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September 28, 2006

Kate

I think it is very interesting how Kate goes along with Petruccio when he wants to leave right after their wedding. In fact, she pretty much goes along with whatever Petruccio suggests. When he first started wooing her, she put up a fight, but when Petruccio announced their engagment, she didn't really prostest. Then, at their wedding, she goes along with him and leaves. At the beginning of the play, it seemed that everyone listened to Kate because she was so shrewish, but now, we can already see signs of her being "tamed".

I also have a totally unrelated question...Throughout the play there are references to Grumio and Gremio. Are they the same person just with different, inconsistant spellings, or are the two different people?

Katherine and Sly

Is anybody else noticing how Katherine is losing all control of her life. Kind of like how Sly got thrown into a situation where he had basicly say over anything that happend. Shakespear is soo good theres a twist around every corner!

September 25, 2006

Brandi's Sonnet...

The heart hath loved too much, and gave me
reason to believe in your heart as well,
but if you should destroy my faith, will we
become strangers once again, and forever quell?

My love for you grows more and more each day,
with each breath I take, and thought you invoke
in my mind, that will forever be at bay
and in our minds, we will never be broke.

For if that day does come, and you break my
heart, I will know that our love was almost
true. For love can make us weep, smile and sigh,
but till the day I die, I will always boast.

For i found your love, to keep me safe, and
if 'twas taken away, my heart still stands.

Mandi's sonnet

Her eyes were shining brighter than the day
Clinging to the memory of his sweet breath
She closed her eyes wishing he was close at bay
Not wanting those nights to part like death
Remembering how they first came to meet
On that warm summers eve that previous year
When their eyes met, both of them smiling so sweet
Will forever stay in her heart, always dear.
But like all dreams this one must to end
Not without lovely memories in bed
Though he's no longer her lover, always a friend
Those precious thoughts will forever in her head
For a lovers true love will never fade away,
Just wait to return in a dream another day.

hell-of-a-day

Friday
Alarm goes off at five in the morning.
Freezing my nuts getting to the shower
The words slip, “Work for money, how boring.�
My rude boss always asserts his power.

Watching the sidewalk, trudging to the bus stop,
The wind picks up, making me impatient.
Sunless misty morning, “Pull trash and mop.
Damn! Should call-in for weather inclement.�

Violent shivers bring me to despair.
My clothes to underwear, and feet are wet.
Walk through the door, his eyes a’ blazing, stare.
“Get to work, or you’ re fired!� I wish—Don’t fret.

To my temper, he is aggravation.
Eyes to sky, “So close to graduation.�

September 24, 2006

Mine Own 130

When I saw that we were going to be writing English sonnets, I was overjoyed. Sounds kind of nerdy, I know; but you'll just have to bear with me.

Mine Own 130
I'm a fan of Shakespeare's sonnet #130 (among others) and decided to do my own take on it.

First thing's first. Shakespeare:

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go,
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

Patrick Nathan (my pen name, teehee):

Mine eyes are windowpanes so thick with grime
That even birds avoid my gaze, and tears--
Polluted and opaque--cascade in rhyme
With words I've spoken over all these years.
My skin hath blisters from the burning sun--
Vermilion paint on pallid canvas--and
Mine organs art ripe with diseases, done
And dead like rotten fruit in desert sand.
My dreams art haunted: other lovers' lips
Caress mine own--like lush, quivering worms--
And in forbidden lands, the tempests drip;
I must confess: I love the taste of storms.
But in the face of truth, I dig this hole:
Though love thee I can't, share my failing soul.

A Student's Sonnet

Wind blows hard sleet against the window’s pain
While cold crow’s calls pierce through the dreary dark
Neighbor’s yells rupture through these walls, enflamed
Stars over yonder, skimming through their arc

Tomorrow’s dream seems all the more afar
Locked in this room I see no end, my plight
As I struggle here, time stands still, retards
Dragging, I, through another tempest night

Oh, but alas the winds of change hath come
For as I toil I see my end is near
My tasks merge, come together towards a sum
That once to me was dark, now seen so clear

Shackles soon lifted, fingers worn to stub
Sonnet now completed, off to the pub

September 23, 2006

The Induction of The Taming of the Shrew

What is everyone's opinion on this supposedly unique (to Shakespeare, anyway) feature? It introduces characters that seem to have little to do with the central plot. It's a play within a play, yet in the exterior portion, nothing much seems to happen. There is some commentary from Sly on The Taming of the Shrew, but it's only praise--nothing too in depth at all. Also (I've peaked ahead), at the end of the play, there is no word of Sly, nor the Lord, nor anyone else in the induction. Does anybody have any ideas as to why this induction exists, and what to make of it?

