Here is the original of "The Perfect Human."
Which version of Jorgen Leth's five obstructions is your favorite and why?
Which is your least favorite and why?
Or do you think the original is the best? And why?
What do you think the point is in setting obstructions or limitations to a project like this, and do you think Jorgen Leth worked with them effectively? How and why?
What obstructions would you place on Leth for another film?
In regards to the theme of the film, what do you think the idea of a "Perfect Human" means, and do you think the thought of it is achievable in any sort of media?