, which people don&#39;t always have equal opportunities to develop. School quality, treatment in the classroom very early on, and other social issues seem to be what&#39;s causing differences in performance," Kuncel says.</p>

<p>Kuncel hopes that his synthesis of the studies will help to steer discussions of educational inequality away from standardized tests and toward root causes. “It&#39;s ultimately one of those ‘Let&#39;s not shoot the messenger&#39; situations," he says. “Let&#39;s spend our energy solving the problem."</p></body>
         <category>
            10069|17098
         </category>
         <pubDate>Mon, 07 Apr 2008 16:41:31 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/SchwitzerGary.jpg" length="11526" type="image/jpeg" />
         <title>Fortifying the Gates</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121134</link>
         <guid>121134</guid>
        <body><p><strong>Fortifying the Gates</strong><br />
<img alt="SchwitzerGary.jpg" src="http://blog.lib.umn.edu/clareach/stories/SchwitzerGary.jpg" width="215" height="215"  style="float: right; padding: 0 0 10px 10px;"/></p>

<p>As Rothman&#39;s findings have shown, we are closer than ever to knowing what messages best promote public health. But messages can be crafted and framed in ways that produce desirable results only by those who know what works and what doesn&#39;t, and only if those with the knowledge and resources exercise due diligence and make health information and health news as accurate and effective as possible. </p>

<p>In a dramatically changing media landscape, how likely are people to get the messages they need—and in the forms that are most likely to promote individual and collective health?</p>

<p>It&#39;s a question that Gary Schwitzer has been studying for years. The former editor of the Mayo Clinic&#39;s health information Web site (MayoClinic.com) and an associate professor of journalism and mass communications, Schwitzer says that the most traditionally reliable sources—print publications and news broadcasts—are now the most vulnerable to poor reporting. Economic downsizing, often the result of increased competition from the Internet, has led media organizations to cut the amount of original health reporting they do.</p>

<p>“With the corporatization of media, decision makers are finding it easy to make cuts in this vital area,? Schwitzer says. “They may be cutting back on specially trained beats. And yet they might want to show a presence, to make it look like they&#39;re covering health news.?</p>

<p>As a result, Schwitzer says, editors are more receptive to news releases from the public relations departments of pharmaceutical companies, health maintenance organizations, or special interest lobbies. “Those with marketing interests are finding it easier to get their message across in an unfiltered manner,? Schwitzer says. </p>

<p>In August of 2006, WebMD.com posted an article announcing that “an apple (or two) a day may help keep Alzheimer&#39;s away—and fight the effects of aging on the brain.? It wasn&#39;t until seven paragraphs into the story, Schwitzer noted on his blog, that the reporter disclosed that this conclusion was based on the findings of experiments conducted solely with mice.</p>

<p>That kind of reporting is all too common, Schwitzer says. “Caveats, comparisons with existing alternatives, cost information—the real quality of the evidence appears too late? in stories, he explains. “You&#39;re asking for an editor to cut it, or you&#39;re asking the reader to ignore it.?</p>

<p>To counter this trend, Schwitzer launched a popular health news site on the Internet—<a href="http://healthnewsreview.org">healthnewsreview.org</a>. On it, he and his colleagues point out some of the more problematic health reporting he comes across, and they discuss potential remedies to the problems plaguing the news industry in general and health reporters in particular. </p>

<p>The site has grown into a significant resource for journalists and news consumers alike. Schwitzer doesn&#39;t believe that poor quality health news coverage is driven by a public with an appetite for sound bites rather than depth. He notes that publishers sometimes twist market research to support their claim that the public doesn&#39;t want depth or nuance in their coverage. But, he counters, “There&#39;s anecdote on top of anecdote about folks who are thirsty for in-depth analytical news.? Quenching that thirst is an important goal of his site.<br />
</p></body>
         <category>
            9698|17098
         </category>
         <pubDate>Fri, 04 Apr 2008 14:33:59 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/RothmanAlex.jpg" length="12457" type="image/jpeg" />
         <title>Finding the Perfect Frame</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121132</link>
         <guid>121132</guid>
        <body><p><img alt="RothmanAlex.jpg" src="http://blog.lib.umn.edu/clareach/stories/RothmanAlex.jpg" width="216" height="277" style="float: right; clear: both; padding: 0 10px 10px 10px;"/>Finding the Perfect Frame</p>

<p>However or wherever we acquire health information, understanding and remembering what we learn is only part of the story. Once we&#39;ve navigated through the menus, clicked on the graphics, and landed in front of some text—a health news story, a set of recommendations for preventing cancer—how do the words we read influence our medical decision making?</p>

<p>That&#39;s where Alex Rothman&#39;s work comes in. Rothman, a professor of psychology, has spent years studying the kinds of messages that help consumers make good decisions about their health. The wording of a message, his research suggests, can make the difference between dental appointments kept and missed, between HIV tests taken and avoided, between tumors detected in their early stages and those found only after they&#39;ve metastasized.</p>

<p>Rothman has focused, in particular, on people&#39;s responses to messages promoting healthy behaviors. He&#39;s found that when people see a medical procedure as something that could bring bad news—a diagnostic or screening test such as a mammogram, an HIV test, a prostate exam, for example—they are more likely to risk the procedure if they&#39;ve been warned of the potential losses if they do not have it. “Decision-making work has shown that when faced with loss-framed information, people are more risk-seeking,? he says.</p>

<p>In other words, women are more likely to get mammograms, for example, if they hear “breast cancer could kill you if you don&#39;t get a regular mammogram? than “a regular mammogram is the best way to stay healthy.? </p>

<p>On the other hand, when we see healthy behaviors as relatively risk-free—unlikely to yield bad news—we&#39;re more likely to do them when we&#39;re told what we&#39;ll gain, Rothman says. People are more likely to lather up with sunscreen when they&#39;re promised healthy skin than when they&#39;re warned of the risks of not doing so; and they are more likely to brush and floss when they are promised a dazzling smile than to do so when they&#39;re warned of rotten teeth.</p>

<p>Rothman&#39;s work has important implications for people who communicate about health issues—everyone from doctors and dentists to public health officials to reporters working health beats. By framing messages promoting healthy behavior in ways that are tailored to the degree of risk people associate with the behavior, communicators of medical advice can increase the likelihood of compliance.</p>

<p>But that&#39;s not as easy as it sounds. “To the extent that there&#39;s great consensus, then one message might work,? says Rothman. “If we socialize people to think about mammography as an illness-detection behavior, then a message emphasizing the potential consequences of failing to get a mammogram will work pretty uniformly. On the other hand, to the extent that there&#39;s diversity in the way that people construe the behavior, then a single message doesn&#39;t work well.?</p>

<p>Take the dental visit, for example. For Rothman and those whose teeth have seen the sharp side of the dentist&#39;s drill, going to the dentist is a screening behavior—there&#39;s a risk that they&#39;ll get bad news. But for those who have never had a cavity, going to the dentist is a health-affirming behavior, an opportunity to get your teeth cleaned and your smile brightened.</p>

<p>That&#39;s why, for behaviors that are likely to be seen differently by different people, personalized communications may ultimately be more effective than one-size-fits all messaging. So Rothman has been looking recently at the impact of messages on reminder cards. “Within clinics, in theory, you can tailor the reminder card to what you know about your individual patient—especially in the age of <br />
electronic records,? he says. So, for example, if a dentist has a savvy computer program and electronic records, her patients with a history of cavities will receive messages emphasizing the negative consequences of not getting their teeth cleaned, and those without cavities would receive messages emphasizing the benefits of continued dental check-ups. Both groups would end up in her waiting room in high numbers.</p>

<p>Rothman&#39;s findings are a testament to the double-edged nature of the rise of information technology. By enabling hundreds of channels and millions of Web sites, technology fragments us—we&#39;re socialized in hundreds of idiosyncratic media worlds, making one-size-fits-all messages difficult and ineffective. But even as it fragments us, technology has the potential to use our individual differences to get us to act in the same healthy ways. </p>

<p><em>- by Danny LaChance</em><br />
</p></body>
         <category>
            9698|17098
         </category>
         <pubDate>Fri, 04 Apr 2008 14:29:48 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/SchwitzerGaryhose.jpg" length="61311" type="image/jpeg" />
         <title>Drinking from the Fire Hose</title>
         <description><p><img src="http://blog.lib.umn.edu/clareach/stories/SchwitzerGaryhose.jpg" alt="Portrait: Gary Schwitzer. " width="200" height="151" />These days, medical information and health news coverage is everywhere&mdash;online, on television, on magazine covers. But are we parched in the deluge? <a href="?entry=121131"><strong>Learn more</strong></a></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121131</link>
         <guid>121131</guid>
        <body><p><em>by Danny LaChance</em></p>

<p>In the sentimental 1980s flick Beaches, Barbara Hershey plays a character who learns she has cardiomyopathy. She goes to a university library and, hunched over a hardwood table under the dusty light of a green desk lamp, flips through the pages of a medical textbook, trying to find out what, if anything, she can do.</p>

<p>She can&#39;t Google treatment options or read online bulletin boards filled with multiple perspectives and disagreements over the limits of medical knowledge. There are no WebMD.coms with articles about her ailment, no online newspaper archives that might contain research reports related to the disease.</p>

<p>With the loss of gatekeepers&mdash;those charged with filtering, fact checking, and framing the information that people encounter&mdash;we enjoy unparalleled access to the most obscure knowledge, to breaking medical news, to unconventional points of view. Such access offers unparalleled opportunities&mdash;the chance to stumble upon a condition unknown to your doctor or to gather the latest treatment options in just a few keystrokes.</p>

<p>But it also comes with new risks. When anyone can produce and consume medical knowledge without the mediation of professionals, it becomes increasingly likely that the information we encounter will be inaccurate, misinterpreted, or stripped of its context in ways that can hurt more than help us.</p>

<p>“We are blessed by many information tools and outlets, but it can be like trying to get a drink from a fire hose," says Gary Schwitzer, an associate professor of journalism and mass communication. “There is so much that comes with such force and such overwhelming volume, the sources of which aren&#39;t always immediately clear."</p>

<p>As the stream of medical knowledge becomes a deluge, Schwitzer is one of several CLA researchers whose work is helping us learn, in essence, how to have our fire hose&mdash;and drink from it, too.</p></body>
         <category>
            17725|10071|17729|17098
         </category>
         <pubDate>Fri, 04 Apr 2008 14:23:38 -0600</pubDate>
      </item>
      
      <item>
	
         <title>A Not-Always-So-Happy Medium</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121072</link>
         <guid>121072</guid>
        <body><p>It may not be like a visit to the doctor, but it gets awfully close. When you visit the popular medical information website WebMD.com, you can point to where it hurts: clicking on a graphic representation of a human body part produces a pop-up list of possible ailments, with  links to suggested courses of action.</p>

<p>Interactive experiences like this one are the defining feature of the online experience. When we&#39;re online, we&#39;re busy—entering search terms, clicking through menu options, following links. But how does this interactive format affect our ability to process the information we find online? Brian Southwell, assistant professor and director of graduate studies in the School of Journalism and Mass Communication, decided to find out.</p>

<p>We often think of the Web&#39;s interactive nature as a boon: you see what you want to see and can by-pass the dull or the irrelevant. But Southwell hypothesized that the interactivity that makes the Web so appealing might be the very thing that derails our search, interfering with our understanding and retention of the information we find.</p>

<p>In an experiment conducted in collaboration with Mira Lee of Michigan State University, Southwell presented subjects with an interactive and non-interactive version of a documentary program interspersed with public service announcements. One group of subjects had no control over the content they were shown: they had to watch the presentation from beginning to end.</p>

<p>Members of another group, however, had a different experience. In a format that mimicked the Web&#39;s interactive environment, they were presented with clickable images of the different segments of the program. While they had to watch all of the segments, they could do so in any order. They were also allowed to fast-forward, stop, pause, and rewind the program.</p>

<p>Interviewing the subjects a week later, Southwell and Lee found that those who interacted more with the content were less able to recall the details of an especially complex public service announcement than those who simply watched the program from start to finish. (Memory differences between groups did not show up for a relatively simple public service announcement, suggesting that the effects increase with the complexity of information.)</p>

<p>“Interaction with user controls introduces yet another set of information with which a person must contend. While such controls likely afford certain pleasures and possibilities, they also introduce a processing burden,? the two concluded.</p>

<p>In other words, the bells and whistles of interactive platforms like the Internet can sometimes be a liability: we&#39;re so busy clicking that we&#39;re forgetting to do other things, like synthesizing, encoding, and storing the information that&#39;s popping up before us. “People talk about interactivity as inherently a good thing,? Southwell says. “But when it comes down to it, all that glitters is not gold in technology. You can have too much of a good thing.? <br />
</p></body>
         <category>
            9698|17098
         </category>
         <pubDate>Fri, 04 Apr 2008 10:13:10 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Faber_Vohs-thumb.jpg" length="62549" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/Faber_Vohs.jpg" length="115203" type="image/jpeg" />
         <title>Shop Before You Drop</title>
         <description><p>Pooling their expertise, two researchers cast some light on impulse buying.<br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=121071</link>
         <guid>121071</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/Faber_Vohs.jpg"><img alt="Photo of Ron Faber and Kathleen Vohs with shopping carts" src="http://blog.lib.umn.edu/clareach/stories/Faber_Vohs-thumb.jpg" width="115" height="145" /></a><em>By Danny LaChance</em><br />
In higher education circles these days, it&#39;s fashionable to wax poetic about the importance of interdisciplinary collaborations. The most important discoveries of the twenty-first century, we&#39;re told, will be made not by some intrepid soul working in one field, but by teams of researchers who bring different disciplinary perspectives to some of our most perplexing puzzles.  </p>

<p>But what does interdisciplinary collaboration actually look like? And how, exactly, does it produce all this touted progress?</p>

<p>Ron Faber and Kathleen Vohs have one answer. He&#39;s a CLA researcher in the School of Journalism and Mass Communication. She&#39;s a professor of marketing and logistics management in the University&#39;s Carlson School of Management. </p>

<p>Collaborating with one another for years, the two have been able to make some unique connections between their respective disciplines and as a result, have increased our understanding of a nearly universal phenomenon: impulse buying. </p>

<p><strong>White bears and empty pockets</strong><br />
Vohs and Faber wanted to know how and why we purchase goods on a whim, and they each had a set of knowledge that, alone, couldn&#39;t answer the question properly. “I understood the self-control failure model," Vohs explains, “the psychological theory that we have a limited amount of resources that we can use each day to resist the temptation for immediate gratification in order to achieve longer term goals. Think of your capacity for self control as a gas tank in a car. When you successfully curb that impulse to devour a 1,000-calorie burrito by reminding yourself of your weight loss goals, you press down on an accelerator, spending a bit of the gas in your tank. The more you control your impulses, the more gas you use. After operating for a long time, people, like cars, run out of gas: they become less able to resist their impulses in order to meet longer-term goals."</p>

<p>But would this theory explain people&#39;s behavior when it came to impulse buying? That&#39;s where Faber came in. </p>

<p>“I knew I could count on Ron to flesh out the spending, the consumer context in which the model was applied," Vohs said. </p>

<p>The two crafted a series of experiments that tested whether shoppers are more likely to buy impulsively after “spending" self-control resources. Their hunches were correct: Those asked to expend lots of resources by engaging in certain tasks—not thinking about a white bear during a ten-minute writing exercise or ignoring random words that flashed along the bottom of a screen during a boring video—were later more likely to buy products impulsively and to value them at higher dollar amounts when compared to people who were not asked to control themselves.  </p>

<p>The results suggest that we&#39;re much more likely to buy impulsively after we&#39;ve spent a good deal of time making choices and regulating our behavior. The implications of the research are numerous, Faber says. “If you don&#39;t want to make impulse purchases, break your shopping into shorter trips. Don&#39;t do all your shopping at once. If you have a really tough day, don&#39;t go shopping," he adds.</p>

<p><strong>Crossing over</strong><br />
One of the key benefits of working with scholars from a different disciplinary background is that they tend to ask new questions and challenge the core assumptions of your own discipline, Vohs says. </p>

<p>“Psychologists consider self control as having a lot to do with persistence. When people show good self control, they persist in the face of struggle or difficult demands," she explains. And when they give up quickly, they are exhibiting poor self control.</p>

