Please use the following questions to guide your reading and notes on Halberstam's view on the filmic gaze:
1. How does Halberstam's analysis differ from Mulvey's? How does Halberstam view the transgender look?
2. Can you think of examples where this look operates in other movies/media?
3. Does Halberstam see possibility in what she calls the transgender look? What do you think of this argument?