By: Paula Rabinowitz
A few years ago, on my way to see Pedro Almodóvar's film, Talk to Her, which was playing at the local indie-flick multiplex alongside Frida, I stopped at the public library to return a book. Parked in its lot was a minivan plastered with reproductions of Frida Kaylo's paintings and a banner proclaiming "Vivan Las Artistas Latinas!" I ran across the street to a drug store, bought a disposable camera, and began shooting away, all four sides of the vehicle. Only when I looked at the developing prints did I realize that reaming the license plate was this work's title: Frida Karlo. This traveling "homenaje a Frida" is part of an evolving landscape of playful feminist post-modern kitsch. The "Karlo" works through design to fashion identity; or perhaps it is the other way around: it uses identity as a mechanism of design.
Read this article in its entirety on page 20.
Photomontage of Frida Karlo images taken with the authors disposable camera representing the evolving landscape of playful feminist post-modern kitsch.
Paula Rabinowitz is a Professor and Department Chair in the College of Liberal Arts at the University of Minnesota.
