October 2012 Archives
We were at the Guthrie Theater yesterday to see the powerful historical play "Appomatox". At intermission we strolled toward the Endless Bridge, passing the Guthrie's fascinating windows on the Mississippi River, parkland, and old mill buildings. The windows are deep, with shiny stainless steel facings that act as mirrors. So one sees all sorts of puzzling, disorienting views. Here are a couple.
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Here are yesterday's photos of our refrigerator door handles, rendered in black and white. I like doing exercises like this, but they make me aware of the mixed motives behind this blog. Is it primarily a vehicle for showing pictures of our travels and major projects to other people, or is it an artist's sketchbook for me? Both, I guess.
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I've temporarily run out of good photos from exotic places, so last night I decided to look closer to home: our kitchen. Here are some photos of the door handles on our refrigerator. I like not only the lines and curves, but also the subtle pink/magenta tint on the steel, which probably comes from a mix of white balance issues and reflections from objects nearby.
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Today - a bright but cold fall day - was the occasion of the Twin Cities Marathon. I stationed myself about a mile from the finish line, on Summit Avenue in Saint Paul, a little more than two hours after the start of the race in Minneapolis. By the time I got there, the men's winner and several others had passed by, but many others were yet to come. Here are a few shots of the overall scene and mood of the race, once the runners started coming by in clumps. (Click photos to enlarge them.)
I posted the color version of this sculptural detail (original by Betty Parsons) a few days ago. I thought it might be interesting to see what the image would look like in black and white, which would emphasize structure and texture. The B&W option in the Develop module of Lightroom does a reasonable job (which probably would be better with some enhanced contrast and blacks, and maybe some sharpening to enhance texture). The blue and orange filters, however, are definitely not appropriate.
Click the photos to enlarge them.
Original color version
B&W in Lightroom
Blue B&W filter (Lightroom preset)
Orange B&W filter (Lightroom preset)
Two final (until our next visit) photos from the Portland Art Museum, exploring the idea (or at least the hope) that images of fragments of works of art can be works of art in themselves.
Detail of Dan Flavin's "Untitled (To Donna) II" (click to enlarge)
Detail of Betty Parson's "Vertical Domination" (click to enlarge)
