Earlier in the semester, we read an essay by Karma Chávez. She's speaking next Monday:

How can we read this NPR news report on health and aging beside Ahmed's happiness?
Sara's Sara Ahmed Mash-up: After the jump I do a mash-up of different bits of blog posts from my trouble blog and my course blogs for queering desire and feminist/queer/troublemaking on Sara Ahmed and happiness.
On page 97 of The Promise of Happiness, in her chapter on "Unhappy Queers," Sara Ahmed writes:
I am struck by the slippage that I see in J Butler's work between the unbearable, bearable, livable and good life. I briefly wrote about it in my essay on Living and Grieving Beside Judith. Here's the fragment:
Butler contrasts her notion of the livable/bearable life with the good life and argues that the good life is only available to people whose lives are already possible and recognizable and who don't have to devote most of their energy to figuring out ways to survive and persist (Undoing Gender, 31-32). For her, the question of the livable life must necessarily precede the question of the good life, because to strive for a good life, one must first be recognized as having a life (Undoing Gender, 205).I want to continue thinking about the differences/connections in these various forms of "life." How do we distinguish unbearable from bearable from livable from good?My mom started falling down a lot. It wasn't safe for her to be alone. The decision was made to begin hospice care. She was no longer living with cancer; she was dying from it. She had entered the final stage. Any thoughts about a cure or remission--that hope for a good life to be achieved again in the future--was replaced by practical discussions of how to ensure that she continued to have a comfortable life that was free of pain. The good or even livable life were no longer possible for her. The best she could hope for was the bearable life. And what she could expect (and eventually did reach) was something that seemed even less than the bare minimum requirements of life. Yet, even as I witnessed her decline and the resultant shift from good to livable to bearable to unbearable life, I can't really make sense of her experiences of those last four years (or even the last six months) as just surviving until the inevitable. Up until those last days, years after she was supposed to die, she lived and, in moments, however fleeting, flourished. She enjoyed life, she laughed, and she loved her daughters, her grandchildren and my dad.
What makes for the livable life? How do we distinguish that life from ones that are merely bearable or others that flourish? Who gets to make this distinction and how do they do it? My mother's living and dying with pancreatic cancer pushed at the limits of my understandings of life and how and when it is possible.
The face of happiness, at least in this description, looks rather like the face of privilege. Rather than assuming happiness is simply found in "happy persons," we can consider how claims to happiness make certain forms of personhood valuable (11).
- Suspending belief that happiness is a good thing. "This book proceeds by suspending belief that happiness is a good thing [note: not by rejecting but suspending belief]. In this mode of suspension, we can consider not only what makes happiness good but how happiness participates in making things good....My task is to think about how feelings make some things and not others good" (13).
- Tracking the word happiness: "In order to consider how happiness makes things good, I track the word happiness, asking what histories are evoked by the mobility of this word. I follow the word happiness around" (14).
- Exploring the happiness archive: "a set of ideas, thoughts, narratives, images, impressions about what is happiness" (15).
- Asking questions about happiness and its history/histories: "what does it mean to think of happiness as having a history? How or why should we write such a history? Who or what would belong in this history" (16)?
- Rewriting history from the point of view of the wretch: "I thus offer an alternative history of happiness not simply by offering different readings of its intellectual history but by considering those who are banished from it, or who enter this history only as troublemakers, dissenters, killers of joy" (17).
- Giving the killjoy a voice: "This book is an attempt to give the killjoy back [their] voice and to speak from recognition of how it feels to inhabit that place" (20).
- Not spreading unhappiness but making room for other ways of living/imaging life: "I know that I risk overemphasizing the problems with happiness by presenting happiness as a problem. It is a risk that I am willing to take. If this book kills joy, then it does what it says we should do. To kill joy...is to open a life, to make room for life, to make room for possibility, for chance. My aim in this book is to make room" (20).
- feelings that reside within individual characters
- moods that linger without direction, aim or purpose
- feelings that get directed in a certain way/give narrative its direction
There can be joy in killing joy. And kill joy we must, and we do.