<p>Her colleagues in the business school, however, didn&#39;t see it that way. When she explained to them how psychologists classify behaviors as signaling low self control, “They said,  ‘Why is [abandoning a struggle] a sign of low self control rather than good self control? Perhaps these subjects knew where to put their energy in a judicious manner," Vohs recounts. </p>

<p>Cross-disciplinary interactions like these, Vohs says, can ultimately lead to the revision of concepts that have been taken for granted for years by specialists in a field. “Ron knows the right questions to ask," says Vohs. “He&#39;ll ask, ‘Now why do you do it like that?&#39; Those challenges can sometimes lead to major new insights into the fundamental nature of what you&#39;re studying."</p>

<p><em>-by Danny LaChance</em></p></body>
         <category>
            10069|17098
         </category>
         <pubDate>Fri, 04 Apr 2008 10:07:45 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/bridging_race-thumb.jpg" length="2880" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/bridging_race.jpg" length="8286" type="image/jpeg" />
         <title>Bridging Race</title>
         <description><p>When it comes to representations of multiracial people, Catherine Squires says, the media often don&#39;t have it covered.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=120974</link>
         <guid>120974</guid>
        <body><p><a href="http://blog.lib.umn.edu/clareach/stories/bridging_race.jpg"><img alt="Illustration of children waiting to get on a school bus. A group of 3 boys wearing backpacks is on the left. A girl wearing a backpack is on the right facing the bus. All the children are of different races." src="http://blog.lib.umn.edu/clareach/stories/bridging_race-thumb.jpg" width="115" height="78" /></a>Catherine Squires was power-walking through her Minneapolis neighborhood last September when she came upon three kids having a heated first-day-of-school conversation. One boy was explaining to his two black friends that he was from a mixed racial background that included, among other things, Native American and Asian American relatives. The response from his peers was fascinating to Squires, an associate professor of journalism and mass communication at the University.<br />
 <br />
&#39;They said, &#39;Just say you&#39;re mixed&mdash;that&#39;s what we all say. Just tell everybody at school that,&#39;&#39; Squires recalls. She wondered at the time whether the boy would take that advice. Would saying that he&#39;s "mixed" make it easier for him to interact with his peers?</p>

<p><strong>Intersecting backgrounds</strong><br />
To Squires, such conversations suggest the unique and sometimes difficult role of multiracial people in an American culture that prefers to traffic in black and white. Her recent book <em>Dispatches from the Color Line: The Press and Multiracial America</em> is a groundbreaking investigation into the way news media have reported on what it means to be a person of more than one race in the United States.</p>

<p>Historically, multiracial people were depicted in literature and other media as representing the "dangers" of racial mixing, says Squires. Films in the beginning of the 20th century depicted people of white and Asian parentage as deviants or villains. A film character with both black and white ancestry&mdash;"mulatto"&mdash;"had to die or be punished in some way," Squires says. </p>

<p>Times have changed, of course. Tiger Woods, of Asian and African-American descent, is a hero to aspiring golfers everywhere. And Barack Obama&mdash;who has a white American mother and black African father&mdash;is a leading presidential contender. </p>

<p>Nonetheless, Squires argues, such examples are frequently trotted out to foreclose discussions of racial inequality. "Multiracial people are framed as a bridge away from race," she explains. "The increase in multiracial people and interracial marriages is [seen as] proof positive that we&#39;ve made it to a post-racial society," where differences no longer exist or matter. </p>

<p><strong>Media at the racial intersection</strong><br />
In the 2000 census, people were allowed to identify for the first time as multiracial. To make the coverage interesting, the media framed the story in terms of individual experience. "It&#39;s such a big trope in journalism&mdash;&#39;let&#39;s see what the person on the street thinks about this,&#39;&#39; Squires says. "It&#39;s very easy to tell a heartwarming story about a multiracial family that&#39;s overcome barriers. On an individual level, that&#39;s great. But all the other intricacies then get lost because the personal story is so compelling."</p>

<p>For Squires, the representation of multiracial people as bridges to a post-racial society is a manifestation of the media&#39;s failure to cover the persistence of racial inequality in the United States. It&#39;s only when racial inequality appears in stark and undeniable forms, as it did following Hurricane Katrina, that media coverage changes, say Squires. "But then ten minutes later in the news cycle, the denial of race is still strong again."</p>

<p>Media discussions of race often take a point-counterpoint turn that is ultimately unhelpful to viewers. Take radio announcer Don Imus&#39;s derogatory comments a while back about the black members of the Rutger&#39;s women&#39;s basketball team. As the controversy heated up, the dominant media strategy was to pit two black pundits against one another. "It&#39;s &#39;let&#39;s find a black conservative and a black liberal to duke it out about whether or not Don Imus is a racist. We need to get a &#39;pro&#39; and a &#39;con&#39; on this.&#39;"</p>

<p>In the end, the coverage rarely goes beyond facile debates about whether or not this or that public figure is racist. "If that&#39;s the question," Squires argues, "you can&#39;t ask other important questions"&mdash;about misogyny directed against black women, for example.</p>

<p>"The conventional wisdom is &#39;if you talk about race, you&#39;re going to lose,&#39;" Squires says. But the ubiquity of conversations like the one she heard on her September walk suggests to Squires a public desire for meaningful discussions of race. She&#39;s heartened by the hunger she sees in her students for racial conversations that break out of old patterns that are, well, black and white.</p>

<p>"They don&#39;t want to talk about race in ways that rehash old frameworks," she says. "They want to speak about their experiences; they want to understand them in larger frameworks."</p>

<p>Squires was attracted to Minnesota in part by the size and proximity of the Twin Cities television market and her potential to influence coverage of hot-button issues such as race. "I hope that as I get to know more people in the industry, I&#39;ll be able to leverage the U&#39;s resources and contacts to have frank conversations about racial coverage with people who work in the industry."</p>

<p>Squires has her work cut out for her. As images of New Orleans painfully reminded us, race is still caught up in large-scale power dynamics that go beyond individual acts of racism. If we are serious about addressing the inequalities that still haunt American society, Squires says, we need journalists dedicated to uncovering, rather than masking, those large-scale dynamics.</p>

<p>"If journalists aren&#39;t doing a good job of reporting on racial issues, then we all suffer."</p>

<p><em>- by Danny LaChance</em></p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Thu, 03 Apr 2008 15:52:30 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Tightrope Walker</title>
         <description><p>The United States has its first viable black presidential candidate. Enid Logan explores how Barack Obama is a sign of our racial times.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=120972</link>
         <guid>120972</guid>
        <body><p>If you want to know something about how Barack Obama differs from the black presidential hopefuls who came before him, you might begin by looking at the people who turn out to see him when he speaks.</p>

<p>Take, for instance, the crowd that stood in the rain last November in Austin, Texas, to hear the candidate give a stump speech. They included African immigrant men in traditional dress; white middle-aged limousine liberals in cashmere sweaters; white University of Texas fraternity brothers sporting burnt orange Longhorn caps; and affluent black teenage girls in designer shoes. </p>

<p>There was no Jesse Jackson-style fiery rhetoric, no inveighing against racial and economic injustice. And that, Enid Logan says, is part of Obama&#39;s appeal&mdash;his modulated tone, his message of unity. "He&#39;s appealing because he is a new-millennium black politician," the University of Minnesota sociologist explains. "He&#39;s non-confrontational. And he focuses much more on America&#39;s future&mdash;and its promise&mdash;than on the racial problems of the past."</p>

<p>But what does the shift from old-style to Obama-style mean for the country&#39;s thinking about race? Why has the multiracial Obama become the country&#39;s first truly viable black presidential candidate? Those are important questions, says Logan, noting that Obama&#39;s campaign presents unprecedented opportunities for us to understand the politics of race in the United States.</p>

<p>Part of Obama&#39;s appeal to white voters, Logan has found, is his ability to offer them a sense of absolution for racial sins of the past while assuring them that we are on the verge of a "post-racial society," a utopia where race has no effect on one&#39;s life chances.</p>

<p>In surveys, white Americans tend to say that racism is, for the most part, a thing of the past. "There is this fervent desire to believe that we&#39;ve become a colorblind nation&mdash;or that we&#39;re very close," says Logan. And Obama&#39;s heritage&mdash;his mother is white and his father was born in Kenya&mdash;allows us to "side-step the whole issue of slavery. He&#39;s a black man we can stand behind without having references to this ugly past."</p>

<p>Of course, by many measures, and despite much progress, the legacy of that ugly past still lingers, with black Americans still trailing behind their white counterparts in income, education levels, and homeownership. So does support for Obama offer white people a way to deny the persistence of racial inequality?</p>

<p>Obama does acknowledge the persistence of racism, says Logan. But rather than outlining a specific agenda for combating it, he delivers a message of change, hope for an inclusive America.</p>

<p>The message is clearly paying off. Yet Obama is walking a tightrope, Logan says. "How does he maintain his viability as a mainstream candidate without alienating the black community by seeming to say &#39;the battle is over&#39;?" she asks, noting that the vast majority of blacks, unlike whites, say that racism remains an unsolved problem in American society. </p>

<p>The media, meanwhile, "keep reporting that working class blacks are skeptical about whether Obama is black enough," says Logan. "But we rarely actually hear the voices of the black working class. They&#39;re generally not the people being interviewed. They&#39;re not the journalists or the pundits."</p>

<p>What these reports really reveal, Logan contends, is a society both obsessed with race and desperate to leave it behind&mdash;collectively eager to wrestle with what it means to be black or white, yet pretending that only African Americans dwell on racial categories. </p>

<p><strong>Sugar-coating the pill</strong><br />
For all the old patterns she&#39;s unearthed in the speeches she&#39;s read and the coverage she&#39;s watched, Logan is, like the candidate she studies, hopeful. Obama&#39;s candidacy may appeal to a mainstream that has become Pollyannaish in its approach to racial inequality. But maybe, just maybe, a spoonful of sugar will make the medicine go down. </p>

<p>"There&#39;s a tremendous divide between the ways blacks and whites think about race in the United States, and it&#39;s been really hard to bridge because there&#39;s so much mistrust on either side," Logan says. "But Obama doesn&#39;t point fingers. He&#39;s telling us that the struggle for equality is part of our inheritance as Americans. And I think that his candidacy makes it feel safe for white people to talk about race."</p>

<p>The question, of course, is whether this new comfort level will ultimately lead to complacency rather than change. Logan, for one, is hopeful that change is on the horizon. "We&#39;re in a moment of transition and uncertainty. Obama&#39;s candidacy could help us move away from the post-civil rights movement stalemate we&#39;ve become mired in and toward new ways to bridge our nation&#39;s most persistent divide."</p>

<p><em>- by Danny LaChance</em></p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Thu, 03 Apr 2008 15:46:14 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ParenteJames-thumb.jpg" length="1695" type="image/jpeg" />
         <title>Uncommon Bonds</title>
         <description><p>Interim Dean James Parente on the connections of the liberal arts to each other and the world.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=120957</link>
         <guid>120957</guid>
        <body><p><img alt="Photo of James A. Parente, Jr." src="http://blog.lib.umn.edu/clareach/stories/ParenteJames-thumb.jpg" width="86" height="103" />Since last fall, I have had the pleasure of serving as interim dean of the College of Liberal Arts. Stepping into the shoes of former dean Steven Rosenstone (now Vice President for Scholarly and Cultural Affairs) whose distinguished and visionary leadership in his 11 years as dean has left enormous footprints has been not only an honor, but also a humbling opportunity to experience on a grander scale what this college is all about. </p>

<p>The liberal arts are often called the heart of the University. Indeed, the liberal arts foster critical thinking, expose students to a diversity of viewpoints, and are fundamental to any sort of higher-level education. I also believe that it is vitally important in this century for a liberal arts education to develop global citizens. </p>

<p>As this century has unfolded especially since 9/11 it has become increasingly essential that American leaders and Americans in general understand how U.S. political, social, economic, and cultural institutions and values intersect with those of other countries around the world. Liberal arts education as a repository and purveyor of social and cultural knowledge; of languages, literatures, and the arts; and of history and philosophy, including knowledge of the world&#39;s religions is exactly the foundation needed by the next generation of Americans who will navigate those intersections. </p>

<p>9/11 awakened us to our global responsibilities and reminded us of the need for the expert knowledge that only the liberal arts can provide. We wanted people who read and understood Arabic, who knew something about the Middle East, about history and philosophy and religion, about world cultures and global geo-politics. Every internationally minded firm these days wants not only people with business expertise but also those who are culturally competent in the broadest sense. </p>

<p>As CLA steps up to this challenge, we understand that such a broad liberal arts education for the next generation of citizens means moving beyond our own academic homes. To be sure, academic disciplines matter. But as we educate our students to be global citizens, we also know that one of our most important contributions as scholars and teachers will be to cross traditional academic boundaries to collaborate and make connections with other disciplines, as well as with other communities within and beyond the University. </p>

<p>The Latin motto on our University&#39;s Board of Regents seal&mdash;"commune vinculum omnibus artibus"&mdash;reminds us that "a common bond unites all fields of knowledge." We have paid homage to that motto for generations. But now, in the 21st century and for this college, it is an ideal that we must actively embrace.</p>

<p><em>- James A. Parente, Jr., Interim Dean</em></p></body>
         <category>
            10071|17098
         </category>
         <pubDate>Thu, 03 Apr 2008 14:36:10 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Colorblind or colorbind?</title>
         <description><p>At first glance, the work of these CLA researchers may seem to dovetail with the spirit of Proposition 54 and its assumption that classification can never serve good purposes.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84299</link>
         <guid>84299</guid>
        <body><p>Coupled with certain cultural assumptions, or with a simplistic or distorted view of diversity, classification enables us to create unwarranted hierarchies, to attach values and judgments to large swaths of people. But it would be a mistake, <a href="https://apps.cla.umn.edu/directory/profiles/craddock">Craddock</a> and <a href="https://apps.cla.umn.edu/directory/profiles/fergu033">Ferguson</a> argue, simply to dismiss classification as inherently evil and embrace colorblindness instead.</p>

<p>“Those of us who see the importance of maintaining some spotlight on difference do so because racial identification still has adverse effects on marginalized communities and ethnic minorities," Craddock says. In other words, people are not color blind—they do recognize differences, and make judgments about them. And to counter the negative consequences of that reality, institutions need to be sensitive to those differences.</p>

<p>But she offers a caveat: “Categories of race and ethnicity should be maintained only to the extent they help us address the multiple effects of oppressions and racisms," Craddock says. “For example, if they can point out how to deliver better and more appropriate resources to communities."</p>

<p>Ferguson notes that the ideal driving proponents of Proposition 54&mdash;the desire for a society of race-less individuals&mdash;is the same ideal that led sociologists to declare that African American culture was pathological. “They&#39;re two sides of the same coin," he says.  </p>

<p>What&#39;s needed, Ferguson says, is not the abandonment of institutional sensitivity to difference, but a more cautious and skeptical approach to interpreting the data collected. Social scientists should avoid presuming that their results “capture all aspects of the groups that they&#39;re looking at," he says. “They would then understand that their interpretations are part of a range of interpretations," an approach that might forestall broad declarations of cultural incompetence or dysfunction.</p>

<p>Ultimately, an institution&#39;s use of classification is only as good or bad as the principles and people that guide the institution, Craddock says. “We need to be training professionals in public health and medicine who aren&#39;t going to be assuming that high infant mortality rates result from mothers&#39; lack of a ‘get up and go&#39; mentality," she explains, referencing recent news. “That kind of comment is biased and ill informed. People with institutional authority need to find ways to intervene in stereotypes of race and gender, not mobilize these stereotypes in ways that further marginalize vulnerable communities."</p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
         <category>
            17097|10167
         </category>
         <pubDate>Tue, 31 Jul 2007 15:29:35 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/H%26E-0023.gif" length="40948" type="image/gif" />
         <title>A homogenous mosaic</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84296</link>
         <guid>84296</guid>
        <body><div id="blogImageCaption"><img alt="Picture of Doug Hartmann and Penny Edgell" src="http://blog.lib.umn.edu/clareach/stories/H%26E-0023.gif" width="182" height="274" /><br /><i>Doug Harmann and Penny Edgell<br /> Photo: Richard Anderson</i></div>