I looked on sparknotes (insert wicked laughter), and it says, although critics disagree, that the induction parallels the relationship between Katherina, Baptista, and Petruchio through Sly and the Lord: the Lord controls Sly in a fashion similar to that in which Petruchio and Baptista control Katherina, for their own devices. Being somewhat familiar with The Taming of the Shrew (having seen Kiss Me Kate a while ago), I think I agree with this.

I was just wondering what everyone else thought.

An Argument For Childhood Obesity



Surprising that parents find it okay
Serving unhealthy portions of all slop:
Pizza and soda and cookies each day,
But wine, beer or spirit—touch not a drop!

A taste will make a criminal it's thought,
And sex, well sex: those nasty thoughts must stop!
But boy, such joy: count your calories not!
Girl, unfurl! Give growth to that muffin-top!

It's clear there's a difference among sin,
As it's best not to teach moderation.
Safer to continue putting food in,
Than to expose gently to libation.

     In childhood be fat, holy not thinner;
     In college become that drunk, sexed sinner.

September 19, 2006

"...And summer's lease hath all too short a date."

As someone has already mentioned, sonnet #18 is probably Shakespeare's most famous and of the ones we read it is, to me, his most interesting. Though I do not have a great deal of experience with Shakespeare, it is quite easy for me the see the universal truth expressed in the third and fourth lines: "Rough winds do shake the darling buds of May, and summer's lease hath all too short a date." As has already been pointed out, these lines most likely refer to a particular lover. But I like to think of them as being more ubiquitous in nature. All good things must end. Summer could represent love, as is the case of Romeo and Juliet, but it could also just as easily stand as innocence, happiness, or even life.

September 18, 2006

time in sonnet 55

I wanted to comment on the entry already titled "time" but I can't figure out how to comment. A lot of these sonnets focus their attentions on time, and Shakespeare seems to despise it. In number 55, he even calls it "sluttish time". He's so worried about the passing of time, flowers withering, young women getting old, etc. His weapon against time is his words/poems. He says (in #55) that nothing can destroy "the living record of your memory." I'm not sure exactly what he means by that, I think it could be one of two things (or maybe both). "You" could either be the poem itself, indestructible because of it's intangibility, or he could be addressing a person (a lover) who's memory is being stored in the poem, thereby outliving war, stone, and even death.

Lovesick puppy

Yes, I said it, Shakespeare was one lovesick puppy. A very eloquent writer in the sonnets, yet he cannot seem to write about much besides love. Upon taking this class I did not know much about Shakespeare, and I still don't. All I knew was about Romeo and Juliet and the love they shared, and I knew he was a romantic writer. But MAN! He seems so bitter in so many of these sonnets, as lovey dovey as they are. He puts it in such a romantic way you can sort of glaze over it, but he really cannot get over that one lady he writes about so often. While reading, I got very curious as to who this lady he is mooning over is, as well as his rival poet, but he never gives many clues. Even after sonnet #126, where the footnote informs us that the following sonnets will be darker, he is still bitter. Instead of writing eloquent, romantic, sappy passages, he writes eloquent and dark passages. It seems to me that these darker passages revolve around the fact that he chose the wrong lady, or could not get that one lady he speaks so highly of in earlier sonnets, so he "settled" for someone else.
Well, now I'm just rambling, so I'll end my post. If I could figure out how to comment on these things, I'd comment on Katherine's post entitled "One of these poems is not like the others...", just to say I agree. Bring on some plot.

My thoughts on Shakespear's sonnets

I opened this enormous book not knowing what to expect, especially when reading sonnets rather than Shakespear's popular plays. I enjoyed reading the sonnets and noting the various subjects that Shakespear covers. I saw the sonnets as a creative collection of his thoughts almost as if they were nightly journal entries. I liked that although I have trouble interpreting some of his writing, I believe everyone can find something to relate to in what he is saying. Shakespear talks of love, life, death, getting older, trust, family, and even his own writing. His analogies are impressive and definately not of our time. I noticed that he refers to nature and the seasons a lot in his analogies. One sonnet I found interesting was sonnet 71.

