Friday, September 28: Mendelssohn Sop/Bass
I felt very prepared for this conducting lab and I think it could be seen through my conducting. I was able to get the sound that I wanted (rich and sustained) from the ensemble which was very encouraging. As Andrew mentioned, I did get a much different sound out of the singers then other conductors and while that is a good skill, I could still get that sound without having such a serious face. After a multiple times, I was able to get an even better sound of them while having a more pleasant expression. The facial expression of a conductor has such incredible power and I need to remember that along with what my arms are doing.
Compared to last week's conducting lad, I think I maintained a much stronger stance throughout the excerpt but as my peers pointed out, I started to bend my knees. I was unaware for most of the time that I was doing this because I think it was my body's natural response to incorporate my whole body into my conducting. This is defiantly something I will need to focus on in the future. Overall I was very pleased with my conducting but I was even more pleased with the great feedback that I received from Andrew and my peers! Thank you!
Comments
Kate
Sounds like you had another positive experience in class. It is good to remember that your face is a very important part of conducting.
Regarding your knees. I do not remember seeing you do this, but will keep it in mind as we go through the next weeks
Posted by: Matthew Mehaffey | October 2, 2007 3:19 PM
Kate,
It's very interesting to hear how an ensemble reacts to different conductors, even when they are aiming at the same sound. Ultimately, you will want to be able to draw out many kinds of performances from your group, while still giving them the "Kate Kidwell" sound.
You are so grounded in your gesture that this provides a great foundation for expression.
Posted by: Andrew Crow | October 4, 2007 5:58 AM