<p>Why does classification by institutions like public health departments or universities often seem to lead to stigmatization? It&#39;s tempting to write off this tendency as malice or ignorance. But CLA sociologists <a href="https://apps.cla.umn.edu/directory/profiles/edgell">Penny Edgell</a> and <a href="https://apps.cla.umn.edu/directory/profiles/hartm021">Doug Hartmann </a>suggest that it often stems from a complex mixture of good intentions and rigid expectations.</p>

<p>Americans usually say they value the ideal of diversity, but they also expect others to behave in particular ways, speaking English, for instance, or celebrating Thanksgiving, or worshipping a certain way. That way of thinking may unconsciously inform the way our institutions, like health departments and universities, are structured and the ideals of the people who work in them. When faced with populations whose habits, lifestyles, or incidence of illness deviate from the norm, the institution&#39;s response is “to decide that something is wrong with [these people]," Edgell explains. “They are perceived as problems."</p>

<p>Meanwhile, even outside the institution, people who don&#39;t belong to minority groups often don&#39;t see the inequalities resulting from the institutional response. That&#39;s one of the key findings, so far, of the American Mosaic Project, a multi-year study led by Edgell and Hartmann that examines how Americans view racial, religious, and cultural difference. </p>

<p>Americans embrace the concept of equality, Hartmann and Edgell say, but while whites tend to believe that our institutions create a level playing field, minorities don&#39;t. The ideals of fair play and justice that pervade our cherished national documents may account in part for this phenomenon, the two hypothesize. Because our commitment to equality on paper is so strong, people in the majority may have difficulty recognizing the unfair treatment that some groups receive from institutions in practice. </p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
         <category>
            17097|10167
         </category>
         <pubDate>Tue, 31 Jul 2007 15:12:16 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/2ferguson-0009.gif" length="35452" type="image/gif" />
         <title>Dysfunction&#39;s Function</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84294</link>
         <guid>84294</guid>
        <body><div id="blogImageCaption"><img alt="picture of Rod Ferguson" src="http://blog.lib.umn.edu/clareach/stories/2ferguson-0009.gif" width="274" height="182" /><br /><i>Rod Ferguson<br />Photo: Richard Anderson</i></div>

<p>Policy makers and political pundits, even celebrities like Bill Cosby, often speak about disease in social and cultural as well as biological terms. In the 1950s, university professors were more often the source of public thinking about social disease.</p>

<p>In the aftermath of World War II, U.S. officials increasingly turned to professors of sociology to help solve social problems like poverty that plagued minority communities, including African Americans. But, as <a href="https://apps.cla.umn.edu/directory/profiles/fergu033">Rod Ferguson</a> notes, their academic research often reinforced the inequality it sought to reduce. </p>

<p>Ferguson, an associate professor of American studies at the University, has studied the way that academic institutions have been complicit in stigmatizing populations that are different. In earlier decades, social scientists studying inequality often inadvertently blamed the victims. The problem, they said, wasn&#39;t the economic system or the historical denial of resources and opportunities to African Americans. It was, rather, the attitudes and habits of black people. </p>

<p>"Academics pointed to many examples of so-called black dysfunction," Ferguson explains. "The Chicago school of sociology looked at black homosexuals on the South Side of Chicago as evidence of corruption--corruption that could contaminate the nearby white neighborhoods. Some sociologists also pointed to single-head households, the unwed mothers and the families with no fathers in the households, as examples of dysfunction. To some of these academics the norm, a healthy household, was one that was patriarchal."</p>

<p>Other academics decried the close quartering of extended families and lodgers--often migrants moving from the South to stay with families in small apartments in cities like Chicago and New York. To many African Americans, opening their homes to newcomers showed hospitality and generosity; in the minds of some sociologists, though, that openness signaled harmful breakdowns of the nuclear family--a structure that, they argued, provided economic and moral security.</p>

<p>Had these academics&#39; conclusions remained confined to textbooks and scholarly journals, they might not have made much of a difference in the lives of African Americans. But they found a new and robust life in government policies and laws. "They became general common sense, and you see them all over the place," Ferguson observes. </p>

<p>In his 1976 presidential campaign, Ronald Reagan told the story of a Chicago woman who allegedly was making $150,000 a year from fraudulent welfare claims. When the woman he described, Linda Taylor (who happened to be black), was later convicted of defrauding the government of $8,000, a prosecutor quoted in the New York Times called her a "parasitic growth" on the system. Before long, the politically charged image of the welfare queen--described in the Times as "a heavy woman driving a big white Cadillac and paying for steaks with wads of food stamps"--became the prevailing image of a woman receiving assistance. Given the infamous Taylor and the general public&#39;s perception of the racial composition of welfare rolls, it seemed to go without saying that the "welfare queen" was black.</p>

<p>The rhetoric of welfare reform in the last few decades of the 20th century, then, was essentially a spinoff of what sociologists had been saying in the 1950s. "In welfare reform, from Reagan to Clinton, these sociologists&#39; findings became a bedrock of social change," Ferguson says. "Public discourse about what went wrong in black communities began with the female head of household."</p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
         <category>
            17097|10167
         </category>
         <pubDate>Tue, 31 Jul 2007 15:07:20 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/craddock-0007.jpg" length="7729" type="image/jpeg" />
         <title>Hazardous to your health</title>
         <description><p>Last April, the New York Times reported a sharp up-tick in infant mortality rates in the South, a rise that was especially pronounced within the state&#39;s disproportionately poor African American population.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84293</link>
         <guid>84293</guid>
        <body><div id="blogImageCaption"><img alt="Professor Susan Craddock" src="http://blog.lib.umn.edu/clareach/stories/craddock-0007.jpg" width="174" height="171" /><br /><i>Susan Craddock<br />Photo: Richard Anderson</i></div>

<p>As state officials and experts struggled to make sense of the data that had been collected by state agencies, they came to disparate conclusions. Some charged that the differences resulted from cutbacks to state-funded prenatal medical care. Others, however, explained the increase in deaths not as a function of healthcare access but as a function of character—of willpower. </p>

<p>“The mothers in general, black and white, are not as healthy," a Mississippi doctor told the Times, pointing to increases in obesity, diabetes, and hypertension across racial categories. But he rejected the notion that the state&#39;s infrastructure was responsible. “Some women just don&#39;t have the get up and go," he said. </p>

<p>Despite the doctor&#39;s inclusion of whites, the “some women" he referenced tended to be poor and black, the article notes—implying a link between race and gumption. And that&#39;s a cause for concern. </p>

<p>“Both the promise and the pitfall of statistics is that they can show where resources need to be directed or problems addressed, or they can be used to perpetuate negative stereotypes" says <a href="https://apps.cla.umn.edu/directory/profiles/craddock">Susan Craddock</a>, associate professor of gender, women and sexuality studies and affiliate in the Institute for Global Studies. </p>

<p>Craddock has found that policy makers, using categories of race and nationality, have justified unfair practices under the guise of protecting the public health. It&#39;s not a new phenomenon, she says. During a 19th-century epidemic of bubonic plague, health officials in San Francisco singled out Chinese immigrants and their neighborhoods—where the disease was rampant—as the source of the contagion. “Disease became a way of pathologizing the Chinese, a political tool used to differentiate the immigrant community," says Craddock. “This was clearly part of a larger anti-immigrant discourse."</p>

<p>Similar attempts in the 19th century to link other immigrant groups, especially Jews and Eastern Europeans, to disease and pestilence fill the pages of medical history books, Craddock says. “If they are diseased, they are to be feared," she says. And, it seems, if they are feared, they are diseased.</p>

<p>The link between disease and discrimination is a phenomenon Craddock is monitoring in Minnesota. Right now, Twin Cities public health officials are trying to intervene in the high incidence of tuberculosis among members of the Somali immigrant community. Statistics from the Centers for Disease Control and Prevention show that TB infections run highest among immigrants to the U.S—a fact that has led some policy makers to advocate restrictions on the immigration of people from certain regions of the world, or greater surveillance before and after they enter the United States. </p>

<p>But other research suggests that many immigrants acquired tuberculosis after their arrival in this country, raising the possibility that living conditions in their adopted land are responsible for the outbreak. Craddock and her colleague John Song recently launched a study to ask members of the Somali community about their experiences with tuberculosis. They hope to provide a more accurate picture of transmission and appropriate response. Among other things, their work will raise questions about whether Somalis&#39; living conditions and limited access to good health care bear some blame for the current TB epidemic.</p>

<p>Craddock is concerned that in the absence of such research public health agencies might adopt policies that “essentially stigmatize and police immigrant groups rather than focusing on the economic and social factors that create vulnerability." What too often happens, she notes, is that “those institutions that should be ameliorating problems are too often propagating them." She hopes that her research will help to counter that trend, sparking awareness in public health officials about which concerns are reasonable—and which are not.</p>

<p><em>By Jack El-Hai and Danny LaChance</em></p></body>
         <category>
            17097|10167|17098
         </category>
         <pubDate>Tue, 31 Jul 2007 15:04:43 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/WilkinsDavid2.jpg" length="15502" type="image/jpeg" />
         <title>David Wilkins</title>
         <description><p><em> American Indian Studies </em></p>

<p>David Wilkins will never forget Lois Louis and Vine Deloria, two professors who made an enormous difference in his life. </p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84198</link>
         <guid>84198</guid>
        <body><div id="blogImageCaption"><img alt="Professor David Wilkins" src="http://blog.lib.umn.edu/clareach/stories/WilkinsDavid2.jpg" width="168" height="250" /><br />
<i>Dan Wilkins<br>Photo: Leo Kim</i></div>
“They required us to speak with them. It was a reciprocal process. They had faith in our ability to come up with a solid critique of what we had read."

<p>Wilkins demands a lot from his students, because the abilities “to think critically and to be prepared to field questions immediately are critical. They help you throughout life." The most valuable skill a student can take from education, he adds, is “the ability to exercise individual selfdetermination." And that&#39;s the kind of skill that the face-to-face interaction of a classroom community can nurture.</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Mon, 30 Jul 2007 13:02:52 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/NobleDavid2.jpg" length="76406" type="image/jpeg" />
         <title>David Noble</title>
         <description><p><em> American Studies </em></p>

<p>David Noble depends on classroom learning to teach his students that they&#39;re studying real people with real problems.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84197</link>
         <guid>84197</guid>
        <body><div id="blogImageCaption"><img alt="Professor David Noble" src="http://blog.lib.umn.edu/clareach/stories/NobleDavid2.jpg" width="285" height="190" /><br />
<i>David Noble<br> Photo: Diana Watters</i></div>“It&#39;s crucial for students to know that they&#39;re not dealing with abstractions but with living—well, they&#39;re dead but they were living— human beings," he says. He even has been known to impersonate prominent historical figures to “help students feel the drama of the moment."

<p> Noble believes that fully understanding the multifaceted situations these historical icons faced gives students invaluable skills in their own lives. “We&#39;re always making choices within contexts. But it&#39;s much easier to come to know the context you find yourself in if you can compare it with other contexts."</p>

<p><br />
</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Mon, 30 Jul 2007 13:00:59 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/film-collaborative2.jpg" length="6095" type="image/jpeg" />
         <title>Jason McGrath</title>
         <description><p>“If you need to engage in analysis and interpretation, in-class learning provides something that online learning can&#39;t, because in the give-and-take process of hearing and contemplating others&#39; ideas and testing your own against them, you will actually come to a much deeper understanding."</p>

<p>Participating in class discussions, says McGrath, enables students “to approach cultural texts on a more sophisticated and complex level, and to get a richer experience of culture."</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84196</link>
         <guid>84196</guid>
        <body><div id="blogImageCaption"><img alt="Professor James McGrath" src="http://blog.lib.umn.edu/clareach/stories/film-collaborative2.jpg" width="172" height="228" /><br />
<i>Jason McGrath</i></div>“If you need to engage in analysis and interpretation, in-class learning provides something that online learning can&#39;t, because in the give-and-take process of hearing and contemplating others&#39; ideas and testing your own against them, you will actually come to a much deeper understanding."

<p>Participating in class discussions, says McGrath, enables students “to approach cultural texts on a more sophisticated and complex level, and to get a richer experience of culture."</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Mon, 30 Jul 2007 12:58:48 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Professors Ponder... The Importance of Classroom Learning</title>
         <description><p>In this age of experiential learning and cyberlearning, the art of human interaction in the classroom continues to thrive. Even large lecture classes have taken on new life. Why do classrooms still matter? What can students get from the classroom that they might not be able to find online or in the field? Here&#39;s what some CLA faculty members are saying:</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84195</link>
         <guid>84195</guid>
        <body><p><strong><a href="https://apps.cla.umn.edu/directory/profiles/jmcgrath">Jason McGrath</a></strong><br />
<em>Asian Languages and Literatures</em></p>

<p>A scholar of Chinese film, McGrath is “a big believer in film as a collective experience." He often <br />
moderates in-class debates, enabling students to collectively discover truths within complex subject matter. </p>

<p>“If you need to engage in analysis and interpretation, in-class learning provides something that online learning can&#39;t, because in the give-and-take process of hearing and contemplating others&#39; ideas and testing your own against them, you will actually come to a much deeper understanding."</p>

<p>Participating in class discussions, says McGrath, enables students “to approach cultural texts on a more sophisticated and complex level, and to get a richer experience of culture."</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/noble015">David Noble</a></strong><br />
<em>American Studies</em></p>

<p>David Noble depnds on classroom learning to teach his students that they&#39;re studying real people with real problems.</p>

<p>“It&#39;s crucial for students to know that they&#39;re not dealing with abstractions but with living—well, they&#39;re dead but they were living— human beings," he says. He even has been known to impersonate prominent historical figures to “help students feel the drama of the moment."</p>

<p> Noble believes that fully understanding the multifaceted situations these historical icons faced gives students invaluable skills in their own lives. “We&#39;re always making choices within contexts. But it&#39;s much easier to come to know the context you find yourself in if you can compare it with other contexts."</p>

<p><strong><a href="https://apps.cla.umn.edu/directory/profiles/wilkinsd">David Wilkins</a></strong><br />
<em>American Indian Studies</em></p>

<p>David Wilkins will never forget Lois Louis and Vine Deloria, two professors who made an enormous difference in his life. </p>

<p>“They required us to speak with them. It was a reciprocal process. They had faith in our ability to come up with a solid critique of what we had read."</p>

<p>Wilkins demands a lot from his students, because the abilities “to think critically and to be prepared to field questions immediately are critical. They help you throughout life." The most valuable skill a student can take from education, he adds, is “the ability to exercise individual self determination." And that&#39;s the kind of skill that the face-to-face interaction of a classroom community can nurture.</p>

<p><em>By Andrew Hogan</em></p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Mon, 30 Jul 2007 12:56:20 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/LouisMendoza.jpg" length="70595" type="image/jpeg" />
         <title>Biking to Discover</title>
         <description><p>From July through December 2007, <a href="https://apps.cla.umn.edu/directory/profiles/lmendoza">Louis Mendoza</a>, chair of the University of Minnesota&#39;s Department of Chicano Studies, will bicycle around the perimeter of the United States.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84097</link>
         <guid>84097</guid>
        <body><div id="blogImageCaption"><img alt="Professor Louis Mendoza. " src="http://blog.lib.umn.edu/clareach/stories/LouisMendoza.jpg" width="282" height="189" /><br />
<i>Louis Mendoza<br>Photo: Kelly MacWilliams</i></div>

<p>Covering 8,500 miles, he&#39;ll visit 34 states. Along the way, he plans to talk with people about their views on the emergence of Latinos as the nation&#39;s largest ethnic minority and the impact this demographic shift is having on U.S. national identity and culture. </p>

<p>“My goal is to listen to the person on the street, to meet people in churches, cafes, and bars, to find out what they understand are the issues around the ‘Latino-ization&#39; of the U.S.," Mendoza says. </p>

<p>“My hope is that this journey will not be just my story, but the story of the people I encounter who are both part of the problem and part of the solution. My goal is to offer much needed insight from voices that aren&#39;t often heard in formal media venues."</p>

