January 2011 Archives
Check out the following upcoming events sponsored/co-sponsered by the Gender, Women and Sexuality Studies Department. Hope to see you there!
MIRTA KUPFERMINC, Visual Artist
"The Skin of Memory"
This presentation will begin with a screening of Mirta Kupferminc's award-winning video, "The Name and the Number."
Of the video Kupferminc writes, " Here I suggest a relationship between embroidery and tattooing, both of them maternal legacies. On the one hand, I grew up embraced by arms with numbers tatooed on them; on the other, my Hungarian mother passed onto me the pleasure of tradicional European ornamentation. Both legacies were transmitted to me by means of a needle." The Name and the Number, produced with a grant from the Memorial Foundation for Jewish Culture, won a prize in 2010 in the National Salon in Argentina.
DATE: Tuesday, February 1
TIME: 3:00pm, Reception Following Talk
LOCATION: 400 Ford Hall, East Bank
RUTH WILSON GILMORE
Please join us for an exciting talk by Ruth Wilson Gilmore, Professor of Earth and Environmental Sciences at the City University of New York Graduate Center. She is the author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California (University of California Press, 2007). Gilmore will present a talk on "'Gender Responsive' Prison Expansion: The Case of California." A small reception will follow the talk.
DATE: Friday, February 11, 2011
TIME: Talk starts at 4:00 p.m., followed by a small reception at 5:00 p.m.
LOCATION: Hubert H. Humphrey Center, Cowles Auditorium
SIOBHAN B. SOMERVILLE VISITS THE GWSS DEPARTMENT!
Siobhan B. Somerville is Associate Professor of English and Gender and Women's Studies at the University of Illinois at Urbana-Champaign, where she is also affiliated with the Department of African American Studies and the Unit for Criticism and Interpretive Theory. She is the author of Queering the Color Line: Race and the Invention of Homosexuality in American Culture (Duke UP, 2000) and editor of a special issue of Modern Fiction Studies on "Queer Fictions of Race." Her work has appeared in journals such as American Quarterly, American Literature,and GLQ.
DATE: Friday, February 25, 2011
TIME: 4:00 p.m.
LOCATION: 101 Walter Library
MELODY HOFFMAN, PhD Student in Communications, University of Minnesota
Presentation: "Frontin' Gangstas, Getting Down With Thyself: Hip Hop, Sexuality, and Feminism in Afrodite Superstar
Date: Friday, February 18
Location: 400 Ford Hall, East Bank
"Queering and Transing the Great Lakes: Nice Rodriguez's Throw it to the River, Filipino/a Tomboy Masculinities in Toronto and Manila."
Kale Bantigue Fajardo is an Assistant Professor of American Studies and Asian American Studies at the University of Minnesota, Twin Cities. He recently finished Filipino Crosscurrents: Oceanographies of Seafaring, Masculinities, and Globalization (forthcoming from the University of Minnesota Press, 2011). He's now writing essays that read Filipino lalaki-ness (maleness/masculinity) through interdisciplinary studies of Filipino hydro/water-spaces, masculinities, and literatures situated in places such as Cebu/Mactan/Calamba/Laguna de Bay/Manila Bay (all in the Philippines); St. Malo/New Orleans (Louisiana); Astoria (Oregon); and Toronto (Canada). Fajardo teaches, "Gender, Sexuality, and Politics in Hawaii, the Philippines and Puerto Rico;" "Reading the Mississippi River: Race, Place, Gender, and Empire;" and "Sissies, Sex Workers, and Seamen" (among other courses) at the U.
Location: 400 Ford Hall, East Bank
Abstract: The paper focuses on Nice Rodriguez's fiction in Throw it to the River (1993), particularly Rodriguez's transnational and queer imaginaries of Toronto and Manila, as well as how Filipino/a queer genders and sexualities are imagined in this text. The paper suggests that because of global migration and travel, U.S. imperialism in Asia, neoliberal globalization, and the "global gay phenomenon," it is imperative to connect analyses of "a queer Midwest" with international, transnational, transoceanic, and translocal spaces and contexts. Moreover, I suggest further that in Throw it the River, Rodriguez imagines more fluid and expansive understandings of the cateogory "butch," "lesbian," "tomboy," and/or "transgender." In the Manila section of this paper, Fajardo engages the concept of "gulo" ("trouble" or "social unrest") within the context of the U.S.-Marcos Dictatorship (1972-1986) to (re)read tomboy masculinities in Rodriguez's fiction.