Pareidolia & Media

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Chapter 1 dealt mainly with the relationship between aspects of human psychology and its interaction with science, specifically pseudoscience, or claims that my seem scientific but are not. Signs of pseudoscience include exaggeration, a reliance on subjective anecdotes, an absence of multiple or reliable sources, lack of proof or revision, or a dependence on scientific jargon.

The chapter a number of logical fallacies that influence the way we interpret scientific or logical arguments, including the bandwagon fallacy - that something is validated by others belief in it, the "not me" fallacy - that we're unable to have errors in thinking that other people suffer, and the emotional reasoning fallacy - a heavy reliance on emotions.

What struck me about the chapter was the concept of pareidolia, or the idea that humans find meaning in otherwise arbitrary images. As an English and Cultural Studies major I come across many different types of media, which rely on similar concepts, one being cartoon imagery. For example, when we see a simply drawn face, as opposed to something more detailed, we not only recognize it as a face, but we also imprint our own identity onto the shape, which completely changes our reading of the text. The human mind's need to find patterns forces us to interact with images, specifically simple icons, like business logos or ads for example, in a way that makes us more apt to find seemingly arbitrary meaning.

Eric Best

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Pareidolia is interesting.I have to admit that I forgot what it was, but you did a good job of explaining. Good picture to go with the concept and good connection between the concept and what you have learned elsewhere!

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This page contains a single entry by bestx076 published on January 24, 2012 9:28 PM.

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