<p><em>By Kelly O&#39;Brien</em></p>

<p>Visit Louis Mendoza&#39;s blog and track his journey across America. Go to <a href="http://reach.cla.umn.edu/mendoza">reach.cla.umn.edu/mendoza</a>.</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Fri, 27 Jul 2007 11:57:45 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/guissan-0169.gif" length="36726" type="image/gif" />
         <title>Teaching Reconciliation</title>
         <description><p>Catherine Guisan and her students discuss the meaning of the term political reconciliation</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84096</link>
         <guid>84096</guid>
        <body><div id="blogImageCaption"><img alt="Catherine Guisan and students in the classroom" src="http://blog.lib.umn.edu/clareach/stories/guissan-0169.gif" width="274" height="182" /><br />
POL 4210, Spring 2007</div>

<p><strong>Surprised by the Politics of Reconciliation </strong></p>

<p>I was surprised that many of my 35 students from nine countries (Ethiopia, Kuwait, Liberia, Palestine, Russia, Serbia, Togo, Trinidad, and the United States) had never heard of the term political reconciliation. Hegel and Marx challenged us to think of history as a dialectical process, of social forces overcoming their contradictions in  the rational, or classless, society, eventually reconciled with itself. John Stuart Mill urged us to eschew all final resolution to pursue ongoing debates on controversial questions, from religion to private property&#39;s legitimacy, and to adopt the “harm principle" as a response to offensive actions. Because of totalitarianism, Hannah Arendt and Isaiah Berlin thought anew the recovery from murderous clashes of interest and belief. What did Arendt mean by “forgiveness and promise?" Why did the Socratic dialogue of conscience matter so to political action?</p>

<p>We stayed with these questions as we read Jewish, Christian, and Islamic scriptures with their sometimes contradictory tenor (casting evil men out and turning the other cheek). We explored the link between personal self-transformation and political change in texts by Mohandas K. Gandhi, Martin Luther King, Jr., and Desmond Tutu, and commentaries on their actions. We also studied two instances of international reconciliation: the rapprochement between France and Germany in the 1950s and, after 1989, attempts at reconciliation in other parts of Europe. We were struck by the immense sufferings that call for reconciliatory politics, and by the importance of social and economic fairness but also of a rhetoric that taps into the cultural traditions of the peoples concerned (Hegel&#39;s Sittlichkeit). We mourned the Virginia Tech shootings.</p>

<p>Queries came up: What is the difference between liberation and reconciliation? Can we trust courts to play a positive role in processes of reconciliation? One student who participated in the Liberian Truth and Reconciliation Commission&#39;s investigation in the Twin Cities explained the hopes and doubts it inspires. Another student shared  her excitement at realizing that the Bible and Koran tell the story of Joseph forgiving his brothers in very similar terms. Discussing prospects for the politics of reconciliation after 9/11, several stressed that it had to start within the U.S. between classes and ethnic groups before it could travel abroad. One wrote, “I know that people are changed by this class or at least thinking about it." Another said it brought his “dead dream alive," to help reconcile two warring ethnic groups. “Even if I don&#39;t see this in my lifetime," he said, “I hope I will share the same knowledge that you have shared with us with the next generations."</p>

<p><em>By Catherine Guisan</em></p></body>
         <category>
            10074|17097
         </category>
         <pubDate>Fri, 27 Jul 2007 11:47:43 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Difference 101: A Short Syllabus</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84095</link>
         <guid>84095</guid>
        <body><p><a href="https://apps.cla.umn.edu/directory/profiles/craddock">Susan Craddock</a>, <i>City of Plagues: Disease, Poverty, and Deviance<br />
in San Francisco </i>(University of Minnesota Press, 2004)</p>

<p><a href="https://apps.cla.umn.edu/directory/profiles/edgell">Penny Edgell</a>, <i>Religion and Family in a Changing Society</i><br />
(Princeton University Press, 2005)<br />
<a href="https://apps.cla.umn.edu/directory/profiles/fergu033"><br />
Roderick Ferguson</a>,<i> Aberrations in Black: Toward a Queer of<br />
Color Critique </i>(University of Minnesota Press, 2004)</p></body>
         <category>
            17097|10167
         </category>
         <pubDate>Fri, 27 Jul 2007 11:44:48 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/borgidaweb.jpg" length="10358" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/sullivan-rodman-borgidaweb.jpg" length="17975" type="image/jpeg" />
         <title>OurSpace</title>
         <description><p>A year ago, Alaska Senator Tad Stevens became the dunce of the day when he referred to the Internet as a “series of tubes" on the floor of the U.S. Senate. Stevens&#39;s wording might have been crude, but it raised an honest question. What, exactly, is the Internet?</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84094</link>
         <guid>84094</guid>
        <body><p><img src="http://blog.lib.umn.edu/clareach/stories/sullivan-rodman-borgidaweb.jpg" /><br> John Sullivan, Gene Borgida, Gil Rodman</p>

<p>In its physical form, it&#39;s computer servers, wireless signals, and, yes, fiber optic cables snaking through oceans and dirt. </p>

<p>But we&#39;ve also come to conceive of the Internet as a revolutionary kind of space, a new platform of communication that is fundamentally changing human life for the better. </p>

<p><a href="https://apps.cla.umn.edu/directory/profiles/rodman">Gil Rodman</a>, a communications studies scholar, smiles when he hears this kind of talk. It&#39;s a new variation on an old theme, he says. In earlier eras, innovations like the printing press or the television also stoked utopian fantasies.</p>

<p>“We&#39;ve long had this utopian notion that the problems of the world are all caused by the difficulty of communication," Rodman says. “And we feel that the Internet is finally going to bring us together in a way that will solve all of those problems."</p>

<p>But that seemingly self-evident truth isn&#39;t so self evident. “There&#39;s nothing about the circulation of information that guarantees that it&#39;s a good thing," Rodman observes.</p>

<p><strong>Race in Cyberspace</strong><br />
“We have this idea that by going online you lose the physical markers of racial identity, that they go away. You&#39;re entering a realm of pure ideas," says Rodman. But that kind of thinking is often more fantasy than reality. In many online contexts, Rodman notes, “there&#39;s a default assumption that cyberspace is white space." He cites numerous postings on listservs and mainstream Websites in the United States where the term “we" is used in ways that assume those accessing the site are white.</p>

<p>What Rodman has found, in short, is that those categories of difference that inform our offline lives will bleed into our online discourse no matter how we much we manipulate them—or try to forget them.</p>

<p><strong>Cyber Civics </strong><br />
The notion that cyberspace is ultimately a reflection of the human dynamics of three-dimensional space is also endorsed by psychologist <a href="https://apps.cla.umn.edu/directory/profiles/borgi001">Eugene Borgida</a> and political scientist <a href="https://apps.cla.umn.edu/directory/profiles/jsull">John Sullivan</a>. Ten years ago, they set out to study how the citizens of two rural Minnesota communities, Detroit Lakes and Grand Rapids, were responding to the rise of the Internet.</p>

<p>They wondered, Borgida says, about whether the Internet could work to counter two of the trends that other academics had been studying: increased detachment and disengagement with civic life, and a lost sense of community. And they were particularly interested in how people&#39;s socioeconomic status factored into their ability to use the Internet to increase their involvement in public life.</p>

<p>What they found is that context matters; the Internet exists in economic and political landscapes that shape who gets access to it and how it&#39;s used by communities to enhance collective well being.</p>

<p>Take Grand Rapids, for example. “Grand Rapids people tend to be very civic oriented," says Borgida. So it was no surprise that when the local community unveiled Grand Net, a community electronic network that allowed citizens access to the Internet, they ensured that their least well off would have access to it. “They had computers in the chamber of commerce. They had them in the county health center. The public library was a big spot," Borgida says.</p>

<p>Detroit Lakes, on the other hand, is more individualistic and entrepreneurial in its approach to public services. “It&#39;s a different sensibility," Borgida explains. “Their civic spirit has been much more oriented around tourism and entrepreneurism and market dynamics." That made it all the more tempting to leave Internet access to private, for-profit Internet service providers. As a result, access to Lakes Net, the electronic community network that Detroit Lakes founded, was limited to those with financial means.</p>

<p><img src="http://blog.lib.umn.edu/clareach/stories/borgidaweb.jpg" />The differences in these communities&#39; approaches to the Internet was significant. Responding to a civic culture that made access to all a priority, citizens in Grand Rapids showed higher levels of participation in cyberspace than those in Detroit Lakes. And OurSpace that, in turn, affected their sense of engagement with the community and benefited them personally. “Community electronic networks," like the one in Grand Rapids, “may be particularly promising because they allow citizens to tap into civic resources to gain technological experience and know-how," Sullivan, Borgida, and their research associates concluded in a recent article.</p>

<p>Borgida is quick to emphasize that leaders in both communities were equally committed to increasing civic engagement. “These leaders all have a vested interest in making things happen," he explains. “But they inherit a certain way of being from their predecessors. And in Grand Rapids you find that people are on average more collaborative. That made them much more able to pull together to try to figure out how to use technology to increase their collective well being."</p>

<p><strong>From the Real to the Ideal</strong><br />
The persistence in our online worlds of our disparate offline cultures and values may seem to put the brakes on the revolutionary aspirations some have for the Internet. But the goal of research isn&#39;t to dash aspirations. Indeed, Rodman is excited about the potential the Internet has for publishing voices that wouldn&#39;t otherwise be heard.</p>

<p>But he knows that the Internet will always be only as utopian or dystopian as those who use it. “The same technology that enables the free-flowing global community also enables a whole range of surveillance and privacy intrusions that wouldn&#39;t otherwise exist," he notes.</p>

<p>By getting us to think about the Internet as a tool used by humans embedded in cultural, political, and social worlds, these CLA researchers aren&#39;t letting us rest easily on our platitudes about the global village. They&#39;re pushing us to think about just what it will take in our offline lives for our online ideals to become reality.</p>

<p><em>By Danny LaChance</em></p></body>
         <category>
            17097|10166
         </category>
         <pubDate>Fri, 27 Jul 2007 11:28:17 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/kerstenDan.jpg" length="49612" type="image/jpeg" />
         <title>Deep Impact</title>
         <description><p><img alt="Professor Dan Kersten" src="http://blog.lib.umn.edu/clareach/stories/kerstenDan.jpg"  />Neuroscientist Dan Kersten works to understand how the space in front of us is processed visually by the brain, allowing us to negotiate on a second-to-second basis—driving a car through traffic, maneuvering a pen over paper, dribbling a basketball toward a net.<span class="learnMore"> <a href="?entry=84092"><strong>Learn more.</strong></a><br />
</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84092</link>
         <guid>84092</guid>
        <body><p><em>By Danny LaChance</em></p>
<p><a href="https://apps.cla.umn.edu/directory/profiles/kersten">
Dan Kersten</a> studies that immediate relationship we have with space. He&#39;s a CLA neuroscientist who has spent years trying to understand how the space that lies in front of us gets processed visually by the brain, allowing us to know what material objects occupy that space and where those objects are located.</p>
<p>For decades, neuroscientists have known that light from the world is initially projected two-dimensionally on the retina, a screen-like piece of tissue in the back of our eyes.</p>
<p>“The eyes are built to extract information about the world from projection. So there&#39;s a difference right at the start. You start with a three-dimensional scene and you&#39;ve got two dimensional data," says Kersten.</p>
<p>Those two-dimensional signals soon travel to area V1, a part of the brain&#39;s cortex located at the back of the head, where they light up clusters of cells in patterns that approximate the space of the visual field. So an apple in front of you activates cells in your V1 area corresponding to its location in your visual field. Moving the apple to the left will change the location of activated cells in your V1 area.</p>
<p>But if, like the retina, area V1 represents space only in two dimensions, how do we perceive depth? How do we know, when we look into our dining room, that the candle on the table ahead of us isn&#39;t touching the curtain hanging three feet behind it?</p>
<p>For years, Kersten says, depth processing was mostly thought to happen elsewhere in the brain, after those initial signals passed through V1. So it was a surprise, he says, when evidence collected by his laboratory last year suggested that V1 does take distance, or depth, into account.</p>
<p>That&#39;s good information to know, especially for those seeking to replicate the human eye through technology. In the future, scientists may be able to help people with eye damage see by stimulating their V1 areas directly, through cortical implants. In order to translate the two-dimensional data from a camera lens into signals meaningful to V1, they&#39;ll need to know just how V1 processes depth. That&#39;s where Kersten&#39;s finding and the research it&#39;s spawning come in.</p>
<p>The robotics industry also stands to benefit. “In the long term, artificial intelligence may need to draw on what we learn about the way the human brain works in order to achieve or even go beyond human visual and cognitive competence," he says.</p>
<p>After years of thinking about V1 in a certain way, Kersten says it&#39;s hard to adjust to his new findings. It wasn&#39;t exactly like seeing water boil in a freezer, but the findings do run against years of research and speculation about the way we see, Kersten says.</p>
<p>“This is actually one case where hindsight is not helping a lot," he remarks. Figuratively speaking, of course.</p>
<h3>Cyber Optic</h3> 
<p>To learn more about Dan Kersten&#39;s findings and take part in an interactive demonstration of the experiment he and his collaborators designed, go to cla.umn.edu/reach/kersten.</p></body>
         <category>
            17725|17726|17097|10166
         </category>
         <pubDate>Fri, 27 Jul 2007 11:18:54 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Class Matters</title>
         <description><p>What&#39;s happening in CLA&#39;s undergrad classrooms? We checked in with one of the smallest—and one of the largest. (Just so you know … 42 percent of CLA classes have fewer than 20 students.)<em><br />
By Laine Bergeson</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84090</link>
         <guid>84090</guid>
        <body><p><b>History 1909: Globalization in the American Heartland</b><br />
CLASS SIZE: 9</p>

<p>“The discussion we can have in class is the antithesis of the online experience," says <a href="https://apps.cla.umn.edu/directory/profiles/goodx001">David Good</a>, professor emeritus of history. Good teaches his freshman seminar using the actual stuff of history—contracts, poems, diary entries, and other documents dating from the period he&#39;s teaching, many of them very personal and moving, sometimes searing. In the more diffuse and less intimate setting of cyberspace, he says, it&#39;s difficult to get students to engage deeply with those texts, to get them to make connections and look for the patterns that lie within them.</p>

<p><b>Psychology 1001:Introduction to Psychology</b><br />
CLASS SIZE: 680</p>

<p>Nothing is more cutting-edge than flesh and blood, members of the psychology department decided several years ago.“Introduction to Psychology used to be taught by films shown in the large lecture hall exclusively," says Judy Peterson, an education specialist who was hired in 1989 to revamp the monster course. One of Peterson&#39;s goals was to make the class more interactive. “We replaced the film lectures with live lectures by scholars and experts in the field," says Peterson. Exposed each week to experts in psychology&#39;s sub-fields—child development, clinical psychology, or abnormal psychology for starters—students hear about the latest findings in the field. And of course they still wonder, as students always have when they learn the basics of psychopathology, Is this what&#39;s wrong with me? </p></body>
         <category>
            17097|9943
         </category>
         <pubDate>Fri, 27 Jul 2007 11:11:39 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb.jpg" length="18234" type="image/jpeg" /><enclosure url="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb2.jpg" length="11813" type="image/jpeg" />
         <title>On the Spot: Growth</title>
         <description><p>What role does the CLA experience play in shaping students&#39; identities? At the end of last semester, we asked CLA juniors and seniors to reflect on how they&#39;ve changed since they first entered college.<br />
<em>Interviews by Andrew Hogan</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84089</link>
         <guid>84089</guid>
        <body><p><img alt="Pictures of Ryan Flaherty and Ethan Stark" src="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb.jpg" /><br/><br />
<p style="clear: left;"><br />
<i>Ryan Flaherty, &#39;07; Ethan Stark, &#39;07<br>Photos: Everett Ayoubzadeh</i></p></p>

<p>“I developed a personal theory that nothing is one-sided. Nothing is only this or only that. You can never make an argument without giving some room to the other side, because you know you&#39;re not completely right; you know there are always two parts to every issue."<br />
—Ryan Flaherty (individualized studies &#39;07)</p>

<p>“I went to a play recently—a oneman show—that dealt a lot with how fear motivates a lot of our actions, and I got to thinking how it was really applicable in my life—fear of what other people thought, fear of failure, fear of rejection. That was a recent epiphany of seeing the role it could play in my life."<br />
—Ethan Stark  (psychology &#39;07)</p>