No longer mourn for me when I am dead
Than you shall hear the surly sullen bell
Give warning to the world that I am fled
From this vile world with vilest worms to dwell.
Nay, if you read this line, remember not
The hand that that writ it; for I love you so
That I in your sweet thoughts would be forgot
If thinking on me then should make you woe.
O', if, I say, you look upon this verse
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay,
Lest the wise world should look into your moan
And mock you with me after I am gone

I see this sonnet as Shakespear talking of his own death and how we as readers will think of him but it is hard to tell whether he wants to be remembered or not. When Shakespear writes, "Nay, if you read this line, remember not
The hand that that writ it" he seems to not care to be remembered and yet Shakespear earlier in the sonnet says, "Give warning to the world that I am fled". I'm not sure which line and it could be from all of the sonnets combined I get the impression that Shakespear doesn't like the world in which he lived and didn't fear death but almost found peace in the thought of death. Shakspear isn't the poet I am accustomed to but Iike his blunt views on our everyday thoughts.

Thoughts on Sonnets

It seems to me that in most of the Sonnets, Shakespeare is concerned with things that are temporary. He speaks in moments and of memories in the first few assigned Sonnets and goes on to speak of romance as if it is fleeting. In the later Sonnets, he writes of beauty, which we all know is fading, and then of love(s) that are clearly not his wife. While each sonnet had its particular meaning, I was struck by a sense of impermanence when reading them this time.

Sonnet # 18

This is by far one of my most favorite sonnets by Shakespeare. Although, I do know this is a popular sonnet of his it has always stood out to me. I feel as though he is speaking of someone he dearly treasures. This is one of the best sonnets he has that describes his unrequited love for another person. Basically he is saying that as long as there is life on this earth, he will love this person and the will not fade just like the breath from his body and air from his lungs. i.e.: "So long as men can breathe or eyes can see, So long lives this, and this gives life to thee." This is such a romantic sonnet and speaks right to the lovers soul. He compares one brilliantly lovely inate object to another, showing the true romance in this sonnet. ( "Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance or nature's changing course untrimmed.") But by far my most favorite verse from this sonnet would be "Rough winds do shake the darling buds of May, And summer's lease hath all too short a date."

the mother knows shakespeare?

The third sonnet reminded me of how my mother unceasingly interrogates me about my "love life."
"You're not getting younger," she says. "Do you want to die alone?" But Shakespeare raises the point of a self love, or shall I say a selfish life. To forsake love, a person who loves you, or to fail to continue your line allows your life dissappear in to the fabric of history, according to W.S. But I contest that one may live a generous giving life worth remebering without procreation. Granted: My mother wants grandchildren and, I am a reflection of her own life. I know that one day I will die. Yet not everyone sees the same thing when s/he looks into the mirror. Don't get me wrong, my mother is a wonderful, sweet and, loving person. But at this juncture, I am concerned with graduation, not my eternal image. Am I a selfish ingrate for lacking the desire to have kids?

Sonnet 106

I liked this sonnet a lot. They really stood out to me. the way that Shakespear described beauty in the lines. The way he describes how in the past beauty was described it seems as if he is saying, that in his time, the praise for beauty isn't as great. And even if you have that certain beauty that was described in the past of "hand, of foot, of lip, of eye, of brow" perhpas now it isn't the same. "For we which now behold present days have eyes to wonder, but lack tounges to praise." The title seems to have been "On his Mistress' Beauty" in other versions according to the footnotes, so you can tell that he is describing someone of great beauty in his lines to follow.

One of these poems is not like the others...

...But I have yet to ascertain which one that is. Is it just me, or are there like 4 poems and 154 different numbers attached to them? Maybe it's my own fault that I just kind of glazed over all of the poems and didn't try to find hidden meaning in each line, but I got tired of reading them just because they all have similar themes. They all seem to be either about 'breed or you'll die', 'I love you you're pretty', 'I love you but you lie', 'I love you and you cheated on me but that's OK', or the old standby, 'Everything is beautiful and I'm going to tell you all about it in fourteen lines or less.' Being a theatre arts major, I am obsessive about having some sort of narrative to follow, like the plays. In these sonnets, we don't know who the speaker is, don't really know who he's talking to, and nothing happens! However, when it comes to imagery, the guy had it down, especially in sonnet #33, which I thought had exceptionally fine language. Shakespeare brings a human lifelike quality to all sorts of organic things, the sun, the moon, etc. and through these 'characters' tells a very metaphorical, dreamy-type story. I guess #33 just caught my eye because of the way the images were described. But really, enough with the I love you I love you Etc. etc. ad nauseum. Let's start seeing some plot!

