May 2, 2008

Movie reflection - Harold and Kumar Escape From Guantanamo Bay

Harold and Kumar Escape From Guantanamo Bay

I liked this movie, but not nearly as much as I liked Harold and Kumar Go to White Castle. What I liked especially about the first one was how sociopolitically enlightened it was. Usually when comedies are this broad, raunchy, and joke-packed, they fall back on tired jokes—hackneyed types that have become stereotypes. But the Harold and Kumar movies are only nominally stoner movies; they’re also satires about race.

I only wish this movie were as refreshingly modern in its attitudes toward gays and women as it is towards people of color. The whole joke of Harold and Kumar’s time in Guantanamo Bay (which is thankfully brief) is that they’ll be forced to perform oral sex on a guy. Seriously? Is that still comedy?
Another disappointing scene is when they visit their friend, who’s having a bottomless (rather than topless) pool party. Of course, the vast majority of the party attendees above jacuzzi water level are female extras. The scene is a sea of women for eye candy, and then there’s a dick shot at the end, for comic relief.

In “Visual Pleasure and Narrative Cinema,? Laura Mulvey describes how women movie viewers counter-identify through the male protagonists; to paraphrase, the camera is (still) almost always framing things from a hetero-male (not to mention white, upper-class, American, etc.) point of view. In order to go along with a movie—to enjoy the funny parts, to be scared at the scary parts, and so on—women have to accept the parameters of the movie. To use the Harold and Kumar scene as an example, the comedy of the scene hinges on our acceptance of the scene’s hetero-male parameters: women’s bodies are hot; men’s bodies are funny. I don’t have a problem with this idea—of course straight guys find vaginas hot and penises funny—but I do have a problem with the fact that this is part of the logic behind most movies. In order to enjoy one of our most populist forms of entertainment, most people—by which I mean all women, gay men, non-whites, the poor—have to agree to align themselves politically/socially/sexually with the straight, white guys who are making them.

February 27, 2008

Response to the Movie call Southern Comfort

My critical response is on the movie call Southern Comfort by Kate Davis. It is a documentary movie which brings us an insight about the transgender struggle to live in this society and what humiliation they have to go throughout their life. This movie was really shocking to me because of several reasons. First of all, I have heard of the transgender, the gay and the lesbian relationship but until now I have never felt so emotionally attach to their pain and grief. This movie brought an actual picture of the transgender community to me. In our daily life we get so busy that we never get a chance to ponder over what type of struggle other people go through in their life. We always try to think of our problem, how sad and how tough our lives are and most importantly we care a less about anyone else.

Continue reading "Response to the Movie call Southern Comfort" »

February 12, 2008

Turning the Tables: Three Asian American Artists

February 11, 2008

Le Tigre - "New Kicks"

I should have posted this a week ago; it's a great get-pumped-up-to-vote song, and I find Le Tigre's D.I.Y. aesthetic inspiring. Enjoy!