Ch 2 and 3 response

The methodology discussed in these two chapters begins with outlining the various forms of communicating through GD. Each includes different processes that affects the design of the product or the company itself. In my case, I am choosing to use a lateral thinking approach, as described in the readings as using side approaches and odd perspectives to achieve recognition. I want to incorporate this into my piece by designng a setting that manipulates foreground and background to move throughout the museum exhibitions, to fool the audience into a confused sense of either vewing the exhibit or being apart of it. I want this to illustrate the graphic depictions of the museum, as if all those that go to the museum will be transfered into another world. This fits with the veiwers "wants," rather than the vewier's needs.
In my piece, a grid will simnply be used to estbalish layout and form, rather than actually included within the design itself. The typestyles will be intellectually stereotypical, perhaps a type writer style, with serifs that don't include cursive font. In the ways of the Swiss, I want a simple, easy to read font that portrays the history of the museum itself.