Summary for Chapter 6: A Copy Theory of Representation by Plato
In this chapter, Plato explores the idea of representation in art through a discussion between Socrates and Glaucon. He argues that artistic representation (specifically poetry) is inferior to philosophy (the study of truth), as it is far removed from “truth.� Plato sees artistic work as removed three times from the “essential nature of the thing� that the work attempts to represent. He argues that the artist does not truly understand what he is attempting to resemble (as opposed to the craftsman, who is twice removed from the initial form of the object); though the poet claims to represent this reality. Dramatic poetry (and visual art) is especially removed from wisdom and reality or truth, as it attempts to appeal to emotion, not rationality. Such art forms, then, are merely a form of play. Listening to poetry, Plato says, can even damage the listener’s character, “endangering the order established in his soul.� He concludes that the only positive form of poetry is that which “celebrates the praises of good men.�
-Holly Hilgenberg