The first 10 seconds of the film are very unsteady and low to the ground. This gives the viewer the point of view of the small remote operated vehicle later shown in the scene. The camera zooms out to show the vehicle moving past frantic people. The movements and zoom of the camera are quick and sharp, which adds to the panicked, chaotic mood of the scene. Several times, the camera zooms and focuses briefly on a specific object. A few times throughout the scene on the small vehicle, once on the machine gun on top of a tank. The zoom draws the viewer's focus to emphasize what is being shown. The camera jumps from shot to shot, adding to the rising tension being shown on screen. The angle of the camera shots are almost always shot upwards from the ground, or from quite high up, as if sitting on a roof. These angles make me feel as though I'm trying to stay out of sight, or hiding. The scene then switches from the panicked street to several solders watching through the camera on the remote operated vehicle. The first angle gives the impression of looking over the controller's shoulder. The camera zooms close to the controllers' faces to show the tension of the situation. The camera then shifts between shots of the solder's eyes, hands, and the point of view of the vehicle camera. The zooms show the tension of the situation and cause the viewer to focus on what the filmmakers see as the most important parts.

To be honest, I chose this piece because the image shown on the website looked really cool. But after reading about it, I admit I'd probably enjoy interacting with this "interactive music box." The piece is described as an open cube filled with tuned violin strings that, with the help of a microphone and movement sensors, each play at a different frequency. I really like the idea of this piece because it throws music, light and viewer interaction into a box, literally. After doing some googling, I found a video of this piece in action. The overlapping sounds give the piece a slightly sinister mood. Judging from the video, the sounds put out by the "strings" are all diverse and loud, but in a tasteful, not overly loud or obnoxious way.

Throughout the whole segment, the colors, tone, costumes and environment are used to set the desired timing of the film. The colors and tone of the film have an "old-time" type look. This is most likely due to the technology available when the film was shot, but by not enhancing the colors on the film, it adds to the feeling of the time period. The costumes worn by the characters as well as the environment and scenery also reflect the timing of the story. Unlike the color and tone, the costumes and settings were most likely chosen with the intent to show the time period meant to be represented.

During the horseback riding parts of the scene, the camera either shoots the characters from behind, or from a distance in front of the horses, pivoting to follow the riders as they travel. this shows the movement of the horses as they ride away. When the riders are talking to each other, the camera focuses closer on their faces to emphasize the dialog. A character rarely speaks from off camera or without being seen facing forward in the frame. When facial expressions are important to the mood or dialog, the camera zooms in closer to make the expression clear. During the knife fight part of the scene, the camera switches angles and distance to best view whatever action is happening at that moment.