Some Stuff

When I was a sophomore or so, I had a discussion with a poetry teacher on the nature of poetry in restricted forms, particularly sonnets (due to their ubiquity). According to him, the writing of a sonnet was a game. The Sonnet is a severely limited form, and it can be quite difficult to work within that framework and produce anything of interest. It can be regarded as a kind of competition against the self, a solitaire writing game, to attempt creating viable artwork in any restricted format. Perhaps all art can be considered such, but it's certainly much easier to see it in this scenario. Certainly writing in this way would keep your mind and pen sharp.

Additionally, I think this theory can provide some possible insight into why Bill settled on topics that were often quite personal, and why he was more than willing to repeat himself endlessly throughout all the sonnets. Where his plays were large affairs, involving multitudes of characters and diverse themes (not to mention the involvement of others--such as actors, producers, and all other necessary considerations), the sonnets were written for a much smaller stage within the creator's skull. Personally, I'd say it seems that Shakespeare wrote his plays for his career, and for whatever artistic goals he may have had. While this is certainly the case to an extent with the sonnets, I think that first and foremost he wrote them for himself. Judging by the varying tones of these works, he was sometimes lamenting his own pain, sometimes celebrating his own victory, and basically basking in all the elements of his life, good and bad--which I think is the object lesson we should derive from reading them.

Shakespeare's motives cont.

I would have to agree with some of the previous entries conscerning shakespeare's ego. However, it often seems in his sonnets that he expresses deep self-conscious feelings rather than blind egotism. The best exampl i read was sonnet 29:

.....Wishing me like to one more rich in hope; featured like him, like him with friends possessed......

Also, most of is self-praise appears in the thirteenth and fourteenth lines, which more often than not seem to be an attempt to justify the rant of a sonnet.

Assigning Sonnets

As I sat reading the different sonnets I found myself indentifying people with certain sonnets and it made me think of all the silly "ABOUT ME" info you find on myspace.com or facebook.com. I'm thinking of the "what kind of kisser are you?" or ";what color are undewear is your lucky color?" Perhaps it'd be a neat little personality note to say which Shakespearean sonnet describes you the best. I couldn't find one for myself but I found plenty for my friends.

My thoughts on Shakespeare's Sonnets.

One reason that I enjoyed Shakespeare's Sonnets is because I think many things that he wrote about can relate to most everybody's lives today. The Sonnets spoke of love and lovers, truth and lies, aging and mortality, the moon and stars, poverty and wealth. It goes with out saying that these our concepts that humankind is, has, and will always wonder about - therefore it is only natural that we try to express these thoughts.
One passage that I enjoyed was in Sonnet 138. Speaking about lies from a loved one,

When my love swears that she is made of truth
I do believe her though I know she lies,...
Therefore I lie with her, and she with me,
And in our faults by lies we flattered be.

I enjoy that becuse Shakespeare has such a casual attitude about truth from his lover and vice versa. It is like truth is not important in the relationship. It is as if he is trying to turn a blind eye to infidelity.

Being from the North Star State, I could not help but to pick out this passage, which the notes suggest might be about a lighthouse, but I thought of the North Star. The passage is from Sonnet 116,

O no, it is an ever fixed mark
That looks on tempests and is never shaken;
It is the star to every wand'ring barque,
Whose worth's unknown althought his height be taken.

I don't know how this passage could be about anything other than the North Star. Which is a fixed mark (relative to the earth) among a moving cosmos. It is how ships could guide they're way in the northern hemisphere.
I found the Sonnets an enjoyable read because I felt that in their generality and ambiguity everyone can see something human that they can relate to.


Christianity, Buddhism and Sonnet 94

My favorite sonnet was Sonnet 94. While the other sonnets described his love for the men and women in his life, I feel like Sonnet 94 spoke of a broader focus and I liked it so much more than any of the other sonnets.

