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<title>Authorship In Antiquity</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/</link>
<description>an annotated bibliography</description>
<dc:language>en-us</dc:language>
<dc:creator></dc:creator>
<dc:date>2005-11-27T19:53:25-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032863.html">
<title>Openness, Secrecy, Authorship:  Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032863.html</link>
<description>Long, Pamela O. Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance. Baltimore: Johns Hopkins UP, 2001. In this book-length work, Long examines attitudes regarding ownership and secrecy within craft and technical traditions. Her...</description>
<dc:subject>Books</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-27T19:53:25-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032841.html">
<title>from Conjectures on Original Composition</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032841.html</link>
<description>Young, Edward. &#8220;from &#8216;Conjectures on Original Composition&#8217;.&#8221; Authorship from Plato to the Postmodern: A Reader. Ed. Sean Burke. Edinburgh: Edinburgh UP, 1995. 37-42. Young espouses the traditional belief that originality is to be aspired to, and imitation is creativity of...</description>
<dc:subject>Chapters</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-18T12:35:07-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032840.html">
<title>from The Republic</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032840.html</link>
<description>Plato. &#8220;The Republic.&#8221; Authorship from Plato to the Postmodern: A Reader. Ed. Sean Burke. Edinburgh: Edinburgh UP, 1995. 19-22. Plato&#8217;s quarrel with poetry is the focus of this excerpt. He proposes that poets (and &#8220;the honeyed Muse&amp;#8221) be banished from...</description>
<dc:subject>Dialogues</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-17T12:26:14-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032816.html">
<title>Ion</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032816.html</link>
<description>Plato. &#8220;Ion.&#8221; Plato on Rhetoric and Language. Ed. Jean Neinkamp. Mahwah: Hermagoras Press, 1999. 23-35 The dialogue between Socrates and Ion is significant because it demonstrates that Greek thought in this period located inspiration outside of the author:In this more...</description>
<dc:subject>Dialogues</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-16T18:06:07-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032815.html">
<title>Literature and Literacy in Ancient Greece II:  Caging the Muses</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032815.html</link>
<description>Davison, J.A. &#8220;Literature and Literacy in Ancient Greece II: Caging the Muses.&#8221; Phoenix 16.4 (Winter 1962). 219-233. In this subsequent essay, Davison traces the rise of bookselling and collecting. He finds the earliest reference to a bookselling quarter in Aristophanes&#8217;...</description>
<dc:subject>Greek</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-15T17:52:42-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032808.html">
<title>Literature and Literacy in Ancient Greece</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032808.html</link>
<description>Davison, J.A. &#8220;Literature and Literacy in Ancient Greece.&#8221; Phoenix 16.3 (Autumn 1962). 141-156. Davison begins this two-part essay by clarifying his interests: &#8220;&#8216;What makes authors tick?&#8217; and &#8216;How do authors eat?&#8217&amp;#8220; For these frank, simple questions, and for his conversational...</description>
<dc:subject>Greek</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-14T13:48:48-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032732.html">
<title>The Muse Learns to Write</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032732.html</link>
<description>Havelock, Eric A. The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present. New Haven: Yale UP, 1986. Havelock devotes the first three-fourths of the book to a description of his long-term research agenda and...</description>
<dc:subject>Greek</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-13T14:34:54-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032794.html">
<title>Did Demosthenes Publish His Deliberative Speeches?</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032794.html</link>
<description>Trevett, Jeremy. &#8220;Did Demosthenes Publish His Deliberative Speeches?&#8221; Hermes 124 (1996): 425-441. Trevett refutes previous scholarship on the matter, building a point-by-point case that Demosthenes&#8217; deliberative speeches were never published by Demosthenes during the era they were performed. He notes...</description>
<dc:subject>Publishing</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-11T18:57:43-06:00</dc:date>
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<item rdf:about="http://blog.lib.umn.edu/kenne329/antiquity/032786.html">
<title>What Is An Author?</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032786.html</link>
<description>Foucault, Michel. &#8220;What Is An Author?&#8221; The Foucault Reader. ed. Paul Rabinow. New York: Pantheon Books, 1984. 101-120. In this brief, canonical essay, Foucault suggests that the Author exists not as a person or &#8220;real writer&#8221; (112) but rather as...</description>
<dc:subject>PoMo/PostStructuralist</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-10T10:41:49-06:00</dc:date>
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<title>Death of the Author</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032914.html</link>
<description>Barthes, Roland. &#8220;The Death of the Author.&#8221; Image Music Text. New York: Hill and Wang, 1977. 142-148. Barthes famously claims that the birth of the reader is at the cost of the death of the author. To assign the text...</description>
<dc:subject>PoMo/PostStructuralist</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-09T19:09:25-06:00</dc:date>
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<title>Genius and the Copyright</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/032918.html</link>
<description>Woodmansee, Martha. &#8220;Genius and the Copyright.&#8221; The Author, Art, and the Market: Rereading the History of Aesthetics. New York: Columbia University Press, 1994. 35-55. Woodmansee&#8217;s definition of the Author has become the prevailing definition used in authorship studies today: &#8220;an...</description>
<dc:subject>Constructs</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-08T19:29:35-06:00</dc:date>
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<title>Isocrates on the Ethics of Authorship</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/031618.html</link>
<description>Behme, Tim. &#8220;Isocrates on the Ethics of Authorship.&#8221; Rhetoric Review 23.3 (2004): 197-215. Behme identifies a number of ethical positions on originality and plagiarism in Isocrates&#8217; works. He notes that Isocrates was obsessed with originality and conceived of it as...</description>
<dc:subject>Articles</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-07T11:00:55-06:00</dc:date>
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<title>&#8220;I Have No Predecessor to Guide My Steps&#8221;:  Quintilian and The Roman Construction of Authorship</title>
<link>http://blog.lib.umn.edu/kenne329/antiquity/031520.html</link>
<description>Logie, John. &#8220;&#8216;I Have No Predecessor to Guide My Steps&#8217;: Quintilian and the Roman Construction of Authorship.&#8221; Rhetoric Review 22.4 (2003): 353-73. Logie undertakes an analysis of Quintilian&#8217;s Institutio Oratoria in order to examine the extent to which Quintilian should...</description>
<dc:subject>Articles</dc:subject>
<dc:creator>
</dc:creator>
<dc:date>2005-11-06T13:09:26-06:00</dc:date>
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