1. Tell me the story you watched.
2.
Tell me the advantages you see in telling the story by using video and stills
the way he does. What do you get that you wouldn't get by doing it
otherwise?
3.
Tell me the disadvantages. What's missing by combining video and stills
the way he does?
4.
If you were asked (notice I said "if")to do your final project as one
piece combining video and stills, how would your story be different? Could you
cover both angles or one angle better in a 3-4 minute piece doing it the way
Bill did it? Would it be a better story? Could you be more creative? If
so, how? If not, why not? Which way would better serve your viewers--two
separate stories or one more like what Bill does?
I watched "Holt County Fair."
It seems to me that there's a big advantage in telling a story about a
community event like this in both photos and video. To me, the photos and the video serve different purposes:
photos set the stage by emphasizing the tradition and (because the image doesn't
move or change quickly) allow the viewer to dwell on the personal or
situational characteristics of the county fair. The still shots are also more aesthetically pleasing: they
lend an element of art to the final product while the video gives the traditionalism
established by the stills a sort of update. Without the stills, the project would lack that element of
currency. The two complement one
another quite nicely.
The stills-video format used by Straw Hat Visuals is at an inherent
disadvantage when they don't show the people they interview on camera. As a viewer, I found myself wanting to
see the person who was speaking. I
felt that this took away from the project quite a lot. Had the transitions between stills and
video not been pretty smooth, it could have been jarring for a viewer to switch
periodically between the two.
I think my final project would lend itself well to this still-video
hybrid format. Since the youth
center that I'm doing it on has something of a history, I could use stills to
show that, bringing the story to the current time-frame with interviews and
videos of events. The project would be different in that it would integrate the
two subjects--the history and the programs at the Key--into one coherent
narrative, so I would imagine it would be longer and feel more
comprehensive. I think it would be
more creative, because the stills tend to be more powerful than the video footage
in storytelling. Where the stills
provide a certain history, the video could give it some life; making it look
current rather than retrospective.
I think it might indeed be a better story as one story than as two
separate ones.