The first 8 lines of the sonnet reminded me of the Beatitudes in the Christian Bible. That’s the chapter in Matthew where the poor in spirit will inherit the kingdom of heaven and the meek will inherit the earth. Shakespeare describes these people who are meek and calm, unmoved and cold, (lines 1-4) and how “they rightly do inherit heaven’s graces.� Shakespeare is praising these people for their excellence and beauty through their grace, but the tone of the sonnet changes. After praising, Shakespeare warns these unblemished faces of the fragility of their grace. To warn them, Shakespeare uses the images of flowers and weeds. A flower can become infected and “smell far worse than weeds.�

Initially the imagery of nature and flowers reminded me of a teaching that I recently read about being mindful in anger. Thich Nhat Hanh, a Buddhist monk, was describing anger as a rotting flower and that being mindful about actions (being loving and peaceful, slow to anger) will keep us in our “flowerness� or graceful states.

Does anyone know what religious/spiritual beliefs Shakespeare had?

September 17, 2006

Another Shakespeare Entry

The Sonnets were alot more interesting than I thought they would be, being as though I've never been a fan of poems. The first set of sonnets(1-126) dedicated to his young friend had reoccuring themes that expressed alot of Shakespeare's character. I felt the beginning sonnets were alot about the peaking of something, followed by the inevitable dacay caused by Time, the destoyer. Although he talks of death and dacay alot, he assures his young lover that they are immortal through his writings. The sonnets later on, Shakespeare starts to relize his immortality, and shows insecurity that his young lover is only focused on his aging, like in sonnet 73, "In me thou see'st the glowing of such fire that on the ashes of his youth doth lie" The endig sonnets were dedicated to his "dark lover" which I didn't find as purely passionate. The relationship seemed more functional than hopelessly romantic.

Give Shakespeare some mad props

I was reading through the blog trying to come up with something to say when I read Erica's post (the one about Shakespeare's ego not the quiz one (oh and I'm pretty sure the quiz will not be matching up the sonnet numbers)). Now, I'm not trying to bash you Erica (in fact I also found it pretty strange that a guy would spend a lot of time writing 154 poems with the exact same number of lines and identical subject matter), but don't you realize how Shakepeare's apparent ego is completely justified. Here we are almost 400 years later reading, writing about, and hyper-analyzing the ramblings of a lonely bisexual. It turned out his lines were a defence "'gainst time's scythe." Give the guy some props.

Themes in Shakespeare's Sonnets

When I first started to read these sonnets, I thought they were all going to be sappy love poems, like sonnet 18 and 116. I was surprised to find that Shakespeare wrote about a lot of different subjects, and they were all things that he was thinking about at that point in his life. Some of these include his worries about getting older and time passing, sonnet 60, having feelings for someone and being confused about them and not knowing how to say them, as in sonnet 23, and also about dying, as in sonnets 71, 73, and 74.
However, one of my most favorite ones was sonnet 3. This sonnet talked about mothers and their children and how mothers see themselves in their children and can relive their childhood through their children ("Thou art thy mother's glass, and she in thee, Calls back the lovely April of her prime"). This reminded me a lot of me and my mother because we are very much alike in so many ways.

Time

After reading these sonnets the one thing that always pops out at me is Shakespeare's use of time. "now is the time that face should form another" , "but as the riper should by time decease", "when I do count the clock that tells the time". Time seems to be a very important aspect of his sonnets. To me he wants his readers to be aware that time is passing, and that things are changing.

Sonnet 19

I found Sonnet 19 particularly striking because all of the other sonnets are so romantic and paint beautfiul pictures about love and all that wonderful stuff. I didn't find that the case in this sonnet. Even though he discusses time and the way that time steals away life and love, he paints pretty pictures about them in other sonnets. For example in Sonnet 60 he says:
Like as the waves make towards the pebbled shore,
So do our minutes hasten to thier end,
This makes a pretty picture of an ocean and not a grave picture of death which is of what he is speaking. That contrasts glaringly to the way he portrays time and death in Sonnet 19:
Devouring time, blunt thou the lion's paws,
And make the earth devour her own sweet brood;
I guess to me he is speaking of the same thing in both passages, he paints them in very different ways. I found it refreshing that he not dress up death and in a way call it like it is, not something beautiful and lovely. I also find it amusing that in all other sonnets he claimed to have the power to immortalize but this sonnet is the only one where he admits conceit to time. Now after rererereading the passage I realize that in admitting conceit he shows more arrogance. He says:
Yet do thy worst, old time; despite thy wrong
My love shall in my verse ever live young.
In a way he is taunting time, haha you can do whatever you want but I will still win because my words will last forever. I thought that was very amusing.

quiz?

