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September 1, 2008

Time and Interactivity Research: Bibliography and Articles

Bibliography

Binkley, Timothy. “The Vitality of Digital Creation.? The Journal of Aesthetics and Art Criticism, Vol. 55, No. 2, Spring 1997, 107-116.

Carroll, Noel. “The Ontology of Mass Art.? The Journal of Aesthetics and Art Criticism, Vol. 55, No. 2, Spring 1997, 187-200.

Conlon, Juliet. “From the Back of the Eyelids: Public and Private Space in an Interactive Installation.? Leonardo, Vol. 34, No. 5, 1999, 379-82, MIT Press.

Crowther, Paul. “Ontology and Aesthetics of Digital Art.? The Journal of Aesthetics and Art Criticism, Vol. 66, No. 2, Spring 2008, 161-70.

Duarte, Angel. “Interactivity and Plastic Space: From the Minimal Unit of Movement to the Modulus.? Leonardo, Vol. 25, No. 3-4, MIT Press.

Foresta, Don. “The Many Worlds of Art, Science, and the New Technologies.? Leonardo, Vol. 24, No. 2, MIT Press.

Gortais, Bernard. “Abstraction and Art.? Philosophical Transactions: Biological Sciences, Vol. 358, No. 1435, The Abstraction Paths: From Experience to Concept, July 29, 2003, 1241-49.

Hartzell, Emily. “Sculpting in Time and Space: Interactive Work.? Leonardo, Vol. 34, No. 2, 2001, 101-07.

Hick, Darren Hudson. “When is a Work of Art Finished?? The Journal of Aesthetics and Art Criticism. Vol. 66, No. 1, Winter 2008, 67-76.

Light, Andrew. “Wim Wenders and the Everyday Aesthetics of Technology and Space.? The Journal of Aesthetics and Art Criticism, Vol. 55, No. 2, Spring 1997, 215-230.

London, Barbara. “Time as Medium: Five Artists Video Installations.? Leonardo, Vol. 20, No. 5, 423-26, MIT Press.

London, Barbara. “Digital Art Takes Shape at MoMA.? Leonardo, Vol 4, No. 2, 95-99, MIT Press.

Lucas, Adam. “Art, Science and Technology in an Expanded Field.? Leonardo, Vol. 26, No. 4, 1993, 335-345, MIT Press.

Maynard, Patrick. “Special Issue: Perspectives on the Arts and Technology.? The Journal of Aesthetics and Art Criticism, Vol. 55, No. 2, Spring 1997.

McCale, John. “The Future of Art and Mass Culture.? Leonardo, Vol. 12, Pergamon Press, 1979, 59-64.

Paul, Christiane. “Reading/Writing Hyperfictions: the psychodrama of Interactivity.? Leonardo, Vol. 28, No. 4, (1995), 265-72, MIT Press.

Prophet, Jane. “Sublime Ecologies and Artistic Endeavors: Artificial Life and Interactivity in the On-line Project TechnoSphere.? Leonardo, Vol. 29, No. 5, Fourth Annual New York Digital Salon, 1996, 339-344.

Reichardt, Jasia. “Machines and Art.? Leonardo, Vol. 20, No. 4, 20th Anniversary Special Issues: Art of the Future: The Future of Art (1987), 367-72, MIT Press.

Saltz, David. “The Art of Interaction: Interactivity, Performativity, and Computers.? The Journal of Aesthetics and Art Criticism, Vol. 55, No. 2, Spring 1997, 117-128.

Shusterman, Richard. “Aesthetic Experience: From Analysis to Eros.? The Journal of Aesthetics and Art Criticism. Vol. 64, No. 2, Spring 2006, 217-29.

Truckenbrod, Joan. “Integrated Creativity: Transcending the Boundaries of Visual Art, Music, and Literature. Leonardo Music Journal, Vol. 2, No. 1, 1992, 88-95, MIT Press.

Truckenbroad, Joan. “Computers as a Vehicle for Integrated Creativity.? Leonardo, Vol. 23, No. 4, 1990, 440.

Whittick, Arnold. “The Aesthetic Value of Technique in Art.? Philosophy, Vol. 8, No. 30, April 1933, 251-52.