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Vagabond

Vagabond is a compelling and disturbing portrait of a young single woman... while the action dramatizes Mona's aimless mobility, it is really the moving camera that conveys it with forceful if oblique pathos.
Laderman 265

Mona does not let anything move her on but herself. When she is at the goat farm and the man gives her stability and every reason to stay settled for a time, it is herself motivation that pushes her to "move on".
This film definitely embraces a feminist counter-cinema by disrupting the power of the male gaze and phallocentrism. There are a few times where men look at Mono as an object, but she flicks them off and the men completely forget about her. She is not at all like Rebecca from Girl on a Motorcycle who definitely felt the male gaze and the power of the phallos.
The moving camera helps move along the action and narrative throughout the film along with Mono's motivation to keep moving.

Vagabond "suggests that the culture that in some way spawned Mona may have inadvertently contributed to her tragically meaningless death."

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