For the quiz do we need to be able to identify a sonnet by number when we see the text? I read them all carefully, but I don't know how I'd memorize them and their numbers. Anyone else in the same boat?

Things I like

So I was reading one of the 40 some sonnets and in 146 I read a line that literally blew my mind and it went something like this. "And death once dead, there's mo more dying then." Once your dead you dont have to worry about dying because you already did that..... well i thought it was a good line.

Shakespeare confesses his arrogance

While reading Shakespeare's sonnets, I was struck by how openly arrogantly he portrayed himself. A huge majority of what he wrote contained some sort of statement where he compares himself to God and time in his ability to immortalize whatever and whomever he wants. I don't know of any writers today that so blatanty brag about their writing or their loving. Was Skakespeare more in love with himself than he was with his male lover?

Also, most of his sonnets were extremely predictable in their subject, imagery, and structure. The power and destruction of time versus love and beauty, images of nature, the sun, moon, and stars, and descriptions of the body, and the final two lines containing his sort of....if you will...."fuck Time, I"m better, and thats how much I love you...."

I didn't care very much for the sonnets as a group. There were some that I thought Shakespeares metaphors were really beautiful and I enjoyed exploring their meanings, but overall, not my favorite. I wonder if most writers spend so much time writing poems that are practically identical.

Shakespeare's Sonnets as an End Towards Immortality



Aside from Sonnet #18, Shall I compare thee to a Summer's Day?, Shakespeare's Sonnets previously had never really registered with me before. I am sure that I had read a selection of them in high school but at the time they had not really managed to resonate with me. Perhaps this is due to me growing older, for certainly the Sonnets had remained the same.

Reading them this past week truly felt like reading them for the first time. I found myself oddly sentimental towards the expressions of friendship and love but I also felt strangely receptive to the prosaic urgings for reproduction as an end toward immortality.

Sonnet #1 starts:

From fairest creatures we desire increase,
That thereby beauty's rose may never die,
But as riper should by time decease,
His tender heir might bear his memory;

Sonnet #3 preaches:

Or who is he so fond will be the tomb
Of his self-love, to stop posterity?

As Sonnet #12 ends:

     And nothing 'gainst Time's scythe can make defense
     Save breed, to brave him when he takes thee hence.

The message resonates, "breed or die, breed or die, it is your duty!" Shakespeare's urgings reminded me of a conversation I had with my father over dinner recently which had left me rather shocked. My father lives in Los Angeles and does not come up to visit very often.

Divorce and years of being single had made my father rather romantically conservative. He had always been an advocate of taking one's time when it came to matters of the heart. He asked me how things were in my personal life.

I began to answer honest and earnestly, conversation tends to flow easily between he and I. However this time I could tell he uncharacteristically wasn't really listening to me. Not even part the way through what I was talking about he abruptly cut me off and waved his hand in a dismissive way and said, "you know what, I think you had better get busy and start thinking about providing me with some grandchildren."

I am not generally used to considering my parent's ambitions for family because they have so seldom spoke about it. I realized for the first time that I really am closer to the age of being a parent than further away from it just as my father is closer to the age of being a grandfather than of being a middle-aged man.



Similarly I wondered what must have been Shakespeare's motivation in seeing the continuation of a bloodline. I wondered if he was trying to tell this to some friend in particular or if perhaps he was reflexively trying to speak to himself. How old was he when he wrote these sonnets? How was he feeling when he sat down to write them?

Luckily Shakespeare has left us with all the tools of attracting members of the opposite sex, should genetic immortality be our goal. I found out rather to my own amusement how great of a reaction one can get if you send an e-mail containing a particularly romantic sonnet to someone with the subject line, "something that made me think of you."

One sonnet that I felt particularly strongly about personally was Sonnet #73:

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me though seest the glowing of such fire
That on the ashes of his youth doth lie
As the deathbed whereon it must expire,
Consumed with that which it was nourished by.
     This thou perceiv'st, which makes they love more strong,
     To love that well which thou must leave ere long.

Nothing in this world says, "hurry up and love me!" better than that, does it not?

September 11, 2006

First class

Seems like a good class. Only scared off one so far.

September 8, 2006

Welcome

If you are reading this, you have successfully found the class blog. You may comment on entries directly from this site, but if you want to create a new entry (i.e. a new line of questioning), you need to login on the UThink page. I highly encourage you to do both - that way you all will be both testing your own ideas and responding to others. Good luck, and I hope you enjoy your experience blogging the Bard!