<p><img alt="Jarrod Muneer Karcherramos" src="http://blog.lib.umn.edu/clareach/stories/growthphotosforweb2.jpg" />“I became more conscious of my interactions with other people—what people think when I say ‘I&#39;m a Muslim,&#39; or when I say ‘I&#39;m Mexican-American,&#39; or when I say this or that. It made me want to find out why these things matter."<br />
—Jarrod Muneer Karcherramos (political science &#39;08)</p></body>
         <category>
            17097|9943
         </category>
         <pubDate>Fri, 27 Jul 2007 11:06:08 -0600</pubDate>
      </item>
      
      <item>
	
         <title>CLA faculty make their marks on CLA, Minnesota, and the world.</title>
         <description></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=84088</link>
         <guid>84088</guid>
        <body><p><strong>Received the prestigious Guggenheim Fellowship Award:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/berda004">Daphne Berdahl</a></strong> (Anthropology and Institute for Global Studies)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/hbizri">Hisham Bizri</a></strong> (Cultural Studies and Comparative Literature)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/treue003">David Treuer</a></strong> (English and American Indian studies)</p>

<p><strong>Elected to the American Academy of Arts and Sciences:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/hampl">Patricia Hampl</a></strong> (English)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/hellm001">Geoffrey Hellman</a></strong> (Philosophy)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/jsull">John Sullivan</a></strong> (Political Science)</p>

<p><strong>Named Regents Professors, the University's highest faculty designation:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/leppe001">Richard Leppert</a> </strong> (Cultural Studies and Comparative Literature)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/mayxx002">Elaine Tyler May</a></strong> (American Studies)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/mcgue001">Matt McGue</a></strong> (Psychology)</p>

<p><strong>Named McKnight Land-Grant Professors:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/colli433">Kathleen Collins</a></strong> (Political Science)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/karenho">Karen Ho</a></strong> (Anthropology) <br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/wallr007">Christophe Wall-Romana</a></strong> (French and Italian)</p>

<p><strong>Named a Distinguished McKnight University Professor:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/weitz004">Eric Weitz</a></strong> (History)</p>

<p><strong>Received the University's Morse-Alumni Undergraduate Teaching Award:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/jbs">Joel B. Samaha</a></strong> (Sociology) </p>

<p><strong>Received the Morse-Alumni Graduate-Professional Teaching Award:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/damon001">Maria Damon</a></strong> (English) </p>

<p><strong>Received the University of Minnesota President&#39;s Award for Outstanding Community Service:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/desai003">Jigna Desai</a></strong> (Gender, Women, and Sexuality Studies)</p>

<p><strong>Received the Mullen, Spector, Truax Women&#39;s Leadership Award for 2007:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/sngarner">Shirley Nelson Garner</a></strong> (English; Associate Dean, Graduate School)</p>

<p><strong>Named the CLA Dean's Medalist</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/wilkinsd">David Wilkins</a></strong> (American Indian Studies)</p>

<p><strong>Named CLA Scholars of the College:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/archer">John Archer</a></strong> (Cultural Studies and Comparative Literature)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/kobia001">Michal Kobialka</a></strong> (Theatre Arts and Dance)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/krutt001">Candace Kruttschnitt</a></strong> (Sociology)<br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/windsor">Jennifer Windsor</a></strong> (Speech-Language-Hearing Sciences)</p>

<p><strong>Received the 2007 Lifetime Career Award from the International Society for the Study of Self and Identity:</strong><br />
<strong><a href="https://apps.cla.umn.edu/directory/profiles/msnyder">Mark Snyder</a></strong> (Psychology)</p>

<p><strong>Received the 2007 Sigel</strong></p></body>
         <category>
            10068|17097
         </category>
         <pubDate>Fri, 27 Jul 2007 10:51:26 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Checking Our Blind Spots</title>
         <description><p>World-reowned psychologist Fanny Cheung has worked to eliminate cultural and scientific blind spots at home and abroad.<br />
<em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83316</link>
         <guid>83316</guid>
        <body><p>When it comes to family, everyone is an armchair psychologist. But what happens when you&#39;re living with grandparents, 12 brothers and sisters, three uncles, their spouses, and countless cousins? What happens, indeed, when your family occupies every floor of a six-story building? </p>

<p>Then, it seems, you end up pursuing a Ph.D. in psychology. At least if you&#39;re Fanny Cheung, the current chair of Chinese University&#39;s Department of Psychology in Hong Kong. </p>

<p>“I had a lot of opportunities to watch complex human interactions," Cheung recalls of her girlhood in Hong Kong. She&#39;d watch, fascinated, as the nannies her family employed to help rear the household&#39;s children would compete with one another, bragging about the achievements of their particular charges. Adults in the family, meanwhile, would often conduct serious discussions behind closed doors. When they emerged, Cheung would study their facial expressions and behavior, trying to divine their secrets. </p>

<p>These days, Cheung draws her conclusions about human personality not through furtive glances across rooms, but through the pathbreaking tests she&#39;s developed over the course of her 30-year career in psychology. Cheung, who earned her Ph.D. from Minnesota&#39;s Department of Psychology in 1975, is a world-renowned expert in personality assessment.</p>

<p>Cheung returned to Hong Kong after finishing her degree. There, she eventually developed an entirely new personality test, the Cross-cultural (Chinese) Personality Assessment Inventory (CPAI). It measures those elements of personality ignored by western assessment tools, such as our attitudes and approaches to interpersonal relationships.  </p>

<p>While she was inspired by the work that had been done in personality assessment before and during her tenure in Minnesota, Cheung recognized some of its potential blind spots. “Dominant Western personality theories tend to focus on the individual," she explains. “But in collectivistic cultures," like the one in which she had been raised, “the relationships between the individual and other people are an important part of personality."</p>

<p>It&#39;s not that Westerners and Easterners have different personality traits, Cheung explains. The difference lies, she says, in what counts as a personality trait in cultures. “Personality factors may be packaged differently in different cultural settings," she explains. The Chinese, for instance, often describe personality in terms of one&#39;s preference for harmony—a rarity in Western culture.   </p>

<p>Cheung has also been working to eliminate another kind of blind spot since her return home. In 1975, she says, it wasn&#39;t uncommon for newspapers&#39; help wanted ads to include gender and physical ability amongst a list of required qualifications applicants needed for a job. One-third of newspaper ads were still doing so in 1996, when Cheung became the first chair of Hong Kong&#39;s Equal Opportunity Commission (EOC).</p>

<p>To help implement anti-discrimination laws that had been passed in the territory, the EOC launched ad campaigns exposing the damage caused by gender stereotypes. One commercial produced for the campaign showed a man in downtown Hong Kong slowly turning into an ape as he made sexist remarks. “I wasn&#39;t sure about that one initially," says Cheung, laughing. “But the message got through." Just two years after the public awareness campaign launched, nearly 90 percent of the public knew about the EOC, up from 35 percent in 1996.</p>

<p>The next phase of the campaign for gender equality needs to emphasize the benefits for men, Cheung says. “Men sometimes think of equality of the sexes as requiring them to give something up," she explains. “We want to show them that they gain, too." Most men want more time with their children, she notes, something that gender parity would enable.</p>

<p>It&#39;s at this intersection of psychology and public policy, Cheung says, that she hopes to establish her legacy: a future, she hopes, in which help wanted ads excluding women will seem as bizarre as apes in downtown Hong Kong. <br />
</p></body>
         <category>
            9701|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 11:24:14 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Meinhover_6665-12.jpg" length="6776" type="image/jpeg" />
         <title>Just to Know</title>
         <description><p>CLA graduate Ted Meinhover writes a letter home about his experiences in Indonesia.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83315</link>
         <guid>83315</guid>
        <body><p><img alt="Meinhover_6665-12.jpg" src="http://blog.lib.umn.edu/clareach/stories/Meinhover_6665-12.jpg" width="150" height="205" /><br />
<em>Ted Meinhover<br>Photo: Everett Ayoubzadeh</em></p>

<p><em>A CLA Graduate Writes a Letter Home</em></p>

<p>“Hanya tahu Indonesia saja, Ted." Just to know Indonesia. My friend Suroto has no interest in taking me to any of the tropical islands that Indonesia has to offer or in taking me shopping at the “traditional" markets where you can buy handcrafted batiks. So instead of lounging on some beach watching the sun go down over the sea, I find myself sitting on the floor in a small house in the village of Klaten, on the slopes of the still-active volcano Mount Merapi, in Central Java.</p>

<p>The large family and I eat rice in a circle on the bamboo mat, children staring in silent wonder, grandma inquiring about my marital status and pointing out the beauty of Indonesia&#39;s female population, the occasional question about world politics coming my way from a watchful father. Suroto is on a mission to help me to “know" Indonesia; he says there is nothing more important for me to do here, and I agree. </p>

<p>The future of democracy is being determined right now, here, in Indonesia. Suroto was a student during the protests that catalyzed the end of the authoritarian Suharto presidency in 1998, and his eyes cloud over when he speaks of his friends who disappeared in the desperate regime&#39;s military crackdown. Today he is part of an energized community working to restore democracy and increase the welfare of the Indonesian people.</p>

<p>Spirited debate has become a large part of that process. Suppressed violently and institutionally for so long, the right to discuss, criticize and mobilize is not taken for granted. Suroto and countless others I have met are by no means shy about the passion they feel about their country, its promise and problems. Fierce national pride blends with fierce self criticism. They discuss the presence of massive economic disparity, the influences that are bombarding the country as a result of globalization. </p>

<p>And, of course, they discuss religion. It is perhaps one of the most pertinent issues in Indonesia, all the more so in light of today&#39;s global scene. And with the fourth largest population in the world, including the world&#39;s largest Muslim population, Indonesia will undoubtedly be playing a large role in that global scene. </p>

<p>Some here worry about American attitudes toward Islam. They&#39;ve heard the pessimistic “clash of civilizations" prophecies. Conflicts between fundamentalism and liberalism are, to be sure, part of the discourse here, as well. And there are indeed factions pushing to implement religious law in the form of legislation. But Indonesians as a whole—Muslims, Christians, and the many others—want political modernization, freedom, the chance to live under a system of democratically created laws. NU (Nahdatul Ulama), an Islamic political party and the largest political party in the world with around 40 million members, rejects the creation of laws that legislate how people practice their religion. </p>

<p>The University has given me this scholarship because it recognizes society&#39;s and its own interest in understanding and building bridges to this part of the world. If my experiences in the global studies classrooms of the University and in the small houses of Klaten have taught me anything, it&#39;s that the self interest of the individual can be achieved by pursuing the self interest of others. </p>

<p>As naïve as I may feel when I make such an idealistic proclamation, I was rewarded the other day when my Indonesian friend Rina responded with a smile, “Ted, I strongly believe good friendship and working together can create peace and a better world."</p>

<p>Terima Kasih.<br />
Thank you.</p></body>
         <category>
            9701|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 11:21:49 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Little Boxes</title>
         <description><p>What are you thinking when you check those race and ethnicity boxes on forms and applications? Four CLA scholars have been studying the role those boxes play in maintaining and eradicating social inequality.<br />
<ul><li><a href="sum_spr07subFeatures.php?entry=84293">Hazardous to your health</a></li><li><a href="sum_spr07subFeatures.php?entry=84294">Dysfunction&#39;s function</a></li><li><a href="sum_spr07subFeatures.php?entry=84296">A homogenous mosaic</a></li><li><a href="sum_spr07subFeatures.php?entry=84299">Colorblind or colorbind?</a></li><li><a href="sum_spr07subFeatures.php?entry=84095">Difference 101: a short syllabus</a></li></ul></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83313</link>
         <guid>83313</guid>
        <body><p><em>From the monumental, history-making act of genocide to the mundane misery of middle school, the classification of humans always seems to precede acts of cruelty and domination. CLA scholars offer fresh perspectives on the role institutions play in stigmatizing difference—and how those institutions can undo the damage.</em></p>

<p>In 2003, Californians who opened up their voter information guides were asked a loaded question. “When you&#39;re asked to check a government form with row after row of these rigid and silly little ‘race&#39; boxes, have you ever just wanted to say, ‘None of your business; now leave me alone?&#39; asked proponents of Proposition 54, a ballot initiative aimed at amending the state&#39;s constitution to prohibit state and local governments from collecting data pertaining to race in many contexts. </p>

<p>The initiative called attention to something that has become as inevitable in life as death and taxes: classification. For better or worse, we simply cannot get by in this world without checking boxes—or having boxes checked about us. From our race, sex, marital status, age, and citizenship to the religions we practice and the degrees we hold (or don&#39;t hold), we are all regularly described and tracked in terms of categories by institutions like the government. </p>

<p>Routine or not, proponents of Proposition 54 said the act of classification is often unnatural and never benign. Classification simply enables discrimination, which is harmful whether the target of discrimination is black or white, Latino or Asian, male or female, they argued. Opponents disagreed. Pretending that the world was colorblind, they said, would not make it so. It would only prevent institutions from collecting the information they need to monitor the gap between the ideal of equality and the reality of inequality—and to create remedies when the data show disparities.  </p>

<p>Proposition 54 failed, but public policy makers throughout the country continue to wrestle with the practical and philosophical questions raised when institutions engage in racial and ethnic categorization.  In historical and sociological studies, CLA researchers are providing crucial context for these questions. They&#39;re examining how the institutions that order our world—government agencies, universities, organized religions, courts—have classified people, often in ways that have harmed them. And, like those on both sides of the debate about colorblindness, they&#39;re thinking about how best to remedy past and continuing wrongs based on racial categorization.</p>

<p>How have communities stigmatized by institutions responded? To read more, go to <a href="http://reach.cla.umn.edu/littleboxes">reach.cla.umn.edu/littleboxes</a></p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 11:02:10 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/ochs-and-bakerweb.jpg" length="31284" type="image/jpeg" />
         <title>In the Zone</title>
         <description><p>CLA graduate Jeff Ochs started Breakthrough, an organization which helps underserved students get ready for college.<br />
<em>By Karen Olson </em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83311</link>
         <guid>83311</guid>
        <body><p><img alt="Pictures of Ochs and Baker with Students" src="http://blog.lib.umn.edu/clareach/stories/ochs-and-bakerweb.jpg" /><br /><br />
<em>Jeff Ochs ‘04 and Adrienne Baker &#39;06 are changing the faces of higher education. Photos: Leo Kim</em></p>

<p>For many 20-somethings, the first year out of college is a tough one. A lucky few may take some time off to travel to faraway lands. But most find themselves on the bottom rung of new ladders—corporate, educational, nonprofit—where they try to find their footing, hoping to begin the long climb upward. </p>

<p>Jeff Ochs didn&#39;t find a ladder to his liking. So he built his own. </p>

<p>In the first year after he graduated from CLA&#39;s Honors Program, Ochs founded Breakthrough Saint Paul, a nonprofit organization that prepares traditionally underserved students for college. The program is based on the educational model of the Breakthrough Collaborative, a national organization that now has 28 affiliates across the country. Students in Breakthrough programs commit to at least two years of tuition-free summer sessions and after-school programs, focusing on core academic subjects. They&#39;re taught by smart, energetic college and high-school students, 72 percent of whom go on to professional careers in education. </p>

<p><strong>The Comfort Zone Paradox</strong><br />
For Ochs, the road to this kind of meaningful, mission-driven work started with the click of a mouse. During his first year in CLA, Ochs received an e-mail from the CLA Honors Program about a teaching internship at LearningWorks, a tuition-free summer program for highly motivated students from traditionally underserved groups. “Prior teaching experience is not required," the e-mail said. “All majors and interests are welcome to apply."</p>

<p>Ochs applied, was accepted, and spent the summer teaching in a program that changed the way he thought about life—and education.</p>

<p>“I was completely out of my comfort zone every second of the day," says Ochs, who graduated summa cum laude in 2004 with a B.A. in history. The crash course in teaching demanded that he answer a lot of questions in a short amount of time. How do I get middle schoolers excited about studying Vichy France? How do people learn best? What do at-risk students need from me in order to succeed?</p>

<p>“That summer I started understanding what I call the comfort-zone paradox—coming to a point in your life where being outside your comfort zone is within your comfort zone," he says. </p>

<p>Comfortable with discomfort, Ochs, who is now 25, began his sophomore year eager to learn and to take on new challenges. He was so inspired by the program&#39;s positive effect on students and aspiring young teachers, he says, that he began to envision ways to make this opportunity available to other Minnesota communities—starting next door, in St. Paul.<br />
<strong><br />
Breaking Through</strong><br />
Those visions became a reality two years later when, as a senior, Ochs worked with University faculty to create a proposal for what would become Breakthrough St. Paul. </p>

