To be honest, I'm not looking at artists for inspiration from the day I read the e-studio class description. There are many reasons besides the Pandora's box of new materials we saw during presentations, including but not limited to- 1. I have become curious about the complex interplay between the artist and the collective. 2. My recent exposure to new levels of reality challenges the singular relation between artist and inspiration. 3. The artworks that reasonably inspire me cleverly hide the process of making or battling with 'chicken or egg' kind of questions. I'm interested in knowing different approaches to the process of 'nothing-to- the concept', that's why I kept asking our guests 'what led to so and so decision' and they mostly did a good job on translating those layers.
So, I do have artworks in mind that I appreciate.
1. How Do You See the Disappeared?
By Mariam Ghani & Chitra Ganesh- mainly for their boldness and simplicity to peel off the shells of borders, globalized cultures and using technology and virtual public space as a point of exchange and to address such a heavy question.
Their goal is to is to create alternative systems for collecting stories from the immigrants whose lives as individuals are lost in the abstractions of legalities and headlines, and to develop from those stories new terms and languages through which the issues of the immigration debate can be framed. A Warm Database is the web-based phase of this project, and serves three purposes: as an annotated guide for the uninitiated to and through the mountains of documents that surround detention, deportation and immigrants' rights; as a resource for and call to action; and as the starting point of a data collection project designed to span multiple communities and languages. The Warm Database that is presented in this first version of the project is an interface for the further visualization and presentation of the data that artists will collect and translate after the project's launch.
Her other video artwork-Smile, you are in Sharajah,
is a study of the patterns and rhythms of movement through shared spaces of the city-state of Sharjah in the United Arab Emirates. The video, named for Sharjah's infamous welcome sign (spelled out in flowers in a traffic circle notorious for rush-hour traffic jams), roams the neighborhoods, suburbs, exurbs, plazas, highways, alleys, and excavations that range between Sharjah's seaport and its desert fringes, with an eye to the cycles of construction and consumption that sustain this precarious and often contradictory place.
2. David Bowen- Wind drawing device
this simple installation documents innocent drawings in a circular gesture powered by wind. It also relates to the idea of extending life cycle of a leaf.
This device uses three leaves to collect wind. It then produces charcoal drawings based on the amount and intensity of the wind on a given day. wind drawing device was created in Balatonfured, Hungary. It produced 60 drawings during a three week period in June and July 2006 on the Hungarian countryside.
3. Anish Kapoor- Leviathan
He is renowned for his monumental idiosyncratic sculpture forms of grandiose proportions, which leaves viewers in a state of astonishment. I personally got drawn to people's facial expressions when they are inside this structure. They seem to be transferred to a giant red nest which despite of it's scale hosts a warm feel. Leviathan, a 115 foot high sculpture which is made of PVC stretched over a giant, metal frame. The structure is so large in fact that you can walk around inside of it's four, blobby arms. He says of the sculpture that he hopes that "people will be invited to enter the artwork to immerse themselves in its color and it will be, I hope, a contemplative, poetic experience." The simplicity of Leviathan and the way the light shines on (and through) it really makes the Grand Palais (in Paris) shine. Juxtaposition of these two contrasting structures make them both stunning and beautiful.