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Dancing Day

This was a really fun piece to conduct. As I was mentioning to some of my classmates, this piece didn't really click for me until I heard a few recordings (I suppose that's cheating). The rhythm makes sense to me when I hear it, but somehow starting with the score was a stumbling block for me. It was too abstract and technical. So what I did was to listen to the piece over and over and move to it. I found that the rhythms had very specific feelings in my body. The simple meter felt very grounded, and the compound meter felt very lilting. I had a distinct image of a rock skimming on water - how there will be a few skips that are equal, and then the rock will catch the water just right and stay airborne for a little longer.

I guess what I'm getting at is that this was a piece I really had to get in my bones and know it intuitively rather than dissecting the score in an analytical way. I did that as well of course, but it only made sense to me after really feeling the phrasing.

To be honest, I was terrified of conducting this piece before I really dug into it. I thought I would bomb badly, but once I started getting more comfortable with it, I was excited about it.

One thing for me that was tough was getting back in once I lost my place. I saw that others in the class did a better job of this. What techniques do you use to reorient yourself when you get lost?

Comments

Tim,

Beat one is usually the key to getting back on track if you lose your place. Just try to float until one comes around.

Andrew

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