<p>Not only did Ochs get university credit for the proposal through the U&#39;s Undergraduate Research Opportunity Program, he also convinced Mounds Park Academy to host it and the national Breakthrough Collaborative program to back it. </p>

<p>“Creating my own job was really a dream come true," says Ochs. But that&#39;s not to say it&#39;s been challenge free. He is, after all, working to reverse long-standing educational trends in underserved populations. </p>

<p>“The transition into middle school is a really hard one for kids who are smart," says Ochs. “We found that a lot of kids who had been identified as gifted and talented, especially minority kids, were not enrolling in honors courses in seventh grade." In fact, in St. Paul schools, only seven percent of students take honors classes and pass them. So it&#39;s a testament to the success of the program that within its first year, every student in Breakthrough St. Paul had enrolled in and passed an honors class at his or her own school. This year, 65 percent are taking more than one college prep course. </p>

<p>Ochs may have progressed to a new comfort zone, but there are still moments of disorientation. He compares the process of learning to lead a non-profit at the age of 22 to learning origami from a diagram. “You make a lot of mistakes. It&#39;s messy."</p>

<p>But the payoff is significant. Take Tho Bui, for example. An eighth-grader who hopes to become a math professor, Tho came to the United States from Vietnam with his family when he was in second grade. Staff members at Breakthrough St. Paul helped him apply for the Young Scholars award from the Jack Kent Cooke Foundation. In 2006 he became the first Minnesotan to receive the prestigious scholarship, which provides guidance and financial support for his entire academic career, even through graduate school, if he keeps his grades up. </p>

<p><strong>Taking the Torch</strong><br />
Now that he&#39;s coordinator, Ochs is the one sending, rather than receiving, recruitment e-mails. One of them reached recent CLA graduate Adrienne Baker. </p>

<p>Since March 2006, Baker has been the organization&#39;s student and family liaison. She visits schools, talks with students and their families, and makes sure students are able to take advantage of resources available to them. </p>

<p>“I knew coming into college that I wanted to serve diverse urban populations," says Baker, who declared both of her majors— journalism and cultural studies and comparative literature—in her freshman year. “I wanted to give people information to make informed decisions, to enrich their lives and experience, and to have power within their own communities."</p>

<p>“We set a goal and the next day we start to go for it," says Baker about the small staff that accomplishes so much. “We don&#39;t think about limits very often. We consider our obstacles, but if there&#39;s something important that needs to happen for these kids and for their success, we make it happen."</p>

<p>Baker sees a future career in writing—in fact, she&#39;s teaching journalism at Mounds Park Academy—but right now, she says, she&#39;s committed to community service. So is Ochs, who hopes for a future of social entrepreneurship, building innovative organizations with social justice missions. </p>

<p>They aren&#39;t resting on their laurels. But already, these recent CLA graduates are doing nothing less than changing the faces of higher education.</p></body>
         <category>
            9701|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 10:56:21 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/raimist-IMG_0109.gif" length="29795" type="image/gif" />
         <title>New Release</title>
         <description><p>How do you make a documentary about prisoners without showing barbed wire, leg shackles, or prison bars? Ph.D. Candidate Rachel Raimist has a poetic answer.<br />
<em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83310</link>
         <guid>83310</guid>
        <body><p><img alt="Ph.D. Candidate Rachel Ramist" src="http://blog.lib.umn.edu/clareach/stories/raimist-IMG_0109.gif" /><br /></p>

<p><i> Rachel Raimist<br>Photo: Kelly MacWilliams</i><br />
Ph.D. candidate Rachel Raimist unsettles settled ideas about prisoners </p>

<p>For just a moment, David Doppler looks and acts like the prisoner he is. A white t-shirt two sizes too large hangs off his torso. Slouching in a chair with his arms and legs splayed about, he seems consciously to be occupying as much space as his body and clothes will allow. “I&#39;m the ass kicker," Doppler says to the camera, smirking. “I kick ass."</p>

<p>But the menacing image doesn&#39;t last. The ass kicking he&#39;s referring to? He pesters guys who haven&#39;t submitted poems to the weekly poetry workshop he coordinates at the maximum security prison in Stillwater, Minn. </p>

<p>Two years ago, filmmaker and Ph.D. student  Rachel Raimist (gender, women, and sexuality studies) spent eight months filming Doppler and other incarcerated men who meet weekly to read, write, and respond to poetry, often with the collaboration of well-known spoken word artists from the Twin Cities—Reggie Harris, Desdamona, Ed Bok Lee, Emmanuel Ortiz. Now, she&#39;s sifting through hours and hours of footage, editing the piece.</p>

<p>From the first day she lugged her camera equipment into the prison, Raimist says, she wrestled with the question of how best to represent her subjects on film. It wasn&#39;t that she lacked experience as a documentary filmmaker. She&#39;d completed an M.F.A. in filmmaking from UCLA in 1999, and her master&#39;s project, a documentary on female hip hop artists titled Nobody Knows My Name, had gained critical acclaim and was still being shown at conferences and film festivals. But from the beginning, she says, this project felt different.</p>

<p>“This wasn&#39;t a space like hip hop, where I live it, I&#39;m part of it, I can theorize it from the inside," she explains. “I was an outsider." And so, she notes, are those who are often responsible for our conceptions of prison life. Prison documentaries, she explains, are typically produced by people who “come into the space, and it feels like they&#39;re doing a drive-through, a tour, an exposé—interviewing through bars, filming down on people. They seem to have this entitlement, this claiming." And so she set out to capture the more complex reality of prisoners who were trying to stake their own claim in the world through their poetry.</p>

<p>Just as her previous film captured the side of hip hop that never gets airtime—its progressive politics, its feminist roots—Raimist wanted her depiction of the poetry workshop to unsettle our received ideas about prisons and prisoners. In her documentary, prison isn&#39;t a place where time stops or people devolve into animals. It is, rather, a site of growth and change, a place where men find—or fail to find—dignity amid trying conditions.</p>

<p>To document that complex reality, Raimist tried to bridge the physical and psychological distance between filmmaker and subject as much as possible. Along with the other visiting artists, she participated in the workshops, reading her own poems, talking with the men about the joys of being the mother of a fourth-grader, recounting memories of her adolescence in Middletown, New York, her half-shaved head bobbing incessantly to hip hop. To gain the trust necessary for something as intimate as poetry writing to happen meaningfully, she explains, “All of us outsiders had to become part of the circle."</p>

<p>When Raimist did turn on the camera, she was careful about how she was framing the men. She intentionally never shot film in the parts of the prison that looked the most prison-like. There are no bars, no coils of barbed wire in this film. To capture the uniqueness of each participant, she zoomed in on individual faces rather than the cellblocks so frequently seen in film.</p>

<p>The focus, she says, was always on the community within the walls of the prison—not the walls themselves. “I got a lot of close-up shots of hands writing because I thought it was more about that," she says. She sometimes ceded the camera to the inmates, who became, in those moments, the producers as well as the subjects of their own stories.</p>

<p>Those methods make this documentary exceptional, says <a href="https://apps.cla.umn.edu/directory/profiles/lmendoza">Louis Mendoza</a>, chair of the Department of Chicano Studies, who has studied the depiction of prisons in literature. “She&#39;s capturing questions," he says of Raimist&#39;s work. “It&#39;s not just simply ‘let&#39;s put them on display.&#39; It&#39;s about the process, the struggle, the need for clarity, even as there is a willingness to embrace ambiguity or uncertainty about what the outcome is going to be."</p>

<p>That&#39;s precisely the effect Raimist hopes to generate. “Many people in that circle didn&#39;t get any real education. A lot of them barely had junior high educations," she notes. “Giving them some tools to look critically at their environment, their space, their lives, their background—it&#39;s a really powerful, transformative thing."</p>

<p>And while her documentary will inevitably reflect her own biases, Raimist is hoping that it will throw a wrench into the media machinery that keeps cranking out images of prisoners as lost causes. “Prison gets a very skewed, bad rap," she says.</p>

<p>To be sure, she&#39;s experienced its darker side. She&#39;s been cat-called in the hallways, and in one of her first weeks in the prison, a prisoner reached underneath the table and pinched her. But she&#39;s also seen in the Stillwater Poets, as she calls them, glimpses of her brother, her cousins, the guys she used to date in high school.</p>

<p>She&#39;s seen and documented guys with their arms defiantly crossed in March sitting shoulder-to-shoulder in August, talking about the children they never see or will never have. She&#39;s seen guys carrying each other&#39;s poems around in their pockets, talking about masculinity and the American dream.</p>

<p>People came to the workshop with very limited perspectives, she says. “And what they gained was an infinite amount: pockets of hope and spaces of possibility."</p>

<p>To see a working version of Raimist&#39;s documentary, go to <a href="http://reach.cla.umn.edu/raimist">reach.cla.umn.edu/raimist</a>.</p></body>
         <category>
            17097|9942
         </category>
         <pubDate>Fri, 13 Jul 2007 10:48:15 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/fajardo.jpg" length="16861" type="image/jpeg" />
         <title>Trading Spaces</title>
         <description><p>Kale Fajardo finds that despite the idea that we live in a small world, the connections that space and technology facilitate can also reinforce cultural identification.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83309</link>
         <guid>83309</guid>
        <body><div class="claBlogReachImg"><img alt="Kale Fajardo" src="http://blog.lib.umn.edu/clareach/stories/fajardo.jpg" /><br><i>Kale Fajardo<br>Photo: Kelly MacWilliams</i></div>

<p>We live, or so we&#39;re told, in a global village, where physical location, distance, and borders have been rendered irrelevant by supersonic jets and fiber optic cables.</p>

<p>But even before September 11th recharged our awareness of fault lines, anthropologist <a href="https://apps.cla.umn.edu/directory/profiles/kfajardo">Kale Fajardo</a> wasn&#39;t convinced that globalization always turned the borders between countries into leaking membranes. </p>

<p>The reason? Not all things global are fast, digital, or homogenizing, Fajardo says. More than 90 percent of the world&#39;s trade happens via ships that take two to three weeks to cross oceans. Forgotten by pundits, global shipping has important and often overlooked effects on the identities of those who work on ships and in ports. </p>

<p>Fajardo should know. This assistant professor in the Department of American Studies has spent ten years researching Filipino involvement in global shipping. Last summer, Fajardo spent two weeks doing followup research aboard a container ship traveling from the port of Oakland to the port of Hong Kong, via the Northern Pacific Rim, with stops in Tokyo, Osaka, and Kiaoshung. </p>

<p>Those ships and the sea they traverse are “in between" spaces, Fajardo says, where crew members are quite isolated for weeks at a time from the worlds they help to connect. And they are staffed by crews who hail from around the globe: Fajardo&#39;s ship last summer included crew members from Kiribati, Germany, and the Philippines. </p>

<p>Contrary to the conventional wisdom that globalization blurs identities, Fajardo found the opposite effect on board the cargo ship: the contained space strengthened, rather than diluted, the national identities of the ship&#39;s crew members. </p>

<p>Take, for instance, the ship&#39;s Filipino members. Within Asia and globally, Filipinos have been feminized as a people, notes Fajardo. Working in over 200 countries, they have been subjected to a global reputation that is often racist and mysogynistic: “Many Filipinos, particularly, women, work as overseas contract workers," Fajardo says. “Because of power imbalances, images and narratives of the Filipino subject have emerged, saying that she&#39;s a victimized woman, particularly because she might work as a maid, nanny, or prostitute, or because she immigrated as a ‘mail order bride."</p>

<p>Seafaring has become a way for Filipino men to resist global stereotypes. “Seafaring provides a kind of alibi or opportunity for saying, ‘We&#39;re not the victim. We can be seen in this more manly, heroic way," Fajardo explains. </p>

<p>The same spaces and technology that facilitate connections can also reinforce just how culturally different and distinctive we remain. And that&#39;s a side of globalization that we don&#39;t see when we&#39;re reading about the latest McDonalds to open in Moscow.<br />
<em><br />
By Danny LaChance</em></p></body>
         <category>
            17097|10166
         </category>
         <pubDate>Fri, 13 Jul 2007 10:44:11 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/till_1409.gif" length="50681" type="image/gif" />
         <title>Haunted Places</title>
         <description><p>Space may be a language, but in some cases, place is what we turn to when language fails, when we can&#39;t adequately express the contradictory, inchoate feelings we have about the past. To illustrate that point, associate professor of geography <a href="https://apps.cla.umn.edu/directory/profiles/ktill">Karen Till</a> recounts a story told by Hanno Loewy, director of the Frankfurt Center for Holocaust Studies.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83307</link>
         <guid>83307</guid>
        <body><div id="blogImageCaption"><img alt="Professor Karen Till" src="http://blog.lib.umn.edu/clareach/stories/till_1409.gif" width="324" height="216" /><br><i>Karen Till<br>Photo: Kelly MacWilliams</i></div>

<p>Over a decade ago, an elderly woman visiting from the United States  gasped with grief as she approached the ovens at Auschwitz. The woman, who had lost most of her family at Auschwitz, then moved even closer and touched the ovens delicately, almost reverently.</p>

<p>“She was no longer touching this oven as an instrument for murder, but touching it like a shroud, like a thing that touched the dead in their last minutes of dying,? Loewy explained to Till.</p>

<p>It&#39;s stories like this one, collected over years of research, that have shaped Till&#39;s understanding of place and memory and spaces of trauma. Till studies wounded cities, cities whose occupants have endured trauma in their collective past: Berlin, complicit in the atrocities of the Holocaust; Cape Town, violently reshaped by apartheid; Buenos Aires, wounded by the war levied by the military against leftists.</p>

<p>The places of memory—museums, monuments, and memorials—that these cities have constructed to remember the trauma of the past are more than simply markers of something that happened long ago, Till explains. They are expressions of an elemental urge that geographers and philosophers have been studying for years: the need to take our pasts and embody them in the environments that we build and the places to which we return. </p>

<p>We do this sometimes to cling to nostalgic memories. Photographs of children at various ages line parents&#39; fireplace mantels. Ticket stubs from concerts decorate bulletin boards.  </p>

<p>But we also do it to grapple with horrific past experiences, to let go—without necessarily achieving closure—of our traumatic memories. The wounded and bereaved can experience healing by returning to the site of trauma.</p>

<p>Gunter Morsch, director of the memorial museum at the Sachsenhausen concentration camp, told Till that while it may seem perverse, some of the people who have been in concentration camps see them as a kind of home, “even though we usually think of home in warm, touchy-feely ways.? </p>

<p>Creators of museums built on sites of historical trauma are increasingly becoming conscious of their therapeutic role in survivors&#39; lives, says Till. The District Six Museum in Cape Town, located in one of the few buildings that wasn&#39;t bulldozed when the apartheid government removed residents from the area, sees a fair number of tourists on any given day. But what those tourists probably don&#39;t see, Till notes, are the spaces that cater to those whose lives were directly influenced by apartheid.</p>

<p>“They converted the main hall into an exhibition space. But behind that there&#39;s a little kitchen area where local people hang out. And behind that still is what&#39;s called the homecoming center, where they&#39;ll have mourning workshops where people might bring in objects related to whatever memories they want to work through,? says Till. The objects, she says, can become a starting point for discussions that help participants come to terms with the past while imagining a better future. </p>

<p>In these museums, these sites of historical trauma, time isn&#39;t frozen. “The directors of these places see them as dynamic,? Till explains. “They don&#39;t want to exactly capture some tragic past. They know that can&#39;t happen. But they do understand the need, the basic human need, for feeling understood, for feeling complete.?</p>

<p><em><br />
By Danny LaChance</em></p></body>
         <category>
            17097|10166
         </category>
         <pubDate>Fri, 13 Jul 2007 10:41:17 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/may_0720.gif" length="31338" type="image/gif" />
         <title>Scenes from the Mall</title>
         <description><p>On a recent stroll down the Mall in Washington, D.C., <a href="https://apps.cla.umn.edu/directory/profiles/mayxx002">Elaine Tyler May</a> flashed on a conversation she&#39;d had almost two decades ago inside the Smithsonian&#39;s Air and Space Museum. Her son Daniel, ten at the time, had been gazing, mouth agape, at the planes suspended from the ceiling.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83306</link>
         <guid>83306</guid>
        <body><div id="blogImageCaption" style="float: right; width: 216px;"><img alt="Professor Elaine Tyler May" src="http://blog.lib.umn.edu/clareach/stories/may_0720.gif" width="216" height="216" /><br><i>Elaine Tyler May<br> Photo: Everett Ayoubzadeh</i></div>

