Just got done with the class I'm taking with Barbra Berlovitz, working with the text from Shakespeare's "The Winter's Tale". I'm excited for rehearsals to start so I can see how the work we're doing now with the text will translate into [director] Lisa Channer's heightened physical aesthetic.
We're doing a lot of work with facial and physical neutrality in order to make decisions based solely off the text. Shakespeare writes with "no subtext"; this means that the text should tell us exactly what we feel, what we're thinking, which I guess should ultimately produce textually charged physicality over psychological internalization.
We'll see?
