Despite Leaving Normal being guilty of a stereotypical beginning (including the ever so poignant bus montage), the film managed to redeem itself through more realistic portrayals near the close of the film.
I must agree with several of the other blog posts concerning Marianne. Marianne's mannerisms seemed directly transfered from her five year old self. Her cadence of speech hints that she never quite knows how she is going to end a sentence, and when she smiles bashfully at the end, I always felt like she was proud of herself for simply completing a thought. After watching the film, it seems that perhaps this was a device to demonstrate Marianne's vulnerability. This makes sense because as the film progresses, Marianne loses much of this mannerism, and reverts back to it only when in tough situations.
Darly also embodies a stereotype, albeit a gruffer one. Darly's nonchalant exterior can grow tiresome, particularly when she insists on deprecating herself, almost to the point of boastfulness. The scene with the bonfire where teh two compare "battle scars", and swap stories of their indiscretions seems trite. However, this conversation does develop the plot, because it gives Darly's return to Alaska more emotional depth.
Overall though, the I enjoyed the film, particularly the ending. I thought the directors could have easily turned the story into a heterosexual "fairy tale" of sorts by pairing Marianne with the Romantic Harry. Similarly, we could have seen the return of Darly's daughter, wrapping up the entire story in a nice bow. Also, I enjoyed that the two Alaskan boys they "adopted" remained in the picture. The women did not abandon them as soon as their own lives became more stable. I believe the film ended with a nice balance of unresolved issues and "feel-good" friendships.
My favorite road film for the class would have to be Set it Off. Although I cannot pinpoint my exact place of fondness for this film, I think it lies in the mixture of being genuinely funny with a moderately realistic (and simultaneously heart wrenching) ending. I would have been disappointed to see all four women escape, something that would never ever happen in the real world. The film also did a terrific job of illustrating how frustrating and debilitating poverty can be. The film is not over-bearing on either side. Although the audience will laugh, this is not a comedy. There is also extreme violence, but not gratuitous. Set it Off is a film I will definitely watch again outside of class. Girl on a Motorcycle? Probably Not.