Essentially Intersectional
I just read Elaine Tyler Mae's "Homeward Bound" for the second time. In this essay she critiques the oppression of gender and sexuality in "white" culture of the 1950s. In beginning her argument, she references Vice President Nixon's "kitchen debate" where he argues the existence of universal gender and sexual roles for women (although he is clearly referencing the white, suburban, wife). As I would agree with many of Juarez and Kerl's critiques of outlined scholarship, I feel many examples are assuming an essentialized sexuality while not ALWAYS referencing "white" sexuality. This conversation has me in very murky waters. I am thinking of the film Mona Lisa Smile for some reason right now. I think this film argues against the right (White) way to be sexual and at the same time argues that a white oppression of sexuality does exist. I haven't seen it since the theater, but I think I remember a scene where Julia Styles is choosing to stay in the home and Julia Roberts (??) can't really grasp why she would want to subscribe to these roles when she has the chance to break free. At this point, both gain agency in the structures surrounding sexuality.
In another arena entirely, I can't get over Juarez and Kern's theme of "old world/new world" and "traditional" sexuality. I feel what this work, as well as much of the work that is being critiqued within it, is missing intersectionality. This argument that Chicana/o is given such sexual definitions and "white" should be recognized as just as oppressive seems to miss all complexities. What about historical contexts? Religion? Catholicism influence? Protestant influence? La Chingada/La Virgen? I think the best take home message here is essentialism regarding sexuality.
I didn't follow the parameters of the prompt completely, but isn't essentialism essentially parameters in itself?