<p>“Who do you think owns this place?" she asked.<br />
“I sure wish I knew!" he said, wide-eyed.<br />
“You do," she told him. “You and every other American citizen own this place."</p>

<p>It may have been a bit corny, admits May, a historian in the University&#39;s Department of American Studies. But she wanted her son to stake a claim in public spaces and, in so doing, be part of a generation that sees public space in ways that her own hadn&#39;t.  </p>

<p>In the years following World War II, when May was growing up in Southern California, spaces in the United States were being transformed in response to a shifting cultural climate that emphasized nuclear families and individualism. After the war, many who had lived densely in cities, stacked on top of one another in walk-up apartments, migrated to the suburbs and lived spaciously in subdivisions and cul-de-sacs. They shopped in privately owned shopping centers rather than downtowns. They took Pontiacs rather than public transportation to work. And they lived in houses whose design reflected a kind of detachment from public life.</p>

<p>“A lot of the suburban homes that are built after the war have a sheltered look," May says. “There&#39;ll be hedges. There&#39;ll be low-hanging roofs. They&#39;ll be set back with fences. It&#39;s really an architecture that speaks of separation rather than engagement with the world." Even front porches and stoops, gathering places that had traditionally connected private homes to the outside world, were nearly nonexistent in these suburbs, she notes.</p>

<p>May&#39;s current work examines the legacy of this Cold War turn away from public life. It&#39;s a trend that&#39;s been amplified, in some ways, by recent events. After September 11, public spaces have become further marked as sites of danger by the elaborate security protocols put in place to prevent terrorist attacks.</p>

<p>May points to her recent trip to D.C. as an example. “One of the most shocking and troubling symbolic changes is restricted access to public sites of national power," she says. “You can&#39;t get near the White House; there are those big barricades, and there&#39;s not even street access anymore. Everywhere there are security gates. You can&#39;t even go into a museum without being screened."</p>

<p>That lockdown atmosphere, she fears, will make it even more difficult to convince our youngest citizens that they have both the privilege and the duty of shaping their nation&#39;s public spaces—and public life.  </p>

<p>“When the first thing you encounter when you go to the Smithsonian is security rather than welcoming, that changes your relationship to that space," she says. It fosters a sense of alienation and distance from those we have elected to represent us.</p>

<p>May hopes her work ultimately helps to reverse the long-term trend she&#39;s spent much of her career exploring. “I want to help open up and reclaim that public space that is ours, that, in a sense, we have all participated in closing ourselves off from."</p>

<p><em>By Danny LaChance</em></p></body>
         <category>
            17097|10166
         </category>
         <pubDate>Fri, 13 Jul 2007 10:34:55 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Space Crafts/archer_0054.gif" length="38504" type="image/gif" />
         <title>Space Crafts</title>
         <description><p>We may take for granted the spaces we inhabit, but CLA scholars who study space and place don&#39;t. From the cul-de-sacs of suburbs to the berths of trans-Pacific cargo ships, we shape and inhabit space—and are shaped by it—in ways that have profound implications in our lives.<br />
<ul><li><a href="sum_spr07subFeatures.php?entry=83306">Scenes From the Mall</a></li><li><a href="sum_spr07subFeatures.php?entry=84092">Deep Impact</a></li><li><a href="sum_spr07subFeatures.php?entry=83307">Haunted Places</a></li><li><a href="sum_spr07subFeatures.php?entry=84094">OurSpace</a></li><li><a href="sum_spr07subFeatures.php?entry=83309">Trading Spaces</a></li></ul></p>

<p><em>By Danny LaChance</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83305</link>
         <guid>83305</guid>
        <body><div id="blogImageCaption"><img alt="Portrait: Professor John Archer. " src="http://blog.lib.umn.edu/clareach/stories/Space Crafts/archer_0054.gif" width="274" height="182" /><br><i> John Archer<br>Photo: Kelly MacWilliams</i></div>

<p>CLA researchers are examining how we&#39;ve been shaping space in recent years—and how it, in turn, is shaping us.</p>

<p>Through the window of the French Meadow Bakery and Café on Lyndale Avenue <a href="https://apps.cla.umn.edu/directory/profiles/archer">John Archer</a> sees a landscape of contrasts.</p>

<p>This dense neighborhood southwest of downtown Minneapolis seems, at first glance, quintessentially urban with its bead and vintage clothing shops, alleys and sidewalks, pedestrians and parallel parking. </p>

<p>But first glances can be deceiving. “This used to be suburbia," Archer says, pointing out the single-family houses that still dot the busy thoroughfare. And while the thought that Uptown and Woodbury could have anything in common may seem initially jolting, the truth of Archer&#39;s observation soon becomes self-evident. For Lyndale Avenue is not simply a street of art galleries and specialty shops. It&#39;s also a world of porches and front yards. </p>

<p>And those are spaces that Archer knows well. In his award-winning book <i>Architecture and Suburbia</i>, Archer examines the history and form of suburban space, from the English villa to the American dream house. His book upends many of the clichés about suburbia that songs like “Pleasant Valley Sunday" and “Little Boxes" have turned into conventional wisdom, like the notion that the suburbs breed conformity. </p>

<p>In reality, Archer says, the suburbs have been places where the middle classes have gone to assert their individuality, not to lose it. “Space is like a language," Archer says between sips of coffee. “We use it to define who we are." Suburbs emerged alongside capitalism as a rising ideology of individualism fueled the desire for private spaces that could distinguish individuals and their families from the rest of the world. </p>

<p>If space is a language, Archer and other CLA scholars are linguists. They&#39;re studying everything from the crematoria of World War II concentration camps to the cramped berths of trans-Pacific cargo ships, from the bulletin boards of cyberspace to the porch swings of the nineteenth century, trying to understand how we relate to space.  </p>

<p>And while their findings are as unique as the spaces and places they study, one truth seems to find its way into each scholar&#39;s work: the structures that we inhabit both shape and reflect the way we read the world. They make certain kinds of thoughts and actions and perspectives possible—and others impossible. And they reveal desires and values, forged over time, that we may not know we hold.</p>

<p>If space is a language, as John Archer suggests, by some accounts it&#39;s a dying one. Each day seems to bring new stories that call into question the significance of the three dimensions our bodies occupy. </p>

<p>If you have the Internet, you no longer need to go to the end of your driveway to get your Sunday paper, bookstores to find books, city hall to find deeds, classrooms to learn physics. It&#39;s all online.</p>

<p>And when you do venture into the world, you can find familiar stores, logos, and signs almost everywhere. </p>

<p>Given all the utopian—and dystopian—rhetoric about paperless offices, telecommuting, and global homogeny, it&#39;s tempting to think that physical space is becoming irrelevant.</p>

<p>But as the findings of CLA researchers demonstrate, that&#39;s a glib response to complex processes. The attacks of September 11th have made us more conscious of our surroundings, the physical spaces of our daily lives, than ever before. Cities grappling with the atrocities of their pasts create monuments and museums on the exact sites of trauma—not on the Internet. The global network that enables American fourth-graders to throw Chinese-manufactured baseballs relies on cargo ships that reinforce, rather than blur, national differences. </p>

<p>Space isn&#39;t losing its relevance. It isn&#39;t being superceded by pixels or energy particles or pan-Pacific jets. It&#39;s doing what it always has done: it&#39;s changing. And so are we.</p></body>
         <category>
            9699|17097|10166
         </category>
         <pubDate>Fri, 13 Jul 2007 10:25:54 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/access1005.gif" length="41214" type="image/gif" />
         <title>Up and Coming</title>
         <description><p>CLA&#39;s new K-12 outreach office is closing the gap between the University&#39;s learning spaces and Minnesota&#39;s underserved communities.<br />
<em>By Emily Sohn</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83304</link>
         <guid>83304</guid>
        <body><div id="blogImageCaption"><img alt="Students Tracy Blackmon and Naima Bashir, and Professor Keith Mayes" src="http://blog.lib.umn.edu/clareach/stories/access1005.gif" width="274" height="182" /><br /><i>Tracy Blackmon, &#39;07; Keith Mayes; Naima Bashir, &#39;08<br />Photo: Everett Ayoubzadeh</i></div>

<p>CLA&#39;s new K-12 outreach office is encouraging Minnesota&#39;s youngest citizens to think big.</p>

<p>As an African-American kid growing up in a working class household in Houston, Tracy Blackmon never got the sense that college was in her future. She lived with her grandmother, who taught her to cook and clean so that she could snag a husband. Even at school, guidance counselors inadvertently discouraged attempts to break out of a powerful socioeconomic rut—college was never on the tips of their tongues. </p>

<p>“There was a subtle knowing that if you lived in the neighborhood where I&#39;m from, you were maybe not going to college," says Blackmon, now a 23-year old senior at CLA. </p>

<p>That same discouraging message is regularly delivered to low-income kids of color throughout the country. But through student-driven documentaries, summer research programs, campus visits, and more, it&#39;s a message that CLA is working hard to change. </p>

<p>“If you reach students while they&#39;re young, there is evidence that they&#39;re more likely to go to college, have better grades, less absenteeism, and fewer behavioral issues," says Anise McDowell, who became CLA&#39;s first K-12 outreach coordinator last August. </p>

<p>With that in mind, members of the CLA community are increasingly reaching out to communities in Minnesota that are traditionally underrepresented in college classrooms. Directing their messages to students as young as five, they are replacing discouraging messages with a far more positive one: black or white, rich or poor, everyone deserves an education. </p>

<p>Outreach efforts aren&#39;t new to CLA. For years, professors and departments have been visiting primary and secondary school classrooms and bringing kids to campus. But until now, there was no central clearinghouse to organize those efforts. And ambitious projects may have been shelved in favor of smaller scale efforts. Not anymore, says McDowell. “Now that people know I&#39;m here, they say, ‘OK, we&#39;ve been wanting to do bigger projects. Now we can."</p>

<p><strong>Smoothing the way</strong><br />
A major goal of outreach efforts is to demystify the process of preparing for and attending college. Despite the lack of outreach in her community, Blackmon made it to the University after earning an associate degree from a community college in Houston. The journalism major, who tutors kids in Minneapolis schools, wants the next generation to know what she wished she knew at their age.</p>

<p>With that goal in mind, Blackmon is working on a documentary with classmate Naima Bashir that will film students of color talking about how high school prepared them for college, why they came to the U, and what campus life is like. The film will serve as a recruiting tool for minority high school students. Clips from its final version will appear on the African American Registry website, an extensive portal for African American history.</p>

<p><a href="https://apps.cla.umn.edu/directory/profiles/mayes">Keith Mayes</a>, assistant professor in the Department of African American and African Studies, is overseeing the project. Mayes grew up in Harlem and didn&#39;t know anything about college until his senior year in high school. “We have a tendency to forget students on the margins," Mayes says. “Only through luck do they come upon someone they can be inspired by. Our job as an ethnic studies department is to create inspiration for students about coming to college."</p>

<p>Among other issues, the documentary project, called Thinking &#39;Bout? Being About It, will consider the complexities of family relationships for first-generation college kids, Blackmon says. In her own case, she notes, her family started noticing with some dismay that she doesn&#39;t sound like she&#39;s from Texas anymore. “It&#39;s something a lot of us first-generation college students deal with," she says. “After a certain point, your friends and family don&#39;t understand you."</p>

<p>The film, Blackmon hopes, will show kids that there are students on campus with similar backgrounds who will be willing to help them. And it will end with a challenge: “Now you&#39;ve heard about our success stories," the film asks, “What are your success stories going to be?"</p>

<p><strong>Engaging students in research</strong><br />
Alongside such informal, student-driven projects, other outreach programs are taking a more traditional route—designed by professors for students and administered by the K-12 outreach office. Psychology professor <a href="https://apps.cla.umn.edu/directory/profiles/angus">Angus MacDonald III</a> was walking across the knoll after a department meeting last November when he came up with an idea for a summer program that would increase diversity among applicants, boost funding for graduate student research projects, and reach out to students in the community. </p>

<p>With input and encouragement from McDowell and CLA Dean <a href="https://apps.cla.umn.edu/directory/profiles/rosen060">Steven Rosenstone</a>, the idea evolved into a program called VIRTEx (Vertically-Integrated Research Experience), which is debuting in pilot form this summer. Three teams of students, consisting of a graduate student, an undergraduate student, and a motivated high school student, are collaborating on an original research project over the course of the summer. The high schoolers earn $1,250 for eight weeks of part-time work, giving them a way to gain research experience without having to get summer jobs.</p>

<p>“This is the kind of thing I would have eaten up in high school," says MacDonald, who graduated from Minneapolis South High in 1986. “I knew this is what I wanted to do back then, and I was looking all over for research opportunities, but there wasn&#39;t that kind of relationship with the University at that time."</p>

<p>Confident that the pilot program will a success, CLA hopes to fund dozens of similar opportunities in summers to come. </p>

<p><strong>Paying it forward</strong><br />
Other CLA programs, meanwhile, are already paying dividends. Last April, the “CLA Experience" gave tenth graders from Patrick Henry High School in North Minneapolis a taste of college life. Students enrolled online and spent a day attending lectures on campus. After a similar program earlier this year, students from Northeast Minneapolis&#39;s Edison High School raved about the day. “They said they felt like they could go to college now," McDowell says.</p>

<p>The McGuire Academic Program helps to turn such students into University graduates, offering a next step for high school students involved in community programs like LearningWorks and Admission Possible. Nonprofit organizations like Achieve! Minneapolis and AVID in St. Paul are also part of the mix of CLA-community partnerships for access and sucess.</p>

<p>When CLA junior Douachee Lee was in high school at Patrick Henry, Admissions Possible paired her with a U student who helped her study for the ACT and apply for admission and financial aid. Through the program, which is geared toward kids from low-income families, Lee also visited campus a few times. A visit with the Hmong Minnesota Student Association made her feel even more at home. </p>

<p>“During my first year, I felt really comfortable going to classes and walking around campus," Lee says. “I don&#39;t think I ever got lost." These days, Lee coaches students and visits high schools, helping the next generation of U students find their way, too.<br />
</p></body>
         <category>
            9700|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 10:10:32 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/Samaha.jpg" length="5803" type="image/jpeg" />
         <title>Head of the Class</title>
         <description><p>In an age of on-line and experiential learning, why do the four walls of the classroom still matter?<br />
<em>By Danny LaChance</p>

<p>- Laine Bergeson contributed to this story</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83303</link>
         <guid>83303</guid>
        <body><div id="blogImageCaption" style="float: right;"><img alt="Professor Joel Samaha" src="http://blog.lib.umn.edu/clareach/stories/Samaha.jpg" width="153" height="204" /><br />Joel Samaha</div>

<p>An 80-person class. A professor who calls on you even though your hand isn&#39;t raised. A moment of hesitation. Your ventured opinion, perhaps a bit unorthodox. And then, when you&#39;ve finished, the professor&#39;s explosive response: “That&#39;s the most outrageous thing I&#39;ve ever heard!"</p>

<p>It may seem like a scene out of The Paper Chase, the classic 1973 film that depicted law school as an exercise in public humiliation. But in sociology professor <a href="https://apps.cla.umn.edu/directory/profiles/jbs">Joel Samaha</a>&#39;s hands, these moments are the stuff of good-natured debate. His students know that behind the mock outrage is a teacher who revels in their idiosyncratic views of the world.</p>

<p>Samaha, who won the University&#39;s Morse-Alumni Undergraduate Teaching Award this year, is legendary for his ability to generate debate even in large classes, says <a href="https://apps.cla.umn.edu/directory/profiles/uggen001">Christopher Uggen</a>, chair of the Department of Sociology. As former student Ryan King puts it, Samaha “challenged and compelled us to logically defend our arguments and, in the process, managed to be outwardly disagreeable yet tremendously likable." It was, he says, “a perfect pedagogical storm."</p>

