May 6, 2008

My Mother

For this assignment, I picked my mother as the subject of my documentary. Basically, I picked out a few key stories from her life so that I could tell the viewer a little bit more about my mom that one wouldn’t necessarily know just by looking at her. I choose to film her in front of a wall that is located in the main entrance of our house which is filled with family pictures that we take every year; our family is very important to my mom, and I wanted my placement of her to reflect that. Also, since she is instrumental in getting us all together every holiday to take a picture that she then sends out to our family and friends, it seemed only fitting that she be filmed in front of the wall of yearly Christmas greeting card pictures. I wanted my mom to the subject of this documentary short because she doesn’t usually get to talk about herself all that often, she is usually recounting achievements of her kids or taking care of us, so that is why I wanted to see what she had to say if I just put a camera in front of her and started asking her questions.

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April 22, 2008

Melinda and the City

March 11, 2008

New York -> My digital story

February 24, 2008

Indian. Woman. Storyteller.

Home…in past tense? by Bix Gabriel


When I was growing up Hyderabad had a bad reputation. People who were from there or had some cultural attributes were not as good as other Indians. No one ever came out and said that, it was just something that I knew. I came to college not really giving that a second thought. I didn’t think people from Hyderabad were bad, I just didn’t challenge the notion that they weren’t any good. All I knew was that I loved Hyderabadi Biryani.

This piece resonated with me because I loved seeing pictures of India and learning more about the South Indian culture. Being half-Indian myself, I love anything to do with India…no matter what region. I found her story to be rather engaging and I thought her quote about her house back in Hyderabad being "a musum about growing up," and her before and after photos of Hyderabad to be poignant reminders of capitalism and globalization.

I thought it was so cool that Bix Gabriel was exploring her roots and not forgetting where she came from. I loved seeing an Indian woman who was filmmaker in the spotlight – definitely don’t get enough of that. This piece was an excellent reminder of stereotypes that learned growing up and that I personally still have work to be a more socially just person.

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February 18, 2008

Reframings: New American Feminist Photographies

Reframings: New American Feminist Photographies by Lucy Lippard

Lucy Lippard’s goal is that she is trying to walk the reader through the process of figuring out what “feminist art? is, especially in terms of a landscape. She talks about the terrain and the lack of critical attention it gets from a majority of feminist analysts. She said that usually the focus is on the home, workplace, urban and suburban environments, but not so much on the terrain. She makes the point that the terrain has been possibly gendered into a masculine symbol of freedom that many women feel excluded from.

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February 12, 2008

My Media Log

*Feb. 9th
4pm: Watched “Jersey Girl? on Netflix (instant viewing)
6pm: Watched CNN cable news and read the MN Daily during dinner
9pm: Watched random news shows on TV and then caught the last 45 minutes or so of Willy Wonka (Johnny Depp version).

*Feb. 10th
4pm: Watched “Glory? on Netflix (instant viewing)
6pm: Read the MN Daily during dinner
7-10:30pm: The Grammys on CBS

*Feb. 11th
1am: Watched “California Suite? on Netflix (instant viewing)
10am: Started “Bus Stop? on Netflix
11am: Kare 11 “Discovering MN? during breakfast
12p: Read/skimmed through the Pioneer Press and the MN Daily
9pm: Read online news at and watched NBC Nightly News
11:30pm: Continued “Bus Stop? on Netflix
2am: Finished "Bus Stop"

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February 5, 2008

My thoughts on Judy Chicago...

“Visual arts is our picture of the world.? - Judy Chicago

Before, I saw this film I had no idea of who Judy Chicago was, and I was really struck by how tough and honest she was. She really pushed her studio students outside of their comfort level as much as she could, and I really do think that they grew a lot because of that. She was so forceful at times and really harsh with her students, so much so, that I really kind of grew to resent her - I was so glad that I wasn’t in class with her.

I did, however, find some of her statements to be enlightening and I did learn more about some new aspects of feminist art and feminist pedagogy from her.

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