<p>It&#39;s the liveliness and intensity of professors like Samaha that make classrooms, at their best, inimitable. Sure, today you can take a college course — or get a college degree—without ever setting foot in a classroom. Virtual classrooms and hands-on internships have become to the twenty-first century what open schools and cooperative learning were to the twentieth: the next big thing.</p>

<p>But all it takes is a quick glance at Joel Samaha&#39;s student evaluations to know that classrooms—those storied spaces with four walls, chairs filled with students, and a teacher standing somewhere in the mix—still matter.	</p>

<p>In Samaha&#39;s classroom, the lights stay on. PowerPoint is banished. (“It&#39;s the quickest way to make the classroom irrelevant," Samaha explains. “The students just spend their time copying what you put up there.") And students participate constantly— often using clickers. </p>

<p>Like studio audience members in the popular game show Who Wants to Be a Millionaire? Samaha&#39;s students are frequently asked to respond with these hand-held devices to a case he presents at the beginning of the class. </p>

<p>“Who thinks the police ought to have the right to remove a passenger from a car they legally pulled over without having to give a reason?" he might ask at the beginning of a class session on discretionary power.</p>

<p>Students push a button on the clicker, a computer tallies the results, and, at Samaha&#39;s signal, a histogram displaying the results appears on the projection screen at the front of the room. It&#39;s more than just glorified hand raising, Samaha explains. Because each student&#39;s selection is invisible to peers, the results reflect a greater diversity of views than might otherwise appear in a public show of hands.</p>

<p>This anonymous process bypasses peer pressure, ensuring airtime for unorthodox and even unpopular perspectives. And that&#39;s especially important in a large lecture class, says Samaha. With clickers, students are empowered to speak up. They can dissent and, in the end,  see that they&#39;re not alone in their views. </p>

<p>Socratic-style on-the-spot interactions follow the surveys. Samaha points to a row of students and has each one explain how she or he voted and why. It&#39;s an art, he says, playing these responses off of one another. </p>

<p>“All my life, I&#39;ve been kind of an oddball," he explains. “I have looked at what other people look at, but I don&#39;t see what they see."</p>

<p>Making the classroom an oddball-friendly atmosphere is important to Samaha, who is%</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 09:47:49 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/IMG_0383.gif" length="21462" type="image/gif" />
         <title>Seaquest</title>
         <description><p>Christine Baeumler illustrates science&#39;s most pressing concerns—literally.<br />
<em>By Linda Shapiro</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83302</link>
         <guid>83302</guid>
        <body><div id="blogImageCaption"><img alt="Professor Christine Baeumler" src="http://blog.lib.umn.edu/clareach/stories/IMG_0383.gif" width="162" height="162" style="float: right; margin-left: 7px;" /><br><i>Christine Baeumler<br>Photo: Kelly MacWilliams</i></div>

<p>As an art student, <a href="https://apps.cla.umn.edu/directory/profiles/baeum002">Christine Baeumler</a> didn&#39;t think much about the connection between scientific inquiry and artistic expression. “Sitting in a drawing class I could never have predicted that someday I&#39;d be swimming with whales" and documenting their habitats in a variety of media, she says. </p>

<p>But science needs art for its most important messages to have an impact. “We&#39;re suffering from a failure of imagination," says Baeumler,  an assistant professor of art. “We&#39;re in denial about our impact on the environment and how it&#39;s going to change because of that. Imagination makes us empathetic. Artists use their imaginations to envision what could be in the world.  So perhaps art can create a sense of empathy that will lead to better stewardship."</p>

<p>With that in mind, Baeumler has traveled to World Heritage Sites such as the Australian Rain Forest, the Galapagos Islands, and the Great Barrier Reef, where she swam with 25-foot long dwarf minkie whales, videotaping them at such close range that she was virtually eye to eye with them. Her video installation “Beneath the Coral Sea" documents her attempt to cross the culturally constructed divides between human and animal species.</p>

<p>She hopes that her drawings, paintings, and video portraits of endangered species in their habitats can help convey a sense of the physical and emotional engagement that she has experienced as an artist in these geographically far-flung settings.</p>

<p>Closer to home, Baeumler has been involved in local restoration projects at the Bruce Vento Nature Sanctuary in St. Paul. There, Baeumler worked with volunteers, including the East Side Conservation Corps, Dakota Tribal members, and some of her own students, to restore an area that had become degraded. Cleaning up decades of debris and restoring the area&#39;s soil and wetlands has facilitated social healing for the Dakotas, to whom the site has long been sacred. </p>

<p>On campus, Baeumler teaches a cross-disciplinary course called Art and Social Engagement. “The students are working through the question of how beauty plays a role in social change and identity," says Baeumler. With St. Olaf College faculty members Jil Evans and Charles Taliaferrohe, she is also organizing a conference on Charles Darwin to be held in 2009 at St. Olaf. A group of scientists, philosophers, and artists will discuss how Darwin&#39;s theory revolutionized the way we look at nature. “The irony of Darwin," Baeumler says, “is that the species he studied are the very ones being endangered by the environment we are creating."<br />
</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 09:42:00 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/CCT0135.gif" length="35880" type="image/gif" />
         <title>Life-Shaping Art</title>
         <description><p>Local high school students blur art and life on the University&#39;s stage. <br />
<em>By Linda Shapiro</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83301</link>
         <guid>83301</guid>
        <body><div id="blogImageCaption"><img alt="St. Paul Central Students and Professor Sonja Kuftinec" src="http://blog.lib.umn.edu/clareach/stories/CCT0135.gif" width="216" height="216" /><br><i>Center: Sonja Kuftinec<br> Photo: Kelly MacWilliams</i></div>

<p>Onstage at the University&#39;s Arena Theater in Rarig Center, students from St. Paul&#39;s Central High School perform a wrenching scene from <em>I&#39;ll Take You There</em>. When Karesa Pettis-Berry faces harassment by others about the color of her skin, she laments,  “The kids don&#39;t like me because I&#39;m not that mediocre ochre." Then she pleads with them, “Take me as I am, or I&#39;m nothing at all."</p>

<p>Inspired by the students&#39; own life experiences, the play dramatizes issues young people face every day, from struggles with identity and self-esteem to violence, racism, and homophobia. “The goal of the Central Touring Theater (CTT) is to convey the original voices of youth to the community through live ensemble theater," explains Jan Mandell, who has been leading the program at Central for 29 years. Each year, CTT students perform and lead post-performance workshops at area high schools, education conferences, and colleges.</p>

<p>Their University performances give faculty and students in the Department of Theatre and Dance the opportunity to deepen their cultural understanding while honing their teaching and performance skills. “We wanted our students to encounter a way of creating theater that develops from issues of concern to urban youth," says <a href="https://apps.cla.umn.edu/directory/profiles/kufti001">Sonja Arsham Kuftinec</a>, the associate professor who first invited Mandell to campus four years ago to conduct workshops on the improvisatory methods she uses with students. </p>

<p>Since then, Mandell and her students have participated in a variety of workshops at the University, while some of Kuftinec&#39;s students have worked with Mandell as interns.</p>

<p>In 2003, the department commissioned CTT to create a play about the barriers that kids face getting into college. Barriers to Entry was performed at Campus Preview Days (a student recruitment event at the U) and toured to high schools and college conferences. ­</p>

<p>Central students come away from their U experience with some new perspectives on their futures. “We want to let them know that this is an accessible place where they can thrive," says Kuftinec. “Many didn&#39;t consider college as an option, but for the past two years we&#39;ve awarded full scholarships to some Central students. We feel that their training as artists and world citizens particularly suits our B.A. program."</p>

<p>During the post-show Q&A, audience members—faculty and  students in the Department of Theatre Arts and Dance—offer up enthusiastic praise and ask questions about the creative process. Central student Darrail Hughes explains how the group came up with personal material that they wanted to share with other people. “It was a lot of trial and error," says Hughes. “Stuff got dumped, and stuff got put in."</p>

<p>“Every moment in this play has a story," says Mandell, noting that the creative process—which is improvisational, exploratory, revelatory—is as important as the play itself for these kids.</p>

<p>At one point in the discussion, a Central student describes how CTT&#39;s vision of embodied learning has transformed her life: “It peels away all the layers and gets to the core—the place where you can really be who you are."</p></body>
         <category>
            9700|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 09:39:13 -0600</pubDate>
      </item>
      
      <item>
	<enclosure url="http://blog.lib.umn.edu/clareach/stories/unclesam.gif" length="17529" type="image/gif" />
         <title>Connecting the Silos</title>
         <description><p>Barbara Frey explores the link between human rights and small firearms.<br />
<em>By Mary Shafer</em></p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83300</link>
         <guid>83300</guid>
        <body><div id="blogImageCaption" style="float: right"><img alt="firearms and a hat" src="http://blog.lib.umn.edu/clareach/stories/unclesam.gif" width="206" height="288" /><br><i>Art work: Scott Menchin</i></div>

<p>As director of the Human Rights Program in CLA&#39;s Institute for Global Studies,<a href="https://apps.cla.umn.edu/directory/profiles/freyx001"> Barbara Frey</a> has covered a lot of ground. Her research and consulting on human rights issues like torture and penal reform have taken her from Argentina to Nepal, and her name appears on multiple international human rights law projects. Closer to home, she founded Minnesota Advocates for Human Rights, the largest human rights organization in the Midwest.</p>

<p>But in 2002, when the United Nations Sub-Commission on Human Rights appointed her to study how countries could prevent human rights violations committed with small arms and light weapons, Frey was plowing relatively new ground: Human rights and light weaponry haven&#39;t typically been linked. In fact, “they have traditionally been in separate silos at the United Nations," says Frey. </p>

<p>There&#39;s no doubt that small arms—handguns and their cousins, including assault rifles, machine guns, and other easily-carried small weapons—take an enormous toll in human death and suffering, killing some 500,000 people every year and maiming ten times that number. Half of these incidents, Frey says, occur in non-combat settings, many with weapons of illegal or unknown provenance or off the record books. “The United States and Russia fed weapons to Afghanistan for 15 years," Frey says. “They&#39;re still there, and small weapons can serve you for 40 years. They&#39;re mobile; they&#39;re lethal."</p>

<p>In her August 2006 report to the U.N. sub-commission, Frey proposed two international legal principles. The first was relatively uncontroversial: the state has a responsibility to protect human rights and prevent abuses related to small arms. But the second, that small-arms possession is not a fundamental right under international law, aroused fierce opposition from those who view gun ownership as akin to other fundamental rights, like equal protection under the law. “I took on their Holy Grail," Frey says. “If I had stuck just to what governments can and should do to prevent the criminal use of weapons, I would have been fine."</p>

<p>Most of Frey&#39;s critics have come from the United States, where a strong gun lobby posits a fundamental right to self-defense. “That right is the basis on which you can buy a gun. On this issue, though, the U.S. is out of sync with rest of world."</p>

<p>Indeed, of the 650 million small arms in the world, 350 million of them are in the U.S.  And the National Rifle Association&#39;s lobbying at the U.N. meant that the U.S. delegation voted against Frey&#39;s request for funding for a questionnaire on states&#39; gun control measures. </p>

<p>The U.N. sub-commission&#39;s approval of Frey&#39;s report in August represented the highest-level recognition to date of the link between small-arms control and human rights.  If the next step is taken—approval by the U.N. Human Rights Council—Frey&#39;s study will generate more interest, she believes, and probably more criticism.   </p>

<p>“The report&#39;s success depends on whether there&#39;s momentum to go forward," she says. “If it begins to have a real impact on U.S. gun policy, you&#39;ll see an over-the-top assault on me."</p>

<p>But Frey doesn&#39;t mind bracing for the impact. In fact, she&#39;s hoping for the momentum. “We need to start seeing guns," Frey believes. “Law-abiding citizens, including people who lawfully own guns, need to work together to find reasonable common ground."</p>

<p>Frey&#39;s report can be viewed at <a href="http://reach.cla.umn.edu/frey">reach.cla.umn.edu/frey</a>.</p></body>
         <category>
            17854|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 09:33:58 -0600</pubDate>
      </item>
      
      <item>
	
         <title>Travels through space and time</title>
         <description><p>Steven Rosenstone writes about the transforming University of Minnesota.</p></description>
         <link>http://cla.umn.edu/news/reach/allreach.php?entry=83299</link>
         <guid>83299</guid>
        <body><p>I have just returned from my second visit to China, where I visited with University of Minnesota alumni and met with officials at our partner universities in Beijing and Tianjin to discuss strategies for expanding our programs of student and faculty exchange. This wasn&#39;t just an official visit. It was a high-velocity trip into the future. The magnitude of the changes that I saw—the momentous expansion upward and outward, the tumultuous entrepreneurial ferment of open markets, the social and political transformation—heralds a new age not only for China, the world&#39;s most populous nation, but also for all of us. </p>

<p>At last count, there were at least 48 Chinese cities with more than one million people (compared to about five cities that big in the United States). The Chinese higher education system is one of the fastest growing in the world—and so is its economy. China is quickly gaining dominance in global markets, in industries from engineering and technology to pharmaceuticals.</p>

<p>Even as the skies over Beijing and other large cities darken with industrial emissions, China&#39;s aspirations and prospects seem boundless. Decades of change are happening in an instant, with no slowdown in sight. I find myself wondering: What&#39;s next?</p>

<p>It&#39;s been said that most people are in favor of progress; it&#39;s the changes they don&#39;t like. And one person&#39;s confident leap into the future is another&#39;s scary ride into the unknown, or worse. The truth is, even visionaries can&#39;t see the future with 20-20 vision. And most of us don&#39;t even know what&#39;s around the next bend, much less over the horizon. Every move forward is a leap of faith.</p>

<p>Where are we going, and how will get there? How do we harness all of this creative energy for the common good? How do we balance economic, social, cultural, political, and environmental interests? How do we work together across geographic and cultural boundaries to answer these questions? </p>

<p>These questions bring me right back to the University of Minnesota and CLA, where they drive everything that we do.</p>

<p><strong><br />
Transforming academic spaces</strong><br />
A wholesale transformation is under way in the College of Liberal Arts and the University of Minnesota—and it touches every department, every student, every faculty and staff member. It also touches people and communities throughout the state of Minnesota and around the globe, across distances that have shrunk dramatically over the last decade. </p>

<p>Of course those distances haven&#39;t literally shrunk. China is still roughly 6,700 miles away. But it seems closer than ever as open markets and new technologies enable global exchange of goods, services, ideas, and resources; and facilitate education, research, and economic collaborations across oceans and continents.</p>

<p>The most critical problems of our time—climate change, poverty, disease, inequality, natural resource and food scarcity, war and terrorism—are global in scale. Complex global problems require complex global solutions. They require fast-forward big-picture thinking and broad collaboration across borders, cultures, and academic disciplines. They require new ways of teaching and new strategies for preparing students for global citizenship.</p>

<p>If the University of Minnesota is going to be a top-tier global player in the 21st century, we must rethink everything from classrooms to academic disciplines and curricula, from admissions to advising, from brain research to writing instruction, from global geopolitics to issues of citizenship and identity. </p>

<p>We must continuously reevaluate how we teach, learn, make decisions, and communicate, and how we pay for public goods, make a living, feed the world&#39;s people, preserve our ecosystems, create sustainable communities, and raise and educate our children. We must develop powerful new ways to foster discovery and innovation.</p>

<p>We must change how we conceptualize, configure, and inhabit the institutional and cultural space that we call the University of Minnesota as well as the physical and cultural spaces in which we live and work in the world.</p>

<p>In CLA and across the University, we&#39;re doing all of this, and more. </p>

<p>Whether we welcome change, resist it, or just go along and try to stay apace, in the end we all must learn new ways of living and working. And that requires the versatility, resiliency, creativity, and resourcefulness that are CLA hallmarks.</p>

<p>I invite you to come to campus to see for yourself how we&#39;re changing the course of history. Fasten your seatbelts and stick around for the ride—it&#39;s going to be an exhilarating journey into a new world.</p>

<p>—<a href="https://apps.cla.umn.edu/directory/profiles/rosen060">Steven J. Rosenstone</a>, Dean and McKnight Presidential Leadership Chair<br />
</p></body>
         <category>
            17853|17097
         </category>
         <pubDate>Fri, 13 Jul 2007 09:28:06 -0600</pubDate>
      </item>
      
   </channel>
</rss>
